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Thank you, Daisuke, it could indeed be that one.</div>
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Please, Claire-Akiko, let's us know you inquiry at Cinémathèque Française.</div>
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Best,</div>
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<div id="divRplyFwdMsg" dir="ltr"><font face="Calibri, sans-serif" color="#000000" style="font-size:11pt"><b>De:</b> KineJapan <kinejapan-bounces@mailman.yale.edu> en nombre de Claire-Akiko Brisset via KineJapan <kinejapan@mailman.yale.edu><br>
<b>Enviado:</b> viernes, 13 de diciembre de 2024 09:05<br>
<b>Para:</b> Japanese Cinema Discussion Forum <kinejapan@mailman.yale.edu><br>
<b>Cc:</b> Claire-Akiko Brisset <Claire-Akiko.Brisset@unige.ch><br>
<b>Asunto:</b> Re: [KineJapan] [EXTERNAL] Sessue Hayakawa</font>
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<div style="line-break:after-white-space">Dear Prof. Miyao,
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<div>I can easily check if the Cinémathèque française owns the print of the film. I will ask them and let you know.</div>
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<div>Best wishes,</div>
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<div>Claire-Akiko Brisset<br>
professeure ordinaire en histoire culturelle du Japon<br>
Faculté des lettres<br>
Université de Genève<br>
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Dernière parution :<br>
https://www.cnrseditions.fr/catalogue/sciences-politiques-et-sociologie/l-enfer-du-regard/<br>
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<div>Le 12 déc. 2024 à 23:10, Miyao, Daisuke via KineJapan <kinejapan@mailman.yale.edu> a écrit :</div>
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Dear Lorenzo and David,</div>
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<span style="">Thank you for your inquiry. I am not 100% sure, but I think the film<span class="x_Apple-converted-space"> </span></span><span style="">Balázs discussed is<span class="x_Apple-converted-space"> </span><i>Black Roses</i> (Colin Campbell, 1921).
 Tsuru Aoki plays Hayakawa's "long-lost" wife in this crime film. The film was released in France (<i>Les Roses noires</i>) in the same year. Because "The Face of Man" by Balázs was published in 1924, the timing seems correct. I am afraid I have never had a
 chance to watch the film even though Wikipedia says the Cinematheque francaise owns the print of the film (I hope it's true!). </span></div>
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Best,</div>
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Daisuke</div>
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Daisuke Miyao</div>
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Professor and Hajime Mori Chair in Japanese Language and Literature</div>
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Chair, Department of Literature</div>
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University of California, San Diego</div>
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<i>**I respectfully acknowledge that UCSD is located on the unceded territory of the Kumeyaay Nation.**</i></div>
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<font face="Calibri, sans-serif" style="font-size:11pt"><b>From:</b><span class="x_Apple-converted-space"> </span>KineJapan <kinejapan-bounces@mailman.yale.edu> on behalf of Lorenzo Javier Torres Hortelano via KineJapan <kinejapan@mailman.yale.edu><br>
<b>Sent:</b><span class="x_Apple-converted-space"> </span>Thursday, December 12, 2024 10:31 AM<br>
<b>To:</b><span class="x_Apple-converted-space"> </span>Japanese Cinema Discussion Forum <kinejapan@mailman.yale.edu><br>
<b>Cc:</b><span class="x_Apple-converted-space"> </span>Lorenzo Javier Torres Hortelano <lorenzojavier.torres.hortelano@urjc.es><br>
<b>Subject:</b><span class="x_Apple-converted-space"> </span>Re: [KineJapan] Sessue Hayakawa</font>
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Thank you, David. I'll do that.</div>
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<div id="x_x_divRplyFwdMsg" dir="ltr"><font face="Calibri, sans-serif" style="font-size:11pt"><b>De:</b><span class="x_Apple-converted-space"> </span>KineJapan <kinejapan-bounces@mailman.yale.edu> en nombre de Desser, David M via KineJapan <kinejapan@mailman.yale.edu><br>
<b>Enviado:</b><span class="x_Apple-converted-space"> </span>jueves, 12 de diciembre de 2024 18:28<br>
<b>Para:</b><span class="x_Apple-converted-space"> </span>Japanese Cinema Discussion Forum <kinejapan@mailman.yale.edu><br>
<b>Cc:</b><span class="x_Apple-converted-space"> </span>Desser, David M <desser@illinois.edu><br>
<b>Asunto:</b><span class="x_Apple-converted-space"> </span>Re: [KineJapan] Sessue Hayakawa</font>
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<div dir="ltr">Ask Daisuke Miyao of the U of San Diego. </div>
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Get<span class="x_Apple-converted-space"> </span><a href="https://urldefense.com/v3/__https://aka.ms/o0ukef__;!!Mih3wA!FRTu7aiJDrga3Ijk1cG77H9j1bdMMmNxWyj8Okya5N9yRXUUqs0dLvOwH1PaLk5qhsVYXwHW0gVx7aawaW09n891Qw$" data-auth="NotApplicable">Outlook for iOS</a></div>
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<div id="x_x_x_divRplyFwdMsg" dir="ltr"><font face="Calibri, sans-serif" style="font-size:11pt"><b>From:</b><span class="x_Apple-converted-space"> </span>KineJapan <kinejapan-bounces@mailman.yale.edu> on behalf of Lorenzo Javier Torres Hortelano via KineJapan
 <kinejapan@mailman.yale.edu><br>
<b>Sent:</b><span class="x_Apple-converted-space"> </span>Thursday, December 12, 2024 4:23:51 AM<br>
<b>To:</b><span class="x_Apple-converted-space"> </span>Japanese Cinema Discussion Forum <kinejapan@mailman.yale.edu><br>
<b>Cc:</b><span class="x_Apple-converted-space"> </span>Lorenzo Javier Torres Hortelano <lorenzojavier.torres.hortelano@urjc.es><br>
<b>Subject:</b><span class="x_Apple-converted-space"> </span>[KineJapan] Sessue Hayakawa</font>
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This is a quote from<span class="x_Apple-converted-space"> </span><i>Béla Balázs: Early Film Theory. Visible Man and The Spirit of Film,<span class="x_Apple-converted-space"> </span></i>Béla Balázs, Edited by Erica Carter, Berghahn Books, 2010:</div>
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An example from one otherwise simple-minded old adventure film. The</div>
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Japanese actor Sessue Hayakawa is required to act out the following: he is</div>
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captured by bandits, and finds himself face to face with his long-lost wife.</div>
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He must not betray the fact that he knows her. Five pairs of eyes search his</div>
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face as he looks at his wife and five revolvers are cocked to shoot if even a</div>
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single muscle in his face betrays the deep emotion he feels at this unexpected</div>
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reunion. So he restrains himself. Not the slightest expression passes over his</div>
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impassive features. We have to believe that the bandits have to believe him.</div>
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Nevertheless – and this is what is so marvellous – we see clearly from his</div>
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expression that there is something in his face that we do not see. It is present,</div>
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but cannot be pinned down. An invisible but evident expression (p. 103).</div>
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Please, does anyone know which movie he is referring to? </div>
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Thanks!</div>
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<span style="font-family:"Ibarra Real Nova"; font-size:9pt; color:rgb(226,0,0)"><b>Lorenzo J. Torres Hortelano<span class="x_Apple-converted-space"> </span></b></span><span style="font-family:"Ibarra Real Nova"; font-size:10.5pt"> </span><span style="font-family:"Ibarra Real Nova"; font-size:11pt"> </span></div>
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<span style="font-family:"Ibarra Real Nova"; font-size:9pt; color:rgb(23,78,134)"><b>Vice-Dean of Research and International Relations</b></span><span style="font-family:"Ibarra Real Nova"; font-size:10.5pt; color:rgb(23,78,134)"> </span><span style="font-family:"Ibarra Real Nova"; font-size:11pt"> </span></div>
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<span style="font-family:"Ibarra Real Nova"; font-size:8pt; color:rgb(23,78,134)">Professor of Audiovisual Communication</span></div>
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<span style="background-color:rgb(255,255,255); line-height:normal">レイ・フアン・カルロス大学 コミュニケーション科学学部 教授<span class="x_Apple-converted-space"> </span></span><span style="line-height:normal">(日本研究)</span></div>
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<span style="font-family:"Ibarra Real Nova"; font-size:8pt; color:rgb(23,78,134)">Camino del Molino s/n, 28943 Fuenlabrada<span class="x_Apple-converted-space"> </span></span><span style="font-family:"Ibarra Real Nova"; font-size:10.5pt; color:rgb(23,78,134)"> </span><span style="font-family:"Ibarra Real Nova"; font-size:11pt"> </span></div>
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 Lectura y Teoría del Texto</a></i></span></div>
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<span style="font-family:Helvetica; font-size:13px; font-style:normal; font-variant-caps:normal; font-weight:400; letter-spacing:normal; text-align:start; text-indent:0px; text-transform:none; white-space:normal; word-spacing:0px; text-decoration:none; float:none; display:inline!important">_______________________________________________</span><br style="font-family:Helvetica; font-size:13px; font-style:normal; font-variant-caps:normal; font-weight:400; letter-spacing:normal; text-align:start; text-indent:0px; text-transform:none; white-space:normal; word-spacing:0px; text-decoration:none">
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 message est envoyé depuis une adresse extérieure à l’UNIGE, soyez vigilant-es (expéditeur, pièces jointes).</span><br style="font-family:Helvetica; font-size:13px; font-style:normal; font-variant-caps:normal; font-weight:400; letter-spacing:normal; text-align:start; text-indent:0px; text-transform:none; white-space:normal; word-spacing:0px; text-decoration:none">
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