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In defense of Toho, I believe they are more circumspect with publicity materials like stills for the films of Kurosawa and Honda due to issues with the estates of these directors. That aside, as with any of the major studios, if you ask for image production
permissions or access, they'll quote some outlandish fee, just because of inhouse bureaucracy and the fact they've got bigger fish to fry. I've no contact myself at Toho, but I suspect if you did try, they'd probably ignore or dismiss your request and you
are probably better off asking Kawakita instead- who in my experience have more stills for most films than the studios do themselves.</div>
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<div id="divRplyFwdMsg" dir="ltr"><font face="Calibri, sans-serif" style="font-size:11pt" color="#000000"><b>From:</b> KineJapan <kinejapan-bounces@mailman.yale.edu> on behalf of Miyao, Daisuke via KineJapan <kinejapan@mailman.yale.edu><br>
<b>Sent:</b> 08 May 2024 18:32<br>
<b>To:</b> Japanese Cinema Discussion Forum <kinejapan@mailman.yale.edu><br>
<b>Cc:</b> Miyao, Daisuke <dmiyao@ucsd.edu><br>
<b>Subject:</b> Re: [KineJapan] Stills from Tōhō</font>
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Dear Ann,</div>
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I had a similar experience. I decided not to include stills from <i>Neko to Shozo</i> in
<i>Cinema Is a Cat</i>. Too bad because they do have wonderful images! (And the film is not available on DVD, either!) I hope the things will change for the better!</div>
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Best,</div>
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Daisuke</div>
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Daisuke Miyao</div>
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Professor and Hajime Mori Chair in Japanese Language and Literature</div>
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Director of Film Studies</div>
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University of California, San Diego</div>
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<div id="x_divRplyFwdMsg" dir="ltr"><font face="Calibri, sans-serif" color="#000000" style="font-size:11pt"><b>From:</b> KineJapan <kinejapan-bounces@mailman.yale.edu> on behalf of Earl Jackson via KineJapan <kinejapan@mailman.yale.edu><br>
<b>Sent:</b> Tuesday, May 7, 2024 11:51 PM<br>
<b>To:</b> Japanese Cinema Discussion Forum <kinejapan@mailman.yale.edu><br>
<b>Cc:</b> Earl Jackson <earljac@gmail.com><br>
<b>Subject:</b> Re: [KineJapan] Stills from Tōhō</font>
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<div dir="ltr">Hi Ann,
<div>When Victor Fan and I coedited Nang, we even had a special agent mediate contract with Toho and it was a nightmare of irrationality and</div>
<div>bizarre indifference. I hope you fare better.</div>
<div>best</div>
<div>ej<br clear="all">
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<div style="font-family:arial">Earl Jackson</div>
<div style="font-family:arial">
<div>Chair Professor</div>
<div>Foreign Languages and Literatures</div>
<div>Asia University</div>
<div>Professor Emeritus</div>
<div>National Chiao Tung University</div>
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<div style="font-family:arial">Associate Professor Emeritus</div>
<div style="font-family:arial">University of California, Santa Cruz<br>
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<div dir="ltr" class="x_x_gmail_attr">On Wed, May 8, 2024 at 12:52 PM Anne McKnight via KineJapan <<a href="mailto:kinejapan@mailman.yale.edu">kinejapan@mailman.yale.edu</a>> wrote:<br>
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Hi all~<br>
<br>
Would anyone have a contact at Tōhō for stills permissions/purchase? I’m nearing the end of a book, a long translation and essay on Kurosawa Akira, and need to get permissions for 2 stills that Kurosawa Pro does not have; they told me to inquire at Tōhō. Stills
are from 「まあだだよ」and from 「一番美しく」. It’s possible Kurosawa Pro might introduce me to the right person, but in the interest of wrapping this up, if anyone has worked with someone lately and would be comfortable with relaying the contact, either here or via personal
email, I would be super appreciative.<br>
<br>
Thanks!<br>
<br>
Anne<br>
<br>
~~~~~~~~~~~~~~~~~~~~~<br>
Associate Professor, Dept of Comparative Literature and Languages/Japanese<br>
Mail: 2401 HMNSS Building<br>
UC Riverside, Riverside CA, 92521 USA<br>
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