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<p class="MsoNormal">Dear Eva<span style="mso-fareast-language:JA">,<o:p></o:p></span></p>
<p class="MsoNormal"><span style="mso-fareast-language:JA"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="mso-fareast-language:JA">Oopsa, thank you for pointing this out- that is of course a typo, the deadline for the proposals is of course October 31, 2024 (!). That’s a bit of a whopper- sorry to have missed that.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="mso-fareast-language:JA"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="mso-fareast-language:JA">All best,<o:p></o:p></span></p>
<p class="MsoNormal"><span style="mso-fareast-language:JA">Alex<o:p></o:p></span></p>
<p class="MsoNormal"><span style="mso-fareast-language:JA"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="mso-fareast-language:JA"><o:p> </o:p></span></p>
<p class="MsoNormal"><o:p> </o:p></p>
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<p class="MsoNormal" style="margin-bottom:12.0pt"><b><span style="color:black">From:
</span></b><span style="color:black">KineJapan <kinejapan-bounces@mailman.yale.edu> on behalf of
</span><span lang="ZH-CN" style="font-family:DengXian;color:black">台師大</span><span style="color:black">Eva</span><span lang="ZH-CN" style="font-family:DengXian;color:black">蔡如音</span><span style="color:black"> via KineJapan <kinejapan@mailman.yale.edu><br>
<b>Date: </b>Thursday, September 19, 2024 at 01:42<br>
<b>To: </b>Japanese Cinema Discussion Forum <kinejapan@mailman.yale.edu><br>
<b>Cc: </b></span><span lang="ZH-CN" style="font-family:DengXian;color:black">台師大</span><span style="color:black">Eva</span><span lang="ZH-CN" style="font-family:DengXian;color:black">蔡如音</span><span style="color:black"> <etsai@gapps.ntnu.edu.tw><br>
<b>Subject: </b>Re: [KineJapan] Call for Papers: East Asian Amateur Media Practices Conference (May 10/11, Harvard University)<o:p></o:p></span></p>
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<p class="MsoNormal">Hello Alex,<o:p></o:p></p>
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<p class="MsoNormal"><o:p> </o:p></p>
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<p class="MsoNormal">What an interesting conference. Is the proposal deadline this year (2024) if the conference is to be held in May next year?<o:p></o:p></p>
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<p class="MsoNormal"><o:p> </o:p></p>
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<p class="MsoNormal">Many thanks.<o:p></o:p></p>
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<p class="MsoNormal"><o:p> </o:p></p>
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<p class="MsoNormal">eva<br clear="all">
<br clear="all">
<o:p></o:p></p>
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<li class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;mso-list:l5 level1 lfo1">
<span style="font-family:"Arial",sans-serif;color:#0B5394">-ˏˋ</span><span style="font-family:"Cambria Math",serif;color:#0B5394">⋆</span><span style="font-family:"Arial",sans-serif;color:#0B5394"> ̥
</span><span lang="ZH-CN" style="font-family:DengXian;color:#0B5394"> </span><span style="font-family:"Arial",sans-serif;color:#0B5394"> ̣̮ ̥
</span><span lang="ZH-CN" style="font-family:DengXian;color:#0B5394"> </span><span style="font-family:"Arial",sans-serif;color:#0B5394"> ͙ʰ͙ᵉ͙ˡ͙ˡ͙ᵒ͙
</span><span lang="ZH-CN" style="font-family:DengXian;color:#0B5394"> </span><span style="font-family:"Arial",sans-serif;color:#0B5394"> ̥
</span><span lang="ZH-CN" style="font-family:DengXian;color:#0B5394"> </span><span style="font-family:"Arial",sans-serif;color:#0B5394"> ̣̮ ̥
</span><span style="font-family:"Cambria Math",serif;color:#0B5394">⋆</span><span style="font-family:"Arial",sans-serif;color:#0B5394">ˊˎ-</span><span style="font-family:"Arial",sans-serif"><o:p></o:p></span></li></ul>
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<p class="MsoNormal"><span lang="ZH-CN" style="font-family:DengXian;color:#0B5394">蔡如音，台師大大傳所教授</span><o:p></o:p></p>
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<p class="MsoNormal"><span style="font-family:"Verdana",sans-serif;color:#0B5394">Eva Tsai, Ph.D.</span><o:p></o:p></p>
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<p class="MsoNormal"><span style="font-family:"Verdana",sans-serif;color:#0B5394">Professor</span><o:p></o:p></p>
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<p class="MsoNormal"><span style="font-family:"Verdana",sans-serif;color:#0B5394">Graduate Institute of Mass Communication</span><o:p></o:p></p>
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<p class="MsoNormal"><span style="font-family:"Verdana",sans-serif;color:#0B5394">National Taiwan Normal University (NTNU)</span><o:p></o:p></p>
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<p class="MsoNormal"><span style="font-family:"Verdana",sans-serif;color:#0B5394"><a href="https://urldefense.proofpoint.com/v2/url?u=https-3A__www.mcom.ntnu.edu.tw_index.php_faculty_&d=DwMFaQ&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=B5VuKNa6j5cBzYkdE5_LHcZnBnXLUxAV5bWHiJ_ZOzX-uPCXXl8bWScJzZkllUvC&s=CKBm9SFUeoa2WQGoxRHhZUV7EAFwnwEUGBPcm2urEM0&e=" target="_blank"><span lang="ZH-CN" style="font-family:DengXian">師大大傳所網頁</span></a> ; <a href="https://urldefense.proofpoint.com/v2/url?u=https-3A__www.mcom.ntnu.edu.tw_wp-2Dcontent_uploads_2024_02_-25EF-25BC-25A3-25EF-25BC-25B6-2DEva-2D202402.pdf&d=DwMFaQ&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=B5VuKNa6j5cBzYkdE5_LHcZnBnXLUxAV5bWHiJ_ZOzX-uPCXXl8bWScJzZkllUvC&s=hd9370Ny7v9m0eBoyuydgXP92GPWkeCHMAf5mJsUBuA&e=" target="_blank"><span lang="ZH-CN" style="font-family:DengXian">ＣＶ</span></a></span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-family:"Verdana",sans-serif;color:#0B5394">Podcasts: <a href="https://urldefense.proofpoint.com/v2/url?u=https-3A__player.soundon.fm_p_71a1e8da-2Db594-2D45bf-2D91fb-2D97c1e470a956&d=DwMFaQ&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=B5VuKNa6j5cBzYkdE5_LHcZnBnXLUxAV5bWHiJ_ZOzX-uPCXXl8bWScJzZkllUvC&s=ANX8VeIwLxU2qDVlAKpWCZefrwn1jxlq7CfSHtRLnl0&e=" target="_blank"><span lang="ZH-CN" style="font-family:DengXian">聲與故事的裁縫手</span></a></span><span lang="ZH-CN" style="font-family:DengXian;color:#0B5394">；</span><span style="font-family:"Verdana",sans-serif;color:#0B5394"><a href="https://urldefense.proofpoint.com/v2/url?u=https-3A__player.soundon.fm_p_1f3b5d9c-2Db2bd-2D48ca-2D9967-2D31eded24f1a9&d=DwMFaQ&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=B5VuKNa6j5cBzYkdE5_LHcZnBnXLUxAV5bWHiJ_ZOzX-uPCXXl8bWScJzZkllUvC&s=THXRqaDMDelPU6ZJbm1ONkgFswMIp3ckNKv9F0Lq1OQ&e=" target="_blank">MIT<span lang="ZH-CN" style="font-family:DengXian">作者對談</span></a></span><span lang="ZH-CN" style="font-family:DengXian;color:#0B5394">；</span><span style="font-family:"Verdana",sans-serif;color:#0B5394"><a href="https://urldefense.proofpoint.com/v2/url?u=https-3A__open.firstory.me_user_cl01yph2r91l70946r9grt8e1_platforms&d=DwMFaQ&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=B5VuKNa6j5cBzYkdE5_LHcZnBnXLUxAV5bWHiJ_ZOzX-uPCXXl8bWScJzZkllUvC&s=evGS9hlSM731udJKVTnhV5USHSbxVKk1MYM57yq-xoc&e=" target="_blank"><span lang="ZH-CN" style="font-family:DengXian">師大的故事</span>Shida
Stories</a></span><o:p></o:p></p>
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<p class="MsoNormal"><o:p> </o:p></p>
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<p class="MsoNormal"><o:p> </o:p></p>
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<p class="MsoNormal">On Thu, Sep 19, 2024 at 00:31 Zahlten, Alexander via KineJapan <<a href="mailto:kinejapan@mailman.yale.edu">kinejapan@mailman.yale.edu</a>> wrote:<o:p></o:p></p>
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<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto">Dear All,<o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"> <o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto">Please find below the Call for Papers for a conference on (Histories of) East Asian Amateur Media Practices, to be held at Harvard on May 10/11 next year. The conference will also
be used to launch the Japanese Amateur Film Archive at Harvard.<o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"> <o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto">Feel to write to me with any questions you might have!<o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"> <o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto">All best wishes,<o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"> <o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto">Alex<o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"> <o:p></o:p></p>
<p class="MsoNormal" align="center" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;text-align:center">
<b>Histories of East Asian “Amateur” Media Practices Conference</b><o:p></o:p></p>
<p class="MsoNormal" align="center" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;text-align:center">
<o:p></o:p></p>
<p class="MsoNormal" align="center" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;text-align:center">
May 10/11, 2025<o:p></o:p></p>
<p class="MsoNormal" align="center" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;text-align:center">
Harvard University<o:p></o:p></p>
<p class="MsoNormal" align="center" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;text-align:center">
<o:p></o:p></p>
<p class="MsoNormal" align="center" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;text-align:center">
<i>Keynote Sessions Featuring:</i><o:p></o:p></p>
<p class="MsoNormal" align="center" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;text-align:center">
Susan Aasman, University of Groningen<o:p></o:p></p>
<p class="MsoNormal" align="center" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;text-align:center">
Jamie Zhao, City University of Hong Kong<o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"> <o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"> <o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"> <o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto">We invite proposals to the East Asian “Amateur” Media Practices conference at Harvard University. The conference aims to provide a venue for presenting research on historical and
contemporary amateur media practices in East Asia and for discussing the current state and possible futures of this rapidly expanding field of inquiry.<o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"> <o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto">The production and distribution of media content is now a part of everyday life - from social media posts to livestreams or fan-produced media based on popular characters. This
ubiquity of popular media production and distribution has often implicitly been ascribed to digital culture and the resulting emergence of the “produser” or of “playbor”, destabilizing a term such as amateur.<o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"> <o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto">But the production and distribution of media content outside of the commercial media industries has a long history. Be it amateur radio broadcasting in 1920s Japan, amateur film
from the 1930s across East Asia, print publications made and circulated by groups and individuals from the 19th century, or “grassroots painting” in the PRC, East Asia has an exceptionally long and deep history of what might be called amateur media practices
in the (broadly speaking) modern context- and many different terms besides “amateur” to describe it.
<o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"> <o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto">So far, many of the questions around “amateur” media production in English-language research have been posed primarily in the North American or Western European context. But their
extent and impact in East Asia has been particularly striking, transforming politics, consumption, and economics, built urban environments, discourses of sexuality and gender, and rhythms of everyday life. Such massive shifts raise important questions about
the nature of amateur media practices and about its past and future in East Asia and the world, questions for which much remains to explore from the vantage points of both media studies and area studies.<o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"> <o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto">They also raise the question of what the category of amateur practices means means differently over time, and when it is useful – or not. The term amateur already situates these
practices in very specific ways. What other terms might be more appropriate for similar phenomena across time, or do we need a different terminology depending on the temporal, regional, or media-technological context? How do “amateur” media practices often
connect to one another and form an extensive network? How do they align with, cause friction with, or complexly negotiate a co-existence with, site-specific economic or political systems?
<o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"> <o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto">The East Asian Amateur Media Practices conference aims to foster interdisciplinary, intermedial, and transhistorical conversations. With a significant amount of research on amateur
media practices being conducted across very different fields and disciplines, we hope to generate a conversation across these approaches, and the often very different time zones they address.
<o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"> <o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto">Contemporary fan studies, film studies focused on the 1930s, communications-type work on community broadband in the 1970s and many other approaches will hopefully enter in a fruitful
dialogue. Broadly, we hope to collectively address questions such as the following:<o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"> <o:p></o:p></p>
<ul type="disc">
<li class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;mso-list:l0 level1 lfo2">
How do differing media situations require different theorization of “amateur” practices - or make other terms and frameworks more productive?<o:p></o:p></li></ul>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"> <o:p></o:p></p>
<ul type="disc">
<li class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;mso-list:l6 level1 lfo3">
As “amateur” media practices take place across media forms / genres / channels, which methodologies are useful to map them and their significance - and which specific questions are they geared to address?<o:p></o:p></li></ul>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"> <o:p></o:p></p>
<ul type="disc">
<li class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;mso-list:l1 level1 lfo4">
Do amateur media practices - past and present - present useful different models of economy, sociality, politics, or topography (i.e. planetary, global, transnational etc.) that can be made productive today?<o:p></o:p></li></ul>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"> <o:p></o:p></p>
<ul type="disc">
<li class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;mso-list:l4 level1 lfo5">
What kind of larger historical trajectories come into view once one takes more than one amateur media form into account? Does the significance of amateur media practice change with their relationship to specific media forms and expressions?<o:p></o:p></li></ul>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"> <o:p></o:p></p>
<ul type="disc">
<li class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;mso-list:l3 level1 lfo6">
Not only recent amateur practices are networked well beyond national contexts; how do amateur media practices and their networks help us track an interaction with imaginaries of nation, or of geopolitics?<o:p></o:p></li></ul>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"> <o:p></o:p></p>
<ul type="disc">
<li class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;mso-list:l2 level1 lfo7">
How do we think beyond what is the focus of much work on amateur media practices: production? How would that history look different if we additionally focused on distribution?
<o:p></o:p></li></ul>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"> <o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"> <o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto">We invite proposals on all topics related to “amateur” media practices in East Asia and are open to a broad span of topics and approaches. Proposals from graduate students are also
very welcome. Proposals should be up to 200 words in length and include a list of three keywords and include a few sentences on how the paper contributes to an emergent field of “amateur” media practices across media forms.<o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"> <o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto">We plan to cover two nights of accommodation for all conference participants.
<o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><b> </b><o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><b>Please send proposals in pdf form by October 31, 2025 to:</b><o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><b><a href="mailto:ea.amateurmediaconference@gmail.com" target="_blank">ea.amateurmediaconference@gmail.com</a></b><o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"> <o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto">The conference is organized by Alexander Zahlten and conference assistant Ami Tanahashi. It is made possible with the kind support of the Reischauer Institute of Japanese Studies,
the Korea Institute, and the Fairbank Center for Chinese Studies.<o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"> <o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"> <o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"> <o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"> <o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span style="font-family:"Times New Roman",serif">……………………</span><o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><sup><span style="font-family:"Times New Roman",serif">Alexander Zahlten</span></sup><o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><sup><span style="font-family:"Times New Roman",serif">Professor of East Asian Languages and Civilizations</span></sup><o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><sup><span style="font-family:"Times New Roman",serif">Chair, Regional Studies East Asia (RSEA) Masters Degree Program</span></sup><o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><sup><span style="font-family:"Times New Roman",serif">Harvard University</span></sup><o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><sup><span style="font-family:"Times New Roman",serif">(He / him / his)</span></sup><o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"> <o:p></o:p></p>
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<p class="MsoNormal">_______________________________________________<br>
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