Self Introduction/ Imamura Shohei
Eija Margit Niskanen
emniskanen at students.wisc.edu
Sat Nov 10 20:33:45 EST 2001
Marc, do you think Bakhtin's ideas could be used in order to study the aspects
you mention about Imamura's films? The carnevalesque and bodily aspects you
write about have a certain bakhtinian resonance...
Eija
At 09:10 PM 11/9/01 +0000, Marc Williams wrote:
>
> My theses examined Imamuras's cinema as a "Nativist Carnival". Imamura's
> declared concerns, as well his films, owe much to Yanagita Kunio . I also
> suggested that his work has a markedly carnivalesque aspect, which while
> positing an rather attractive and alternative Japanese identity , also
> reflects, at psycological level , repression and projection in the Japanese,
> middle class male psyche. Its a bit more complicated than that but there you
> go!
>
> Those who have seen Ei Ja Nai Ka? will remember Momoi Kaori as Ine hitching
> up her skirt and urinating to the delight of the dancing mob. Imamuras's
> films have always been about the lower half of the body. Rude, sexual and
> often silly. I don't think we should be surprised or disappointed by his
> latest theme.
>
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