CFP Imag(in)ing Asia & the Pacific: Emerging Visualities & Art Perspectives", Grad Symposium Cornell Univ, February 20-21, 2009
Jonathan M Hall
jmhall
Mon Dec 1 15:30:22 EST 2008
H-ASIA
December 1, 2008
Call for papers: "Imag(in)ing Asia and the Pacific: Emerging
Visualities and Art Perspectives", Department of the History of Art
and Visual Studies Annual Graduate Symposium Cornell University
February 20-21, 2009
DEADLINE DECEMBER 15, 2008
Ed. note: supplemental material from website is added to this H-ASIA
post. FFC
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From: H-Net Announcements <announce at MAIL.H-NET.MSU.EDU>
Imag(in)ing Asia and the Pacific: Emerging Visualities and Art
Perspectives Department of the History of Art and Visual Studies
Annual Graduate Symposium Cornell University February 20-21, 2009
Location: New York, United States
Call for Papers Date: 2008-12-15 (in 14 days)
Date Submitted: 2008-12-01
Announcement ID: 165508
The symposium addresses the 20th century processes of decolonization,
modernization, and nation-building that characterized the regions of
Asia and the Pacific. These structures are revisited in the 21st
century in the wake of globalization, and art practice in recent
years has sought to address these questions, variously embracing or
resisting their assumptions, politicizing their implications, or
challenging discourse around such formulations. Not only are the
cities of Asia and the Pacific growing, but have also become major
centers of art, with mega-exhibitions and biennales that crucially
forge regional identities and affinities. The symposium aims to
explore these emerging visualities in the light of the complex, and
changing socio-political and economic issues that affect countries,
peoples, institutions and practice in the region.
Keynote Address:
Dr. Melissa Chiu
Director, Asia Society Museum, New York
We encourage submissions that focus on visuality, however, and can be
from a range of disciplines, including but not limited to Asian
Studies, Pacific Studies, History of Art, History, Visual Studies,
Anthropology, Sociology, Studio Art, Architecture, Literature,
Theatre, Film, and Dance.
Of the many possible engagements with our theme, some include, but
are not limited to:
* Classifications, geographies and identities -- Possibilities of
"Asian" and/or "Pacific" art: art and the archive (Hong Kong), and
the museum (Fukuoka, Wellington, etc.).
* Forging regional "cultural" alliances: Inter-Asia theatre, Asia
Pacific Triennial, Pacific Arts Festival, etc.
* Art and the city -- cities as sites, cities as centers. Global
cities and new urbanities (e.g. Shanghai, Mumbai, Auckland, Sydney,
etc.) Cities as sites of public art. Exhibitions such as Cities on
the Move, Paradise Now?, etc. Biennales such as Singapore, Gwangju,
Sydney and new biennales and triennials being planned.
* Traditional Practices, New Media, and Art against the grain.
Negotiation of tradition and technology in practice. Space for
national heritage and culture and emerging alternative spaces/media
for art.
* Economies of Art: The movement of art from the region across the
global art market and the recent booms. The role of museums,
galleries and auction houses.
Bernida Webb-Binder and Brinda Kumar
Cornell University
Goldwin Smith Hall GM08
607 255 4905
607 266 0566
Email: baw78 at cornell.edu and bk269 at cornell.edu
Visit the website at http://www.arts.cornell.edu/histart/symposium.html
>
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