julie at kaya.com
Aaron Gerow
gerow
Tue Aug 31 21:19:57 EDT 1999
Dear Julie Koo
Thanks for joining the KineJapan list. I look forward to hearing more
from you and want to let you know you can feel free to periodically post
notices of the publication of books on Asian and Japanese film that may
be of interest to our members.
I was glad to hear that you are publishing a translation of Abe's book on
Kitano. Like much of his work, it's very provocative, incisive, way out
of bounds, infuriating, and enjoyable. I've used it a lot in my
publications on Kitano. Who, by the way, is translating it?
>If anyone has a fave book on a director that should be translated into
>English, please send me info.
There are dozens of books I can think of, but taking in commercial
considerations--i.e., who is popular now and thus might sell--I would
recommend looking into the following:
Ueno Toshiya. _Kurenai no metaru sutsu: Anime to iu senjo_ Tokyo:
Kinokuniya Shoten, 1998.
A very good theoretical book on anime focusing on some of the directors
like Oshii Mamoru (Ghosts in the Shell) who are popular abroad. A good
contrast to all the current fan literature. Part of the book has
appeared in English in a journal I edit, _Documentary Box_, and it is on
the net:
http://www.city.yamagata.yamagata.jp/yidff/ff/box/box9/en/b9en-1.html
Ueno's e-mail is: VYC04344 at niftyserve.or.jp
Ueno Koshi, ed. _Suzuki Seijun zen eiga_. Tokyo: Rippu Shobo, 1986.
Kind of dated, but the best book on a director now getting cult fame
abroad.
Hasumi Shigehiko. _Kantoku Ozu Yasujiro_ Tokyo: Chikuma Shobo, 1983.
One of the most influential film books in Japan to appear in the last two
decades, this has already appeared in French translation. I know David
Bordwell of the U of Wisconsin Madison had one of his research assistants
translate it when he was working on his Ozu book, so maybe a reasonably
complete translation is floating around already.
Beyond that, collections of essays by some of the better film critics
like Ueno Koshi and Yamane Sadao might also be a good idea if you pick
and choose the essays/reviews on films that have been seen abroad.
Hope this helps.
Aaron Gerow
Associate Professor
Yokohama National University
Co-owner, KineJapan
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