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    <div class="moz-cite-prefix">... it might be worth adding that some
      denaturants as some ketones are also used as component in
      chromatography and extract pigments quite well (not all, put
      some). Natural colours can be caused by quite different effects
      and sources, e.g., pigments, unsaturated [metal] ions as key
      element in chelating agents, optical refraction on crystals
      embedded in tissues, etc..</div>
    <div class="moz-cite-prefix"><br>
    </div>
    <div class="moz-cite-prefix">Often, the effect of visual colour we
      see in the specimens we collect is caused by electron excitation
      in biomolecules, which cause changes in the bonding or chemistry
      of respective molecules. Most of our fixatives and storage fluids
      tend to be highly polar, and through polarisation or
      depolarisation of respective biomolecules, colours usually fade -
      cf. colour reaction in many indicators we use. <br>
    </div>
    <div class="moz-cite-prefix"><br>
    </div>
    <div class="moz-cite-prefix">There are few natural pigments that are
      stable, but admittedly few. And I would always be careful with
      bright coloured, historic teaching specimens prepared around 1900
      ... As old bold bright paints, the ingredient are rarely healthy
      (and usually containing heavy metals such as cadmium, chrome,
      lead, etc.)<br>
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    <div class="moz-cite-prefix"><br>
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    <div class="moz-cite-prefix">With best wishes</div>
    <div class="moz-cite-prefix">Dirk<br>
    </div>
    <div class="moz-cite-prefix"><br>
    </div>
    <div class="moz-cite-prefix"><br>
    </div>
    <div class="moz-cite-prefix">Am 10.05.2021 um 20:10 schrieb John E
      Simmons:<br>
    </div>
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cite="mid:CAF7GCDbrLDSpFEYuRA5Hi1bg5J3oPOppJj=29_ijOokGq84sUw@mail.gmail.com">
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        <div class="gmail_default"
          style="font-family:tahoma,sans-serif;font-size:small;color:#000000">Gretchen,</div>
        <div class="gmail_default"
          style="font-family:tahoma,sans-serif;font-size:small;color:#000000">
          <p class="MsoNormal" style="margin:0in 0in
0.0001pt;line-height:normal;font-size:11pt;font-family:"Calibri",sans-serif"><span>I
              was hoping that a botanist might respond on the list with
              a recommendation for you (botany is not my specialty). I
              can tell you that the original Kew mixture was 53 percent
              industrial
              methylated spirits (IMS, which is ethyl alcohol containing
              9 percent water and
              2–4 percent methanol), 37 percent water, 5 percent
              formalin (“dilute
              formaldehyde”), and 5 percent glycerol (Forman and Bridson
              1989). <span></span></span></p>
          <p class="MsoNormal" style="margin:0in 0in
0.0001pt;line-height:normal;font-size:11pt;font-family:"Calibri",sans-serif"><span><span> </span></span></p>
          <p class="MsoNormal" style="margin:0in 0in
0.0001pt;line-height:normal;font-size:11pt;font-family:"Calibri",sans-serif"><span>A
              note in the second edition of <i>The Herbarium Handbook</i>
              (1992) stated that due to controls on hazardous chemicals,
              the original formula
              at Kew had been withdrawn and replaced by a mixture of
              “70% alcohol (ethanol,
              or ethanol + trace of methanol), 29% water and 1%
              glycerol. If using 90%
              strength Industrial Methylated Spirit (IMS) the mixture is
              78% IMS, 21% water
              and 1% glycerol. With different strengths of IMS the
              proportions must be
              adjusted accordingly” (Forman and Bridson 1989, 210). <span></span></span></p>
          <p class="MsoNormal" style="margin:0in 0in
0.0001pt;line-height:normal;font-size:11pt;font-family:"Calibri",sans-serif"><span><span> </span></span></p>
          <p class="MsoNormal" style="margin:0in 0in
0.0001pt;line-height:normal;font-size:11pt;font-family:"Calibri",sans-serif"><span>In
              the third edition (Bridson and Forman 1998) the Kew
              mixture
              recipe was ten parts IMS, one part formalin, one part
              glycerol, and eight parts
              water.</span></p>
          <p class="MsoNormal" style="margin:0in 0in
0.0001pt;line-height:normal;font-size:11pt;font-family:"Calibri",sans-serif"><br>
          </p>
          <p class="MsoNormal" style="margin:0in 0in
0.0001pt;line-height:normal;font-size:11pt;font-family:"Calibri",sans-serif">The
            Kew mixture was supposed to help preserve the color in
            plants. If your concern is just to preserve flowers
            sufficiently for them to be dissected, you might try 70%
            ETOH, with no other additions. If the specimens are not
            intended to be saved as museum specimens, you could use
            denatured 70% ETOH, which is considerably less expensive.</p>
          <p class="MsoNormal" style="margin:0in 0in
0.0001pt;line-height:normal;font-size:11pt;font-family:"Calibri",sans-serif"><br>
          </p>
          <p class="MsoNormal" style="margin:0in 0in
0.0001pt;line-height:normal;font-size:11pt;font-family:"Calibri",sans-serif">Hope
            this helps.</p>
          <p class="MsoNormal" style="margin:0in 0in
0.0001pt;line-height:normal;font-size:11pt;font-family:"Calibri",sans-serif"><br>
          </p>
          <p class="MsoNormal" style="margin:0in 0in
0.0001pt;line-height:normal;font-size:11pt;font-family:"Calibri",sans-serif">--John</p>
          <p class="MsoNormal" style="margin:0in 0in
0.0001pt;line-height:normal;font-size:11pt;font-family:"Calibri",sans-serif"><br>
          </p>
          <p class="MsoNormal" style="margin:0in 0in
0.0001pt;line-height:normal;font-size:11pt;font-family:"Calibri",sans-serif"><span><span></span></span></p>
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                                                <div dir="ltr"><font
                                                    size="2"><span
                                                      style="font-family:tahoma,sans-serif">John
                                                      E. Simmons<br>
                                                      Writer and Museum
                                                      Consultant</span></font></div>
                                                <div dir="ltr"><font
                                                    size="2"><span
                                                      style="font-family:tahoma,sans-serif">Museologica<br>
                                                      <i>and</i><br>
                                                      Associate Curator
                                                      of Collections<br>
                                                      Earth and Mineral
                                                      Science Museum
                                                      & Art Gallery<br>
                                                      Penn State
                                                      University<br>
                                                      <i>and</i><br>
                                                      Investigador
                                                      Asociado,
                                                      Departamento de
                                                      Ornitologia<br>
                                                      Museo de Historia
                                                      Natural,
                                                      Universidad
                                                      Nacional Mayor de
                                                      San Marcos, Lima</span></font><br>
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      <div class="gmail_quote">
        <div dir="ltr" class="gmail_attr">On Fri, May 7, 2021 at 4:37 PM
          Gretchen Meier <<a href="mailto:gameier@d.umn.edu"
            moz-do-not-send="true">gameier@d.umn.edu</a>> wrote:<br>
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        <blockquote class="gmail_quote" style="margin:0px 0px 0px
          0.8ex;border-left:1px solid rgb(204,204,204);padding-left:1ex">
          <div dir="ltr">Hi there!
            <div>Is there a recommended ETOH concentration for
              preserving flowers for later dissection? In a pinch, I've
              used cheap vodka (about 40%) but I'm not sure I want to
              bring that into a classroom.  Any suggestions?<br>
              <div>
                <div><br>
                </div>
                -- <br>
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                                  <div dir="ltr">
                                    <div dir="ltr">Gretchen Meier (<i>she/her/hers</i>)</div>
                                    <div dir="ltr">
                                      <div>Olga Lakela Herbarium (DUL)</div>
                                      <div>University of Minnesota
                                        Duluth</div>
                                      <div><a
                                          href="mailto:gameier@d.umn.edu"
                                          target="_blank"
                                          moz-do-not-send="true">gameier@d.umn.edu</a></div>
                                      <div>218.726.6542</div>
                                      <div><br>
                                      </div>
                                      <div><i>Naturum expellas furca,
                                          tamen usque recurret - Homer </i></div>
                                      <div>'you may drive nature out
                                        with a pitchfork, but she will
                                        come hurrying back'</div>
                                      <div><span style="white-space:pre-wrap">
</span>
                                        <div><br>
                                          <br>
                                          <br>
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                </div>
              </div>
            </div>
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    </blockquote>
    <p><br>
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    <div class="moz-signature">-- <br>
      <p><img src="cid:part6.1574D89D.9D62A209@snsb.de" alt=""
          width="152" height="59"></p>
      <p><br>
        Dirk Neumann<br>
        <br>
        Tel: 089 / 8107-111<br>
        Fax: 089 / 8107-300<br>
        neumann(a)snsb.de<br>
        <br>
        Postanschrift:<br>
        <br>
        Staatliche Naturwissenschaftliche Sammlungen Bayerns<br>
        Zoologische Staatssammlung München<br>
        Dirk Neumann, Sektion Ichthyologie / DNA-Storage<br>
        Münchhausenstr. 21<br>
        81247 München<br>
        <br>
        Besuchen Sie unsere Sammlung:<br>
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        <br>
        ---------<br>
        <br>
        Dirk Neumann<br>
        <br>
        Tel: +49-89-8107-111<br>
        Fax: +49-89-8107-300<br>
        neumann(a)snsb.de<br>
        <br>
        postal address:<br>
        <br>
        Bavarian Natural History Collections<br>
        The Bavarian State Collection of Zoology<br>
        Dirk Neumann, Section Ichthyology / DNA-Storage<br>
        Muenchhausenstr. 21<br>
        81247 Munich (Germany)<br>
        <br>
        Visit our section at:<br>
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