Toshiaki Toyoda

Mon Dec 18 11:32:03 EST 2006

Can anyone help me with his exact date of birth? I could swear I've seen it listed somewhere, but can't now find anything more than a year, 1969.

ALEX

Eija Niskanen <eija.niskanen at gmail.com> wrote:
  I have the same question.

Eija

On 12/18/06, Emma Newbery wrote:
> Wow what a great line up. is there anyway i can get hold of any papers or
> info on this, as i wont be able to go buit would relist the information for
> my thesis!
>
>
>
> Emma Newbery BA (hons), MA
> Programme Leader
> BTEC National Diploma in Media (Moving Image)
> Blackpool and the Fylde College
>
>
>
>
>
> >From: Mark Nornes 
> >Reply-To: KineJapan at lists.acs.ohio-state.edu
> >To: KineJapan 
> >Subject: FYI: Japan-related panels at SCMS, March 8-11
> >Date: Sat, 16 Dec 2006 10:25:17 -0500
> >
> >S-P-E-L-L-I-N-G I-T O-U-T: Typography in Film
> >
> >Room:
> >
> >Chair: Michael Baker (McGill University)
> >
> >Matthew Soar (Concordia University), "Type Set: For a Cultural Economy of
> >Lettering and Typography in Cinema"
> >Michael Baker (McGill University), "Wes Anderson's Alphabet & the Clothes
> >Characters Wear: Reading Directorial Style in Opening Credits"
> >Daniel Fineman (Occidental College), "The Text of Undoing: Typography in
> >Welles' Mr. Arkadin"
> >Sarah Teasley (University of Massachusetts, Dartmouth), "Reading the
> >Cinematic City: The Typography of Environmental Graphics in Prewar
> >Japanese Film"
> >Respondent: Rembert Hueser (University of Minnesota)
> >
> >Japanese Cinema and Culture
> >
> >Room:
> >
> >Chair: Daisuke Miyao (University of Oregon)
> >
> >Brian Ruh (Indiana University), "America's Anime, Japan's Anime:
> >Identifying Japanese Animation in Global Circulation"
> >Daisuke Miyao (University of Oregon), "Japanese Men with Movie Cameras:
> >'Lights, Camera, Nation!'"
> >Akira Lippit (University of Southern California), "At the Center of the
> >Outside: Japanese Cinema Nowhere"
> >Alastair Phillips (University of Reading), "Unsettled Visions. Space, Time
> >and Modernity in Imamura Shohei's Vengeance is Mine (1979)"
> >
> >The National in the Transnational: Ventriloquism in Korean Cinema
> >
> >Room:
> >
> >Chair: JungBong Choi (New York University)
> >
> >Hye Jean Chung (University of California, Santa Barbara), "Historicization
> >of Personal Testimony: The Reclamation of Voice in The Murmuring"
> >Sangjoon Lee (New York University), "Rewriting 'Korean National Cinema' in
> >the Age of Transnational Imaginary: The First Period of Shaw Brothers/Shin
> >Film Co-productions during the 1960s"
> >Sueyoung Park-Primiano (New York University), "The Roundabout: National
> >Identities in Transnational Korean Culture"
> >HyunHee Park (University of Chicago), "Between Korea and Japan: On Yoichi
> >Sai's Cinematic Instability"
> >
> >Japanese Cinema: Gender and Genres
> >
> >Chair: Nicholas Schlegel (Wayne State University)
> >
> >Nicholas Schlegel (Wayne State University), "Identity Crisis: Imperialist
> >Vampires in Japan?"
> >Myoungsook Park (University of Iowa), "On Minority Representations in
> >Contemporary Japanese Cinema: Representations of Resident Koreans in Go
> >(Yukisada Isao, 2001)"
> >Deborah Shamoon (University of Notre Dame), "Domesticating Japanese
> >Girlhood: The Film Career of Misora Hibari, 1946-1955"
> >Leslie Marsh (University of Michigan), "Buraziru: The Japanese Immigrant
> >and Dekassegui Experience in Tizuka Yamasaki's Gaijin: Os Caminhos da
> >Liberdade (1980) and Gaijin: Ame-me Como Sou (2005)"
> >
> >Rethinking Genre II
> >
> >Room:
> >
> >Chair: Joseph Schaub (College of Notre Dame)
> >
> >Joseph Schaub (College of Notre Dame), "When Cute Becomes Scary: Images of
> >the Young Female in Contemporary Japanese Horror Cinema"
> >Rebecca Gordon (Oberlin College), ""It's a New System. I Wanted Us All to
> >Discover It": Crafting a Post-Feminist Horror Mythology in The Descent"
> >Donald LaCoss (University of Wisconsin, LaCrosse), "A Fistful of Fanon:
> >Postcolonial Politics & the Spaghetti Western"
> >Jeff P. Smith (University of Wisconsin, Madison), "Film and the Musical
> >Analogy: Rethinking an Old Theoretical Concept"
> >
> >Historical Trajectories in Cross-Border East Asian Cinemas
> >
> >Room:
> >
> >Chair: Hyung-Sook Lee (University of Southern California)
> >Co-chair: Stephanie DeBoer (SSRC/Meiji Gakuin University, Tokyo)
> >
> >Dong Hoon Kim (University of Southern California), "Benshi across the
> >Borders:Benshi and Byonsa in Korea under Japanese Colonial Rule"
> >Charles Leary (New York University), "The Didactics of Cathay Cinema and
> >Hong Kong Modernity"
> >Hyung-Sook Lee (University of Southern California), "Transnational
> >Filmmaking and Oscillating Names: The Case of Chung Chang-Wha"
> >Stephanie DeBoer (SSRC/Meiji Gakuin University, Tokyo), "Asian Beat:
> >Omnibus Asia at the Limits of the Link"
> >
> >
> >
> >Pornography Studies I
> >
> >Karen Hall (Ithaca College)
> >
> >David Andrews (Independent Scholar), "Does Porn Need Sex, or is S-e-x
> >Enough? Toward an Analytic Definition of Pornography"
> >Katrien Jacobs (City University of Hong Kong) and Chantal Zakari (School
> >of the Museum of Fine Arts, Boston), "Soft Arousal Latex Party: Web
> >Affairs and Pornification in The Twilight Zone"
> >Young Eun Chae (University of North Carolina, Chapel Hill), "Visualizing
> >Female Pleasure on the World Wide Web: Internet Pornography in South
> >Korea, Japan, and the United States"
> >Karen Hall (Ithaca College), "Covering the Iraq Netwar: War Pornography
> >and the Occupation in Public Space"
> >
> >Formal Conventions and Textual Relations
> >
> >Room:
> >
> >Chair: Christine Becker (University of Notre Dame)
> >
> >Dan Russek (University of Victoria), "Politics of the Image: Modern Media
> >in the Literary Works of Julio Cort?zar and Tom?s Eloy Mart?nez"
> >Greg Wright (Michigan State University), "Provocative Developments:
> >Photographic Logic and Quantum Uncertainty in the Multiple Forms of The
> >Big Sleep"
> >Hideaki Fujiki (Nagoya University), "Effacing Nationality: Hollywood's
> >Adaptation of Contemporary Japanese Films"
> >Christine Becker (University of Notre Dame), "The Office: An American
> >Success Story"
> >
> >Cinema and Translation: Technologies, Styles and the Politics of Language
> >Transfer
> >
> >Room:
> >
> >Chair: Natasa Durovicova (University of Iowa)
> >
> >Sheila Skaff (University of Texas, El Paso), "Intertitles and Language
> >Conflict in Bydgoszcz, El Paso and Juarez, 1908-1920"
> >Charles O'Brien (Carleton University), "Dubbing Technique and Its
> >Stylistic Consequences: The Translation into French of Alfred Hitchcock's
> >Waltzes from Vienna (1934)"
> >Joshua First (University of Michigan), "Making Socialist Cinema Multi/
> >National: The Politics of Film Translation in the Soviet Union, 1960-1980"
> >Mark Nornes (University of Michigan), "Dangerous Liaisons: Traders,
> >Traitors and the Film Festival Network"
> >
> >Performance, Projection, and the Asian Diaspora
> >
> >Room:
> >
> >Chair: Peter X Feng (University of Delaware)
> >
> >Peter X Feng (University of Delaware), "King vs. Chairman, or the Comedy
> >of Extreme Sports: Translating Japanese Television for U.S. Audiences"
> >Ju Yon Kim (Stanford), "Playing the Part, Burying the Body: Racial
> >Performance and Performativity in Better Luck Tomorrow"
> >Steven Lee (Stanford), "Viktor Tsoi at Sundance: Soviet Counterculture and
> >the Korean Diaspora"
> >
> >Constructions of Racial Identity
> >
> >Chair: Adam Knee (Ohio University)
> >
> >Hilaria Loyo (Universidad de Zaragoza), "Blinding Blondes Go West:
> >Whiteness, Star, Genre and Nation in the Early Fifties"
> >Christine Guzaitis (University of California, San Diego), "Seeing Double:
> >Interracial Desire and Gender Deviance in U.S. Filmic Representations of
> >Post-World War II Japan"
> >Adam Knee (Ohio University), "White Chicks in a New York Minute:
> >Performing/Transforming White Femininity in Contemporary Hollywood"
> >Nancy Inouye (Univ. of Massachusetts Amherst), "Hollywood's 'Yellowface':
> >The Spectacle of Orientalism in Film Scoring and Performance"
> >
> >Project Sternberg
> >
> >Chair: Janet Bergstrom (University of California, Los Angeles)
> >
> >Janet Bergstrom (University of California, Los Angeles), "Josef von
> >Sternberg: Salvation Hunter"
> >Jason Skonieczny (University of Southern California, Los Angeles),
> >"American Lyrical Abstraction: Sternberg in Light of Deleuze"
> >Andrew Woods (UCLA), "Sternberg at RKO"
> >Sachiko Mizuno (University of California, Los Angeles), "The Saga of
> >Anathan and Sternberg in Japan"
> >Respondent: Lea Jacobs (University of Wisconsin, Madison)
> >
> >
> > "Extreme" East Asian Cinema and Cult Film Canons
> >
> >Chair: Hye Seung Chung (Hamilton College)
> >
> >Chi-Yun Shin (Sheffield Hallam University), "All in the Name: Tartan Asia
> >Extreme Films"
> >Hye Seung Chung (Hamilton College), "Hooking the Audience: The Repulsive
> >Attraction of Kim Ki-duk's Yopgi Cinema"
> >James Fiumara (University of Pennsylvania), "Narration, Aesthetics, and
> >Torture in Takashi Miike's Audition"
> >Ruby Cheung (University of St Andrews), "(De)Territorializing Horror:
> >Domestic Specificities and Transnationalism in Fruit Chan's Dumplings
> >(2004)"
>
> _________________________________________________________________
> Think you're a film buff? Play the Movie Mogul quiz and win fantastic
> prizes! http://www.msnmoviemogul.com
>
>

---------------------------------
 Try the all-new Yahoo! Mail . "The New Version is radically easier to use" ? The Wall Street Journal
-------------- next part --------------
An HTML attachment was scrubbed...
URL: http://lists.service.ohio-state.edu/mailman/private/kinejapan/attachments/20061218/0274d9f6/attachment-0002.html