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<p class="p1"><span style="font-size:12.0pt">Hello All,<o:p></o:p></span></p>
<p class="p2"><span style="font-size:12.0pt"><o:p> </o:p></span></p>
<p class="p1"><span style="font-size:12.0pt">With apologies for the belatedness, please find below the schedule for Kinema Club XXIV in Kyoto. As mentioned previously the conference will be held at Doshisha University, on the Karasuma Campus (right by the Imadegawa
subway station).<o:p></o:p></span></p>
<p class="p2"><span style="font-size:12.0pt"><o:p> </o:p></span></p>
<p class="p1"><span style="font-size:12.0pt">Anyone interested in attending the conference can register at the following link, and we will send you information on the specific room locations shortly:<o:p></o:p></span></p>
<p class="p1"><span class="s1"><span style="font-size:12.0pt"><a href="https://docs.google.com/forms/d/e/1FAIpQLSeAnbmpz25M0mjnrq_Z-91IEPJG1B-WmT77d2soB9uLtG9Inw/viewform?usp=header">https://docs.google.com/forms/d/e/1FAIpQLSeAnbmpz25M0mjnrq_Z-91IEPJG1B-WmT77d2soB9uLtG9Inw/viewform?usp=header</a></span></span><span style="font-size:12.0pt"><o:p></o:p></span></p>
<p class="p2"><span style="font-size:12.0pt"><o:p> </o:p></span></p>
<p class="p1"><span style="font-size:12.0pt">Additionally, any inquiries can be sent to the official conference email:
<a href="mailto:kc.kyoto.2025@gmail.com"><span class="s1">kc.kyoto.2025@gmail.com</span></a><o:p></o:p></span></p>
<p class="p2"><span style="font-size:12.0pt"><o:p> </o:p></span></p>
<p class="p1"><span style="font-size:12.0pt">We hope to see you there!<o:p></o:p></span></p>
<p class="p2"><span style="font-size:12.0pt"><o:p> </o:p></span></p>
<p class="p1"><span style="font-size:12.0pt">All best wishes,<o:p></o:p></span></p>
<p class="p2"><span style="font-size:12.0pt"><o:p> </o:p></span></p>
<p class="p1"><span style="font-size:12.0pt">Alex<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:12.0pt"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size:12.0pt"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size:12.0pt"><o:p> </o:p></span></p>
<p class="Body" align="center" style="text-align:center"><b>Kinema Club Conference for Film and Moving Images from Japan XXIV</b><b><o:p></o:p></b></p>
<p class="Body" align="center" style="text-align:center"><b>in </b><b>Kyoto:<o:p></o:p></b></p>
<p class="Body" align="center" style="text-align:center"><b>Current Perspectives on Gender & Sexuality in Film from Japan<o:p></o:p></b></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></p>
<p class="MsoNormal" align="center" style="text-align:center"><span style="font-family:"Times New Roman",serif">Location: Doshisha University, Karasuma Campus<o:p></o:p></span></p>
<p class="MsoNormal" align="center" style="text-align:center"><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></p>
<p class="MsoNormal" align="center" style="text-align:center"><span style="font-family:"Times New Roman",serif">Organizers: Yuka Kanno (Doshisha University) & Alexander Zahlten (Harvard University)<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><u><span style="font-family:"Times New Roman",serif">Friday, August 1<o:p></o:p></span></u></b></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><span style="font-family:"Times New Roman",serif">1:30 – 1:45<o:p></o:p></span></b></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif">Opening Remarks (Yuka Kanno & Alex Zahlten)<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><span style="font-family:"Times New Roman",serif">1:45– 3:15<o:p></o:p></span></b></p>
<p class="MsoNormal" style="text-autospace:none"><b><i><span style="font-family:"Times New Roman",serif;color:black">Panel 1:
</span></i></b><span style="font-family:"Times New Roman",serif;color:black"><o:p></o:p></span></p>
<p class="MsoNormal" style="text-autospace:none"><span style="font-family:"Times New Roman",serif;color:black"><o:p> </o:p></span></p>
<p class="MsoNormal" style="text-autospace:none"><span style="font-family:"Times New Roman",serif;color:black">Diane Lewis (Washington University of St. Louis)</span><span style="font-family:"Times New Roman",serif;color:black"><o:p></o:p></span></p>
<p class="MsoNormal" style="text-autospace:none"><span style="font-family:"Times New Roman",serif;color:black">"The Marriage Metaphor: Screenwriter Wada Natto and Creative Collaboration”<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></p>
<p class="MsoNormal" style="text-autospace:none"><span style="font-family:"Times New Roman",serif;color:black">Kenta Kato (Meiji University)<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif;color:black">Approaching the Queer Past: In the Case of Suzuki Seijun’s
<i>Ankoku no ryoken<o:p></o:p></i></span></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></p>
<p class="MsoNormal" style="text-autospace:none"><span style="font-family:"Times New Roman",serif;color:black">Christina Nikitin (Harvard University)<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif;color:black">Sowing the Homofascist Seed: The Messy Politics of Queer Musical Orientalism in <i>Merry Christmas, Mr. Lawrence<o:p></o:p></i></span></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></p>
<p class="MsoNormal" style="text-autospace:none"><span style="font-family:"Times New Roman",serif;color:black">Kawahara Ryuki (Kyoto University)<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif;color:black">Analyzing Naruse’s
</span><span lang="ZH-CN" style="font-family:"Songti SC";color:black">『君と別れて』</span><span lang="ZH-CN" style="font-family:"Times New Roman",serif;color:black">
</span><span lang="ZH-CN" style="font-family:"Songti SC";color:black">『夜毎の夢』</span><span lang="ZH-CN" style="font-family:"Times New Roman",serif;color:black">
</span><span lang="ZH-CN" style="font-family:"Songti SC";color:black">（</span><span style="font-family:"Times New Roman",serif;color:black">1933</span><span lang="ZH-CN" style="font-family:"Songti SC";color:black">、成瀬巳喜男監督</span><span lang="ZH-CN" style="font-family:"Hiragino Mincho ProN W3",serif;color:black">・原作）</span><span style="font-family:"Times New Roman",serif;color:black">with
DH methodology to analyze gender.</span><span style="font-family:"Times New Roman",serif"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><span style="font-family:"Times New Roman",serif">4:30 – 7:30 + Q&A<o:p></o:p></span></b></p>
<p class="MsoNormal"><b><span style="font-family:"Times New Roman",serif">Screening: Imaizumi K</span></b><b><span lang="mi-NZ" style="font-family:"Times New Roman",serif">ō</span></b><b><span style="font-family:"Times New Roman",serif">ichi Works (Imaizumi
Koichi in attendance)<o:p></o:p></span></b></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif">(Screening only for conference participants)<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><span style="font-family:"Times New Roman",serif">8:00 – 9:30<o:p></o:p></span></b></p>
<p class="MsoNormal"><b><span style="font-family:"Times New Roman",serif">Dinner<o:p></o:p></span></b></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><u><span style="font-family:"Times New Roman",serif">Saturday, August 2
<o:p></o:p></span></u></b></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><span style="font-family:"Times New Roman",serif">9:15 – 10:45<o:p></o:p></span></b></p>
<p class="MsoNormal"><b><span style="font-family:"Times New Roman",serif">Panel 2:</span></b><span style="font-family:"Times New Roman",serif">
<o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></b></p>
<p class="MsoNormal" style="text-autospace:none"><span style="font-family:"Times New Roman",serif;color:black">Paul Berry (Independent Scholar)<o:p></o:p></span></p>
<p class="MsoNormal" style="text-autospace:none"><span style="font-family:"Times New Roman",serif;color:black">Impact of Reevaluation of Shunga on the Sexual Themes Employed in Media Mix<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif;color:black">Productions found on Netflix Japan</span><span style="font-family:"Times New Roman",serif"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif;color:black">Ani Maitra (Colgate University):<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif;color:black">Pornographic (Non-)Relationality and Non-Pornographic Relationality in Koîchi Imaizumi’s <i>Berlin Drifters</i></span><span style="font-family:"Times New Roman",serif;mso-ligatures:standardcontextual;mso-fareast-language:JA"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></p>
<p class="MsoNormal" style="text-autospace:none"><span style="font-family:"Times New Roman",serif;color:black">Gyoku Jo
</span><span lang="ZH-CN" style="font-family:"Songti SC";color:black">徐玉</span><span style="font-family:"Times New Roman",serif;color:black"> (Nagoya Daigaku)<o:p></o:p></span></p>
<p class="MsoNormal" style="text-autospace:none"><span lang="JA" style="font-family:"Songti SC";color:black;mso-fareast-language:JA">戦後日本映画と女同士の絆</span><span style="font-family:"Times New Roman",serif;color:black;mso-fareast-language:JA"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif;mso-fareast-language:JA"><o:p> </o:p></span></p>
<p class="MsoNormal" style="text-autospace:none"><span style="font-family:"Times New Roman",serif;color:black">Lindsay Nelson (Meiji University):<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif;color:black">Facing Oiwa: Japanese Horror and the Disfigured Female Body</span><span style="font-family:"Times New Roman",serif"><o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></b></p>
<p class="MsoNormal"><b><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></b></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><span style="font-family:"Times New Roman",serif">11:00 – 12:30<o:p></o:p></span></b></p>
<p class="MsoNormal"><b><span style="font-family:"Times New Roman",serif">Panel 3<o:p></o:p></span></b></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></p>
<p class="MsoNormal" style="text-autospace:none"><span style="font-family:"Times New Roman",serif;color:black">Christophe Thouny (Ritsumeikan University)<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif;color:#191919">Object Bodies - Desire, Home and Landscape in Terayama Shūji’s <i>Labyrinth of Grass</i></span><span style="font-family:"Times New Roman",serif"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></p>
<p class="MsoNormal" style="text-autospace:none"><span lang="IT" style="font-family:"Times New Roman",serif;color:black">Lucile Druet (Kansai Gaidai University):<o:p></o:p></span></p>
<p class="MsoNormal" style="text-autospace:none"><span style="font-family:"Times New Roman",serif;color:black">Contemporary Geisha in Japanese Culture and Moving Images: Towards a New<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif;color:black">Phase?</span><span style="font-family:"Times New Roman",serif"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></p>
<p class="MsoNormal" style="text-autospace:none"><span style="font-family:"Times New Roman",serif;color:black">Kanako Tajima (Columbia University):<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif;color:black">Circuiting Feminist Consciousness: Transnational Belonging and Moving Image in the 1970s</span><span style="font-family:"Times New Roman",serif"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></p>
<p class="MsoNormal" style="text-autospace:none"><span style="font-family:"Times New Roman",serif;color:black">Shota Uchiyama (Harvard University)<o:p></o:p></span></p>
<p class="MsoNormal" style="text-autospace:none"><span style="font-family:"Times New Roman",serif;color:black">Cinema, Affect, and the Female Spectatorship: Revisiting Osaki Midori’s <i>Eiga mansō<o:p></o:p></i></span></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><span style="font-family:"Times New Roman",serif">12:30 – 2:00 Lunch<o:p></o:p></span></b></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><span style="font-family:"Times New Roman",serif">2:00 – 3:15<o:p></o:p></span></b></p>
<p class="MsoNormal"><b><span style="font-family:"Times New Roman",serif">Panel 4:
<i><span style="color:black">Gendered Narratives in Okinawa’s Environmental Imaginaries</span></i><o:p></o:p></span></b></p>
<p class="MsoNormal" style="text-autospace:none"><span style="font-family:"Times New Roman",serif;color:black">Sera Toshikazu
</span><span lang="ZH-CN" style="font-family:"Songti SC";color:black">世良利和</span><span style="font-family:"Times New Roman",serif;color:black"> (Hosei Daigaku)<o:p></o:p></span></p>
<p class="MsoNormal" style="text-autospace:none"><span style="font-family:"Times New Roman",serif;color:black"></span><span lang="JA" style="font-family:"Songti SC";color:black;mso-fareast-language:JA">映画『黒い雪』と沖縄</span><span lang="JA" style="font-family:"Times New Roman",serif;color:black;mso-fareast-language:JA">
</span><span style="font-family:"Times New Roman",serif;color:black;mso-fareast-language:JA"><o:p></o:p></span></p>
<p class="MsoNormal" style="text-autospace:none"><span style="font-family:"Times New Roman",serif;color:black"><o:p> </o:p></span></p>
<p class="MsoNormal" style="text-autospace:none"><span style="font-family:"Times New Roman",serif;color:black">Fujiki Kosuke
</span><span lang="ZH-CN" style="font-family:"Songti SC";color:black">藤城孝輔</span><span style="font-family:"Times New Roman",serif;color:black"> (Okayama University of Science)
<o:p></o:p></span></p>
<p class="MsoNormal" style="text-autospace:none"><span lang="ZH-CN" style="font-family:"Songti SC";color:black">映画『オキナワの少年</span><span style="font-family:"Times New Roman",serif;color:black"> OKINAWAN BOYS</span><span lang="ZH-CN" style="font-family:"Songti SC";color:black">』（</span><span style="font-family:"Times New Roman",serif;color:black">1983</span><span lang="ZH-CN" style="font-family:"Songti SC";color:black">年）におけるコロニアルな男性性</span><span style="font-family:"Times New Roman",serif;color:black"><o:p></o:p></span></p>
<p class="MsoNormal" style="text-autospace:none"><span style="font-family:"Times New Roman",serif;color:black"><o:p> </o:p></span></p>
<p class="MsoNormal" style="text-autospace:none"><span style="font-family:"Times New Roman",serif;color:black">Ma Ran (Nagoya University)<o:p></o:p></span></p>
<p class="MsoNormal" style="text-autospace:none"><span style="font-family:"Times New Roman",serif;color:black">Into the Depth of
<i>Gama</i>—What’s Under Infrastructural Okinawa?<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><span style="font-family:"Times New Roman",serif">3:45 – 6:30<o:p></o:p></span></b></p>
<p class="MsoNormal"><b><span style="font-family:"Times New Roman",serif">Screening: Takashi Toshiko,
</span></b><b><span lang="ZH-CN" style="font-family:DengXian;color:#212121">『</span><span style="color:#212121">Blessed<span class="apple-converted-space"> </span></span></b><b><span lang="ZH-CN" style="font-family:DengXian;color:#212121">祝福』</span></b><b><span style="font-family:DengXian;color:#212121">+
Q&A </span></b><b><span style="font-family:"Times New Roman",serif"><o:p></o:p></span></b></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif">Location: Doshisha University, Clover Hall<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><span style="font-family:"Times New Roman",serif">7:00 – <o:p>
</o:p></span></b></p>
<p class="MsoNormal"><b><span style="font-family:"Times New Roman",serif">Conference dinner<o:p></o:p></span></b></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><u><span style="font-family:"Times New Roman",serif">Sunday, August 3<o:p></o:p></span></u></b></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><span style="font-family:"Times New Roman",serif">9:15 – 10:30<o:p></o:p></span></b></p>
<p class="MsoNormal"><b><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></b></p>
<p class="MsoNormal" style="text-autospace:none"><b><span style="font-family:"Times New Roman",serif;color:black">Panel 5:<i> Haunted Screens, Erased Bodies: From Karayuki to Paipan in the Male-Gazed Subgenre of Sexual Victimhood in Japanese War Cinema (1945–2025)<o:p></o:p></i></span></b></p>
<p class="MsoNormal" style="text-autospace:none"><span style="font-family:"Times New Roman",serif;color:black"><o:p> </o:p></span></p>
<p class="MsoNormal" style="text-autospace:none"><span lang="ES" style="font-family:"Times New Roman",serif;color:black">Dr. Esteban Córdoba-Arroyo (Osaka University)<o:p></o:p></span></p>
<p class="MsoNormal" style="text-autospace:none"><span style="font-family:"Times New Roman",serif;color:black">Visualizing Gendered Memory: Postwar Sex Work and the Female Image in Japanese War Cinema (1945–2025)<o:p></o:p></span></p>
<p class="MsoNormal" style="text-autospace:none"><span style="font-family:"Times New Roman",serif;color:black"><o:p> </o:p></span></p>
<p class="MsoNormal" style="text-autospace:none"><span style="font-family:"Times New Roman",serif;color:black">Xiaoyang Hao (Kyushu University)
<o:p></o:p></span></p>
<p class="MsoNormal" style="text-autospace:none"><span style="font-family:"Times New Roman",serif;color:black">Erased Others: Korean and Chinese Ianfu in Japanese Cinema and the Politics of Gendered Memory<o:p></o:p></span></p>
<p class="MsoNormal" style="text-autospace:none"><span style="font-family:"Times New Roman",serif;color:black"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif;color:black">Daniel E. Josephy-Hernández (Ryūtsū Keizai Daigaku / UNED, Costa Rica)<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif;color:black">Patriotism, Prostitution, and Post-Imperial Memory: The Karayuki-san on Screen</span><span style="font-family:"Times New Roman",serif"><o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></b></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><span style="font-family:"Times New Roman",serif">10:45 – 12:15<o:p></o:p></span></b></p>
<p class="MsoNormal"><b><span style="font-family:"Times New Roman",serif">Roundtable:
</span><i><span style="color:#212121">Rethinking Research on Gender and Sexuality in Japanese Films</span></i></b><b><span style="font-family:"Times New Roman",serif"><o:p></o:p></span></b></p>
<p class="MsoNormal"><b><span style="font-family:"Times New Roman",serif">Ayako Saito (Meiji Gakuin University), Chika Kinoshita (Kyoto University), Ani Maitra (Colgate University), Arnaud Stockinger (Fellow, Research Institute for Promoting Intercultural Studies,
Kobe University)<o:p></o:p></span></b></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><span style="font-family:"Times New Roman",serif">12:15 – 1:45 Lunch<o:p></o:p></span></b></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><span style="font-family:"Times New Roman",serif">1:45 – 3:00<o:p></o:p></span></b></p>
<p class="MsoNormal"><b><span style="font-family:"Times New Roman",serif">Panel 6<o:p></o:p></span></b></p>
<p class="MsoNormal" style="text-autospace:none"><span style="font-family:"Times New Roman",serif;color:black"><o:p> </o:p></span></p>
<p class="MsoNormal" style="text-autospace:none"><span style="font-family:"Times New Roman",serif;color:black">Alexander Pratt (Kyoto University)<o:p></o:p></span></p>
<p class="MsoNormal" style="text-autospace:none"><span style="font-family:"Times New Roman",serif;color:black">A Star is Born in the Media Mix: Unstable Meaning in Kadokawa Haruki’s and Obayashi<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif;color:black;mso-fareast-language:JA">Nobuhiko’s Idol Films</span><span style="font-family:"Times New Roman",serif;mso-fareast-language:JA"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif;mso-fareast-language:JA"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif;color:black;mso-fareast-language:JA">Naoto Machida
</span><span lang="JA" style="font-family:"Songti SC";color:black;mso-fareast-language:JA">町田奈緒士</span><span style="font-family:"Times New Roman",serif;color:black;mso-fareast-language:JA"> (Nara Women’s University)<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="JA" style="font-family:"Songti SC";color:black;mso-fareast-language:JA">日本映画におけるトランス男性</span><span lang="JA" style="font-family:"Hiragino Mincho ProN W3",serif;color:black;mso-fareast-language:JA">・トランスマスキュリン表象の不在</span><span style="font-family:"Times New Roman",serif;color:black;mso-fareast-language:JA"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif;color:black;mso-fareast-language:JA"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif;color:black">Daryl Jamieson</span><span style="font-family:"Times New Roman",serif;color:black"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif;color:black">Hirokazu Koreeda’s
<i>Monster</i> (2023) through the prisms of both contemporary queer theory and medieval Japanese Buddhist philosophy</span><span style="font-family:"Times New Roman",serif"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><span style="font-family:"Times New Roman",serif">3:00 – 3:15<o:p></o:p></span></b></p>
<p class="MsoNormal"><b><span style="font-family:"Times New Roman",serif">Closing Remarks<o:p></o:p></span></b></p>
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