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Dear Markus (if I may),
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<div>This is not the first time this kind of thing happens: for instance, <i>Dersu Uzala</i> by Kurosawa was submitted by the USSR to the Oscar competition and won the Best Foreign Film Award in 1976 if I remember correctly. </div>
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<div>Best wishes,</div>
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<div>Claire-Akiko Brisset<br>
PO histoire culturelle du Japon<br>
Directrice du département ESTAS<br>
Faculté des lettres<br>
Université de Genève<br>
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Dernière parution :</div>
<div>https://www.cnrseditions.fr/catalogue/sciences-politiques-et-sociologie/l-enfer-du-regard/</div>
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<div>Le 24 janv. 2024 à 01:07, Markus Nornes via KineJapan <kinejapan@mailman.yale.edu> a écrit :</div>
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<div>Perfect Days premiered at Tokyo Film Festival, and they announced that the film would be Japan’s submission to the Oscar race. Wenders was visibly embarrassed and mentioned that he was surprised and humbled by that news. I talked to a lot of people who
were scratching their heads about the nomination (I’ve met few people who dislike the film), but why not? It’s interesting to think about what’s generating their reaction.
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<div dir="auto">Markus</div>
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