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<p class="MsoNormal">Hello, <o:p></o:p></p>
<p class="MsoNormal">Please see below for a compendium of on-line courses in Museum Studies and Collections Management. This list is provided by the Society for the Preservation of Natural History Collections Professional Development Committee as a monthly
service for Nhcoll subscribers. Please contact the course providers or instructors for more information or questions. We have included some other course opportunities here as well.<o:p></o:p></p>
<p class="MsoNormal">Thank you.<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><b><span style="font-size:18.0pt">From Museum Study, LLC</span></b><o:p></o:p></p>
<p class="MsoNormal">Here are the upcoming online professional development opportunities at Museum Study for March and April 2018.<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoPlainText">Grants for Museums and Historic Sites course begins Feb 5 on MuseumStudy.com Identifying and winning grants from foundations and governments is a mix of art and science. Join Instructor Sarah Sutton author of Is Your Museum Grant-Ready?
for this 4 week long online course, which is designed for professionals either learning or reviewing their skills in raising money through grants. Philanthropy keeps changing, and so does grantmaking. Everyone on the team must contribute to raising money to
do good work; those with grant-preparation skills are very valuable to the institution.<o:p></o:p></p>
<p class="MsoPlainText">For more information visit our website: <o:p></o:p></p>
<p class="MsoPlainText"><a href="https://urldefense.proofpoint.com/v2/url?u=http-3A__www.museumstudy.com_courses_course-2Dlist_grants-2Dfor-2Dmuseums-2Dand-2Dhistoric-2Dsites_&d=DwMFAw&c=cjytLXgP8ixuoHflwc-poQ&r=LpYc_Z_iN1KRw0hheb3x6-8MJUMu482qfHowpGYJqwc&m=Ix4WcAHXuVvPgOJeAUx-RELWktuiQEd1HkBqklukyPE&s=UnMt4C7HGOzh5hZHryvDAd0xeyBwOQj74NRp9DsQCyY&e=">http://www.museumstudy.com/courses/course-list/grants-for-museums-and-historic-sites/</a>
<o:p></o:p></p>
<p class="MsoPlainText"><o:p> </o:p></p>
<p class="MsoPlainText"><o:p> </o:p></p>
<p class="MsoPlainText">How to Develop a Code of Ethics for Your Museum begins Feb 5 on MuseumStudy.com Join instructor Sally Yerkovich January 3 for the 4 week online course How to Develop a Code of Ethics for Your Museum. The American Alliance of Museums
(AAM) includes a code of ethics as one of the five core documents that it declares "fundamental for basic professional museum operations." AAM states that these documents "embody core museum values and practices." By examining codes of ethics and exploring
the principles that they include, this course is a preparation for creating your institution's code.<o:p></o:p></p>
<p class="MsoPlainText">For more information visit our website: <o:p></o:p></p>
<p class="MsoPlainText"><a href="https://urldefense.proofpoint.com/v2/url?u=http-3A__www.museumstudy.com_courses_course-2Dlist_how-2Dto-2Ddevelop-2Da-2Dcode-2Dof-2Dethics-2Dfor-2Dyour-2Dmuseum_&d=DwMFAw&c=cjytLXgP8ixuoHflwc-poQ&r=LpYc_Z_iN1KRw0hheb3x6-8MJUMu482qfHowpGYJqwc&m=Ix4WcAHXuVvPgOJeAUx-RELWktuiQEd1HkBqklukyPE&s=yTv8zm5UN8gZ6SOLUHAoOqNZ7wHVVeH6l6UcVZ7Jkj8&e=">http://www.museumstudy.com/courses/course-list/how-to-develop-a-code-of-ethics-for-your-museum/</a>
<o:p></o:p></p>
<p class="MsoPlainText"><o:p> </o:p></p>
<p class="MsoPlainText"><o:p> </o:p></p>
<p class="MsoPlainText">Managing Previously Unmanaged Collections online course begins Feb 5 on MuseumStudy.com Join instructor Angela Kipp for the 4 week online course Managing Previously Unmanaged Collections. Working with a previously unmanaged collection
is one of the most challenging and rewarding projects in the career of a museum professional. Challenging because of the variety of issues like leaking roofs, missing documentation and the question as to whether there is actually a floor underneath those piles
of objects. <o:p></o:p></p>
<p class="MsoPlainText">Rewarding because of the variety of new discoveries and the skills that are learned, along with the satisfying feeling of getting things done.<o:p></o:p></p>
<p class="MsoPlainText">The process of securing the collection and making it accessible needs the mindset of a collections manager as well as the one of a project manager. This 4 week course helps you to get a grip on your unmanaged collection by developing
a plan to tackle it, defining achievable goals by creating logical exits and finding ways to keep the project going even if you are limited in time, staff and money.<o:p></o:p></p>
<p class="MsoPlainText">For more information visit our website: <o:p></o:p></p>
<p class="MsoPlainText"><a href="https://urldefense.proofpoint.com/v2/url?u=http-3A__www.museumstudy.com_courses_course-2Dlist_managing-2Dpreviously-2Dunmanaged-2Dcollections_&d=DwMFAw&c=cjytLXgP8ixuoHflwc-poQ&r=LpYc_Z_iN1KRw0hheb3x6-8MJUMu482qfHowpGYJqwc&m=Ix4WcAHXuVvPgOJeAUx-RELWktuiQEd1HkBqklukyPE&s=lZPHVf5ZYWa92CtRrR97xAlU849O-kPmqlzfqOFvRAU&e=">http://www.museumstudy.com/courses/course-list/managing-previously-unmanaged-collections/</a>
<o:p></o:p></p>
<p class="MsoPlainText"><o:p> </o:p></p>
<p class="MsoPlainText"><o:p> </o:p></p>
<p class="MsoPlainText">Creating Exhibitions Through the Collective course begins Feb 5 on MuseumStudy.com Want to create an exhibit that utilizes your community?<o:p></o:p></p>
<p class="MsoPlainText">If so, Creating Exhibitions through the Collective is for you. This class will be focused on community co-curation. We will investigate how community involvement during all stages of the exhibit development process can lead to more interpretation
that is credible, community empowerment, and advocacy. Tips and strategies will be provided to build sustainable frameworks for this type of engagement.<o:p></o:p></p>
<p class="MsoPlainText">Join Instructor Saul Sopoci Drake for this 4 week online professional development course.<o:p></o:p></p>
<p class="MsoPlainText">For more information visit our website: <o:p></o:p></p>
<p class="MsoPlainText"><a href="https://urldefense.proofpoint.com/v2/url?u=http-3A__www.museumstudy.com_courses_course-2Dlist_creating-2Dexhibitions-2Dthrough-2Dthe-2Dcollective_&d=DwMFAw&c=cjytLXgP8ixuoHflwc-poQ&r=LpYc_Z_iN1KRw0hheb3x6-8MJUMu482qfHowpGYJqwc&m=Ix4WcAHXuVvPgOJeAUx-RELWktuiQEd1HkBqklukyPE&s=IWPQr4qSGDd_s5i7Zu9WbKevHs_QtZqvJsGyb7EK5lE&e=">http://www.museumstudy.com/courses/course-list/creating-exhibitions-through-the-collective/</a><o:p></o:p></p>
<p class="MsoPlainText"><o:p> </o:p></p>
<p class="MsoPlainText">Materials for Exhibit, Moving and Storage course begins March 5 on MuseumStudy.com Are you using the best materials with your collections? What exactly does “archival” mean? How do you know the material you are using is acceptable? Join
Science Museum of Minnesota Conservator Rebecca Newberry for this 4 week course. You will learn what materials are safe for exhibiting, moving, and storing collections. You will create a customized handbook of good materials and plan for an exhibit, moving,
or storage project by identifying vendors and materials.<o:p></o:p></p>
<p class="MsoPlainText">For more information visit our website: <o:p></o:p></p>
<p class="MsoPlainText"><a href="https://urldefense.proofpoint.com/v2/url?u=http-3A__www.museumstudy.com_courses_course-2Dlist_materials-2Dfor-2Dexhibit-2Dmoving-2Dand-2Dstorage_&d=DwMFAw&c=cjytLXgP8ixuoHflwc-poQ&r=LpYc_Z_iN1KRw0hheb3x6-8MJUMu482qfHowpGYJqwc&m=Ix4WcAHXuVvPgOJeAUx-RELWktuiQEd1HkBqklukyPE&s=2qZ3pVIgaFBc-OVwRpk0dmxKoBMWH5qZDfD5sSH28EU&e=">http://www.museumstudy.com/courses/course-list/materials-for-exhibit-moving-and-storage/</a><o:p></o:p></p>
<p class="MsoPlainText"><o:p> </o:p></p>
<p class="MsoPlainText">Evaluating Interpretive Exhibits course begins March 5 on MuseumStudy.com Exhibits are one of the most expensive of interpretive media we use, and yet one of the media that we often really don't know if "it works". We judge exhibits
by their appearance rather than by their success in accomplishing meaningful objectives. We like to ask -if you spend<o:p></o:p></p>
<p class="MsoPlainText">$10,000 on your exhibits, how will you determine if you're receiving<o:p></o:p></p>
<p class="MsoPlainText">$10,000 in benefits from those exhibits? That's usually when we get the "deer in the headlights" stare.<o:p></o:p></p>
<p class="MsoPlainText">Join professional interpreter John Ververka for this 4 week online course. It is the goal of this course to give you some simple tools for doing evaluations of, or critiquing exhibits. Some tools for critiquing existing exhibits - to
see if they are accomplishing their objectives and may be in need of rehabilitation, and some for pre-post testing evaluation of exhibits first being designed to see if they are accomplishing their objectives prior to final construction so they can be "fixed"
to be more effective.<o:p></o:p></p>
<p class="MsoPlainText">For more information visit our website: <o:p></o:p></p>
<p class="MsoPlainText"><a href="https://urldefense.proofpoint.com/v2/url?u=http-3A__www.museumstudy.com_courses_course-2Dlist_evaluating-2Dinterpretive-2Dexhibits_&d=DwMFAw&c=cjytLXgP8ixuoHflwc-poQ&r=LpYc_Z_iN1KRw0hheb3x6-8MJUMu482qfHowpGYJqwc&m=Ix4WcAHXuVvPgOJeAUx-RELWktuiQEd1HkBqklukyPE&s=zjbhAoXc3QKiOMmhHgPKjFQC_dGe2-aYfZYgYDIBNf0&e=">http://www.museumstudy.com/courses/course-list/evaluating-interpretive-exhibits/</a><o:p></o:p></p>
<p class="MsoPlainText"><o:p> </o:p></p>
<p class="MsoPlainText">Assessing Risk to Cultural Property course begins March 5 on MuseumStudy.com Assessing risks to cultural property, including but not limited to Museum, Library, and Archive collections, is becoming a fundamental ability for collection
care professionals. Join instructor Robert Waller for the first in a series of courses on Risk to Cultural Property. This introductory course provides a firm foundation on which to build an understanding of risk-based approaches to cultural property protection.<o:p></o:p></p>
<p class="MsoPlainText">For more information visit our website: <o:p></o:p></p>
<p class="MsoPlainText"><a href="https://urldefense.proofpoint.com/v2/url?u=http-3A__www.museumstudy.com_courses_course-2Dlist_assessing-2Drisk-2Dto-2Dcultural-2Dproperty-2D1_&d=DwMFAw&c=cjytLXgP8ixuoHflwc-poQ&r=LpYc_Z_iN1KRw0hheb3x6-8MJUMu482qfHowpGYJqwc&m=Ix4WcAHXuVvPgOJeAUx-RELWktuiQEd1HkBqklukyPE&s=wWY7qKvQg97zc2ZN0a7gVz5cyVgTCa7fA_OIEF7VivA&e=">http://www.museumstudy.com/courses/course-list/assessing-risk-to-cultural-property-1/</a><o:p></o:p></p>
<p class="MsoPlainText"><o:p> </o:p></p>
<p class="MsoPlainText">--<o:p></o:p></p>
<p class="MsoPlainText">Brad Bredehoft<o:p></o:p></p>
<p class="MsoPlainText">CEO<o:p></o:p></p>
<p class="MsoPlainText">Museum Study, LLC<o:p></o:p></p>
<p class="MsoPlainText"><a href="https://urldefense.proofpoint.com/v2/url?u=http-3A__www.MuseumStudy.com&d=DwMFAw&c=cjytLXgP8ixuoHflwc-poQ&r=LpYc_Z_iN1KRw0hheb3x6-8MJUMu482qfHowpGYJqwc&m=Ix4WcAHXuVvPgOJeAUx-RELWktuiQEd1HkBqklukyPE&s=bXfySeFTtMNxIKDyxsOKRXiOeiJB7qOhX9bIEqIP_P4&e=">www.MuseumStudy.com</a><o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><b><span style="font-size:18.0pt">From University of Cambridge Museums</span></b><o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoPlainText">Salvage of Museum, Library & Archive Collections<o:p></o:p></p>
<p class="MsoPlainText"><o:p> </o:p></p>
<p class="MsoPlainText">Date: Monday 21 May 2018<o:p></o:p></p>
<p class="MsoPlainText"><o:p> </o:p></p>
<p class="MsoPlainText">Location: The Fitzwilliam Museum, Cambridge, UK<o:p></o:p></p>
<p class="MsoPlainText"><o:p> </o:p></p>
<p class="MsoPlainText">This is a hands-on introductory workshop on procedures in salvaging museum, library and archive collections. It will cover topics such as preparing the salvage operation, setting up a triage point, moving damaged items and first-aid
for a wide range of materials. The course will also discuss risks of re-entry into damaged collection areas and health and safety aspects of salvage operations.<o:p></o:p></p>
<p class="MsoPlainText"><o:p> </o:p></p>
<p class="MsoPlainText">This practical course is suitable for anyone who might be involved in salvaging museum, library and archive collections in an emergency, including non-specialists.<o:p></o:p></p>
<p class="MsoPlainText"><o:p> </o:p></p>
<p class="MsoPlainText"><o:p> </o:p></p>
<p class="MsoPlainText">Project Management in Conservation and Collections Care (Intermediate)<o:p></o:p></p>
<p class="MsoPlainText"><o:p> </o:p></p>
<p class="MsoPlainText">Date: Tuesday 29 May 2018<o:p></o:p></p>
<p class="MsoPlainText"><o:p> </o:p></p>
<p class="MsoPlainText">Location: The British Library, London, UK<o:p></o:p></p>
<p class="MsoPlainText"><o:p> </o:p></p>
<p class="MsoPlainText">This course will provide those working in conservation and collections care with an understanding of how project management techniques and principles can be applied to improve project performance and delivery.
<o:p></o:p></p>
<p class="MsoPlainText">The programme assumes a basic understanding of project management terminology and practices. Each area of project management covered by the course will include case studies and discussions related to conservation and collection care
projects. The course is highly practical.<o:p></o:p></p>
<p class="MsoPlainText"><o:p> </o:p></p>
<p class="MsoPlainText"><o:p> </o:p></p>
<p class="MsoPlainText"><o:p> </o:p></p>
<p class="MsoPlainText">Managing Indoor Climate Risks<o:p></o:p></p>
<p class="MsoPlainText"><o:p> </o:p></p>
<p class="MsoPlainText">Date: Monday 11 & Tuesday 12 June 2018<o:p></o:p></p>
<p class="MsoPlainText"><o:p> </o:p></p>
<p class="MsoPlainText">Location: The Fitzwilliam Museum, Cambridge, UK<o:p></o:p></p>
<p class="MsoPlainText"><o:p> </o:p></p>
<p class="MsoPlainText">Led by the authors of the book /Managing Indoor Climate Risks in Museums, /this two-day workshop focuses on the practice of risk-based decision making to optimize the management of indoor climate conditions for collections and buildings.
During the two days the participants will learn about the most current research in managing indoor climate risks and will be guided through the process of decision making, from identifying climate risks for collections to the development of climate control
strategies.<o:p></o:p></p>
<p class="MsoPlainText"><o:p> </o:p></p>
<p class="MsoPlainText">During the workshop real case studies from both environmentally controlled museums, galleries and archives and historic buildings without any control will be used.<o:p></o:p></p>
<p class="MsoPlainText"><o:p> </o:p></p>
<p class="MsoPlainText">The workshop is suitable for conservators, collections managers, archivists, librarians, curators and building managers working in museums, archives, libraries and historic houses.<o:p></o:p></p>
<p class="MsoPlainText"><o:p> </o:p></p>
<p class="MsoPlainText"><o:p> </o:p></p>
<p class="MsoPlainText">For more information on our courses or to book a place, please visit
<a href="https://urldefense.proofpoint.com/v2/url?u=https-3A__www.museums.cam.ac.uk_conservation_collections-2Dcare-2Dconservation-2Dprofessional-2Devents&d=DwMFAw&c=cjytLXgP8ixuoHflwc-poQ&r=LpYc_Z_iN1KRw0hheb3x6-8MJUMu482qfHowpGYJqwc&m=Ix4WcAHXuVvPgOJeAUx-RELWktuiQEd1HkBqklukyPE&s=g1w7ecAzGDc2iC41NT8rusS-8h9IIM993El5KmrABBg&e=">
https://www.museums.cam.ac.uk/conservation/collections-care-conservation-professional-events</a>
<o:p></o:p></p>
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<p class="MsoNormal"><b><span style="font-size:18.0pt">From Haute Ecole Arc</span></b><o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
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<p class="MsoNormal"><strong><span style="font-size:13.5pt;font-family:"Arial","sans-serif";color:white">Vitrines : de la conception au contrôle qualité</span></strong><b><span style="font-size:13.5pt;font-family:"Arial","sans-serif";color:white"><br>
<strong><span style="font-family:"Arial","sans-serif"">27-28 mars 2018</span></strong></span></b><span style="font-size:13.5pt;font-family:"Arial","sans-serif";color:white"><o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:9.0pt;font-family:"Arial","sans-serif";color:white">HE-Arc CR, Neuchâtel<o:p></o:p></span></p>
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<p style="text-align:justify"><strong><i><span style="font-family:"Arial","sans-serif";color:black">Thierry Jacot</span></i></strong><em><span style="font-family:"Arial","sans-serif";color:black">, consultant en conservation préventive, Bureau Thierry Jacot
Genève. Enseignant à la HE-Arc en Bachelor de conservation.</span></em><span style="font-family:"Arial","sans-serif";color:black"><o:p></o:p></span></p>
<p style="text-align:justify"><strong><i><span style="font-family:"Arial","sans-serif";color:black">Eléonore Kissel</span></i></strong><em><span style="font-family:"Arial","sans-serif";color:black">, responsable du pôle conservation-restauration, Musée du quai
Branly-Jacques Chirac. Intervenante à la HE-Arc en Bachelor de conservation.</span></em><span style="font-family:"Arial","sans-serif";color:black"><o:p></o:p></span></p>
<p><span style="font-family:"Arial","sans-serif";color:black">
</span><span style="font-family:"Arial","sans-serif";color:black"><o:p></o:p></span></p>
<p class="rtejustify" style="text-align:justify"><span style="font-family:"Arial","sans-serif";color:black">Les vitrines restent un sujet épineux dans tout projet de réalisation ou de rénovation d'un espace d'exposition.<br>
Conçues principalement pour la mise en valeur des collections, elles ont cependant des fonctions de protection et de médiation qui semblent parfois difficiles à concilier, tout particulièrement lorsque les cordons de la bourse sont serrés.<o:p></o:p></span></p>
<p class="rtejustify" style="text-align:justify"><span style="font-family:"Arial","sans-serif";color:black">Lors de cette formation seront abordés les points suivants : fonctionnalités potentielles des vitrines, matériaux de construction et revêtements, normes
existantes et modalités pratiques de contrôle qualité.<o:p></o:p></span></p>
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<p class="MsoNormal"><b><span style="font-size:8.0pt;font-family:"Verdana","sans-serif"">JEFF STEPHENSON</span></b><b><span style="font-size:8.0pt;font-family:"Verdana","sans-serif""><o:p></o:p></span></b></p>
<p class="MsoNormal"><i><span style="font-size:7.5pt;font-family:"Verdana","sans-serif"">COLLECTIONS MANAGER, ZOOLOGY DEPARTMENT</span></i><i><span style="font-size:7.5pt;font-family:"Verdana","sans-serif""><o:p></o:p></span></i></p>
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<p class="MsoNormal"><b><span style="font-size:8.0pt;font-family:"Verdana","sans-serif"">W</span></b><span style="font-size:8.0pt;font-family:"Verdana","sans-serif""> 303.370.8319<br>
<b>F </b>303.331.6492<o:p></o:p></span></p>
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<p class="MsoNormal"><i><span style="font-size:8.0pt;font-family:"Verdana","sans-serif"">The Denver Museum of Nature & Science salutes the citizens of metro Denver for helping fund arts, culture and science through their support of the
</span></i><span style="font-size:8.0pt;font-family:"Verdana","sans-serif""><a href="https://urldefense.proofpoint.com/v2/url?u=http-3A__www.scfd.org_&d=DwMFAw&c=cjytLXgP8ixuoHflwc-poQ&r=LpYc_Z_iN1KRw0hheb3x6-8MJUMu482qfHowpGYJqwc&m=Ix4WcAHXuVvPgOJeAUx-RELWktuiQEd1HkBqklukyPE&s=KLUL8KUmLX10NfSYjPRObyInUw727Ay6GJPQpruCTPE&e="><i><span style="color:blue">Scientific and Cultural Facilities District (SCFD)</span></i></a><i>.</i></span><o:p></o:p></p>
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