<HTML><BODY style="word-wrap: break-word; -khtml-nbsp-mode: space; -khtml-line-break: after-white-space; "><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Dear All,</DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><BR class="khtml-block-placeholder"></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><B>Four brief announcements: </B></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><BR class="khtml-block-placeholder"></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><SPAN class="Apple-tab-span" style="white-space:pre"> </SPAN>1. Charles Bernstein reads at the Beinecke Library on Tuesday Oct 16 (Today) at 4pm (see you there, I hope); </DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><SPAN class="Apple-tab-span" style="white-space:pre"> </SPAN>2. there are three attachment in this email; please print and read them in preparation for our meeting on Oct 26;</DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><SPAN class="Apple-tab-span" style="white-space:pre"> </SPAN>3. Christian Bök will visit the working group on Friday, November 2, the day after his reading at the Beinecke Library. </DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><SPAN class="Apple-style-span"><SPAN class="Apple-tab-span" style="white-space:pre"> </SPAN>4. Copies of <SPAN class="Apple-style-span" style="text-decoration: underline;">Eunoia</SPAN> are now available at the WHC; more will arrive shortly. </SPAN></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><BR class="khtml-block-placeholder"></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><B>Minutes from our last meeting :</B></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><BR class="khtml-block-placeholder"></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><SPAN class="Apple-style-span">On 5 October the working group met with author Rachel Tzvia Back whose current reading tour had her traveling from Wellesley College to New York City. Our conversation was partly oriented by selected readings from <SPAN class="Apple-style-span" style="text-decoration: underline;">Led by Language: The Poetry and Poetics of Susan Howe</SPAN> (Alabama, 2002) and, more substantially, by our reading of her fourth volume of poems, <SPAN class="Apple-style-span" style="text-decoration: underline;">On Ruins and Return: The Buffalo Poems</SPAN> (1999-2005) (Shearsman, 2007). </SPAN></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><BR class="khtml-block-placeholder"></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Our discussion opened with ruminations on the decisive role Back attributes to seeing an American buffalo in a Galilean landscape; the surprising out-of-place character of the bison remains central throughout the book and there is intentional drift in the way it is staged as an enigmatic signifier. Back described having had this vision after pulling off the road to recover from heat and pregnancy related nausea. At first, not yet knowing the gender of the child she was carrying, Back referred to the vision in her poems by using the impersonal-neutral pronoun, it. The buffalo becomes masculine in the central section of the book, in part, says Back, because those poems negotiate writing through an array of patriarchal violence, if also determined by the birth of Daniel, Back's third child. In the culminating sections, as the image takes on the freight of personal grief related to Back's sister's illness, the buffalo is again changed and rendered as female. That movement is emblematic of the way the vision retraces a kind of personal, or intimate transformation over the 5 years of the book's composition.</DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">As our conversation developed it became clear that the "unsettling" of landscape that Back writes about in relation to Howe has influenced, to some degree, elements of Back's poetics, and that both are made more complex by the historical situation of her voice as a English language Israeli woman poet. When pressed, Back acknowledged that her use of the buffalo, as myth and symbol, engages a set of implicit and explicit risks and that this appropriation problematizes historical responsibility with respect to genocide, and the systematic erasure of histories. </DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><BR class="khtml-block-placeholder"></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><SPAN class="Apple-style-span">One poem makes some of these complexities clear by setting side by side at the heart of the poem (at least) two parallel ruins, that of Mi'ar (the Arab village near Back's residence) and the high plains (former habitat of the buffalo). The poem is entitled "<I>(dispossessed)" </I>and appears as follows on the page:<I></I></SPAN></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><I><BR class="khtml-block-placeholder"></I></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><SPAN class="Apple-style-span"><I><SPAN class="Apple-tab-span" style="white-space:pre"> </SPAN>Drought of years</I></SPAN></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><SPAN class="Apple-style-span"><I><SPAN class="Apple-tab-span" style="white-space:pre"> </SPAN>duration</I></SPAN></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><I><BR class="khtml-block-placeholder"></I></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><SPAN class="Apple-style-span"><I><SPAN class="Apple-tab-span" style="white-space:pre"> </SPAN>Longer than any</I></SPAN></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><I><BR class="khtml-block-placeholder"></I></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><SPAN class="Apple-style-span"><I><SPAN class="Apple-tab-span" style="white-space:pre"> </SPAN>In memory than any</I></SPAN></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><SPAN class="Apple-style-span"><I><SPAN class="Apple-tab-span" style="white-space:pre"> </SPAN>Memory</I></SPAN></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><I><BR class="khtml-block-placeholder"></I></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><SPAN class="Apple-style-span"><I><SPAN class="Apple-tab-span" style="white-space:pre"> </SPAN>Beneath<SPAN class="Apple-tab-span" style="white-space:pre"> </SPAN>On a slope</I></SPAN></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><SPAN class="Apple-style-span"><I> <SPAN class="Apple-tab-span" style="white-space:pre"> </SPAN>Blackhills Judith<SPAN class="Apple-tab-span" style="white-space:pre"> </SPAN>of Olive<SPAN class="Apple-tab-span" style="white-space:pre"></SPAN></I></SPAN></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><SPAN class="Apple-style-span"><I><SPAN class="Apple-tab-span" style="white-space:pre"> </SPAN>Ridge Highwood<SPAN class="Apple-tab-span" style="white-space:pre"> </SPAN>trees wild Mint<SPAN class="Apple-tab-span" style="white-space:pre"></SPAN></I></SPAN></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><SPAN class="Apple-style-span"><I><SPAN class="Apple-tab-span" style="white-space:pre"> </SPAN></I></SPAN></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><SPAN class="Apple-style-span"><I><SPAN class="Apple-tab-span" style="white-space:pre"> </SPAN>Mountains<SPAN class="Apple-tab-span" style="white-space:pre"> </SPAN>Myrrh Anise red<SPAN class="Apple-tab-span" style="white-space:pre"></SPAN></I></SPAN></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><SPAN class="Apple-style-span"><I><SPAN class="Apple-tab-span" style="white-space:pre"> </SPAN>Sioux and Arapahoes<SPAN class="Apple-tab-span" style="white-space:pre"> </SPAN>Anemone the people<SPAN class="Apple-tab-span" style="white-space:pre"></SPAN></I></SPAN></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><SPAN class="Apple-style-span"><I><SPAN class="Apple-tab-span" style="white-space:pre"> </SPAN>on short-grass plains<SPAN class="Apple-tab-span" style="white-space:pre"> </SPAN>of Mi'ar<SPAN class="Apple-tab-span" style="white-space:pre"></SPAN></I></SPAN></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><I><BR class="khtml-block-placeholder"></I></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><SPAN class="Apple-style-span"><I><SPAN class="Apple-tab-span" style="white-space:pre"> </SPAN>in search of search for<SPAN class="Apple-tab-span" style="white-space:pre"> </SPAN>in search of search for<SPAN class="Apple-tab-span" style="white-space:pre"></SPAN></I></SPAN></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><SPAN class="Apple-style-span"><I><SPAN class="Apple-tab-span" style="white-space:pre"> </SPAN>forage last Herds<SPAN class="Apple-tab-span" style="white-space:pre"> </SPAN>Markings<SPAN class="Apple-tab-span" style="white-space:pre"> </SPAN></I></SPAN></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><I><SPAN class="Apple-tab-span" style="white-space:pre"> </SPAN>the stories solitary<SPAN class="Apple-tab-span" style="white-space:pre"> </SPAN>of former homes<SPAN class="Apple-tab-span" style="white-space:pre"> </SPAN></I></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><I><BR class="khtml-block-placeholder"></I></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><I><SPAN class="Apple-tab-span" style="white-space:pre"> </SPAN>White Buffalo<SPAN class="Apple-tab-span" style="white-space:pre"> </SPAN>razed after the War</I></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><I><SPAN class="Apple-tab-span" style="white-space:pre"> </SPAN>who will lead them<SPAN class="Apple-tab-span" style="white-space:pre"> </SPAN>and the Well</I></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><I><SPAN class="Apple-tab-span" style="white-space:pre"> </SPAN>to water<SPAN class="Apple-tab-span" style="white-space:pre"> </SPAN>where it once stood</I></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><I><BR class="khtml-block-placeholder"></I></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><I><BR class="khtml-block-placeholder"></I></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><I><SPAN class="Apple-tab-span" style="white-space:pre"> </SPAN>I am writing this</I></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><I><SPAN class="Apple-tab-span" style="white-space:pre"> </SPAN>unrooted</I></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><I><BR class="khtml-block-placeholder"></I></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><I><BR class="khtml-block-placeholder"></I></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><I><SPAN class="Apple-tab-span" style="white-space:pre"> </SPAN>In the moment</I></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><I><SPAN class="Apple-tab-span" style="white-space:pre"> </SPAN>before</I></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><I><SPAN class="Apple-tab-span" style="white-space:pre"> </SPAN>[...]</I></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><I><BR class="khtml-block-placeholder"></I></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">If it was suggested that one can possibly compare modern-day Israel to early America, it was also made absolutely clear that the use of stories from both was a central concern for crafting the poems in Back's book. </DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><BR class="khtml-block-placeholder"></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><SPAN class="Apple-style-span">The ensuing discussion helped demarcate (and concatenate) a series of boundaries and contradictions, and especially the question of the personal as, and in contrast to, the political. That distinction—as far it is experienced in the composition and reading of the poems—in inflected around public events, many related to the second Intifada (after Sept. 2000), as well as private, or more intimate, dramas, and, the intersection of the two. </SPAN></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Such tension seemed acute in the terms by which Back herself accepts and resists certain standard, locating labels. That is, she self identifies as "English Language Israeli Poet" and not "American-Israeli poet"--her rejection of the latter being inflected by a drive toward local rootedness. Similarly--if quite different in timbre--Back rejects the notion that she is an "avant-garde poet," claiming that her affinities with Howe are distinct from her appreciation of DuPlessis. The categories of "witness poetry" and a "poetry of domesticity" also found little shelter in our conversation —so limited/limiting is the application of labels—though in discussing the penultimate section of the book, there was a lively talk of retreating into the intimacy of family life once the constancy of violence related to the occupation overwhelms. This return to the intimate sphere of family and love demarcates a fragile and longed for safety zone. Our exchanges then explored what such safety would means in terms of poems.</DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Paraphrasing Lorine Niedecker, Back said she had the impression that "the lyric lies in ambush for me. I try to avoid it, but don't really manage." This failure was largely seen as felicitous since the lyrical qualities of the poems (from the crafting of sound to the occasional moralizing) is so successful. As our conversation wended back to the fact that history too lies waiting to ambush the lyric, or any writing emanating from so fraught a historical event, Back described an as of yet to come (ideal) poetic voice that could sustain, ignore, undermine or counteract the surrounding pressures of zealot certainty and give voice to the edges that are everywhere silenced in a landscape where a no-person's-land is virtually impossible, so intense the debate, so high its stakes. </DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><BR class="khtml-block-placeholder"></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Perhaps that voice is already speaking.</DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR class="khtml-block-placeholder"></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; ">Sincerely,</DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; ">Jean-Jacques</DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR class="khtml-block-placeholder"></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR class="khtml-block-placeholder"></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><SPAN class="Apple-style-span">ps-- In our next discussion we will interrogate the writings of Christian Bök, beginning with his prize winning <SPAN class="Apple-style-span" style="text-decoration: underline;">Eunoia</SPAN>, a word that Bök defines as "beautiful thinking."</SPAN></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><B>Here are the proposed Christian Bök readings for Oct 26 :</B></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">1. <SPAN class="Apple-style-span" style="text-decoration: underline;">Eunoia</SPAN>. Copies of the book are now available for pick-up <B>at the WHC</B>; the text is also available in a variety of other formats, including streaming files (see list of links below). </DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><SPAN class="Apple-style-span">2. Proposal for "Xenotext" sent by Bök for the purpose of our discussion (<B>attached below</B> as word document "Xenotext")</SPAN></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><BR class="khtml-block-placeholder"></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><SPAN class="Apple-style-span">3. Online interview in <SPAN class="Apple-style-span" style="text-decoration: underline;">Postmodern Culture</SPAN>: <A href="http://www3.iath.virginia.edu">http://www3.iath.virginia.edu</A>/pmc/current.issue/17.2voyce.html</SPAN></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><BR class="khtml-block-placeholder"></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><SPAN class="Apple-style-span">4. Bök's essay: "Notes toward a Potential Robopotics" (PDF <B>attached below</B>)</SPAN></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><BR class="khtml-block-placeholder"></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">5. Dworking on conceptual writing: <A href="http://www.ubu.com/sound/bok.html">http://www.ubu.com/sound/bok.html</A></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><BR class="khtml-block-placeholder"></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><SPAN class="Apple-style-span">6. and, a few short essays by Bök taken from the web, about poetry online (<B>attached below</B> as Word document "WGCP_Bök_Sess.doc" -- for easy printing)</SPAN></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><SPAN class="Apple-style-span">7. <B style="">Last but not leas</B>t (perhaps first, since performance is so crucial here) listen to Bök reading / enunciating a wide selection of compositions, including Eunoia, and selections from his Cyborg Opera: <A href="http://writing.upenn.edu/pennsound/x/Bok.html">http://writing.upenn.edu/pennsound/x/Bok.html</A></SPAN></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><B>EUNOIA</B></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">A videofile of Bök reading the first chapter of Eunoia. </DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><A href="http://www.griffinpoetryprize.com/media/gpp2002/bok-higgins.wmv">http://www.griffinpoetryprize.com/media/gpp2002/bok-higgins.wmv</A></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><BR class="khtml-block-placeholder"></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Eunoia... the whole text is available on-line here: </DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">http://www.chbooks.com/archives/online_books/eunoia/voile.html</DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><BR class="khtml-block-placeholder"></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">(just click on the page after you're through reading it, the next one</DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">will appear) and here too is Eunoia: <A href="http://www.ubu.com/sound/bok.html">http://www.ubu.com/sound/bok.html</A></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><SPAN class="Apple-style-span">Interview w/Bök regarding "Xenotext" (In <SPAN class="Apple-style-span" style="text-decoration: underline;">Postmodern Culture</SPAN>): </SPAN></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">http://www3.iath.virginia.edu/pmc/current.issue/17.2voyce.html</DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><BR class="khtml-block-placeholder"></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Essay (introduction) on conceptual writing by Craig Dworkin: </DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">http://www.ubu.com/sound/bok.html</DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><BR class="khtml-block-placeholder"></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Essay by Bök: On Nicholodeon by Darren Wershler-Henry: </DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">http://epc.buffalo.edu/authors/bok/nickel.html</DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">WikiBök: <A href="http://en.wikipedia.org/wiki/Christian_B%C3%B6k">http://en.wikipedia.org/wiki/Christian_B%C3%B6k</A></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><BR class="khtml-block-placeholder"></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><BR class="khtml-block-placeholder"></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><BR class="khtml-block-placeholder"></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "></DIV></BODY></HTML>