Eureka's look

[A. M. Nornes]

At 2:18 PM +0700 1/27/01, Junko Tanaka wrote:
> I remember seeing credits of Imagica and Sony PCL in films from
> Taiwan and HK for instance, that has led me to think that film processing
> and developing in Japan is trustworthy.

Junko raises a good question, to which I'll add an anecdote. The first time
I saw Brighter Summer Day was at the Japanese lab where post production was
being done. I asked Edward Yang, the director, why he was doing this in
Tokyo. I had assumed it was because so much of the budget was coming from
there; he told me that it was because they had the best labs in Asia.

Markus