[SoundStudies] Announcement: Organised Sound, new issue now available

Lynda Paul lynda.paul at yale.edu
Tue Apr 16 09:56:02 EDT 2013


Dear all,

The following might be of interest to some of you.

All best,

Lynda

Lynda Paul, Ph.D.
Postdoctoral Associate in the Integrated Humanities
Yale University

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ORGANISED SOUND, VOLUME 18 - ISSUE 01

http://journals.cambridge.org/action/displayJournal?jid=OSO

Editorial
Lonce Wyse

‘The Open Work’: Ecologies of participation
Guy Harries

Lowercase Strategies in Public Sound Art: celebrating the transient audience
Peter Batchelor

My Content/My Space/My Music
Alexandros Kontogeorgakopoulos and Olivia Kotsifa

massMobile: towards a flexible framework for large-scale participatory
collaborations in live performances
Nathan Weitzner and Jason Freeman and Yan-Ling Chen and Stephen Garrett

Understanding Interpretation, Informing Composition: audience involvement in
aesthetic result
Andrew Hill

On Performing Electroacoustic Musics: a non-idiomatic case study for Adorno's
theory of musical reproduction
Elizabeth Hoffman

The Naturalised and the Surreal: changes in the perception of popular music
sound
Ragnhild Brøvig-Hanssen and Anne Danielsen

Schaeffer's Values, Henry's Monsters and Orchestral Noise Reduction
Jeffrey DeThorne

Boulanger Richard and Lazzarini Victor, eds, The Audio Programming Book.
Cambridge, MA: The MIT Press, 2010. ISBN 978-0-262-01446-5
Wilson Scott, Cottle David and Collins Nick, eds, The SuperCollider Book.
Cambridge, MA: The MIT Press, 2011. ISBN 978-0-262-23269-2

Florence Feiereisen and Alexandra Merley Hill, Germany in the Loud Twentieth
Century: An Introduction. New York: Oxford University Press, 2012.
ISBN 978-0-19-975938-5
Tatjana Böhme-Mehner



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