Breaking Boundaries: Alternative Approaches to Japanese Film All-Day Symposium (FREE) (UK) Programme

[jacline moriceau]

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Jacline
  ----- Original Message ----- 
  From: Julian Ross 
  To: kinejapan at lists.acs.ohio-state.edu 
  Sent: Tuesday, October 26, 2010 10:34 PM
  Subject: Breaking Boundaries: Alternative Approaches to Japanese Film All-Day Symposium (FREE) (UK) Programme


  Breaking Boundaries: Alternative Approaches to Japanese Film’



  All-day Symposium

  November 6th 2010. 9:45 – 20:00

  ICS Cinema (Clothworkers North Building LT 2.31), University of Leeds, UK

  As part of the 24th Leeds International Film Festival (www.leedsfilm.com)

  FREE EVENT!



  Please visit http://www.mixedcinemanetwork.org/node/80 for more information and to download the full programme notes and detailed directions.



  Please contact us at bbconf2010 at googlemail.com if you have any questions. Please e-mail us to register your name onto our list as our space is limited!!



  Keynote Speech: Tony Rayns

  (BFI; Sight and Sound; London Film Festival; Vancouver Film Festival)



  Panel Discussion: Programming Japanese Cinema at International Film Festivals

              Participants: Tony Rayns, Jasper Sharp (Zipangu Fest) and Tom Vincent (Bradford International Film Festival)



  Screening: Children of the Beehive (Shimizu, 1948) introduced by Tony Rayns

              Courtesy of Zipangu Fest (www.zipangufest.com)



  Papers:



  Panel 1: Japanese Cinema: Within and Beyond the Nation

  Chistopher Howard (SOAS, University of London)

              Nagata Masaichi and the challenge of transnational Japanese cinema

  Oliver Dew (Birkbeck, University of London)

              “Zainichi cinema” in emergence

  Kate E Taylor (Bangor University)

              Divine Work or Celluloid Collaboration’: the Transnational Vision of Japanese Colonial Cinema



  Panel 2: Intertextuality and Interdisciplinarity in Japanese Cinema

  Adam Strickson (University of Leeds)

              His Bloody Materials: Reasons for Adapting Masumura’s Red Angel into a tragic opera set in 1990s Sudan

  Anya Benson (University of York)

              Rethinking technology and identity in Japanese children’s franchises



  Panel 3: Questions of Gender in Japanese Cinema

  Alicia Kozma (Hunter College, New York)

              Pinky Violence: Shock, Awe, and the Exploitation of Sexual Liberation            

  Alejandra Armendariz (University Rey Juan Carlos, Madrid)

              Alternative Representation of Sexual Difference in Contemporary Japanese Cinema Made by Women Directors

  Jasper Sharp (University of Sheffield)

              Where are the Women in the Japanese Film Industry?



  Panel 4: Reception of Japanese Cinema: Home and Abroad

  Christina Zimmermann (Bauhaus University, Weimar)

              Juggling with cultural stereotypes: The light humour of Naoko Ogigami

  Virginia Crisp (Goldsmiths, University of London)

              ‘BLOODY PIRATES!!! *shakes fist*’: Re-imagining East Asian Film Distribution & Reception through Online Filesharing Networks

  Aimee Richmond (University of Sheffield)

              Title tbc



  For those of you on Facebook: http://www.facebook.com/#!/event.php?eid=158281970873345
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