Fwd: Screening The Past Issue 24

Aaron Gerow aaron.gerow at yale.edu
Thu May 7 14:46:43 EDT 2009


Screening the Past has a few reviews of books we all know, with  
KineJapanners involved in both the books and the review-writing.

Begin forwarded message:
>
> SCREENING THE PAST ISSUE 24 is now online.
> http://www.latrobe.edu.au/screeningthepast/index.html
>
>
> FIRST RELEASE
> Peer reviewed articles, published here for the first time
> Papers from the 2008 Film and History Association of Australia and New
> Zealand Conference
> Therese Davis, Indigenising Australian History: Contestation and
> Collaboration in First Australians .
> Stephanie Hanson, “Electrical wonders of the present age”: cinema- 
> going on
> the Far South Coast of NSW and rural discourses of modernity
> Ann Hardy, From mokomokai to upoko tuhi: changing representations  
> of Maori
> cultural property in film.
> Mike Ingham, History in the Making: Allegory, history, fiction and  
> Chow
> Yun-fat in the 1980s Hong Kong films Hong Kong 1941 (Dir. Po Chieh- 
> leong)
> and Love in a Fallen City (Dir. Ann Hui)
> John Finlay Kerr, ‘Rereading’ Be Kind Rewind (USA 2008): How film  
> history
> can be remapped through the social memories of popular culture
> George Kouvaros, “Those Who Wait”: The Misfits and Late Style
> Jane Mills, First Nation Cinema: Hollywood’s Indigenous ‘Other’
> Tyson Namow, In-and-Out of the Historical Imaginary with Eisner and  
> Herzog
> Dylan Walker, The Only Fun We Have Once in Three Weeks: Rural  
> Exhibition on
> the Eyre Peninsula in the 1930s
> Amy West, Making Television History: The Past made Present in Reality
> Television’s Pioneer House
>
> Sam Rohdie, Three Essays  .
>
> CLASSICS AND RERUNS
> Adrian Martin, “It Has Come to My Ears”: Fritz Lang’s Sound Design
>
> REVIEWS
> Feature Review: Bill Routt reviews Ford At Fox: Part Two (a)
> Deborah Allison reviews Paul Meehan, Tech-Noir: The Fusion of Science
> Fiction and Film Noir
> Ryan Cook reviews Lisa Downing and Sue Harris (eds.), From  
> Perversion to
> Purity: The Stardom of Catherine Deneuve
> Jonah Corne reviews Charles R. Acland (ed), Residual Media
> Colin Crisp reviews Geneviève Sellier, Masculine Singular: French  
> New Wave
> Cinema (trans Kristin Ross)
> Sean Cubitt reviews Michel Pastoureau, Black: The History of a Colour
> James Curnow reviews James Herrick, Scientific Mythologies: How  
> Science and
> Science Fiction Forge New Religious Beliefs
> Anna Dzenis reviews Adrian Martin, “What is Modern Cinema?”.
> Maura Edmond reviews Alison Griffiths, Shivers Down Your Spine:  
> Cinema,
> Museums, and the Immersive View
> Tony Fonseca reviews Louis Kaplan, The Strange Case of William Mumler,
> Spirit Photographer .
> Mas Generis reviews Joram ten Brink (ed), Building Bridges: The  
> Cinema of
> Jean Rouch (Preface by Michael Renov)
> Ina Rae Hark reviews Richard Allen, Hitchcock’s Romantic Irony .
> Alexandra Heller-Nicholas reviews Joanna Bourke, Rape: A History  
> from 1860
> to the Present
> Jan-Christopher Horak reviews Jennifer Fay, Theatres of Occupation.
> Hollywood and the Reeducation of Postwar Germany
> Zachary Hoskins reviews Stephen J. Nichols, Jesus: Made in America
> Irene Javors reviews Linda Williams, Screening Sex
> D.B. Jones reviews Gerd Gemünden, A Foreign Affair: Billy Wilder’s  
> American
> Films .
> Roger Macy reviews Abé Mark Nornes, Forest of Pressure – Ogawa  
> Shinsuke and
> Postwar Japanese Documentary
> Christian McCrea reviews Anna Powell, Deleuze and Horror Film
> Jaime S. Ong reviews Joseph Epstein, Fred Astaire
> Violetta Petrova reviews Marvin D’Lugo, Pedro Almodóvar
> Mike Walsh reviews Alistair Phillips and Julian Stringer (eds.),  
> Japanese
> Cinema: Texts and Contexts
>
> ----
> Learn to speak like a film/TV professor! Listen to the ScreenLex
> podcast:
> http://www.screenlex.org



More information about the KineJapan mailing list