Fwd: Screening the Past Issue 27 now online.

Aaron Gerow aaron.gerow at yale.edu
Fri May 14 09:47:23 EDT 2010



Begin forwarded message:

> SCREENING THE PAST ISSUE 27 is now online
>
> http://www.latrobe.edu.au/screeningthepast/
>
> First Release peer reviewed articles:
>
> * Peter Alilunas, The Past is all used up:  Orson Welles, Touch of  
> Evil and
> Erasure.
> * Anne Rutherford, Volatile Space, Takemitsu and the Material  
> Contagions of
> Harakiri
> * John Hodgkins, Heritage and Post-Heritage: The House of Mirth on  
> Page and
> Screen.
> * Gino Moliterno, Cinematic Intertextuality and comic allusion in  
> Giorgio
> Mangiamele's Ninety Nine Per Cent.
> * Sam Rohdie, Hitchcock Fabrics.
>
>
> Reviews:
>
> Feature Review:  Bill Routt reviews Ford at Fox Part Two (c)
>
> * Emily Ashman reviews Mark James Russell, Pop Goes Korea: Behind the
> Revolution in Movies, Music and Internet Culture.
> * Ina Bertrand reviews Lisa French and Mark Poole, Shine a Light: 50  
> Years
> of the Australian Film Institute, The Moving Image No. 9, ATOM 2009.
> * James Brown reviews Kenneth E. Hall, John Woo?s The Killer.
> * John Conomos reviews Yvette Biro, Turbulence and flow in film: The
> Rhythmic Design.
> * James Curnow reviews Robert Burgoyne, The Hollywood Historical Film.
> * Adrian Danks reviews Janet Harbord, Chris Marker: La Jetee.
> * Wheeler Winston Dixon reviews Stephen Chibnall and Brian  
> McFarlane, The
> British B Film.
> * Wheeler Winston Dixon reviews Elizabeth Legge, Wavelength.
> * Tony Fonseca reviews Lucas Hilderbrand, Inherent Vice: Bootleg  
> Histories
> of Videotape and Copyright.
> * Jane Greene reviews Harriet Margolis, Sean Cubitt, Barry King and  
> Thierry
> Jutel, Studying the Event Film: The Lord of the Rings.
> * Alexandra Heller-Nicholas reviews Karla Oeler, A Grammar of Murder:
> Violent Scenes and Film Form.
> * Jan-Christopher Horak reviews Joan Simon (ed.) Alice Guy Blache:  
> Cinema
> Pioneer
> * D.B.Jones reviews Tom McSorley, The Adjuster.
> * Mike Lim reviews Rick Altman, A Theory of Narrative.
> * Brian McFarlane reviews Dianne F. Sadoff, Victorian Vogue: British  
> Novels
> on the Screen.
> * Jasmine McGowan reviews Jason Wood, Talking Movies: Contemporary  
> World
> Filmmakers in Interview.
> * Matt Wanat reviews Marguerite H. Rippy, Orson Welles and the  
> Unfinished
> RKO Projects: A Postmodern Perspective.
>
>


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