<html><head><meta http-equiv="Content-Type" content="text/html charset=utf-8"></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;" class=""> Dear Poeticians,<div class=""><br class=""></div><div class="">Before announcing our upcoming sessions, I wanted to make mention of the sad news that the poet C. K. Williams died this week. Members of the WGCP will recall that Williams joined us in the fall of 2013 so that we could discuss his volume <i class="">Writers Writing Dying. He was warm and generous and it was a very memorable session. He was a terrific talent and will be sorely missed.</i></div><div class=""><br class=""></div><div class="">+++</div><div class=""><br class=""></div><div class="">The new semester is up and running and we’ll soon have our first session of the WGCP. <u class="">Our first session will be on 10/2 from 3 PM - 5 PM in the Whitney Humanities Center. </u> The focus of our first session will the most recent collection of poem’s by Dan Beachy-Quick, <i class="">gentlessness</i>. Copies of this book are available in rm 116 of the Whitney Humanities Center. This copies are free and available to interested participants. The number of copies is limited. We ask that you only take a copy if you plan to make at least one of the two sessions devoted to Beach-’Quick’s collection. Also, they go very quickly, so don’t hesitate in going to get one.</div><div class=""><br class=""></div><div class=""> The second session will be on 10/16 from 3 PM - 5 PM. For that discussion, the poet himself will join us.</div><div class=""><br class=""></div><div class="">Here is DB-Q’s official bio:</div><div class=""><br class=""></div><div class=""> Author or co-author of fourteen books of poetry, exploratory prose, and fiction, Dan Beachy-Quick’s previous Tupelo volumes are <em class="">Mulberry</em> (2006), <em class="">This Nest, Swift Passerine</em> (2009), and <em class="">Circle’s Apprentice</em>
(2011). His work has been supported by the Lannan Foundation, and he
has taught at The School of the Art Institute of Chicago and Colorado
State University. He lives in Fort Collins, Colorado, with his family. </div><div class=""><br class=""></div><div class=""><br class=""></div><div class="">Here is a recent micro-review of <i class="">gentlessness</i> published in <i class="">The Boston Review. </i></div><div class=""><br class=""></div><div class=""><br class=""></div><div class=""><br class=""></div><div class=""><br class=""></div><div class=""><div class="p1">
<span class="s1"><i class="">Gentlessness</i></span></div>
<div class="p1">
<span class="s1">by Dan Beachy-Quick</span></div>
<div class="p1">
<span class="s1"><a href="https://urldefense.proofpoint.com/v2/url?u=http-3A__www.tupelopress.org_books_gentlessness&d=AwMFaQ&c=-dg2m7zWuuDZ0MUcV7Sdqw&r=Wv-FChPIYozrmvMKRuHmxQEBEWCLmKc9M2L_LdpEOUI&m=YPJzKJLt4d34VWjJrR1OYcxFTKVsE_NRclSkMJnymTM&s=sYZ6HV9t7flo8QYEQhnyRtgujU17csIQbuuwOdKUmnY&e=" target="_blank" class="">Tupelo Press,</a> </span></div>
<div class="p1">
</div>
<div class="p1">
<a href="https://urldefense.proofpoint.com/v2/url?u=http-3A__www.tupelopress.org_books_gentlessness&d=AwMFaQ&c=-dg2m7zWuuDZ0MUcV7Sdqw&r=Wv-FChPIYozrmvMKRuHmxQEBEWCLmKc9M2L_LdpEOUI&m=YPJzKJLt4d34VWjJrR1OYcxFTKVsE_NRclSkMJnymTM&s=sYZ6HV9t7flo8QYEQhnyRtgujU17csIQbuuwOdKUmnY&e=" target="_blank" class=""><img alt="" src="http://bostonreview.net/sites/default/files/Gentlessness-web.jpg" style="width: 200px; height: 343px; float: right; margin: 5px;" class=""></a>With the assertion “that that what is is an all / * / all filled with what fills it,” Dan Beachy-Quick’s <i class="">gentlessness</i>
begins with a logic of latent catch-all-ness, using repetition that
resembles the terms of a syllogism. Interlocking and propelling
themselves like gears, tautologies such as these lines are especially
present in “monadism: a proem,” the book’s first section, where
Beachy-Quick probes two taproot poetic structures: the fragment and the
aphorism, both memorable, pithy, and chiastic. The fragment “soul so
simple a sense,” for example, opens the heady idea of “sense” (which
Keats called the literacy of a child) into a spiritual range.
Beachy-Quick’s sense of soul is as varied as a bookshelf: <i class="">gentlessness</i>’s
seven sections tour the lyric’s roots in song, prayer, and diaristic
confession, then offer resounding sonnets of “romanticisms” and
portraits of “modernisms.” While Beachy-Quick proves to be a unique
neologist and aphorist in his own right, he harmonizes with a chronicle
of influences. In “Heroisms,” the section that takes up the unsound,
phallocentric, and desirous fallacies of an epic hero, the poet
demonstrates that “There is a way to think that asks no questions / But
divides every question in two.” Gazing through soulful influence turns
the poet inward, where poetry’s extensions mirror its source: “<i class="">Myself</i>
is a word to describe / this field that I cannot see / the end of, this
field I tend, / burying the dead in rows, // burying the sea, burying
seeds. / If there is another horizon / I have not seen it.” <em class="">—Sean Zhuraw</em></div></div><div class="p1"><br class=""></div><div class="p1"><i class=""><br class=""></i></div><div class="p1"><i class="">+++</i></div><div class="p1"><i class=""><br class=""></i></div><div class="p1"><i class=""> </i>And as ever:</div>
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<!--StartFragment--><p class="MsoNormal"><o:p class=""></o:p></p><p class="MsoNormal">The Working Group
in Contemporary Poetry and Poetics meets several Fridays over the course of the
semester at 3.00 PM in the Whitney Humanities
Center at Yale University. We meet to discuss
problems and issues of contemporary lyric poetry. All are welcome to attend.<o:p class=""></o:p></p><p class="MsoNormal"><o:p class=""> </o:p></p><p class="MsoNormal">We look forward to
seeing you all soon.<o:p class=""></o:p></p><p class="MsoNormal"><o:p class=""> </o:p>Richard Deming, Coordinator</p><p class="MsoNormal"><o:p class=""></o:p></p>
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