Toru Takemitsu and the Films of the Japanese New Wave

[Angelo Masucci]

Thank you both so much. I don't read Japanese myself, but I have some
friends that may be able to help me out.

Peter, do you mind sending me the catalogue you mentioned?

Thank you both again for all your help.

Angelo

On Thu, Apr 24, 2008 at 10:26 AM, Peter Grilli <grilli at us-japan.org> wrote:

>  Angelo & Asako:
>
> The 5-volume set called "The Complete Toru Takemitsu" (Takemitsu Zenshu),
> referred to by Asako Yoshida, is a superb compilation of music, books,
> letters, essays, film materials, and other information about Takemitsu.
> It's beautifully packaged in five boxes, published by Shogakkan, and it
> includes 55 CDs of Takemitsu music and five books.
>
> Unfortunately, however, it's almost totally in Japanese.  (There are some
> concert reviews and incidental writings in English -- but everything else is
> in Japanese.)
>
> Angelo, if you read Japanese this is a gold mine!
> If you don't, you should find someone who does read Japanese, first to help
> you select the material directly relevant to your research.  Then, beg that
> person to translate that material for you.
>
> I can send you a catalogue describing the contents of the 5-volume
> "Complete Takemitsu" -- but the catalogue itself is also completely in
> Japanese.   Here's a rough breakdown of the contents of the 5 boxed volumes:
>
> I.  Orchestral Works (includes 12 CDs)
> II. Instrumental Works, Chamber Music, and Choral Music (includes 11 CDs)
> III. Music for the Movies, 1  (10 CDs) -- This box includes music from
> about 60 films, composed between 1952 and 1969.  Since you're working on
> Takemitsu's music for New Wave movies, this is the material most relevant to
> your needs.)
> IV. Music for the Movies, 2 (10 CDs) -- includes music from Toru's last
> 39 film scores (1970-95)
> V. Popular Music, Tape Music, Incidental Music for Theater Works, TV, and
> Radio, Addenda. (12 CDs)
>
> I was a member of the editorial advisory group for this project, and I
> lobbied hard for an English version -- or, at least, English translations of
> some of the key written materials.  But unfortunately I was overruled by
> budgetary considerations.
> Still, this is an extremely valuable compilation of Takemitsu music and
> information about him and his work (both his musical works and his
> theoretical and philosophical writings).  It should be part of every serious
> academic music library.
>
> Good luck with your research!
>
> Peter Grilli
>
>
>
> -----Original Message-----
> *From:* owner-KineJapan at lists.acs.ohio-state.edu [mailto:
> owner-KineJapan at lists.acs.ohio-state.edu]*On Behalf Of *
> Asako_Yoshida at Umanitoba.ca
> *Sent:* Thursday, April 24, 2008 9:27 AM
> *To:* KineJapan at lists.acs.ohio-state.edu
> *Subject:* Re: Toru Takemitsu and the Films of the Japanese New Wave
>
> Hi Angelo,
>
> I'm a great fun of his music myself. When I Googled, I found an interesting
> 5-volume publication about Takemitsu and his art which came out in 2002:
> Takemitsu Toru Zenshu from Shogakkan (
> http://www.shogakukan.co.jp/takemitsu/all/05.html).
>
> The publication tries to gather many unpublished or not well noted among
> Japanese audiences in one collection. It, for example, includes an essay by
> Shinoda, if you can read Japanese. The page above includes Table of Contents
> and indicates that the materials written by Donald Richie, Daniel Shmid, and
> Peter Grilli gathered in the collection might be related to his movie music.
> Unfortunately, worldcat does not include this publication, but you can draw
> some hints from the page and search worldcat to see what might be available
> and accessible here. For example, I found a collection of interviews
> including Takemitsu himself in this DVD through worldcat:
>
> http://www.worldcat.org/oclc/174128399&referer=brief_results,
>
> or VHS:
> http://www.worldcat.org/oclc/222789680&referer=brief_results
>
> Cheers,
>
> Asako
>
>  At Thu, 24 Apr 2008 00:19:49 -0400, Angelo Masucci wrote:
>
> > Hi, my name is Angelo Masucci and I just signed on. I'm a graduate
> student
> > at the New School University here in New York City and am now taking a
> class
> > on Japanese New Wave Film.
> >
> > I'm about to begin a research paper on the role of Toru Takemitsu's music
> in
> > a few of the films of the Japanese New Wave (Crazed Fruit, Double
> Suicide,
> > and probably Woman in the Dunes). Unfortunately, in doing my research I'm
> > discovering that there is little out there on Takemitsu's film work. The
> > majority of the books and articles I cam across focus primarily on his
> > orchestra pieces which are outside the scope of what I'm looking to do. I
> > know there's a short documentary on his film work which is useful, but
> I'm
> > very much in need of some deeper material.
> >
> > I'm wondering if anyone could point me in the direction of some materials
> > that might be useful.
> >
> > Thank you in advance,
> >
> > Angelo Masucci
> >
>
>
> Asako Yoshida
> Reference Services
> Elizabeth Dafoe Library
> University of Manitoba
> Asako_Yoshida at Umanitoba.ca
> (204) 474-6591
>
> "Education is not the filling of a pail, but the lighting of a fire."
> -- William Butler Yeats
>
> "Banking education treats students as objects of assistance; problem-posing
> education makes them critical thinkers."
> --Paulo Freire
>
> "He who would learn to fly one day must first learn to stand and walk and
> run
> and climb and dance; one cannot fly into flying."
> "Necessity is not an established fact, but an interpretation."
> -- Frederich Nietzsche
>
> "What strikes me is the fact that in our society, art has become something
> which is only related to objects, and not to individuals, or to life."
> -- Michel Foucault
>
> "The idea that we can manage our world is uniquely twentieth-century and
> chiefly American."
> -- David Weinberger
>
> "Creators here and everywhere are always and at all times building upon the
>
> creativity that went before and that surrounds them now."
> -- Lawrence Lessig
>
> "...in a network, the knowledge is emergent. The knowledge is not in any
> given
> individual, but it's a property of the network as a whole. Consequently,
> it's a
> knowledge that cannot, does not, exist in any individual, but only in the
> network as a whole. It's emergent."
> -- Stephen Downes
>
> "When they develop a design, 'We capture a concrete individual perspective
> rather than focusing on an average target image drawn from marketing
> data'...
> The design hint resides in specific individuals' perspectives."
> -- "Design matters,because it's all about me," December 18, 2007, Nikkei
> Design.
>
> About learning and "information overload": "It's a river, not a
> reservoir......
> filter, sift, select, and organize...."
>
>
-------------- next part --------------
An HTML attachment was scrubbed...
URL: http://mailman.yale.edu/pipermail/kinejapan/attachments/20080424/3e548453/attachment.html