<html><head><meta http-equiv="content-type" content="text/html; charset=utf-8"></head><body style="overflow-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;"><div><blockquote type="cite"><div style="overflow-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;"><div>As I filter things in this debate, I was reminded as I prepped for a class on the <u>Yukiyukite shingun</u> actually has 2 scenes of wiretapping/recorded conversations. </div></div></blockquote><div><br></div><div>Yes, I thought about that, but the post was already long and both instances are on the side of power. Also unnecessary in the end. </div><div><br></div><blockquote type="cite"><div style="overflow-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;"><div> (盗聴法) wiretapping law </div></div></blockquote><div><br></div><div>I’m very curious about this. A Jake Adelson post on FB mentions that consent of both sides is not necessary for recording phone conversations. </div><div><br></div><blockquote type="cite"><div style="overflow-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;"><div>I would say the vibe, when the curtain went up, was catharsis: somewhere between “not a dry eye in the house” and “get those motherfuckers.” </div></div></blockquote><div><br></div></div>I felt the same way all at once. It’s a powerful film. I think Emma Ryan Yamazaki deserves a big shout out for the editing. There was a lot of footage and all of it very disparate and bilingual to boot. I’m sure a different cut would not be as powerful. <div><br></div><div>Markus</div><div><br></div><div><br></div></body></html>