[KineJapan] Tsunami and heartwake 2011 Av coverage

[J Abel]

Jim,
Yumeno’s reflection actually cuts both ways because he talks about the fact that there were very few films that dealt with the earthquake directly, then he talks about the rise of decadence (actually pre-empts or influences Sakaguchi Ango’s postwar daraku discourse) and makes the point that maybe those decadent films in the wake of the quake are actually quake films.
Jon

On Apr 7, 2014, at 7:58 PM, Cook, Ryan <ryancook at fas.harvard.edu> wrote:

> 
> Jim,
> 
> This was an issue that came up at times at the Berkeley symposium and was a theme in my own paper which situated 3/11 fiction films in relation to atomic bomb and hibakusha films.  I personally came across an observation that the Kanto and Hanshin earthquakes had received surprisingly little attention from fiction/narrative filmmakers.  I'm not quite comfortable making that claim myself because I haven't followed up on it very much, but Jonathan Abel gave a paper at Berkeley in which he cited an interesting quote from an essay by Yumeno Kyusaku written shortly after the 1923 earthquake.  Yumeno had interviewed an official responsible for film censorship who noted that there had been a lack of screenplays dealing with the disaster submitted for official approval at the time.  The conclusion was that screenwriters had exercised self-restraint at least in the historical moment.  Self-restraint (jishuku) has also been a theme since 3/11, but evidently not to the point of altogeth
> er preventing films from being made.
> 
> The Wind Rises contains a dramatic depiction of the Kanto earthquake, as someone else just mentioned.  That's interesting in that it is a depiction of the earthquake from a post-3/11 vantage point (at least the film was released in 2013... I don't know when production began), and in that sense it is also a "3/11 film."  Miyazaki of course has publicly come out against nuclear energy, and it seems reasonable to imagine a subtext in all the talk of Japan "exploding" and the persistence of the wind motif in the film, the wind being as ambivalent as the dream of flight, lifting beautiful things into the air, but also spreading fires and poisonous things.  Wakamatsu Koji was reportedly planning an adaptation of the nuclear fallout graphic novel "When the Wind Blows" before his death.  Off the top of my head, I can't think of other dramatic representations of the 1923 earthquake in film, though I'm probably overlooking important examples.
> 
> Ryan
> 
> 
> ________________________________________
> From: kinejapan-bounces+ryancook=fas.harvard.edu at lists.service.ohio-state.edu [kinejapan-bounces+ryancook=fas.harvard.edu at lists.service.ohio-state.edu] on behalf of Jim Harper [jimharper666 at yahoo.co.uk]
> Sent: Monday, April 07, 2014 5:34 AM
> To: Japanese Cinema Discussion Forum
> Subject: Re: [KineJapan] Tsunami and heartwake 2011 Av coverage
> 
> Forgive me butting in here, but I'm curious about a couple of things.
> 
> a) Has much been written about the presentation and portrayal of disaster in Japanese cinema in general, prior to 3/11?
> 
> b) Have specific disasters- like the Great Kanto Earthquake of 1923 or the 1995 Kobe Earthquake- been heavily represented in contemporary film, also prior to 3/11?
> 
> Can anyone help? Just a couple of brief answers would be very much appreciated. Thank you!
> 
> Jim Harper.
> 
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