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<p class="MsoNormal"><b><span
style="font-size: 18pt; font-family: Georgia;">FILM
INDIANS NOW!*<o:p></o:p></span></b></p>
<p class="MsoNormal"><span style="font-size: 10pt; font-family: Arial;">*Warning:
Films may depict actual Indians depicting Indians. <o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;"><a
href="http://www.nmai.si.edu/">NMAI</a>’s Film and <st1:place
w:st="on"><st1:PlaceName w:st="on">Video</st1:PlaceName> <st1:PlaceType
w:st="on">Center</st1:PlaceType></st1:place>
and the National Gallery of Art present a remarkable eight-part series
offering
fresh views of the contemporary Native American experience in media.
Each
program will include a moderated discussion following the screening.<o:p></o:p></span></p>
<div class="MsoNormal" style="text-align: center;" align="center"><span
style="font-size: 11pt; font-family: Arial;">
<hr align="center" size="1" width="100%"></span></div>
<p class="MsoNormal"><span style="font-family: Arial;">Saturday October
4, 2008,
2 pm<o:p></o:p></span></p>
<p class="MsoNormal"><st1:place w:st="on"><st1:PlaceName w:st="on"><span
style="font-family: Arial;">East</span></st1:PlaceName><span
style="font-family: Arial;"> <st1:PlaceType w:st="on">Building</st1:PlaceType></span></st1:place><span
style="font-family: Arial;"> Auditorium, National Gallery of Art<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><span style="font-family: Arial;">PRETTY
PICTURES<o:p></o:p></span></b></p>
<p class="MsoNormal"><span style="font-family: Arial;">Exploring
elements of Native
female identity, we ask, How does art influence children? How do
romantic
images of Indians enchant Native and non-Native people, young and old?<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><i><span style="font-family: Arial;">Conversion</span></i></b><span
style="font-family: Arial;"> (2006, 8 min.) Director: Nanobah Becker
(Navajo) <o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;">In a remote
corner of the
Navajo Nation, circa 1950, a visit by Christian missionaries has
catastrophic
consequences for a family. <i>In Navajo with English subtitles.</i><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><span style="font-family: Arial;">Disney’s <i>Pocahontas</i></span></b><span
style="font-family: Arial;"> (1995, 84 min.) Directors: Mike Gabriel
and Eric
Goldberg<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;">Free-spirited
Pocahontas
lives a carefree life with her animal friends Meeko and Flit and the
companionship of her loving Grandmother Willow. When English settlers
arrive on
the shores of their village, a chance encounter with Captain John Smith
begins
a friendship that changes both cultures forever.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;">Moderated
discussion led by <span style="">Pat Aufderheide</span> with filmmaker
<span style="">Nanobah Becker<b> </b></span>and <st1:PlaceName
w:st="on">National</st1:PlaceName> <st1:PlaceType w:st="on">Museum</st1:PlaceType>
of the American Indian research historian <span style="">Gabrielle
Tayac</span> <span style="">(<st1:place w:st="on">Piscataway</st1:place>)</span>
to follow the screening.<o:p></o:p></span></p>
<div class="MsoNormal"><span
style="font-size: 11pt; font-family: Arial;">
<hr align="left" size="1" width="34%"></span></div>
<p class="MsoNormal"><span style="font-size: 11pt; font-family: Arial;"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;">Sunday October
5, 2008,
2 pm<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;">Elmer and Mary
Louise
Rasmuson Theater, <st1:place w:st="on"><st1:PlaceName w:st="on">National</st1:PlaceName>
<st1:PlaceType w:st="on">Museum</st1:PlaceType></st1:place> of the
American
Indian, First Level<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><span style="font-family: Arial;">STRANGE LOVE<o:p></o:p></span></b></p>
<p class="MsoNormal"><span style="font-family: Arial;">National issues
of
sovereignty and cultural acceptance often affect Native people on a
personal
level. Many individuals must search for life’s greatest
moments—marriage,
children, etc.—within the confines of blood quantum.
This government-mandated system, which defines citizenship by how much
“Indian blood” someone has, leads many Native people to question their
cultural
worth, asking, Is my identity in my blood?<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><i><span style="font-family: Arial;">Club Native</span></i></b><span
style="font-family: Arial;"> (2008, 78 min.) Director: Tracey Deer
(Mohawk) <o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;">On the Mohawk
Kahnawake
Reserve there are two very firm but unwritten rules: don’t marry a
white man
and don’t have a child with a white man. Doing so means losing all
standing as
a Native person, for you and your children. Documentarian Tracey Deer
follows
four women from Kahnawake as they battle the pressures of life, love,
and
community to protect their status as tribal members, as well as the
rights of
their spouses and children to live on tribal lands. <o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;">Moderated
discussion led by
Gabrielle Tayac with filmmaker <span style="">Tracey
Deer<b> </b></span>to follow the screening.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;"><o:p> </o:p></span></p>
<div class="MsoNormal" style="text-align: center;" align="center"><span
style="font-size: 11pt; font-family: Arial;">
<hr align="center" size="1" width="100%"></span></div>
<p class="MsoNormal"><span style="font-family: Arial;"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;">Saturday
November 1, 2008,
2 pm<o:p></o:p></span></p>
<p class="MsoNormal"><st1:place w:st="on"><st1:PlaceName w:st="on"><span
style="font-family: Arial;">East</span></st1:PlaceName><span
style="font-family: Arial;"> <st1:PlaceType w:st="on">Building</st1:PlaceType></span></st1:place><span
style="font-family: Arial;"> Auditorium, National Gallery of Art<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><i><span style="font-family: Arial;">Tkaronto</span></i></b><b><span
style="font-family: Arial;"> </span></b><span
style="font-family: Arial;">(2007,
102 min.) Director: Shane Belcourt (Métis)<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;">Amidst the
cityscape of
Tkaronto (the original Mohawk word for <st1:place w:st="on"><st1:City
w:st="on">Toronto</st1:City></st1:place>),
Ray and Jolene, two Native thirty-somethings, make an unexpected,
life-changing
connection. As they wander through bittersweet experiences of
contemporary
Native life, they find solace in each other’s struggle for a sense of
cultural
self. <o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;">Moderated
discussion led by
producer Christine Vachon with filmmaker <span style="">Shane Belcourt<b>
</b></span>to follow the screening. <o:p></o:p></span></p>
<div class="MsoNormal"><span
style="font-size: 11pt; font-family: Arial;">
<hr align="left" size="1" width="34%"></span></div>
<p class="MsoNormal"><span style="font-family: Arial;"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;">Sunday November
2, 2008,
2 pm<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;">Elmer and Mary
Louise
Rasmuson Theater, <st1:place w:st="on"><st1:PlaceName w:st="on">National</st1:PlaceName>
<st1:PlaceType w:st="on">Museum</st1:PlaceType></st1:place> of the
American
Indian, First Level<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><span style="font-family: Arial;">IT’S NOT TV,
IT’S
INDIANS! <o:p></o:p></span></b></p>
<p class="MsoNormal"><span style="font-family: Arial;">A high energy
explosion of
television magic that will make you think about Native Americans in a
new way! Three
Native artists—<span style="">Ben-Alex Dupris (<st1:place w:st="on">Colville</st1:place>)</span>,
<span style="">Terrance
Houle (Blackfoot/Saulteaux)</span>, and Skeena Reece (Métis/Cree/
Tsimshian/Gitksan)—perform
spoken word, song, and dance pieces inspired by their favorite “Indian”
episodes of television. Many American TV shows have featured a special
episode
with an American Indian guest star or Native-inspired theme. Many of
these
shows are embraced by Native communities, despite their lack of
accuracy or
sensitivity toward Native culture. <o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;">Proposed
episodes for this
program are:<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><span style="font-family: Arial;">Challenge of
the
SuperFriends’ “The History of Doom” and “Doomsday” featuring Apache
Chief
(voiced by Michael Rye) </span></b><span style="font-family: Arial;">(</span><span
style="font-family: Arial;">Original Air Date: 1978)
Director: Ray Patterson, presented by Ben-Alex Dupris <o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><span style="font-family: Arial;">Seinfeld’s
“Cigar Store
Indian” </span></b><span style="font-family: Arial;">(</span><span
style="font-family: Arial;">Original Air Date: December 9, 1993)
Director: Tom
Cherones, presented by Terrance Houle <o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><span style="font-family: Arial;">Moesha’s
“Road Trip” </span></b><span style="font-family: Arial;">(</span><span
style="font-family: Arial;">Original Air Date: November 26, 1996)
Director: Henry
<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;">Chan, presented
by Skeena
Reece<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;"><o:p> </o:p></span></p>
<div class="MsoNormal" style="text-align: center;" align="center"><span
style="font-size: 11pt; font-family: Arial;">
<hr align="center" size="1" width="100%"></span></div>
<p class="MsoNormal"><span style="font-family: Arial;"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;">Saturday
November 22, 2008,
2 pm<o:p></o:p></span></p>
<p class="MsoNormal"><st1:place w:st="on"><st1:PlaceName w:st="on"><span
style="font-family: Arial;">East</span></st1:PlaceName><span
style="font-family: Arial;"> <st1:PlaceType w:st="on">Building</st1:PlaceType></span></st1:place><span
style="font-family: Arial;"> Auditorium, National Gallery of Art<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><span style="font-family: Arial;">A FUTURE
REALIZED: FILMS
BY TODAY’S INDIAN <o:p></o:p></span></b></p>
<p class="MsoNormal"><span style="font-family: Arial;">We are proud to
present the
newest films from some of the best Native American filmmakers working
today. <o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><i><span style="font-family: Arial;">The Colony</span></i></b><span
style="font-family: Arial;"> (2007, 23 min.) Director: Jeff Barnaby
(Mi’gMaq), <o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;">Maytag, a
Mi’gMaq man displaced
from the reserve, latches onto and falls in love with the only
aboriginal woman
he has met in the city. His descent into madness is exacerbated by his
drug
dealer and friend. <i>In English and Mi’gMaq with English subtitles.</i><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><i><span style="font-family: Arial;">Nikamowin</span></i></b><b><span
style="font-family: Arial;"> </span></b><span
style="font-family: Arial;">(2007, 11
min.) Director: Kevin Lee Burton (Swampy Cree)<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;">This
experimental film
ponders our indelible connection to language, transforming a Cree
narrative
into a landscape of sound and song. <i>In English and Cree with
English
subtitles.</i><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><i><span style="font-family: Arial;">Sikumi</span></i></b><i><span
style="font-family: Arial;"> (On the Ice)</span></i><span
style="font-family: Arial;"> (2007,15 min.) Director: Andrew Okpeaha
MacLean <o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;">(I­ñupiaq)<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;">An Inuit hunter
inadvertently becomes a witness to murder, forcing him to navigate the
frayed
morality between honoring the memory of one friend and destroying the
life of
another. <i>In I­ñupiaq with English subtitles.</i><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><i><span style="font-family: Arial;">A Return
Home</span></i></b><span style="font-family: Arial;"> (2008, 31 min.)
Director: Ramona Emerson (Navajo)<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;">A powerful
documentary about
B. Emerson Kitsman, a contemporary painter who has returned to her
childhood
home in the Navajo Nation. As she begins a monumental project, Kitsman
must also
adjust to life on her reservation, spurring questions about what it
means to be
a Native artist. <o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><i><span style="font-family: Arial;">4-Wheel
War Pony</span></i></b><span style="font-family: Arial;"> (2007, 5
min.) Director: Dustinn Craig (<st1:place w:st="on">White Mountain</st1:place>
Apache/Navajo) <o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;">The Apaches of
the 1880s
absorbed modernity, yet they managed to continue refining and retaining
their
way of life; so too do today’s White Mountain Apache skateboarders. <i>4-Wheel
War Pony</i> is a short film using skateboarding footage captured by
members of
the White Mountain Apache in an effort to document a culture in motion.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;">Moderated
discussion led by
curator <span style="">Gerald McMaster (Plains Cree
and member of the Siksika Nation)</span> with filmmakers <span style="">Jeff
Barnaby</span>,<span style=""> Kevin Lee Burton</span>, <span style="">Dustinn
Craig</span>, <span style="">Ramona Emerson</span>,
and <span style="">Andrew Okpeaha MacLean<b> </b></span>to
follow the film. <o:p></o:p></span></p>
<div class="MsoNormal"><span
style="font-size: 11pt; font-family: Arial;">
<hr align="left" size="1" width="34%"></span></div>
<p class="MsoNormal"><span style="font-family: Arial;">Sunday November
23, 2008, 2
pm<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;">Elmer and Mary
Louise
Rasmuson Theater, <st1:place w:st="on"><st1:PlaceName w:st="on">National</st1:PlaceName>
<st1:PlaceType w:st="on">Museum</st1:PlaceType></st1:place> of the
American
Indian, First Level<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><span style="font-family: Arial;">THE DOUBLE
ENTENDRE OF
RE-ENACTMENT: An interactive program with Gerald McMaster <o:p></o:p></span></b></p>
<p class="MsoNormal"><span style="font-family: Arial;"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;">Curator <span
style="">Gerald McMaster<b> </b></span>takes a
subversive and often humorous look at historical reenactment. This
presentation
offers new insight into reenactment—from its roots in American artist
George
Catlin’s European tour of Native performers and the famous Wild West
shows to
today’s young Native artists currently reinterpreting reenactment as a
means of
artistic defiance. </span><span
style="font-size: 11pt; font-family: Arial;"><o:p></o:p></span></p>
<div class="MsoNormal" style="text-align: center;" align="center"><span
style="font-size: 11pt; font-family: Arial;">
<hr align="center" size="1" width="100%"></span></div>
<p class="MsoNormal"><span style="font-family: Arial;"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;">Saturday
December 6, 2008, 2
pm <o:p></o:p></span></p>
<p class="MsoNormal"><st1:place w:st="on"><st1:PlaceName w:st="on"><span
style="font-family: Arial;">East</span></st1:PlaceName><span
style="font-family: Arial;"> <st1:PlaceType w:st="on">Building</st1:PlaceType></span></st1:place><span
style="font-family: Arial;"> Auditorium, National Gallery of Art<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><span style="font-family: Arial;">MAINSTREAM
NATIVE <st1:place w:st="on"><st1:country-region w:st="on">AMERICA</st1:country-region></st1:place><o:p></o:p></span></b></p>
<p class="MsoNormal"><span style="font-family: Arial;">In 1972 <st1:place
w:st="on"><st1:country-region w:st="on">America</st1:country-region></st1:place>
watched Francis Ford
Coppola’s <i>The Godfather,</i> the first Italian American film
written and
directed by Italian Americans. Today, people from diverse and specific
backgrounds still relate with the epic story of the Corleone family<i>.
</i>Themes
such as cultural displacement, the realization of the American dream,
and
family allegiances resonate and parallel many issues Native Americans
face
today. <o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><i><span style="font-family: Arial;">The
Godfather</span></i></b><span style="font-family: Arial;"> (1972, 175
min.) Director: Francis Ford Coppola <o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;">Coppola's
adaptation of
Mario Puzo's bestseller about post-WWII rivalry among the New York
Mafia's five
families stands alone as both art and entertainment. Coppola's
cinematic vision
is in full flower, from the then-controversial casting of Marlon Brando
and Al
Pacino, to the deep hues of Gordon Willis's photography, to the moving
score by
Nino Rota. The film earned eleven Oscar nominations, with wins for Best
Picture, Screenplay, and Actor for the iconic Brando. Description
courtesy of
the American Film Institute<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;">Moderated
discussion led by <span style="">Hanay Geiogamah</span> <span style="">(Kiowa/Delaware)<b>
</b></span>with filmmaker
<span style="">Chris Eyre (Cheyenne/Arapaho)</span>
and the Director of the Smithsonian Institution’s <st1:place w:st="on"><st1:PlaceName
w:st="on">National</st1:PlaceName> <st1:PlaceType w:st="on">Museum</st1:PlaceType></st1:place>
of the American Indian, <span style="">Kevin Gover
(Pawnee</span>/Comanche<span style="">)</span>, to
follow the program. <o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;"><o:p> </o:p></span></p>
<div class="MsoNormal"><span
style="font-size: 11pt; font-family: Arial;">
<hr align="left" size="1" width="34%"></span></div>
<p class="MsoNormal"><span style="font-family: Arial;"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;">Sunday December
7, 2008,
2 pm <o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;">Elmer and Mary
Louise
Rasmuson Theater, <st1:place w:st="on"><st1:PlaceName w:st="on">National</st1:PlaceName>
<st1:PlaceType w:st="on">Museum</st1:PlaceType></st1:place> of the
American
Indian, First Level<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><span style="font-family: Arial;">MAINSTREAM
NATIVE <st1:place w:st="on"><st1:country-region w:st="on">AMERICA</st1:country-region></st1:place>,
PART 2<o:p></o:p></span></b></p>
<p class="MsoNormal"><span style="font-family: Arial;">We present the
first feature
film written, directed, and (co)produced by Native Americans to receive
distribution in mainstream theaters. <o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;"><o:p> </o:p></span></p>
<p class="MsoNormal"><b style=""><i><span style="font-family: Arial;">Smoke
Signals</span></i></b><span style="font-family: Arial;"> (1998, 104
min.) Director: Chris Eyre (Cheyenne/Arapaho)<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial;">An acclaimed
independent
film about a young Native man who embarks on a life-changing journey
with his
childhood friend to retrieve the body of his estranged father. <i
style="">Smoke Signals</i> marked the directorial
debut of Chris Eyre. The screenplay by Sherman Alexie (Spokane/Coeur
d'Alene)
is based on his short story collection <i>The Lone Ranger and Tonto
Fistfight
in Heaven.</i> <o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-family: Arial;">Moderated
discussion led by
Hanay Geiogamah with filmmaker <span style="">Chris
Eyre<b> </b></span>to follow the screening. <o:p></o:p></span></p>
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