<html><head><meta http-equiv="content-type" content="text/html; charset=utf-8"></head><body style="overflow-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;">Hi Markus, Earl, Daisuke, Jasper and everyone~<div><br></div><div>Thanks for all your insights, and sorry to hear about this uniform terrible-ness! It’s funny, I just translated Kurosawa watching his own series on TV, and loving it because it could interest a whole new—baffling, to him—generation to his stuff! <div><br>I have not been able to find a contact on line for Tōhō…so I’ll see if Kurosawa Pro can help me out, and if not, go with the screenshots, and not for lack of trying…<div><div>Kawakita is a good suggestion…a note to add is that the rights-holder is probably still going to be Kurosawa Pro. Sorry to be dense, Jasper, but are you suggesting I ask Kawakita to intermediate? Or rather that they might have an image I can swap out? (I have been trying to duplicate the originals as much as possible, which are apparently lost in the mists of <u>Bungei shunjū</u> history…). </div><div><br></div><div>Anne<br><div><br id="lineBreakAtBeginningOfMessage"><div><br><blockquote type="cite"><div>On May 8, 2024, at 4:26 PM, Markus Nornes via KineJapan <kinejapan@mailman.yale.edu> wrote:</div><br class="Apple-interchange-newline"><div><div dir="ltr">J-Flicks on NHK World has told me something akin to what Jasper wrote. They are starting a classics bit for each episode now, and I'll be doing the first batch. They are keen on big, famous directors (Ozu again), and 1953 is their cut-off date. I find their willingness to take the public domain rule refreshing. <div><br></div><div>But when I suggested doing pre-1953 Kurosawa they immediately said no. The family was aggressive and problematic. It isn't worth the predictable fight. </div><div><br></div><div>Markus<br><div><br></div><div><br></div><div><br></div><div><br clear="all"><div><div dir="ltr" class="gmail_signature" data-smartmail="gmail_signature"><div dir="ltr"><div><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><span style="color:rgb(136,136,136)">--- </span></div><div dir="ltr"><div dir="ltr"><div dir="ltr"><div style="font-size:small"><font face="courier new, monospace" color="#274e13"><b><img width="55" height="96" src="https://ci3.googleusercontent.com/mail-sig/AIorK4wpadRRhHYSz0N5UbUflm2YEIclCcg0bTCCBEh81fkJ8isCMwomHpMoky49pEF7xzc4MTMR-PM"><br></b></font></div><div style="font-size:small"><font face="courier new, monospace" color="#274e13"><b>Markus Nornes</b></font></div><div style="font-size:small"><span style="font-family:"courier new",monospace"><font color="#38761d"><b>Professor of Asian Cinema</b></font></span></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div><blockquote style="margin:0 0 0 40px;border:none;padding:0px"><blockquote style="margin:0px 0px 0px 0.8ex;border-left-width:1px;border-left-style:solid;border-left-color:rgb(204,204,204);padding-left:1ex"><font size="1" color="#38761d"><font face="courier new, monospace">Department of Film, Television and Media</font><span style="font-family:"courier new",monospace">, Department of Asian Languages and Cultures, Penny Stamps </span><span style="font-family:"courier new",monospace">School of Art & Design</span></font></blockquote></blockquote><blockquote style="margin:0 0 0 40px;border:none;padding:0px"><blockquote style="margin:0px 0px 0px 0.8ex;border-left-width:1px;border-left-style:solid;border-left-color:rgb(204,204,204);padding-left:1ex"> </blockquote></blockquote><blockquote style="margin:0 0 0 40px;border:none;padding:0px"><blockquote style="margin:0px 0px 0px 0.8ex;border-left-width:1px;border-left-style:solid;border-left-color:rgb(204,204,204);padding-left:1ex"><font face="arial, sans-serif"><b><u><span style="background-color:rgb(182,215,168)">Homepage: <a href="http://www-personal.umich.edu/~nornes/" target="_blank"><font color="#ffffff">http://www-personal.umich.edu/~nornes/</font></a></span><font color="#6aa84f"><br></font></u></b></font><font face="courier new, monospace" size="1" color="#93c47d"><b>Department of Film, Television and Media<br></b></font><font face="courier new, monospace" size="1" color="#93c47d"><b>6348 North Quad<br></b></font><font face="courier new, monospace" size="1" color="#93c47d"><b>105 S. State Street<br></b></font><font face="courier new, monospace" size="1" color="#93c47d"><b>Ann Arbor, MI 48109-1285</b></font></blockquote></blockquote><div><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div style="color:rgb(136,136,136)"><br></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div><br></div></div></div><br><div class="gmail_quote"><div dir="ltr" class="gmail_attr">On Thu, May 9, 2024 at 6:16 AM Jasper Sharp via KineJapan <<a href="mailto:kinejapan@mailman.yale.edu">kinejapan@mailman.yale.edu</a>> wrote:<br></div><blockquote class="gmail_quote" style="margin:0px 0px 0px 0.8ex;border-left-width:1px;border-left-style:solid;border-left-color:rgb(204,204,204);padding-left:1ex"><div class="msg-6231397584599980761">
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In defense of Toho, I believe they are more circumspect with publicity materials like stills for the films of Kurosawa and Honda due to issues with the estates of these directors. That aside, as with any of the major studios, if you ask for image production
permissions or access, they'll quote some outlandish fee, just because of inhouse bureaucracy and the fact they've got bigger fish to fry. I've no contact myself at Toho, but I suspect if you did try, they'd probably ignore or dismiss your request and you
are probably better off asking Kawakita instead- who in my experience have more stills for most films than the studios do themselves.</div>
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<div id="m_-6231397584599980761divRplyFwdMsg" dir="ltr"><font face="Calibri, sans-serif" style="font-size:11pt"><b>From:</b> KineJapan <<a href="mailto:kinejapan-bounces@mailman.yale.edu" target="_blank">kinejapan-bounces@mailman.yale.edu</a>> on behalf of Miyao, Daisuke via KineJapan <<a href="mailto:kinejapan@mailman.yale.edu" target="_blank">kinejapan@mailman.yale.edu</a>><br>
<b>Sent:</b> 08 May 2024 18:32<br>
<b>To:</b> Japanese Cinema Discussion Forum <<a href="mailto:kinejapan@mailman.yale.edu" target="_blank">kinejapan@mailman.yale.edu</a>><br>
<b>Cc:</b> Miyao, Daisuke <<a href="mailto:dmiyao@ucsd.edu" target="_blank">dmiyao@ucsd.edu</a>><br>
<b>Subject:</b> Re: [KineJapan] Stills from Tōhō</font>
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Dear Ann,</div>
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I had a similar experience. I decided not to include stills from <i>Neko to Shozo</i> in
<i>Cinema Is a Cat</i>. Too bad because they do have wonderful images! (And the film is not available on DVD, either!) I hope the things will change for the better!</div>
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Best,</div>
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Daisuke</div>
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Daisuke Miyao</div>
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Professor and Hajime Mori Chair in Japanese Language and Literature</div>
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Director of Film Studies</div>
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University of California, San Diego</div>
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<div id="m_-6231397584599980761x_divRplyFwdMsg" dir="ltr"><font face="Calibri, sans-serif" style="font-size:11pt"><b>From:</b> KineJapan <<a href="mailto:kinejapan-bounces@mailman.yale.edu" target="_blank">kinejapan-bounces@mailman.yale.edu</a>> on behalf of Earl Jackson via KineJapan <<a href="mailto:kinejapan@mailman.yale.edu" target="_blank">kinejapan@mailman.yale.edu</a>><br>
<b>Sent:</b> Tuesday, May 7, 2024 11:51 PM<br>
<b>To:</b> Japanese Cinema Discussion Forum <<a href="mailto:kinejapan@mailman.yale.edu" target="_blank">kinejapan@mailman.yale.edu</a>><br>
<b>Cc:</b> Earl Jackson <<a href="mailto:earljac@gmail.com" target="_blank">earljac@gmail.com</a>><br>
<b>Subject:</b> Re: [KineJapan] Stills from Tōhō</font>
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<div dir="ltr">Hi Ann,
<div>When Victor Fan and I coedited Nang, we even had a special agent mediate contract with Toho and it was a nightmare of irrationality and</div>
<div>bizarre indifference. I hope you fare better.</div>
<div>best</div>
<div>ej<br clear="all">
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<div style="font-family:arial">Earl Jackson</div>
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<div>Chair Professor</div>
<div>Foreign Languages and Literatures</div>
<div>Asia University</div>
<div>Professor Emeritus</div>
<div>National Chiao Tung University</div>
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<div style="font-family:arial">Associate Professor Emeritus</div>
<div style="font-family:arial">University of California, Santa Cruz<br>
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<div dir="ltr">On Wed, May 8, 2024 at 12:52 PM Anne McKnight via KineJapan <<a href="mailto:kinejapan@mailman.yale.edu" target="_blank">kinejapan@mailman.yale.edu</a>> wrote:<br>
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Hi all~<br>
<br>
Would anyone have a contact at Tōhō for stills permissions/purchase? I’m nearing the end of a book, a long translation and essay on Kurosawa Akira, and need to get permissions for 2 stills that Kurosawa Pro does not have; they told me to inquire at Tōhō. Stills
are from 「まあだだよ」and from 「一番美しく」. It’s possible Kurosawa Pro might introduce me to the right person, but in the interest of wrapping this up, if anyone has worked with someone lately and would be comfortable with relaying the contact, either here or via personal
email, I would be super appreciative.<br>
<br>
Thanks!<br>
<br>
Anne<br>
<br>
~~~~~~~~~~~~~~~~~~~~~<br>
Associate Professor, Dept of Comparative Literature and Languages/Japanese<br>
Mail: 2401 HMNSS Building<br>
UC Riverside, Riverside CA, 92521 USA<br>
<br>
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