Kinema Club V in Tokyo

[Mark Nornes]

The provisional schedule for Kinema Club in Tokyo is ready. I'll paste 
a list of the panels below. If you would like the complete information, 
including all abstracts and descriptions for all the festivities 
(films, speakers, receptions, etc.), please contact Michael Arnold at: 
ma_iku at hotmail.com. It's a large file, so I didn't want to clutter 
KineJapan with it.

MARKUS

I. Schedule

Schedule:

Wednesday (6/22):
	Tour of the National Film Center
		Morning: Sagamihara unit
		Afternoon: Kyobashi headquarters

Thursday (6/23):
	9:30~5:30: Panels (All panels are at At?n?e Fran?ais, 4th fl.)
	6:30: Koryukai (Toridori in Ochanomizu, 3,000 yen)

Friday (6/24):
	9:30~5:30: Panels
	Evening: Oshii Mamoru Event (Japan Foundation Forum)
	
Saturday (6/25):
	Film Screenings at Japan Foundation
	Special Screening At?n?e
		
Sunday (6/26):
	Film Screenings at Japan Foundation
	Afternoon: Rey Chow Keynote Speech
	Evening: Closing Reception at Japan Foundation


I. Schedule

Schedule:

Wednesday (6/22):
	Tour of the National Film Center
		Morning: Sagamihara unit
		Afternoon: Kyobashi headquarters

Thursday (6/23):
	9:30~5:30: Panels (All panels are at At?n?e Fran?ais, 4th fl.)
	6:30: Koryukai (Toridori in Ochanomizu, 3,000 yen)

Friday (6/24):
	9:30~5:30: Panels
	Evening: Oshii Mamoru Event (Japan Foundation Forum)
	
Saturday (6/25):
	Film Screenings at Japan Foundation
	Special Screening At?n?e
		
Sunday (6/26):
	Film Screenings at Japan Foundation
	Afternoon: Rey Chow Keynote Speech
	Evening: Closing Reception at Japan Foundation







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6?22????
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23????
9:30~5:30:???????????????????????????
9:30-12:00???????
12:00-1:15???
1:15-3:15???????
3:30-5:30???????

6:30????????????????3,000??

24????
9:30~5:30:?????

9:30-12:00???????
12:00-1:15???
1:15-3:15???????
3:30-5:30???????

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26????
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II. Short Panel Line-upPreconstituted Panel
Postconstituted Panel
THURSDAY???????

SESSION 1????????????

PANEL 1: ANIME I (Room 41)

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Superflat: Anime Aesthetics in the Digital Age
Satomi Saito
The University of Iowa

Limited Animation as a Stylistic Tool
Eija Niskanen
University of Wisconsin-Madison
& Helsinki University

Anime and the Cyber Sublime: the Depiction of Information in Anime
William O. Gardner
Swarthmore College

PANEL?2:?ASIAN INTERCONNECTION (Room 42)

Otaku Reconsidered: Shifting Powers of Creativity in Global Media 
Discourses
Jiwon Ahn
Keene State College

?Asian Cult Cinema?: Transcultural Politics and the Aesthetics of 
Transgression
Martin Roberts
The New School, New York

Discovering Japanese TV Drama through Chinese Eyes: Narrative 
Reflexivity, Implicit Therapy and the Question of Social/Cultural 
Imaginary
Kelly Hu
National Chung Cheng University, Taiwan

Planes, Radios and Television Strategy: Specters of Connectivity in the 
Co-produced City
Stephanie DeBoer
University of Southern California

Respondant:
Miryam Sas, UC Berkeley

PANEL 3: SOUND + SCREEN X 2 (Room 43)

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SESSION 2???????????

PANEL 4: ANIME II (Room 41)

Anime as National Cinema(?): Toei Doga's International Aspirations
Michael Arnold
University of Michigan

TBA
Christophe Thouny
McGill University
Hitotsubashi University

Stories in a World Made of Money: Global Capitalism, Anime and the 
Design of Narrative
Cobus van Staden
Nagoya University

Accessing Postmodernism: A critical approach to contemporary visual and 
cultural discourse by means of anime
Lien Fan Shen
Ohio State University

PANEL 5: THE LITERARY AND THE FILMIC (Room 42)

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Kawabata's Dark Side Transformed for the Screen in House of Sleeping 
Beauties
Paul Berry
Kansai Gaidai University

Dancing Tanuki
Yomota Inuhiko
Meiji Gakuin Daigaku

PANEL?6:???????????????? (Room 43)

Yoshiyuki Tomoda ?? ???chair??
Tom Lamarre (discussant)

Surface as Depth: Kimura Takeo?s Art-Direction of Criminal Style
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Anne McKnight
McGill University

Hidden in Plain Sight: Violence as Landscape in Everything About Lily 
Chou-Chou and Elephant
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Brian Bergstrom
University of Chicago

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SESSION 3???????????

PANEL 7: MODERNITY, BEFORE AND AFTER?(Room 41)

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The New Old: Jidaigeki and Vernacular Modernism
Mimi Plauch?
University of Michigan

Clashing Swords on the Screen of Modernity
Phil Kaffen
New York University

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????????Minhwa Ahn?
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PANEL 8: Roundtable: Dialoguing Subtitles?The Translation of Japanese 
Cinema (Room 42)
Donald Richie
Ab? Mark Nornes

PANEL 9: LANDSCAPES I (Room 43)

Such Is the Contrivance of the Cinematograph:" Dur(anim)ation, 
Modernity, and Edo period Visual Culture in Tabaimo's Animated 
Installations
Livia Monnet
University of Montreal

Untitled
Peter Rist
Concordia University (Montreal)

The City and Interior Space in Contemporary Queer Japanese Cinema
Sarah Teasley
University of Massachusetts Dartmouth
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FRIDAY??????????

SESSION 4????????????

PANEL 10: ANIME III?(Room 41)

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PANEL 11: INFLECTIONS OF GENDER (Room 42)

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Ama Glamour
Jasper Sharp
Midnight Eye

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??????YANG In-Sil
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PANEL 12: STAGES OF THE POLITICAL (Room 43)

Feedback : History, Medium, or the 1970s
Jonathan M. Hall
University of California Irvine

Transgressive Cinephilia: Koroshiya no rakuin
Yuriko Furuhata
Brown University, Comparative Literature

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SESSION 5???????????

PANEL 13: 4 FILMMAKERS / 4 POVs?(Room 41)

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Parametric Play in Late Spring
Yuki Takinami
University of Chicago

The Absent Parent: the Family in the Films of Naruse Mikio
Susanne Schermann
Meiji University

Suspense and Morality in Hitchcock?s Films
Michiko Usui
Kyoto City University of Arts

PANEL 14: RECALLING WAR (Room 42)

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????Kang TaeWoong?
?????Kwang Woon University?

Nihon yaburezu (Japan Undefeated): the cinematic contest for Japan?s 
collective war memory
Dick Stegewerns
Osaka Sangyo University

 From Home Front to ?Revolutionary Democracy?: Naruse During the 1940s
Catherine Russell
Concordia University

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PANEL 15: BODIES IN SPACE (Room 43)

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A Representation of the Body in the Kinetoscope Film
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Discipline and Leisure: Movie Entertainment on Hawaii?s Sugar 
Plantations
Denise Khor
UC San Diego

SESSION 6???????????

PANEL  16: Crossing and Traversing Films, Photographs, and Print Media 
Before and During World War II
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"Film/Photo in 'Graphmontage'"
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"The Formation of Film Stardom and the Representation of Stars"
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"Making Ephemeral: Amateur Photography and the Transformation of the 
Urban Images
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"Representing Tokkotai During the War"
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PANEL 17: LANDSCAPES II ?????????? (Room 42)

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PANEL 18: ??????????????????????????? (Room 43)
Fascism and Film: Memorizing and Forgetting the Past in Japanese/German 
Film History

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???????Yale University

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Untitled
Mark Anderson
University of Minnesota

Representations of the Other and National Identities in U.S. and 
Japanese Propaganda Films
Yoshiko Ikeda

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