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Congratulations again, Ryan! </div>
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And I really appreciate the Forward by Aaron, too!</div>
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I will definitely use this in my grad seminar on Ozu and Film Studies in Winter/Spring!</div>
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Best,</div>
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Daisuke</div>
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<span style="font-size: 10pt;">Daisuke Miyao</span></div>
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<span style="font-size: 10pt;">Professor and Hajime Mori Chair in Japanese Language and Literature</span></div>
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<span style="font-size: 10pt;">Director of Film Studies</span></div>
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<span style="font-size: 10pt;">University of California, San Diego</span></div>
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<div id="divRplyFwdMsg" dir="ltr"><font face="Calibri, sans-serif" style="font-size:11pt" color="#000000"><b>From:</b> KineJapan <kinejapan-bounces@mailman.yale.edu> on behalf of Mathieu Capel via KineJapan <kinejapan@mailman.yale.edu><br>
<b>Sent:</b> Sunday, November 26, 2023 7:59 PM<br>
<b>To:</b> Japanese Cinema Discussion Forum <kinejapan@mailman.yale.edu><br>
<b>Cc:</b> Mathieu Capel <mathieucapel@gmail.com><br>
<b>Subject:</b> Re: [KineJapan] Hasumi's Ozu book</font>
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<div class="x_gmail_default" style="font-family:georgia,serif; font-size:small">Dear Ryan,</div>
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<div class="x_gmail_default" style="font-family:georgia,serif; font-size:small">You must be right, and I genuinely thought some months ago that maybe Cahiers du cinéma would reissue the book on this occasion (even dreamed of a new version with the added three
chapters), but they prefered to reissue a book by Jean-Michel Frodon instead, what is definitely a good idea but, as shameful as it is, I haven't read yet - as Stephen Sarrazin suggests, one can think that he quotes Hasumi in it, so my former post must have
been wrong about publications in France this year. My bad! </div>
<div class="x_gmail_default" style="font-family:georgia,serif; font-size:small">NB : Schrader's book was translated to French some years ago, and I still can remember that the person in charge told me it was a welcome contradiction to Hasumi's views.</div>
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<div class="x_gmail_default" style="font-family:georgia,serif; font-size:small">Best,</div>
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<div dir="ltr" class="x_gmail_attr">Le lun. 27 nov. 2023 à 12:30, Ryan Cook via KineJapan <<a href="mailto:kinejapan@mailman.yale.edu">kinejapan@mailman.yale.edu</a>> a écrit :<br>
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<div dir="auto">I imagine that the relatively weak influence of the French translation, at least today, is in part a product of the fact that it has long been out of print? I referred to the French here and there to see how that translation team tackled certain
things, but it was not that easy to get my hands on it. </div>
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<div dir="auto">Ryan</div>
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<div dir="ltr" class="x_gmail_attr">On Sun, Nov 26, 2023 at 5:18 PM stephen sarrazin <<a href="mailto:stephensarra@hotmail.com" target="_blank">stephensarra@hotmail.com</a>> wrote:<br>
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<div dir="auto">Ryan,
<div>Mathieu Capel is correct about his remark concerning the influence Hasumi’s book, in French, had at the time or since on Ozu scholarship in France. I remember clearly its release, one title among Cahiers’s Auteurs collection (several of which would warrant
an English translation as well), and being interviewed about it back then.</div>
<div>I’d venture that Hasumi’s essays in Trafic did not make a noticeable impact either, although Frodon and Mathieu in particular championed him.</div>
<div>As for Schrader being castigated by Hasumi, well one again thinks of Yeats’ Second Coming; this titan of a writer- director was not the only one Hasumi felt compelled to chasten…</div>
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<div dir="ltr">Still, would love to hear your blurb story!</div>
<div dir="ltr">And look forward to the book and discovering the new chapters!</div>
<div dir="ltr">All best,</div>
<div dir="ltr">St.S</div>
<div dir="ltr">Tokyo</div>
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<blockquote type="cite">On Nov 27, 2023, at 11:51, Ryan Cook via KineJapan <<a href="mailto:kinejapan@mailman.yale.edu" target="_blank">kinejapan@mailman.yale.edu</a>> wrote:<br>
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<div dir="auto">I’m not sure if I should comment publicly about this, Markus. Haha</div>
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<div dir="ltr" class="x_gmail_attr">On Sun, Nov 26, 2023 at 4:48 PM Markus Nornes via KineJapan <<a href="mailto:kinejapan@mailman.yale.edu" target="_blank">kinejapan@mailman.yale.edu</a>> wrote:<br>
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<div dir="ltr">At least Jean-Michel and Bernard wrote very nice, even useful, blurbs. Schrader, in contrast, phoned it in. But then he surely hates the book, if he got past the first section that castigates him. I know from an awkward conversation that he stands
proudly on the position he staked out in <i>Transcendental Cinema!</i>
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<div>Ryan, how did the Schrader blurb come about? I'm curious.</div>
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<div style="font-size:small"><font face="courier new, monospace" style="font-family:"courier new",monospace; color:rgb(39,78,19)"><b style="font-family:"courier new",monospace">Markus Nornes</b></font></div>
<div style="font-size:small"><span style="font-family:"courier new",monospace"><font style="font-family:"courier new",monospace; color:rgb(56,118,29)"><b style="font-family:"courier new",monospace">Professor of Asian Cinema</b></font></span></div>
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<font size="1" style="color:rgb(56,118,29)"><font face="courier new, monospace" style="font-family:"courier new",monospace; color:rgb(56,118,29)">Department of Film, Television and Media</font><span style="font-family:"courier new",monospace">, Department of
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<div dir="ltr" class="x_gmail_attr">On Mon, Nov 27, 2023 at 11:42 AM Ryan Cook via KineJapan <<a href="mailto:kinejapan@mailman.yale.edu" target="_blank">kinejapan@mailman.yale.edu</a>> wrote:<br>
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Thanks very much for the gracious endorsements and interest in this translation (a product of a lot of time spent at home during the pandemic...).
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<div>Mathieu: yes, this is based on the definitive edition and includes the three chapters that were added in 2003 (there is also a Chinese translation). The new English edition does include the interview with Atsuta that appears as an appendix in the Japanese.
(There is a French translation of this interview that appeared somewhere at some point long ago, but it is completely rearranged and hardly resembles the original.) Unfortunately we were not able to print the interview with Yukiko Inoue that also appears in
the Japanese edition due to what I understood would be a strict word limit. I also decided against asking Hasumi to write a foreword for this reason, though in retrospect I wonder if we couldn't have stretched the word limit since we seem to have blown through
it anyway. Maybe we can find another venue for Hasumi to comment in English on the occasion of the translation, which comes just about 20 years after he last expanded the book, on its 20th anniversary (and the Ozu centenary). </div>
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<div>Honolulu</div>
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<div dir="ltr" class="x_gmail_attr">On Sun, Nov 26, 2023 at 4:25 PM Mathieu Capel via KineJapan <<a href="mailto:kinejapan@mailman.yale.edu" target="_blank">kinejapan@mailman.yale.edu</a>> wrote:<br>
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<div class="x_gmail_default" style="font-family:georgia,serif; font-size:small">This English version is long overdue, needless to say, since the book was only translated to French and Korean, if I am not wrong (all apologies if I am).</div>
<div class="x_gmail_default" style="font-family:georgia,serif; font-size:small">Actually, there are some embarrassing mistakes in the French translation, even though it was reviewed by Hasumi himself (and, according to French speaking Japanese friends, it is
far from good, to what I would agree to some extent...). And if I were to add an ironical kind of mixed-feelings remark, despite what Frodon and Eisenschitz says, I am pessimistic somehow how far Hasumi's view has changed in depth the way French viewers see
Ozu's films: if you check the literature that was published this year related to the 60th/120th birthday events, I can't remember one quote of Hasumi's text, and most texts etc. seem to rely upon the same old clichés... </div>
<div class="x_gmail_default" style="font-family:georgia,serif; font-size:small">Anyway, is Ryan's version based on the Japanese definite edition ? Even Cahiers du cinéma Publishing, who don't seem to care so much about the book actually, have apparently not
a single clue that there are three chapters missing in the French version (the interviews at the end of the original book were also scrapped from the Cahiers du cinéma translation).</div>
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<div class="x_gmail_default" style="font-family:georgia,serif; font-size:small">Best regards,</div>
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<div class="x_gmail_default" style="font-family:georgia,serif; font-size:small">Mathieu Capel</div>
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<div dir="ltr" class="x_gmail_attr">Le lun. 27 nov. 2023 à 10:58, Markus Nornes via KineJapan <<a href="mailto:kinejapan@mailman.yale.edu" target="_blank">kinejapan@mailman.yale.edu</a>> a écrit :<br>
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<div dir="ltr">Erice wrote a lovely blurb for the cover.
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<div style="font-size:small"><font face="courier new, monospace" style="font-family:"courier new",monospace; color:rgb(39,78,19)"><b style="font-family:"courier new",monospace">Markus Nornes</b></font></div>
<div style="font-size:small"><span style="font-family:"courier new",monospace"><font style="font-family:"courier new",monospace; color:rgb(56,118,29)"><b style="font-family:"courier new",monospace">Professor of Asian Cinema</b></font></span></div>
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<div dir="ltr" class="x_gmail_attr">On Mon, Nov 27, 2023 at 10:50 AM LCE via KineJapan <<a href="mailto:kinejapan@mailman.yale.edu" target="_blank">kinejapan@mailman.yale.edu</a>> wrote:<br>
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<div>This is indeed a difficult book in Japanese, as are all of Hasumi-sensei's essays about film. In the description of the author, they omitted his close ties to Spanish director Víctor Erice (the two men communicate in French). I have been with them in Japan.</div>
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<div>I'm rooking forward to this translation when it appears in March. Thanks for the notice.<br>
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<div dir="ltr" class="x_gmail_attr">On Sun, Nov 26, 2023 at 6:53 PM Markus Nornes via KineJapan <<a href="mailto:kinejapan@mailman.yale.edu" target="_blank">kinejapan@mailman.yale.edu</a>> wrote:<br>
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<div dir="ltr">We get so few translations in American film studies, it feels like a grand occasion when a classic like this appears:
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<div><a href="https://urldefense.com/v3/__https://www.ucpress.edu/book/9780520396722/directed-by-yasujiro-ozu?fbclid=IwAR2dmRTnFeQhALbmMCromyUU-BVXWlFXXadXuSFJVDOmRvq1iR5R6mKcgnY__;!!Mih3wA!EGSWr4Ab9Q6ET463HuSWFk1PZMLeQ-eB9PbHGSYEkomT0K1Bm88pPRvC_TKpbLetE-rUq1QC3nw521zzjC99TPNa6Q$" target="_blank">https://www.ucpress.edu/book/9780520396722/directed-by-yasujiro-ozu?fbclid=IwAR2dmRTnFeQhALbmMCromyUU-BVXWlFXXadXuSFJVDOmRvq1iR5R6mKcgnY</a><br>
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<div>As anyone who has cracked this book knows, it was a bear to translate. Kudos to Ryan!</div>
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<div>Markus</div>
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