From matteo.boscarol at gmail.com  Mon Mar 28 20:02:19 2016
From: matteo.boscarol at gmail.com (matteo boscarol)
Date: Tue, 29 Mar 2016 09:02:19 +0900
Subject: [KineJapan] Ogawa Production on DVD
In-Reply-To: <7BCCA0D7-B962-4946-8D8C-298FCCC46FD3@gmail.com>
References: <BB0C14FB-248E-4363-AE88-62D65378A462@gmail.com>
	<CAMsAtOb7kTFDRCk97srXpStGDgLKzmPLQ5mOUrdqGPEnmxbcuA@mail.gmail.com>
	<8D486801-2BE5-438B-BDD3-407ACE073074@umich.edu>
	<7BCCA0D7-B962-4946-8D8C-298FCCC46FD3@gmail.com>
Message-ID: <3348EF71-F848-4853-83EC-FAD0CECA9A4C@gmail.com>

Just a quick follow-up on the topic: 
a Sanrizuka Series DVD box set will be released on July 2nd, the box will include all the 7 works made in Sanrizuka plus ?????????? Filmmaking and the Way to the Village by Fukuda Katsuhiko (1973). 

regards

Matteo Boscarol
????? ????
???????????
- LuccaFilmFestival
Asia and Japan Correspondent
https://urldefense.proofpoint.com/v2/url?u=http-3A__luccafilmfestival.it&d=CwIFJg&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=rUsnMl3RHl3hmXacJneay7Lv43nm9PpCcRkJeu21AtY&s=c947zoyyAy3CAbPc0KP7K72U2W0SwgCegMEGmT2WP8E&e= 
- Sonatine2010
https://urldefense.proofpoint.com/v2/url?u=http-3A__www.sonatine2010.blogspot.jp&d=CwIFJg&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=rUsnMl3RHl3hmXacJneay7Lv43nm9PpCcRkJeu21AtY&s=7U8QgQSbP5O5AcayOdHkGwPq6YJd4_ohPhS_P69nTfQ&e= 
- Storia(e) del Documentario in Giappone
https://urldefense.proofpoint.com/v2/url?u=http-3A__storiadocgiappone.wordpress.com&d=CwIFJg&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=rUsnMl3RHl3hmXacJneay7Lv43nm9PpCcRkJeu21AtY&s=n1d8GcGXPkR9I3YS_m69NROALchoQxggnFZGtlGo3Q8&e= 
- Screenweek Japan

> On Mar 1, 2016, at 12:13 PM, matteo boscarol <matteo.boscarol at gmail.com> wrote:
> 
> Of course everyone interested in Japanese cinema would appreciate English subtitles and a pristine quality transfer, but sometimes, and this is one of these times, we have to be content with what we get. Again, I haven't watched the DVDs yet and I don't know anything about their quality, but the case reminds me of Fighting Soldiers' DVD, a bare bones release with less-than-excellent image quality, but still an important work to have on a physical format, in my opinion at least. 
> 
> Matteo Boscarol
> ????? ????
> ???????????
> - LuccaFilmFestival
> Asia and Japan Correspondent
> https://urldefense.proofpoint.com/v2/url?u=http-3A__luccafilmfestival.it&d=CwIFJg&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=rUsnMl3RHl3hmXacJneay7Lv43nm9PpCcRkJeu21AtY&s=c947zoyyAy3CAbPc0KP7K72U2W0SwgCegMEGmT2WP8E&e= 
> - Sonatine2010
> https://urldefense.proofpoint.com/v2/url?u=http-3A__www.sonatine2010.blogspot.jp&d=CwIFJg&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=rUsnMl3RHl3hmXacJneay7Lv43nm9PpCcRkJeu21AtY&s=7U8QgQSbP5O5AcayOdHkGwPq6YJd4_ohPhS_P69nTfQ&e= 
> - Storia(e) del Documentario in Giappone
> https://urldefense.proofpoint.com/v2/url?u=http-3A__storiadocgiappone.wordpress.com&d=CwIFJg&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=rUsnMl3RHl3hmXacJneay7Lv43nm9PpCcRkJeu21AtY&s=n1d8GcGXPkR9I3YS_m69NROALchoQxggnFZGtlGo3Q8&e= 
> - Screenweek Japan
> 
>> On Mar 1, 2016, at 10:57 AM, amnornes at umich.edu wrote:
>> 
>> The exclusion of subtitles is unfortunate. However, I know that Zakka is considering putting some films out. In both cases, budgets are naturally the problem.
>> 
>> Markus
>> 
>> Sent from my iPhone
>> 
>>> On Feb 29, 2016, at 2:14 PM, Peter Larson <pslarson2 at gmail.com> wrote:
>>> 
>>> I was just in Japan and there's a plan to release everything. The staff couldn't tell me when, but the flyers were up... without a release date. 
>>> 
>>>> On Sat, Feb 20, 2016 at 4:40 PM, matteo boscarol <matteo.boscarol at gmail.com> wrote:
>>>> Dear All, 
>>>> 
>>>> On June 2nd the Japanese label DIG will release 3 Ogawa Production's documentaries on DVD: Sea of Youth, The Opressed Students and A Report From Haneda. Apparently there also a project to release all the 20 works made by Ogawa and his group. This is a big news, for me at least, my only doubt is about the quality of the transfer....
>>>> 
>>>> Regards
>>>> 
>>>> Matteo Boscarol
>>>> ????? ????
>>>> ???????????
>>>> - LuccaFilmFestival
>>>> Asia and Japan Correspondent
>>>> https://urldefense.proofpoint.com/v2/url?u=http-3A__luccafilmfestival.it&d=CwIFJg&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=rUsnMl3RHl3hmXacJneay7Lv43nm9PpCcRkJeu21AtY&s=c947zoyyAy3CAbPc0KP7K72U2W0SwgCegMEGmT2WP8E&e= 
>>>> - Sonatine2010
>>>> https://urldefense.proofpoint.com/v2/url?u=http-3A__www.sonatine2010.blogspot.jp&d=CwIFJg&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=rUsnMl3RHl3hmXacJneay7Lv43nm9PpCcRkJeu21AtY&s=7U8QgQSbP5O5AcayOdHkGwPq6YJd4_ohPhS_P69nTfQ&e= 
>>>> - Storia(e) del Documentario in Giappone
>>>> https://urldefense.proofpoint.com/v2/url?u=http-3A__storiadocgiappone.wordpress.com&d=CwIFJg&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=rUsnMl3RHl3hmXacJneay7Lv43nm9PpCcRkJeu21AtY&s=n1d8GcGXPkR9I3YS_m69NROALchoQxggnFZGtlGo3Q8&e= 
>>>> - Screenweek Japan
>>>> 
>>>> _______________________________________________
>>>> KineJapan mailing list
>>>> KineJapan at lists.osu.edu
>>>> https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=CwIFJg&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=rUsnMl3RHl3hmXacJneay7Lv43nm9PpCcRkJeu21AtY&s=1NM7EI20rBuOtBpTpY_NXYpqj0hfb_dkbihthjcWAgM&e= 
>>> 
>>> _______________________________________________
>>> KineJapan mailing list
>>> KineJapan at lists.osu.edu
>>> https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=CwIFJg&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=rUsnMl3RHl3hmXacJneay7Lv43nm9PpCcRkJeu21AtY&s=1NM7EI20rBuOtBpTpY_NXYpqj0hfb_dkbihthjcWAgM&e= 
>> _______________________________________________
>> KineJapan mailing list
>> KineJapan at lists.osu.edu
>> https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=CwIFJg&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=rUsnMl3RHl3hmXacJneay7Lv43nm9PpCcRkJeu21AtY&s=1NM7EI20rBuOtBpTpY_NXYpqj0hfb_dkbihthjcWAgM&e= 
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From mekerpan2 at gmail.com  Sat Mar 19 23:19:46 2016
From: mekerpan2 at gmail.com (Michael Kerpan)
Date: Sat, 19 Mar 2016 23:19:46 -0400
Subject: [KineJapan] Ichikawa's Tokyo Yakyoku
Message-ID: <CALt6Fypb7jVYrffyXj5K6PUn0T4-TzkeGcwOpSayXuec1ivxAg@mail.gmail.com>

Getting ready for our Tokyo visit, my wife and I re-watched Ichikawa's
lovely film. Does anyone know what neighborhood this was shot in?
Also, does anyone know where he is buried, we might want to pay our
respects to him. Finally, is there any video store that might still
have a copy of his Zawa zawa Shimokitazawa? ;-)

Michael
_______________________________________________
KineJapan mailing list
KineJapan at lists.osu.edu
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From aaron.gerow at yale.edu  Sat Mar 19 23:41:20 2016
From: aaron.gerow at yale.edu (Gerow Aaron)
Date: Sat, 19 Mar 2016 23:41:20 -0400
Subject: [KineJapan] Ichikawa's Tokyo Yakyoku
In-Reply-To: <CALt6Fypb7jVYrffyXj5K6PUn0T4-TzkeGcwOpSayXuec1ivxAg@mail.gmail.com>
References: <CALt6Fypb7jVYrffyXj5K6PUn0T4-TzkeGcwOpSayXuec1ivxAg@mail.gmail.com>
Message-ID: <F8059B27-5FEF-4C84-82DE-9F2561844728@yale.edu>

Michael,

According to this blog, it was mostly shot in Urayasu:

https://urldefense.proofpoint.com/v2/url?u=http-3A__members3.jcom.home.ne.jp_urayasu-2D-2Dsanpo_3_movie_mv07a-2Dtokyo.html&d=CwIFaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=6A1wKqNkwkaErX-zszxJZIoB9O7vbdj5LX9t4TTvSvk&s=0cBR7dF7I4hOPdSdwFrKV0s7fMou0QEiQ44iUH_MREA&e=  <https://urldefense.proofpoint.com/v2/url?u=http-3A__members3.jcom.home.ne.jp_urayasu-2D-2Dsanpo_3_movie_mv07a-2Dtokyo.html&d=CwIFaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=6A1wKqNkwkaErX-zszxJZIoB9O7vbdj5LX9t4TTvSvk&s=0cBR7dF7I4hOPdSdwFrKV0s7fMou0QEiQ44iUH_MREA&e= >

Aaron

> 2016/03/19 ??11:19?Michael Kerpan <mekerpan2 at gmail.com> ?????
> 
> Getting ready for our Tokyo visit, my wife and I re-watched Ichikawa's
> lovely film. Does anyone know what neighborhood this was shot in?
> Also, does anyone know where he is buried, we might want to pay our
> respects to him. Finally, is there any video store that might still
> have a copy of his Zawa zawa Shimokitazawa? ;-)
> 
> Michael
> _______________________________________________
> KineJapan mailing list
> KineJapan at lists.osu.edu
> https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=AwICAg&c=-dg2m7zWuuDZ0MUcV7Sdqw&r=7gQmEevSyZWUjCyQgUt53fGOPiSutFMjzDxJFpDYMzg&m=Fn_pk3D8qM4JRdFraiZtQy09sAVCU8WqjOPe8SNGsUo&s=oH5noP74TYYLh6Lp-fvNzW64-LlvXBYr2Kgy3C0r9ng&e= 

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From drumej at gmail.com  Sat Mar 19 23:56:13 2016
From: drumej at gmail.com (Eun Choi)
Date: Sat, 19 Mar 2016 23:56:13 -0400
Subject: [KineJapan] Ichikawa's Tokyo Yakyoku
In-Reply-To: <CALt6Fypb7jVYrffyXj5K6PUn0T4-TzkeGcwOpSayXuec1ivxAg@mail.gmail.com>
References: <CALt6Fypb7jVYrffyXj5K6PUn0T4-TzkeGcwOpSayXuec1ivxAg@mail.gmail.com>
Message-ID: <CAG9=pfbUEpN-P+nk3HmoSTkE1Xe_3m_qcXCkmZP0EHDGqtS21g@mail.gmail.com>

Hello.

As for VHS, I looked into it because I was curious too.
It seems you still can buy it through Amazon Japan if you are okay with
used one.

https://urldefense.proofpoint.com/v2/url?u=http-3A__www.amazon.co.jp_&d=CwIFaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=3wKl4tOowwFw8dN2Zt4MuuEmdF5mZgHWK7Kjr20QzFM&s=uqya6GiDQ4Vb4p52sFcYuuOKJssbMVBkkfiUszWX2B4&e= ???????-VHS-????/dp/B000UULEP0

Hope it helps.

Regards,
Eun

On Sat, Mar 19, 2016 at 11:19 PM, Michael Kerpan <mekerpan2 at gmail.com>
wrote:

> Getting ready for our Tokyo visit, my wife and I re-watched Ichikawa's
> lovely film. Does anyone know what neighborhood this was shot in?
> Also, does anyone know where he is buried, we might want to pay our
> respects to him. Finally, is there any video store that might still
> have a copy of his Zawa zawa Shimokitazawa? ;-)
>
> Michael
> _______________________________________________
> KineJapan mailing list
> KineJapan at lists.osu.edu
> https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=CwIFaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=3wKl4tOowwFw8dN2Zt4MuuEmdF5mZgHWK7Kjr20QzFM&s=oeqEtQm8yIzQ0StJTQ6l9CSmTdnMIW5C5N-iHH7zjCU&e= 
>
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From marty at martygrossfilms.com  Sat Mar 19 23:58:48 2016
From: marty at martygrossfilms.com (Marty Gross)
Date: Sun, 20 Mar 2016 12:58:48 +0900
Subject: [KineJapan] Ichikawa's Tokyo Yakyoku
In-Reply-To: <CALt6Fypb7jVYrffyXj5K6PUn0T4-TzkeGcwOpSayXuec1ivxAg@mail.gmail.com>
References: <CALt6Fypb7jVYrffyXj5K6PUn0T4-TzkeGcwOpSayXuec1ivxAg@mail.gmail.com>
Message-ID: <A0ABCDCC-1993-4241-A18E-D295D5554255@martygrossfilms.com>

Michael,

Ichikawa?s home has been demolished and turned into the inevitable ?manshon? - on the ground floor is the Ichikawa Kan Kinen Kan which is well worth a visit.

It's open by appointment only - call Wakabayashi Kazuko - 03 5458 4880

Tell her I sent you -

KON PRO.
NANPEIDAI 18-4
SHIBUYA-KU, TOKYO
150-0036

Marty Gross


> On Mar 20, 2016, at 12:19, Michael Kerpan <mekerpan2 at gmail.com> wrote:
> 
> Getting ready for our Tokyo visit, my wife and I re-watched Ichikawa's
> lovely film. Does anyone know what neighborhood this was shot in?
> Also, does anyone know where he is buried, we might want to pay our
> respects to him. Finally, is there any video store that might still
> have a copy of his Zawa zawa Shimokitazawa? ;-)
> 
> Michael
> _______________________________________________
> KineJapan mailing list
> KineJapan at lists.osu.edu
> https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=CwIFaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=dNCWtd3ZxIk6RzfhXcB2e0NejAguTjdq_E0HDj29PzM&s=YQWYyLTaxNe_RP94ckIe-SBJS0gfUpbEnQ6ji3OAkQg&e= 


----------------------------------------------
Marty Gross
Marty Gross Film Productions Inc.
637 Davenport Road
Toronto, ON M5R 1L3
Canada
+1-416-536-3355
marty at martygrossfilms.com
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From raine.michael.j at gmail.com  Fri Mar 18 15:20:26 2016
From: raine.michael.j at gmail.com (Michael Raine)
Date: Fri, 18 Mar 2016 15:20:26 -0400
Subject: [KineJapan] Japanese Musical Films at Japan Society, New York
Message-ID: <CAH_CNbeZ1Nzk7Oz1ZY68f2oS-P+S5AWE1pC8ovoen9QOLD+oxg@mail.gmail.com>

Hello All,

I'd like to announce the following series, coming up next month.

https://urldefense.proofpoint.com/v2/url?u=http-3A__www.japansociety.org_page_programs_film_japan-2Dsings-2Dthe-2Djapanese-2Dmusical-2Dfilm&d=CwIFaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=r3GuGyD9PIYktRDrVYxeQ8y8h1epeBCKN-_OkVGY-Zg&s=3ctwIiKdX_e8k6Vu-vdLAFQ8H18KmIyHPnQTD1UYx1A&e= 

[image: Memories of Matsuko]



*Japan Sings! The Japanese Musical FilmApril 8?23, 2016 *

*Japan Society, New York*

This spring, Japan Society celebrates the astonishing yet little-known
world of Japanese musical films. The series focuses on the golden age of
the "popular song film" starring teen idols and TV stars from the 50s and
60s. It also reaches back to prewar singing samurai and forward to
twenty-first century genre mashups ? 10 songful cinema gems all on 35mm!
Musical performance in these films incorporates Japanese musical tradition
as well as the utopian space of the Hollywood musical to create a rich
commentary on the intimate and unequal relation between Japan and the USA.
This series is guest curated by Michael Raine, Assistant Professor of Film
Studies at Western University, Canada.

Friday April 8, 7pm: You Can Succeed, Too (????????, 1964)
Saturday April 9, 3pm: Series Curator Lecture: Popular Song and Performance
in the Japanese Musical Film
Saturday April 9, 4:30pm: So Young, So Bright (??????, 1955)
Saturday April 9, 7pm: The Stormy Man (?????, 1957)
Tuesday April 12, 7pm: Singing Lovebirds (?????, 1939)
Friday April 15, 7pm: Twilight Saloon (??????, 1955)
Saturday April 16, 4:30pm: Oh, Bomb! (????, 1964)
Saturday April 16, 7pm: Irresponsible Era of Japan (?????????, 1962)
Tuesday April 19, 7pm: A Treatise on Japanese Bawdy Songs (?????, 1967)
Saturday April 23, 4pm: The Happiness of the Katakuris (????????, 2002)
Saturday April 23, 7pm: Memories of Matsuko (????????, 2006)

Michael Raine, Assistant Professor in Film Studies
Western University, Canada
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From raine.michael.j at gmail.com  Fri Mar 18 23:01:18 2016
From: raine.michael.j at gmail.com (Michael Raine)
Date: Fri, 18 Mar 2016 23:01:18 -0400
Subject: [KineJapan] Japanese Musical Films at Japan Society, New York
In-Reply-To: <75C95E24-9666-4679-AADC-A42C935287C9@yale.edu>
References: <CAH_CNbeZ1Nzk7Oz1ZY68f2oS-P+S5AWE1pC8ovoen9QOLD+oxg@mail.gmail.com>
	<75C95E24-9666-4679-AADC-A42C935287C9@yale.edu>
Message-ID: <CAH_CNbfHK-RK32b7t3qmc2jU-m=an+BNps-4cCf5ErYVzfKnsw@mail.gmail.com>

Thank you Aaron, Naoki, and everyone who responded. I'm glad it's not just
my obsession! Thanks also to Aiko Masubuchi and Kazu Watanabe of Japan
Society for doing an amazing amount of work getting everything ready. I
wish I could have shown more films and covered more periods. Maybe next
time...?

All but two of the films (You Can Succeed, Too and Irresponsible Era of
Japan) are hard-subtitled. Most of the prints are from the National Film
Center but The Stormy Man, Ah Bomb, Treatise on Japanese Bawdy Song, and
Memories of Matsuko are from the Japan Foundation. The Stormy Man and
Memories of Matsuko are playing at the University of Chicago in early May.
Unfortunately, it seems that the prints can't be held over until after the
summer, though I would be very happy to help out if anyone is interested in
trying to arrange something.

Michael


Michael Raine, Assistant Professor in Film Studies
Western University, Canada

On Fri, Mar 18, 2016 at 5:02 PM, Gerow Aaron <aaron.gerow at yale.edu> wrote:

> Michael,
>
> This looks great! Congratulations! I may come down to see one or two.
>
> Do you know how many of the prints will have hard subtitles? Are most of
> them with projected subtitles?
>
> Best,
>
> Aaron
>
>
> 2016/03/18 ??3:20?Michael Raine <raine.michael.j at gmail.com> ?????
>
> Hello All,
>
> I'd like to announce the following series, coming up next month.
>
>
> https://urldefense.proofpoint.com/v2/url?u=http-3A__www.japansociety.org_page_programs_film_japan-2Dsings-2Dthe-2Djapanese-2Dmusical-2Dfilm&d=CwIFaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=BgA3EmJSGv7ixXH302yB9hbcfCFIWCOgvZBtM4hon0E&s=o4TtGhjF3jm4ShQFkh1ug-zTs5KBheHKFr1vCyP-9A4&e= 
> <https://urldefense.proofpoint.com/v2/url?u=http-3A__www.japansociety.org_page_programs_film_japan-2Dsings-2Dthe-2Djapanese-2Dmusical-2Dfilm&d=AwMFaQ&c=-dg2m7zWuuDZ0MUcV7Sdqw&r=7gQmEevSyZWUjCyQgUt53fGOPiSutFMjzDxJFpDYMzg&m=4L7bcFud8NZ59G8JyZIrZ0DVXVNqfClePPtXPVTG1A8&s=T_9k5bWUYcC8LYIsnfDvKKiwoAF8sWgQ0Zk9vYkJBJU&e=>
>
> [image: Memories of Matsuko]
>
>
>
> *Japan Sings! The Japanese Musical FilmApril 8?23, 2016 *
>
> *Japan Society, New York*
>
> This spring, Japan Society celebrates the astonishing yet little-known
> world of Japanese musical films. The series focuses on the golden age of
> the "popular song film" starring teen idols and TV stars from the 50s and
> 60s. It also reaches back to prewar singing samurai and forward to
> twenty-first century genre mashups ? 10 songful cinema gems all on 35mm!
> Musical performance in these films incorporates Japanese musical tradition
> as well as the utopian space of the Hollywood musical to create a rich
> commentary on the intimate and unequal relation between Japan and the USA.
> This series is guest curated by Michael Raine, Assistant Professor of Film
> Studies at Western University, Canada.
>
> Friday April 8, 7pm: You Can Succeed, Too (????????, 1964)
> Saturday April 9, 3pm: Series Curator Lecture: Popular Song and
> Performance in the Japanese Musical Film
> Saturday April 9, 4:30pm: So Young, So Bright (??????, 1955)
> Saturday April 9, 7pm: The Stormy Man (?????, 1957)
> Tuesday April 12, 7pm: Singing Lovebirds (?????, 1939)
> Friday April 15, 7pm: Twilight Saloon (??????, 1955)
> Saturday April 16, 4:30pm: Oh, Bomb! (????, 1964)
> Saturday April 16, 7pm: Irresponsible Era of Japan (?????????, 1962)
> Tuesday April 19, 7pm: A Treatise on Japanese Bawdy Songs (?????, 1967)
> Saturday April 23, 4pm: The Happiness of the Katakuris (????????, 2002)
> Saturday April 23, 7pm: Memories of Matsuko (????????, 2006)
>
> Michael Raine, Assistant Professor in Film Studies
> Western University, Canada
> _______________________________________________
> KineJapan mailing list
> KineJapan at lists.osu.edu
>
> https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=AwICAg&c=-dg2m7zWuuDZ0MUcV7Sdqw&r=7gQmEevSyZWUjCyQgUt53fGOPiSutFMjzDxJFpDYMzg&m=4L7bcFud8NZ59G8JyZIrZ0DVXVNqfClePPtXPVTG1A8&s=ETG6Nl1RgKankXZgZBVRXrjqAmyH1mzxd-GTDhOpP7A&e=
>
>
>
> _______________________________________________
> KineJapan mailing list
> KineJapan at lists.osu.edu
> https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=CwIFaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=BgA3EmJSGv7ixXH302yB9hbcfCFIWCOgvZBtM4hon0E&s=IlnIrcgWpokslZZpM6E41ufJiI1_5o2bl2K6pHwURGw&e= 
>
>
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From oyabaka at ucla.edu  Thu Mar  3 00:34:41 2016
From: oyabaka at ucla.edu (Jordan A. Yamaji Smith)
Date: Thu, 3 Mar 2016 14:34:41 +0900
Subject: [KineJapan] Kazuo Hara's new doc
In-Reply-To: <97D98A38-4764-439F-B1B0-AEEC43D13769@gmail.com>
References: <97D98A38-4764-439F-B1B0-AEEC43D13769@gmail.com>
Message-ID: <CAMH0Y4gFy0TS20atEiu-At=ez03vsB9Zsoeju=Rwj5xRXKoVoA@mail.gmail.com>

Hi Matteo,

I think that's on base.

For those of you who (like me) missed it, I just heard from Hara that he
won't be screening it again until summer at the earliest, and most likely
the fall (again somewhere in Tokyo), as he's planning on reworking/editing
it after these screenings in Shibuya.

Something to look forward to...

All best,
Jordan

On Sun, Feb 28, 2016 at 5:37 PM, matteo boscarol <matteo.boscarol at gmail.com>
wrote:

> Dear all,
>
> As many people on this list might already know, Hara Kazuo has his new
> work out ??????????? ??? ?? ???????, his first documentary for the big
> screen after 22 years of absence. As far as I know, the movie is about the
> victims of asbestos exposure in Sennan city where Hara has been
> intermittently filming for more than a decade, while working also on
> another project about Minamata's victims. The film has been screened at
> Shibuya Cinema Vera in February during a special event called  ????????????????????????,
> has anyone had the chance to see it?
>
> Regards
>
> Matteo Boscarol
> ????? ????
> ???????????
> - LuccaFilmFestival
> Asia and Japan Correspondent
> https://urldefense.proofpoint.com/v2/url?u=http-3A__luccafilmfestival.it&d=CwIFaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=0V818ORHJYYOpzu4_5YMejO00rdT9gQRXFpZYomNibA&s=kbd0bZnFrRmpcYgsR4KJVTSNjwJFX2XmKpCS82o9OZE&e= 
> - Sonatine2010
> https://urldefense.proofpoint.com/v2/url?u=http-3A__www.sonatine2010.blogspot.jp&d=CwIFaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=0V818ORHJYYOpzu4_5YMejO00rdT9gQRXFpZYomNibA&s=Kp_hQ5nGcQZl0GHTAAbHt1-USczh4VmYWKEQta_B7kU&e= 
> - Storia(e) del Documentario in Giappone
> https://urldefense.proofpoint.com/v2/url?u=http-3A__storiadocgiappone.wordpress.com&d=CwIFaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=0V818ORHJYYOpzu4_5YMejO00rdT9gQRXFpZYomNibA&s=Cdt7zMIft2gvXqxhV5IXRYYDCt8IMWyk0ieaR3APoNU&e= 
> - Screenweek Japan
>
> _______________________________________________
> KineJapan mailing list
> KineJapan at lists.osu.edu
> https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=CwIFaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=0V818ORHJYYOpzu4_5YMejO00rdT9gQRXFpZYomNibA&s=uS_tNoSVVYmHXcLTGvgtnY2-bIQ3D1dYwqRM2Tm-ZR4&e= 
>
>


-- 
??????????????????????????
*Jordan A. Yamaji Smith, Ph.D. *
Associate Professor of International Humanities
Josai International University
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From amnornes at umich.edu  Wed Mar  9 14:28:59 2016
From: amnornes at umich.edu (Markus Nornes)
Date: Wed, 9 Mar 2016 14:28:59 -0500
Subject: [KineJapan] Kazuo Hara's new doc
In-Reply-To: <CAMH0Y4gFy0TS20atEiu-At=ez03vsB9Zsoeju=Rwj5xRXKoVoA@mail.gmail.com>
References: <97D98A38-4764-439F-B1B0-AEEC43D13769@gmail.com>
	<CAMH0Y4gFy0TS20atEiu-At=ez03vsB9Zsoeju=Rwj5xRXKoVoA@mail.gmail.com>
Message-ID: <CANoSnpCd267fZ9f11kDHSX_XBF6Su_rbcjgfZhDuJ2ikAVGJGw@mail.gmail.com>

I haven't seen the new film, but Hara does have a new book:

https://urldefense.proofpoint.com/v2/url?u=https-3A__www.chikumashobo.co.jp_product_9784480873859_&d=CwIFaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=0AEFEgtqlqRj1EURgptSfZt1MkAsOQy5EQtsn9-STuY&s=9gikR9MINYIYPjOCcb4fQf15pkshBox_3F9tAUOOOLI&e= 

It's a collection of interviews he did as part of his Cinema Juku,
concentrating on Fukasaku Kinji, Imamura Shohei, Oshima Nagisa and Shindo
Kaneto.

He could put out 20 volumes of these based on the Juku and it'd be plenty
interesting. For this one, he's concentrated on the heavy hitters.

Markus

PS: There are also new books out there by Soda Kazuhiro, who has been
increasingly visible thanks to an Aera cover story and a recent appearance
on Asa made no nama terebi (potentially the  next Oshima, but he was way
down on the end?not Oshima's old seat next to the MC!).



On Thu, Mar 3, 2016 at 12:34 AM, Jordan A. Yamaji Smith <oyabaka at ucla.edu>
wrote:

> Hi Matteo,
>
> I think that's on base.
>
> For those of you who (like me) missed it, I just heard from Hara that he
> won't be screening it again until summer at the earliest, and most likely
> the fall (again somewhere in Tokyo), as he's planning on reworking/editing
> it after these screenings in Shibuya.
>
> Something to look forward to...
>
> All best,
> Jordan
>
> On Sun, Feb 28, 2016 at 5:37 PM, matteo boscarol <
> matteo.boscarol at gmail.com> wrote:
>
>> Dear all,
>>
>> As many people on this list might already know, Hara Kazuo has his new
>> work out ??????????? ??? ?? ???????, his first documentary for the big
>> screen after 22 years of absence. As far as I know, the movie is about the
>> victims of asbestos exposure in Sennan city where Hara has been
>> intermittently filming for more than a decade, while working also on
>> another project about Minamata's victims. The film has been screened at
>> Shibuya Cinema Vera in February during a special event called  ????????????????????????,
>> has anyone had the chance to see it?
>>
>> Regards
>>
>> Matteo Boscarol
>> ????? ????
>> ???????????
>> - LuccaFilmFestival
>> Asia and Japan Correspondent
>> https://urldefense.proofpoint.com/v2/url?u=http-3A__luccafilmfestival.it&d=CwIFaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=0AEFEgtqlqRj1EURgptSfZt1MkAsOQy5EQtsn9-STuY&s=MQrGctKJDXF2PGCXC6VpNqc8b6oFni4TYqEm2djsHhE&e= 
>> - Sonatine2010
>> https://urldefense.proofpoint.com/v2/url?u=http-3A__www.sonatine2010.blogspot.jp&d=CwIFaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=0AEFEgtqlqRj1EURgptSfZt1MkAsOQy5EQtsn9-STuY&s=M4vXOhKWvIrID7xDB_wMo9BCgj-n-SSTVi2gT5ZLtwU&e= 
>> - Storia(e) del Documentario in Giappone
>> https://urldefense.proofpoint.com/v2/url?u=http-3A__storiadocgiappone.wordpress.com&d=CwIFaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=0AEFEgtqlqRj1EURgptSfZt1MkAsOQy5EQtsn9-STuY&s=yzCoGGS9H2CGbICVo9VZhIixDezVBk_3OpFTnfhrpgs&e= 
>> - Screenweek Japan
>>
>> _______________________________________________
>> KineJapan mailing list
>> KineJapan at lists.osu.edu
>> https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=CwIFaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=0AEFEgtqlqRj1EURgptSfZt1MkAsOQy5EQtsn9-STuY&s=PmrhE_-UE2a1C_a0ZCN92KNa6z-dzKLsXUeoUwdgKC0&e= 
>>
>>
>
>
> --
> ??????????????????????????
> *Jordan A. Yamaji Smith, Ph.D. *
> Associate Professor of International Humanities
> Josai International University
>
>
> _______________________________________________
> KineJapan mailing list
> KineJapan at lists.osu.edu
> https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=CwIFaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=0AEFEgtqlqRj1EURgptSfZt1MkAsOQy5EQtsn9-STuY&s=PmrhE_-UE2a1C_a0ZCN92KNa6z-dzKLsXUeoUwdgKC0&e= 
>
>


-- 
*Markus Nornes*
Professor of Asian Cinema, Department of Screen Arts and Cultures
Professor of Asian Cinema, Department of Asian Languages and Cultures
Professor, School of Art & Design

*Department of Screen Arts and Cultures*
*6348 North Quad*
*105 S. State Street*
*Ann Arbor, MI 48109-1285*
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From naokiya at gmail.com  Mon Mar 21 20:26:19 2016
From: naokiya at gmail.com (Naoki Yamamoto)
Date: Mon, 21 Mar 2016 17:26:19 -0700
Subject: [KineJapan] Edward Yang's Yi Yi
Message-ID: <22B68FC8-C660-4698-A630-B6DAB5EBD2A7@gmail.com>

Dear all,

I know this might be a bit off-topic to to this forum, but could anyone on the list tell me who?s the current copyright holder of Edward Yang?s Yi Yi (2000)? I plan to screen this wonderful film at UCSB in this coming May, borrowing its 35mm print from Yale?s film archive. But the Yale?s archivist recently told me that there?s actually some unspecified ?complication? with the rights to the film, and for this reason, Pony Canyon, the Japanese comply that claimed to be the film?s copyright holder, could not give them permission for a screening back in 2014.

Are there anyone who recently screened this film at a film festival or any public setting? If so, could you kindly help me solve this complication?

All the best,
Naoki

Naoki Yamamoto
Assistant Professor
Film and Media Studies
University of California, Santa Barbara
yamamoto at filmandmedia.ucsb.edu

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From eija.niskanen at gmail.com  Mon Mar 21 20:48:37 2016
From: eija.niskanen at gmail.com (Eija Niskanen)
Date: Tue, 22 Mar 2016 09:48:37 +0900
Subject: [KineJapan] Edward Yang's Yi Yi
In-Reply-To: <22B68FC8-C660-4698-A630-B6DAB5EBD2A7@gmail.com>
References: <22B68FC8-C660-4698-A630-B6DAB5EBD2A7@gmail.com>
Message-ID: <53645AC4-0FBC-42BC-AC1C-0BB56BC7A17D@gmail.com>

Hi Naoki,
there was an Edward Yang retrospective at Busan Film Festival last year, so they must know the rights owner.
Best,
Eija

> Naoki Yamamoto <naokiya at gmail.com> kirjoitti 22.3.2016 kello 9.26:
> 
> Dear all,
> 
> I know this might be a bit off-topic to to this forum, but could anyone on the list tell me who?s the current copyright holder of Edward Yang?s Yi Yi (2000)? I plan to screen this wonderful film at UCSB in this coming May, borrowing its 35mm print from Yale?s film archive. But the Yale?s archivist recently told me that there?s actually some unspecified ?complication? with the rights to the film, and for this reason, Pony Canyon, the Japanese comply that claimed to be the film?s copyright holder, could not give them permission for a screening back in 2014.
> 
> Are there anyone who recently screened this film at a film festival or any public setting? If so, could you kindly help me solve this complication?
> 
> All the best,
> Naoki
> 
> Naoki Yamamoto
> Assistant Professor
> Film and Media Studies
> University of California, Santa Barbara
> yamamoto at filmandmedia.ucsb.edu <mailto:yamamoto at filmandmedia.ucsb.edu>
> _______________________________________________
> KineJapan mailing list
> KineJapan at lists.osu.edu
> https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=CwIFaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=CGMbBiaTZC_PdVm0HVdXl1chAWJMTxP4sRcc4aD83cE&s=PFP9sKpEhIRNO3dgODam1Q9Ly9EhSuDWiIWDcoItmEY&e= 

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From stephen at asianfilm.info  Mon Mar 21 22:27:38 2016
From: stephen at asianfilm.info (Stephen Cremin)
Date: Tue, 22 Mar 2016 10:27:38 +0800
Subject: [KineJapan] Edward Yang's Yi Yi
In-Reply-To: <53645AC4-0FBC-42BC-AC1C-0BB56BC7A17D@gmail.com>
References: <22B68FC8-C660-4698-A630-B6DAB5EBD2A7@gmail.com>
	<53645AC4-0FBC-42BC-AC1C-0BB56BC7A17D@gmail.com>
Message-ID: <CAPg5VAj53hKYkES1JPVnXPAkz7o=xJG7+iZxET1mvrcyORCGmA@mail.gmail.com>

There?s confusion here over regional rights.

Pony Canyon were the major investor of the film, and may have financed it
100% (or with some small help from Tokyo-based Omega Project), after other
investors pulled out after the Asian financial crisis. The project was
announced at a press conference in Busan as one of three films by Stanley
Kwan, Edward Yang and Iwai Shunji.

So, yes, Pony Canyon likely own the global rights to Yang?s film.

While Naoko asks for the ?currently copyright holder?, what she needs is
?currently copyright holder in the United States?. I?m travelling and don?t
have access to last year?s Busan catalogue, but the information inside may
not be relevant since the ?Print Source? is likely a local (not US)
copyright holder or Pony Canyon itself.

Pony Canyon did early on hire London-based sales agency Capitol Films to
handle the film?s global rights, but I?m sure that deal has expired.
Similarly, Capitol initially licensed it to Winstar Cinema in the US, but
it?s unlikely that contract lasted more than 15 years, and rights would
have reverted to Pony Canyon.

Perhaps the ?unspecified complication? was the screening fee. If there is a
US copyright holder, Pony Canyon will tell you, since it?s not worth their
trouble to collect small screening fees from around the world for one-off
screenings, particularly late in a film?s life. You?ll likely have to pay
something to screen it.

For many years, the hardest place to see the film was actually Taiwan,
where there had been no public screening or release. But there was a very
cheap (legal) Hong Kong DVD - I paid HK$18 or US$2.35 - that film-lovers
would bring back. It later screened as the closing film at a Hou
Hsiao-hsien-organised festival; only I think after Yang?s death.

In summary, contact Pony Canyon (intl at ponycanyon.co.jp). This is one
example where they absolutely deserve any screening fee since they really
stepped up and got this film made when they could have easily dropped the
project. It only exists because of them. The Iwai film - a dystopian
English-language science fiction film - was never made.

Stephen


On 22 March 2016 at 08:48, Eija Niskanen <eija.niskanen at gmail.com> wrote:

> Hi Naoki,
> there was an Edward Yang retrospective at Busan Film Festival last year,
> so they must know the rights owner.
> Best,
> Eija
>
> Naoki Yamamoto <naokiya at gmail.com> kirjoitti 22.3.2016 kello 9.26:
>
> Dear all,
>
> I know this might be a bit off-topic to to this forum, but could anyone on
> the list tell me who?s the current copyright holder of Edward Yang?s *Yi
> Yi *(2000)? I plan to screen this wonderful film at UCSB in this coming
> May, borrowing its 35mm print from Yale?s film archive. But the Yale?s
> archivist recently told me that there?s actually some unspecified
> ?complication? with the rights to the film, and for this reason, Pony
> Canyon, the Japanese comply that claimed to be the film?s copyright holder,
> could not give them permission for a screening back in 2014.
>
> Are there anyone who recently screened this film at a film festival or any
> public setting? If so, could you kindly help me solve this complication?
>
> All the best,
> Naoki
>
> Naoki Yamamoto
> Assistant Professor
> Film and Media Studies
> University of California, Santa Barbara
> yamamoto at filmandmedia.ucsb.edu
>
> _______________________________________________
> KineJapan mailing list
> KineJapan at lists.osu.edu
> https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=CwIFaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=F2ELMjwAWv5nARBJHQKQuGLAqfsXvpWv2G-4pbhrr00&s=9_CLqGAdNKBenVPkq6dRfoM2fsWheuUfx8wmoyASkm4&e= 
>
>
>
> _______________________________________________
> KineJapan mailing list
> KineJapan at lists.osu.edu
> https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=CwIFaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=F2ELMjwAWv5nARBJHQKQuGLAqfsXvpWv2G-4pbhrr00&s=9_CLqGAdNKBenVPkq6dRfoM2fsWheuUfx8wmoyASkm4&e= 
>
>
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From mekerpan2 at gmail.com  Mon Mar 21 22:32:52 2016
From: mekerpan2 at gmail.com (Michael Kerpan)
Date: Mon, 21 Mar 2016 22:32:52 -0400
Subject: [KineJapan] Edward Yang's Yi Yi
In-Reply-To: <CAPg5VAj53hKYkES1JPVnXPAkz7o=xJG7+iZxET1mvrcyORCGmA@mail.gmail.com>
References: <22B68FC8-C660-4698-A630-B6DAB5EBD2A7@gmail.com>
	<53645AC4-0FBC-42BC-AC1C-0BB56BC7A17D@gmail.com>
	<CAPg5VAj53hKYkES1JPVnXPAkz7o=xJG7+iZxET1mvrcyORCGmA@mail.gmail.com>
Message-ID: <CALt6FyoKdUbbwArLUQ4naELy6Badjcf0en6_wwBaF36EjDa2+Q@mail.gmail.com>

Since Criterion released Yi Yi on Blu-Ray not all that long ago, I
would think they might know who has US screen rights.

On Mon, Mar 21, 2016 at 10:27 PM, Stephen Cremin <stephen at asianfilm.info> wrote:
> There?s confusion here over regional rights.
>
> Pony Canyon were the major investor of the film, and may have financed it
> 100% (or with some small help from Tokyo-based Omega Project), after other
> investors pulled out after the Asian financial crisis. The project was
> announced at a press conference in Busan as one of three films by Stanley
> Kwan, Edward Yang and Iwai Shunji.
>
> So, yes, Pony Canyon likely own the global rights to Yang?s film.
>
> While Naoko asks for the ?currently copyright holder?, what she needs is
> ?currently copyright holder in the United States?. I?m travelling and don?t
> have access to last year?s Busan catalogue, but the information inside may
> not be relevant since the ?Print Source? is likely a local (not US)
> copyright holder or Pony Canyon itself.
>
> Pony Canyon did early on hire London-based sales agency Capitol Films to
> handle the film?s global rights, but I?m sure that deal has expired.
> Similarly, Capitol initially licensed it to Winstar Cinema in the US, but
> it?s unlikely that contract lasted more than 15 years, and rights would have
> reverted to Pony Canyon.
>
> Perhaps the ?unspecified complication? was the screening fee. If there is a
> US copyright holder, Pony Canyon will tell you, since it?s not worth their
> trouble to collect small screening fees from around the world for one-off
> screenings, particularly late in a film?s life. You?ll likely have to pay
> something to screen it.
>
> For many years, the hardest place to see the film was actually Taiwan, where
> there had been no public screening or release. But there was a very cheap
> (legal) Hong Kong DVD - I paid HK$18 or US$2.35 - that film-lovers would
> bring back. It later screened as the closing film at a Hou
> Hsiao-hsien-organised festival; only I think after Yang?s death.
>
> In summary, contact Pony Canyon (intl at ponycanyon.co.jp). This is one example
> where they absolutely deserve any screening fee since they really stepped up
> and got this film made when they could have easily dropped the project. It
> only exists because of them. The Iwai film - a dystopian English-language
> science fiction film - was never made.
>
> Stephen
>
>
> On 22 March 2016 at 08:48, Eija Niskanen <eija.niskanen at gmail.com> wrote:
>>
>> Hi Naoki,
>> there was an Edward Yang retrospective at Busan Film Festival last year,
>> so they must know the rights owner.
>> Best,
>> Eija
>>
>> Naoki Yamamoto <naokiya at gmail.com> kirjoitti 22.3.2016 kello 9.26:
>>
>> Dear all,
>>
>> I know this might be a bit off-topic to to this forum, but could anyone on
>> the list tell me who?s the current copyright holder of Edward Yang?s Yi Yi
>> (2000)? I plan to screen this wonderful film at UCSB in this coming May,
>> borrowing its 35mm print from Yale?s film archive. But the Yale?s archivist
>> recently told me that there?s actually some unspecified ?complication? with
>> the rights to the film, and for this reason, Pony Canyon, the Japanese
>> comply that claimed to be the film?s copyright holder, could not give them
>> permission for a screening back in 2014.
>>
>> Are there anyone who recently screened this film at a film festival or any
>> public setting? If so, could you kindly help me solve this complication?
>>
>> All the best,
>> Naoki
>>
>> Naoki Yamamoto
>> Assistant Professor
>> Film and Media Studies
>> University of California, Santa Barbara
>> yamamoto at filmandmedia.ucsb.edu
>>
>> _______________________________________________
>> KineJapan mailing list
>> KineJapan at lists.osu.edu
>> https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=CwIGaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=HZi_HTyOAzi2mSgrOqNnuJOpuKGhdYiJlyS8TBRAabw&s=oVKMjqYfXfsdkvuNqd7HdjPhA-ozo0yvg2R8bIz1udM&e= 
>>
>>
>>
>> _______________________________________________
>> KineJapan mailing list
>> KineJapan at lists.osu.edu
>> https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=CwIGaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=HZi_HTyOAzi2mSgrOqNnuJOpuKGhdYiJlyS8TBRAabw&s=oVKMjqYfXfsdkvuNqd7HdjPhA-ozo0yvg2R8bIz1udM&e= 
>>
>
>
> _______________________________________________
> KineJapan mailing list
> KineJapan at lists.osu.edu
> https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=CwIGaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=HZi_HTyOAzi2mSgrOqNnuJOpuKGhdYiJlyS8TBRAabw&s=oVKMjqYfXfsdkvuNqd7HdjPhA-ozo0yvg2R8bIz1udM&e= 
>
_______________________________________________
KineJapan mailing list
KineJapan at lists.osu.edu
https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=CwIGaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=HZi_HTyOAzi2mSgrOqNnuJOpuKGhdYiJlyS8TBRAabw&s=oVKMjqYfXfsdkvuNqd7HdjPhA-ozo0yvg2R8bIz1udM&e= 


From stephen at asianfilm.info  Mon Mar 21 23:09:20 2016
From: stephen at asianfilm.info (Stephen Cremin)
Date: Tue, 22 Mar 2016 11:09:20 +0800
Subject: [KineJapan] Edward Yang's Yi Yi
In-Reply-To: <CALt6FyoKdUbbwArLUQ4naELy6Badjcf0en6_wwBaF36EjDa2+Q@mail.gmail.com>
References: <22B68FC8-C660-4698-A630-B6DAB5EBD2A7@gmail.com>
	<53645AC4-0FBC-42BC-AC1C-0BB56BC7A17D@gmail.com>
	<CAPg5VAj53hKYkES1JPVnXPAkz7o=xJG7+iZxET1mvrcyORCGmA@mail.gmail.com>
	<CALt6FyoKdUbbwArLUQ4naELy6Badjcf0en6_wwBaF36EjDa2+Q@mail.gmail.com>
Message-ID: <CAPg5VAhNd8ooY_R_=WNOiwe=ofTSEdgmx5bP_8bO-1GA5-t5AQ@mail.gmail.com>

Thanks, Michael

And it?s possible Criterion purchased ALL rights, rather than just home
video rights. It just simplified things even if one has no plan for
theatrical distribution.

Naoki, keep us updated.

Stephen


On 22 March 2016 at 10:32, Michael Kerpan <mekerpan2 at gmail.com> wrote:

> Since Criterion released Yi Yi on Blu-Ray not all that long ago, I
> would think they might know who has US screen rights.
>
> On Mon, Mar 21, 2016 at 10:27 PM, Stephen Cremin <stephen at asianfilm.info>
> wrote:
> > There?s confusion here over regional rights.
> >
> > Pony Canyon were the major investor of the film, and may have financed it
> > 100% (or with some small help from Tokyo-based Omega Project), after
> other
> > investors pulled out after the Asian financial crisis. The project was
> > announced at a press conference in Busan as one of three films by Stanley
> > Kwan, Edward Yang and Iwai Shunji.
> >
> > So, yes, Pony Canyon likely own the global rights to Yang?s film.
> >
> > While Naoko asks for the ?currently copyright holder?, what she needs is
> > ?currently copyright holder in the United States?. I?m travelling and
> don?t
> > have access to last year?s Busan catalogue, but the information inside
> may
> > not be relevant since the ?Print Source? is likely a local (not US)
> > copyright holder or Pony Canyon itself.
> >
> > Pony Canyon did early on hire London-based sales agency Capitol Films to
> > handle the film?s global rights, but I?m sure that deal has expired.
> > Similarly, Capitol initially licensed it to Winstar Cinema in the US, but
> > it?s unlikely that contract lasted more than 15 years, and rights would
> have
> > reverted to Pony Canyon.
> >
> > Perhaps the ?unspecified complication? was the screening fee. If there
> is a
> > US copyright holder, Pony Canyon will tell you, since it?s not worth
> their
> > trouble to collect small screening fees from around the world for one-off
> > screenings, particularly late in a film?s life. You?ll likely have to pay
> > something to screen it.
> >
> > For many years, the hardest place to see the film was actually Taiwan,
> where
> > there had been no public screening or release. But there was a very cheap
> > (legal) Hong Kong DVD - I paid HK$18 or US$2.35 - that film-lovers would
> > bring back. It later screened as the closing film at a Hou
> > Hsiao-hsien-organised festival; only I think after Yang?s death.
> >
> > In summary, contact Pony Canyon (intl at ponycanyon.co.jp). This is one
> example
> > where they absolutely deserve any screening fee since they really
> stepped up
> > and got this film made when they could have easily dropped the project.
> It
> > only exists because of them. The Iwai film - a dystopian English-language
> > science fiction film - was never made.
> >
> > Stephen
> >
> >
> > On 22 March 2016 at 08:48, Eija Niskanen <eija.niskanen at gmail.com>
> wrote:
> >>
> >> Hi Naoki,
> >> there was an Edward Yang retrospective at Busan Film Festival last year,
> >> so they must know the rights owner.
> >> Best,
> >> Eija
> >>
> >> Naoki Yamamoto <naokiya at gmail.com> kirjoitti 22.3.2016 kello 9.26:
> >>
> >> Dear all,
> >>
> >> I know this might be a bit off-topic to to this forum, but could anyone
> on
> >> the list tell me who?s the current copyright holder of Edward Yang?s Yi
> Yi
> >> (2000)? I plan to screen this wonderful film at UCSB in this coming May,
> >> borrowing its 35mm print from Yale?s film archive. But the Yale?s
> archivist
> >> recently told me that there?s actually some unspecified ?complication?
> with
> >> the rights to the film, and for this reason, Pony Canyon, the Japanese
> >> comply that claimed to be the film?s copyright holder, could not give
> them
> >> permission for a screening back in 2014.
> >>
> >> Are there anyone who recently screened this film at a film festival or
> any
> >> public setting? If so, could you kindly help me solve this complication?
> >>
> >> All the best,
> >> Naoki
> >>
> >> Naoki Yamamoto
> >> Assistant Professor
> >> Film and Media Studies
> >> University of California, Santa Barbara
> >> yamamoto at filmandmedia.ucsb.edu
> >>
> >> _______________________________________________
> >> KineJapan mailing list
> >> KineJapan at lists.osu.edu
> >> https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=CwIFaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=3qYOmQw-TPLR7W_k1dqf2tc44i33EsDiRaOFiQHXyFE&s=EC3zcIaW1RW_T0Z5vrxjYzuA0_4YFByq4wG1JmbzDgY&e= 
> >>
> >>
> >>
> >> _______________________________________________
> >> KineJapan mailing list
> >> KineJapan at lists.osu.edu
> >> https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=CwIFaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=3qYOmQw-TPLR7W_k1dqf2tc44i33EsDiRaOFiQHXyFE&s=EC3zcIaW1RW_T0Z5vrxjYzuA0_4YFByq4wG1JmbzDgY&e= 
> >>
> >
> >
> > _______________________________________________
> > KineJapan mailing list
> > KineJapan at lists.osu.edu
> > https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=CwIFaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=3qYOmQw-TPLR7W_k1dqf2tc44i33EsDiRaOFiQHXyFE&s=EC3zcIaW1RW_T0Z5vrxjYzuA0_4YFByq4wG1JmbzDgY&e= 
> >
> _______________________________________________
> KineJapan mailing list
> KineJapan at lists.osu.edu
> https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=CwIFaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=3qYOmQw-TPLR7W_k1dqf2tc44i33EsDiRaOFiQHXyFE&s=EC3zcIaW1RW_T0Z5vrxjYzuA0_4YFByq4wG1JmbzDgY&e= 
>
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From naokiya at gmail.com  Mon Mar 21 23:45:47 2016
From: naokiya at gmail.com (Naoki Yamamoto)
Date: Mon, 21 Mar 2016 20:45:47 -0700
Subject: [KineJapan] Edward Yang's Yi Yi
In-Reply-To: <CAPg5VAhNd8ooY_R_=WNOiwe=ofTSEdgmx5bP_8bO-1GA5-t5AQ@mail.gmail.com>
References: <22B68FC8-C660-4698-A630-B6DAB5EBD2A7@gmail.com>
	<53645AC4-0FBC-42BC-AC1C-0BB56BC7A17D@gmail.com>
	<CAPg5VAj53hKYkES1JPVnXPAkz7o=xJG7+iZxET1mvrcyORCGmA@mail.gmail.com>
	<CALt6FyoKdUbbwArLUQ4naELy6Badjcf0en6_wwBaF36EjDa2+Q@mail.gmail.com>
	<CAPg5VAhNd8ooY_R_=WNOiwe=ofTSEdgmx5bP_8bO-1GA5-t5AQ@mail.gmail.com>
Message-ID: <A393AB43-28B2-4595-9B18-217C134F39F4@gmail.com>

Thanks Eija, Michael, and Stephen for your helpful advices!

Yes, what I wanted to know was who could give me permission for the screening of this film in the US. And following Stephen?s suggestion, I already contacted Pony Canyon, but not using the intl at ponycanyon.co.jp <mailto:intl at ponycanyon.co.jp> address which is notorious for replying so slowly. Instead, I simply called the company and talked directly to the person in charge. That person implied there would be some conflicts regarding oversea distribution, but promised to get back to me with more detailed information. 

I will keep you posted about what would happen with this endeavor. Another film to be screened at UCSB this May is Apichatpong Weerasethakul?s new film Cemetery of Splendor (2015), and everything has been cleared on this side.

Best,
Naoki

> On Mar 21, 2016, at 8:09 PM, Stephen Cremin <stephen at asianfilm.info> wrote:
> 
> Thanks, Michael
> 
> And it?s possible Criterion purchased ALL rights, rather than just home video rights. It just simplified things even if one has no plan for theatrical distribution.
> 
> Naoki, keep us updated.
> 
> Stephen
> 
> 
> On 22 March 2016 at 10:32, Michael Kerpan <mekerpan2 at gmail.com <mailto:mekerpan2 at gmail.com>> wrote:
> Since Criterion released Yi Yi on Blu-Ray not all that long ago, I
> would think they might know who has US screen rights.
> 
> On Mon, Mar 21, 2016 at 10:27 PM, Stephen Cremin <stephen at asianfilm.info <mailto:stephen at asianfilm.info>> wrote:
> > There?s confusion here over regional rights.
> >
> > Pony Canyon were the major investor of the film, and may have financed it
> > 100% (or with some small help from Tokyo-based Omega Project), after other
> > investors pulled out after the Asian financial crisis. The project was
> > announced at a press conference in Busan as one of three films by Stanley
> > Kwan, Edward Yang and Iwai Shunji.
> >
> > So, yes, Pony Canyon likely own the global rights to Yang?s film.
> >
> > While Naoko asks for the ?currently copyright holder?, what she needs is
> > ?currently copyright holder in the United States?. I?m travelling and don?t
> > have access to last year?s Busan catalogue, but the information inside may
> > not be relevant since the ?Print Source? is likely a local (not US)
> > copyright holder or Pony Canyon itself.
> >
> > Pony Canyon did early on hire London-based sales agency Capitol Films to
> > handle the film?s global rights, but I?m sure that deal has expired.
> > Similarly, Capitol initially licensed it to Winstar Cinema in the US, but
> > it?s unlikely that contract lasted more than 15 years, and rights would have
> > reverted to Pony Canyon.
> >
> > Perhaps the ?unspecified complication? was the screening fee. If there is a
> > US copyright holder, Pony Canyon will tell you, since it?s not worth their
> > trouble to collect small screening fees from around the world for one-off
> > screenings, particularly late in a film?s life. You?ll likely have to pay
> > something to screen it.
> >
> > For many years, the hardest place to see the film was actually Taiwan, where
> > there had been no public screening or release. But there was a very cheap
> > (legal) Hong Kong DVD - I paid HK$18 or US$2.35 - that film-lovers would
> > bring back. It later screened as the closing film at a Hou
> > Hsiao-hsien-organised festival; only I think after Yang?s death.
> >
> > In summary, contact Pony Canyon (intl at ponycanyon.co.jp <mailto:intl at ponycanyon.co.jp>). This is one example
> > where they absolutely deserve any screening fee since they really stepped up
> > and got this film made when they could have easily dropped the project. It
> > only exists because of them. The Iwai film - a dystopian English-language
> > science fiction film - was never made.
> >
> > Stephen
> >
> >
> > On 22 March 2016 at 08:48, Eija Niskanen <eija.niskanen at gmail.com <mailto:eija.niskanen at gmail.com>> wrote:
> >>
> >> Hi Naoki,
> >> there was an Edward Yang retrospective at Busan Film Festival last year,
> >> so they must know the rights owner.
> >> Best,
> >> Eija
> >>
> >> Naoki Yamamoto <naokiya at gmail.com <mailto:naokiya at gmail.com>> kirjoitti 22.3.2016 kello 9.26:
> >>
> >> Dear all,
> >>
> >> I know this might be a bit off-topic to to this forum, but could anyone on
> >> the list tell me who?s the current copyright holder of Edward Yang?s Yi Yi
> >> (2000)? I plan to screen this wonderful film at UCSB in this coming May,
> >> borrowing its 35mm print from Yale?s film archive. But the Yale?s archivist
> >> recently told me that there?s actually some unspecified ?complication? with
> >> the rights to the film, and for this reason, Pony Canyon, the Japanese
> >> comply that claimed to be the film?s copyright holder, could not give them
> >> permission for a screening back in 2014.
> >>
> >> Are there anyone who recently screened this film at a film festival or any
> >> public setting? If so, could you kindly help me solve this complication?
> >>
> >> All the best,
> >> Naoki
> >>
> >> Naoki Yamamoto
> >> Assistant Professor
> >> Film and Media Studies
> >> University of California, Santa Barbara
> >> yamamoto at filmandmedia.ucsb.edu <mailto:yamamoto at filmandmedia.ucsb.edu>
> >>
> >> _______________________________________________
> >> KineJapan mailing list
> >> KineJapan at lists.osu.edu <mailto:KineJapan at lists.osu.edu>
> >> https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=CwIFaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=Hok8Dt6S1P43B3iSUUy-v03FjFXjCL5qvNE7jApHoUc&s=lTULBOUiVn_b9krgY4SS_ZoS2LGAYZXv2lUlNq1odLk&e=  <https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=CwIFaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=Hok8Dt6S1P43B3iSUUy-v03FjFXjCL5qvNE7jApHoUc&s=lTULBOUiVn_b9krgY4SS_ZoS2LGAYZXv2lUlNq1odLk&e= >
> >>
> >>
> >>
> >> _______________________________________________
> >> KineJapan mailing list
> >> KineJapan at lists.osu.edu <mailto:KineJapan at lists.osu.edu>
> >> https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=CwIFaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=Hok8Dt6S1P43B3iSUUy-v03FjFXjCL5qvNE7jApHoUc&s=lTULBOUiVn_b9krgY4SS_ZoS2LGAYZXv2lUlNq1odLk&e=  <https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=CwIFaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=Hok8Dt6S1P43B3iSUUy-v03FjFXjCL5qvNE7jApHoUc&s=lTULBOUiVn_b9krgY4SS_ZoS2LGAYZXv2lUlNq1odLk&e= >
> >>
> >
> >
> > _______________________________________________
> > KineJapan mailing list
> > KineJapan at lists.osu.edu <mailto:KineJapan at lists.osu.edu>
> > https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=CwIFaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=Hok8Dt6S1P43B3iSUUy-v03FjFXjCL5qvNE7jApHoUc&s=lTULBOUiVn_b9krgY4SS_ZoS2LGAYZXv2lUlNq1odLk&e=  <https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=CwIFaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=Hok8Dt6S1P43B3iSUUy-v03FjFXjCL5qvNE7jApHoUc&s=lTULBOUiVn_b9krgY4SS_ZoS2LGAYZXv2lUlNq1odLk&e= >
> >
> _______________________________________________
> KineJapan mailing list
> KineJapan at lists.osu.edu <mailto:KineJapan at lists.osu.edu>
> https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=CwIFaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=Hok8Dt6S1P43B3iSUUy-v03FjFXjCL5qvNE7jApHoUc&s=lTULBOUiVn_b9krgY4SS_ZoS2LGAYZXv2lUlNq1odLk&e=  <https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=CwIFaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=Hok8Dt6S1P43B3iSUUy-v03FjFXjCL5qvNE7jApHoUc&s=lTULBOUiVn_b9krgY4SS_ZoS2LGAYZXv2lUlNq1odLk&e= >
> 
> _______________________________________________
> KineJapan mailing list
> KineJapan at lists.osu.edu
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From jagodamurczynska at gmail.com  Tue Mar 22 06:39:06 2016
From: jagodamurczynska at gmail.com (=?UTF-8?Q?Jagoda_Murczy=C5=84ska?=)
Date: Tue, 22 Mar 2016 11:39:06 +0100
Subject: [KineJapan] Edward Yang's Yi Yi
In-Reply-To: <A393AB43-28B2-4595-9B18-217C134F39F4@gmail.com>
References: <22B68FC8-C660-4698-A630-B6DAB5EBD2A7@gmail.com>
	<53645AC4-0FBC-42BC-AC1C-0BB56BC7A17D@gmail.com>
	<CAPg5VAj53hKYkES1JPVnXPAkz7o=xJG7+iZxET1mvrcyORCGmA@mail.gmail.com>
	<CALt6FyoKdUbbwArLUQ4naELy6Badjcf0en6_wwBaF36EjDa2+Q@mail.gmail.com>
	<CAPg5VAhNd8ooY_R_=WNOiwe=ofTSEdgmx5bP_8bO-1GA5-t5AQ@mail.gmail.com>
	<A393AB43-28B2-4595-9B18-217C134F39F4@gmail.com>
Message-ID: <CAPm+1E2mGzfsDSQUMxpmPE=9EzkMjhP-TZ1JxP9o8DjqPK3dTg@mail.gmail.com>

Hello,

It's not a first-hand information, but I've heard from one festival's
programmer that there were some legal proceedings concerning Yang's
heritage and as the movie was part of the evidence (because of production
finances), the screenings outside Asia are not really possible till the end
of the proceedings (2017 or 2018 as far as I remember). So this might be
the "unspecified complication". There may be some ways of showing it as
part of lecture or educational program, but probably not as a regular
cinema screening.

Best,
Jagoda


Jagoda Murczy?ska
mob. +48 607 621 612

2016-03-22 4:45 GMT+01:00 Naoki Yamamoto <naokiya at gmail.com>:

> Thanks Eija, Michael, and Stephen for your helpful advices!
>
> Yes, what I wanted to know was who could give me permission for the
> screening of this film in the US. And following Stephen?s suggestion, I
> already contacted Pony Canyon, but not using the intl at ponycanyon.co.jp address
> which is notorious for replying so slowly. Instead, I simply called the
> company and talked directly to the person in charge. That person implied
> there would be some conflicts regarding oversea distribution, but promised
> to get back to me with more detailed information.
>
> I will keep you posted about what would happen with this endeavor. Another
> film to be screened at UCSB this May is Apichatpong Weerasethakul?s new
> film *Cemetery of Splendor *(2015), and everything has been cleared on
> this side.
>
> Best,
> Naoki
>
> On Mar 21, 2016, at 8:09 PM, Stephen Cremin <stephen at asianfilm.info>
> wrote:
>
> Thanks, Michael
>
> And it?s possible Criterion purchased ALL rights, rather than just home
> video rights. It just simplified things even if one has no plan for
> theatrical distribution.
>
> Naoki, keep us updated.
>
> Stephen
>
>
> On 22 March 2016 at 10:32, Michael Kerpan <mekerpan2 at gmail.com> wrote:
>
>> Since Criterion released Yi Yi on Blu-Ray not all that long ago, I
>> would think they might know who has US screen rights.
>>
>> On Mon, Mar 21, 2016 at 10:27 PM, Stephen Cremin <stephen at asianfilm.info>
>> wrote:
>> > There?s confusion here over regional rights.
>> >
>> > Pony Canyon were the major investor of the film, and may have financed
>> it
>> > 100% (or with some small help from Tokyo-based Omega Project), after
>> other
>> > investors pulled out after the Asian financial crisis. The project was
>> > announced at a press conference in Busan as one of three films by
>> Stanley
>> > Kwan, Edward Yang and Iwai Shunji.
>> >
>> > So, yes, Pony Canyon likely own the global rights to Yang?s film.
>> >
>> > While Naoko asks for the ?currently copyright holder?, what she needs is
>> > ?currently copyright holder in the United States?. I?m travelling and
>> don?t
>> > have access to last year?s Busan catalogue, but the information inside
>> may
>> > not be relevant since the ?Print Source? is likely a local (not US)
>> > copyright holder or Pony Canyon itself.
>> >
>> > Pony Canyon did early on hire London-based sales agency Capitol Films to
>> > handle the film?s global rights, but I?m sure that deal has expired.
>> > Similarly, Capitol initially licensed it to Winstar Cinema in the US,
>> but
>> > it?s unlikely that contract lasted more than 15 years, and rights would
>> have
>> > reverted to Pony Canyon.
>> >
>> > Perhaps the ?unspecified complication? was the screening fee. If there
>> is a
>> > US copyright holder, Pony Canyon will tell you, since it?s not worth
>> their
>> > trouble to collect small screening fees from around the world for
>> one-off
>> > screenings, particularly late in a film?s life. You?ll likely have to
>> pay
>> > something to screen it.
>> >
>> > For many years, the hardest place to see the film was actually Taiwan,
>> where
>> > there had been no public screening or release. But there was a very
>> cheap
>> > (legal) Hong Kong DVD - I paid HK$18 or US$2.35 - that film-lovers would
>> > bring back. It later screened as the closing film at a Hou
>> > Hsiao-hsien-organised festival; only I think after Yang?s death.
>> >
>> > In summary, contact Pony Canyon (intl at ponycanyon.co.jp). This is one
>> example
>> > where they absolutely deserve any screening fee since they really
>> stepped up
>> > and got this film made when they could have easily dropped the project.
>> It
>> > only exists because of them. The Iwai film - a dystopian
>> English-language
>> > science fiction film - was never made.
>> >
>> > Stephen
>> >
>> >
>> > On 22 March 2016 at 08:48, Eija Niskanen <eija.niskanen at gmail.com>
>> wrote:
>> >>
>> >> Hi Naoki,
>> >> there was an Edward Yang retrospective at Busan Film Festival last
>> year,
>> >> so they must know the rights owner.
>> >> Best,
>> >> Eija
>> >>
>> >> Naoki Yamamoto <naokiya at gmail.com> kirjoitti 22.3.2016 kello 9.26:
>> >>
>> >> Dear all,
>> >>
>> >> I know this might be a bit off-topic to to this forum, but could
>> anyone on
>> >> the list tell me who?s the current copyright holder of Edward Yang?s
>> Yi Yi
>> >> (2000)? I plan to screen this wonderful film at UCSB in this coming
>> May,
>> >> borrowing its 35mm print from Yale?s film archive. But the Yale?s
>> archivist
>> >> recently told me that there?s actually some unspecified ?complication?
>> with
>> >> the rights to the film, and for this reason, Pony Canyon, the Japanese
>> >> comply that claimed to be the film?s copyright holder, could not give
>> them
>> >> permission for a screening back in 2014.
>> >>
>> >> Are there anyone who recently screened this film at a film festival or
>> any
>> >> public setting? If so, could you kindly help me solve this
>> complication?
>> >>
>> >> All the best,
>> >> Naoki
>> >>
>> >> Naoki Yamamoto
>> >> Assistant Professor
>> >> Film and Media Studies
>> >> University of California, Santa Barbara
>> >> yamamoto at filmandmedia.ucsb.edu
>> >>
>> >> _______________________________________________
>> >> KineJapan mailing list
>> >> KineJapan at lists.osu.edu
>> >> https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=CwIFaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=6XS0CKxpIwzPh50h1S6VQS_8usH-zDXPXNpiuRdUXWw&s=rHBXdy4nQW1OxZc_N7FhtuMDN1EmmUEUOsrADzDxYjA&e= 
>> >>
>> >>
>> >>
>> >> _______________________________________________
>> >> KineJapan mailing list
>> >> KineJapan at lists.osu.edu
>> >> https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=CwIFaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=6XS0CKxpIwzPh50h1S6VQS_8usH-zDXPXNpiuRdUXWw&s=rHBXdy4nQW1OxZc_N7FhtuMDN1EmmUEUOsrADzDxYjA&e= 
>> >>
>> >
>> >
>> > _______________________________________________
>> > KineJapan mailing list
>> > KineJapan at lists.osu.edu
>> > https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=CwIFaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=6XS0CKxpIwzPh50h1S6VQS_8usH-zDXPXNpiuRdUXWw&s=rHBXdy4nQW1OxZc_N7FhtuMDN1EmmUEUOsrADzDxYjA&e= 
>> >
>> _______________________________________________
>> KineJapan mailing list
>> KineJapan at lists.osu.edu
>> https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=CwIFaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=6XS0CKxpIwzPh50h1S6VQS_8usH-zDXPXNpiuRdUXWw&s=rHBXdy4nQW1OxZc_N7FhtuMDN1EmmUEUOsrADzDxYjA&e= 
>>
>
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>
>
>
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From aaron.gerow at yale.edu  Fri Mar 25 22:56:18 2016
From: aaron.gerow at yale.edu (Gerow Aaron)
Date: Fri, 25 Mar 2016 22:56:18 -0400
Subject: [KineJapan] Fwd: Online Finding Aid ready for the Makino Collection
	on the history of East Asian Film
References: <56F55203.2010103@columbia.edu>
Message-ID: <373EEE11-DB36-4180-8A2A-9F7DE3A601A6@yale.edu>

The finding aid for the Makino Collection is finally finished and we can now search the collection. 

Have fun!

> ???????????
> 
> ???: Jim Cheng <jc3685 at columbia.edu>
> ??: Online Finding Aid ready for the Makino Collection on the history of East Asian Film
> ??: 2016?3?25? ??10:58:11 GMT-4
> 
> 
> Dear supporters of our CLIR/Mellon Grant supported Makino Collection Project:
> 
> I am very happy to report you that Miki Masuda, Project Archivist has successfully completed her grant supported project with the Online Finding Aid ready for the public access of the Makino Collection on the history of East Asian FIlm [Bulk Dates: 1920s-1990s]:
> 
> https://urldefense.proofpoint.com/v2/url?u=http-3A__findingaids.cul.columbia.edu_ead_nnc-2Dea_ldpd-5F7755896_summary&d=CwIFaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=XeAeEL3dX0oms7Xz-s12DrhE0GQgkhitozgbockSMIc&s=yq7Uc9cZM_VW8mDvaGaR2CIPlqMJ7rN89QlXmjaFYVg&e=  <https://urldefense.proofpoint.com/v2/url?u=http-3A__findingaids.cul.columbia.edu_ead_nnc-2Dea_ldpd-5F7755896_summary&d=AwMCAw&c=-dg2m7zWuuDZ0MUcV7Sdqw&r=7gQmEevSyZWUjCyQgUt53fGOPiSutFMjzDxJFpDYMzg&m=kSkJFiK4a1Zb3Q-00AA_bGZgZO0VO39x7Duja2BX-_4&s=E3lsfwuuLLx7I4rba6wEiG0KHJMbdDjWEhu2IlQ4P68&e=>
> 
> Plus the blogs Miki wrote about her research, discovery, and experience during processing the Makino Collection are ready at:
> 
> https://urldefense.proofpoint.com/v2/url?u=https-3A__blogs.cul.columbia.edu_makino_&d=CwIFaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=XeAeEL3dX0oms7Xz-s12DrhE0GQgkhitozgbockSMIc&s=YWAwTFyJk7QVfuD6iC3Mu5f2Lr0xaSy2ZMbsR3ZqcU0&e=  <https://urldefense.proofpoint.com/v2/url?u=https-3A__blogs.cul.columbia.edu_makino_&d=AwMCAw&c=-dg2m7zWuuDZ0MUcV7Sdqw&r=7gQmEevSyZWUjCyQgUt53fGOPiSutFMjzDxJFpDYMzg&m=kSkJFiK4a1Zb3Q-00AA_bGZgZO0VO39x7Duja2BX-_4&s=HxpTGcdYL3NJwESxOnosJvEB1xt7K5hGNxve8J8-KXg&e=>
> 
> Please contact Ria Koopmans: rkb7 at columbia.edu <mailto:rkb7 at columbia.edu> if you have any Makino Collection access related questions.
> 
> Thanks again for your support.
> 
> Jim Cheng
> -- 
> ================================================================
> Jim Cheng
> Director of C.V. Starr East Asian Library at Columbia University
> CEAL Vice President/President Elect
> 305M Kent Hall, MC 3901, 1400 Amsterdam AVE., New York, NY 10027
> Phone: 212-854-1508 Fax:212-662-6286 Email: jcheng at columbia.edu <mailto:jcheng at columbia.edu>
>  
> ================================================================
> 
> 



Aaron Gerow
Professor
Film and Media Studies Program/East Asian Languages and Literatures
Director of Graduate Studies, EALL
Yale University
320 York Street, Room 311
PO Box 208324
New Haven, CT 06520-8324
USA
Phone: 1-203-432-7082
Fax: 1-203-432-6729
e-mail: aaron.gerow at yale.edu <mailto:aaron.gerow at yale.edu>
website: www.aarongerow.com












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From amnornes at umich.edu  Sat Mar 26 12:43:17 2016
From: amnornes at umich.edu (Markus Nornes)
Date: Sat, 26 Mar 2016 12:43:17 -0400
Subject: [KineJapan] Sato Makoto Retrospective
Message-ID: <11C5EA6F-B2D7-4D84-9A89-1E505E0FC98A@umich.edu>

There is a new book on Sato Makoto (https://urldefense.proofpoint.com/v2/url?u=http-3A__satoyamasha.com_-3Fp-3D777&d=CwICAg&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=H1KpFtYcb6z6Z_JknXFw3vh7R2UE9Vcpr9JsiT4Ples&s=ARg5GiwoF9Fas8myiCarqy9OdMm184obiWoMMNvoOaA&e= ), and a retrospective in Tokyo kicked off the publication this weekend. There were many interesting speakers, like Funahashi Atsushi, Soda Kazuhiro, Kobayashi Shigeru, and others. Did anyone go? And if so, any thoughts?

I heard it was packed. This is interesting, because last year Hara Kazuo's Cinema Juku was embarrassingly empty. The contrast is interesting, and I wonder what it signals....

Markus




Sent from my iPad
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From elise.domenach at ens-lyon.fr  Tue Mar 29 11:54:19 2016
From: elise.domenach at ens-lyon.fr (edomenac)
Date: Tue, 29 Mar 2016 11:54:19 -0400
Subject: [KineJapan] Sato Makoto Retrospective
In-Reply-To: <CAGM--ov-F6nwoRCfeWKVwpwfdJJvykuaoCG6nP4zZpXP+5dq4Q@mail.gmail.com>
References: <11C5EA6F-B2D7-4D84-9A89-1E505E0FC98A@umich.edu>	<8DDD554A-784B-4D43-A3E6-B51702BD3899@gmail.com>
	<CAGM--ov-F6nwoRCfeWKVwpwfdJJvykuaoCG6nP4zZpXP+5dq4Q@mail.gmail.com>
Message-ID: <56FAA52B.5070307@ens-lyon.fr>

Dear Takuya, dear all,

Sorry for a late answer. In fact, I got interested in the influence Sato 
had on Soda and also on Funahashi when working on Japanese documentaries 
on the 311 catastrophe. I recently published a book of interviews with 
film directors, at the University of Tokyo Press (UTCP Booklet, 
bilingual french-english) : /Fukushima in Film, Voices from Japanese 
Cinema/. Both Soda and Funahashi have interviews in it. Page 108, Soda 
mentions Sato's influence during his formative years. If anyone in the 
KineJapaners community is interested, please email me. I will be very 
happy to send a pdf version of the printed book, since it's currently 
impossible to buy the book, and UTCP will soon post an online version of 
the book...
Best regards,

Elise Domenach
Associate Professor in Film Studies and Philosophy
Ecole normale sup?rieure de Lyon



Le 26/03/2016 20:08, Takuya Tsunoda a ?crit :
> Thank you Markus for letting us know about the retrospective. This is
> more like an appendix to your posting, but we are having Soda Kazuhiro
> for a lecture/workshop and a screening of his Campaign 2 (2013) at
> Colgate on 4/7 and 4/8. I would like to inquire about it when he is
> here, as it is indeed intriguing to think about the link between Sato
> Makoto and the documentarists (and audiences) from the post-Hara
> generation? I hear that Soda?s latest work, Oyster Factory (Kaki
> koba), is also doing well in Japan.
>
> In the meantime, please let me know if any of you KineJapaners happen
> to be around Central NY area on these days!
>
> Best,
> Takuya
>
> On Sat, Mar 26, 2016 at 5:49 PM, matteo boscarol
> <matteo.boscarol at gmail.com> wrote:
>> I wasn't there, but I think the book's title is very beautiful and captures
>> perfectly the essence of Sato's last works.
>>
>> Matteo Boscarol
>> ????? ????
>> ???????????
>> - LuccaFilmFestival
>> Asia and Japan Correspondent
>> https://urldefense.proofpoint.com/v2/url?u=http-3A__luccafilmfestival.it&d=CwIDaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=kPQLJesOSWKQPC51_fCh_wYSikURXnLZHA_pjCG7pU8&s=hcM3Z46uRJ3OA8b07XTxI2KO2Hb6DJJOzgnnEs7_lI8&e= 
>> - Sonatine2010
>> https://urldefense.proofpoint.com/v2/url?u=http-3A__www.sonatine2010.blogspot.jp&d=CwIDaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=kPQLJesOSWKQPC51_fCh_wYSikURXnLZHA_pjCG7pU8&s=UosJVKgQXXYIFc0QFGxb-0o_S9ca5DzLMwC2bQPHi8o&e= 
>> - Storia(e) del Documentario in Giappone
>> https://urldefense.proofpoint.com/v2/url?u=http-3A__storiadocgiappone.wordpress.com&d=CwIDaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=kPQLJesOSWKQPC51_fCh_wYSikURXnLZHA_pjCG7pU8&s=e-6zWaoBYRiagDyNDKvMjeT20CZDUIm7t4cba7lOSDI&e= 
>> - Screenweek Japan
>>
>> On Mar 27, 2016, at 1:43 AM, Markus Nornes <amnornes at umich.edu> wrote:
>>
>> There is a new book on Sato Makoto (https://urldefense.proofpoint.com/v2/url?u=http-3A__satoyamasha.com_-3Fp-3D777&d=CwIDaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=kPQLJesOSWKQPC51_fCh_wYSikURXnLZHA_pjCG7pU8&s=fBlIySohSR_f8pzkTfKr1vSkutzEUSi7FzfQPffgFcI&e= ), and a
>> retrospective in Tokyo kicked off the publication this weekend. There were
>> many interesting speakers, like Funahashi Atsushi, Soda Kazuhiro, Kobayashi
>> Shigeru, and others. Did anyone go? And if so, any thoughts?
>>
>> I heard it was packed. This is interesting, because last year Hara Kazuo's
>> Cinema Juku was embarrassingly empty. The contrast is interesting, and I
>> wonder what it signals....
>>
>> Markus
>>
>>
>>
>>
>> Sent from my iPad
>> _______________________________________________
>> KineJapan mailing list
>> KineJapan at lists.osu.edu
>> https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=CwIDaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=kPQLJesOSWKQPC51_fCh_wYSikURXnLZHA_pjCG7pU8&s=v5sXdOCNpexg_ikskBuO3_mEIRKpaEGG8MJnhiWwMxs&e= 
>>
>>
>> _______________________________________________
>> KineJapan mailing list
>> KineJapan at lists.osu.edu
>> https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=AwICAg&c=-dg2m7zWuuDZ0MUcV7Sdqw&r=JKiMu6vuYa0m7uVKK7JqbvtQQR6simaWhPu1I63c-_s&m=QbCcI7-DnskWXK5kisxN8zwoIAwj02Sda1whIp_NYEE&s=NTcH2sf6f0BfnEWpTndkn8nN-c0RZcgHMULrGztVCMk&e=
>>
>
>

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From aaron.gerow at yale.edu  Sun Mar 13 20:25:29 2016
From: aaron.gerow at yale.edu (Gerow Aaron)
Date: Sun, 13 Mar 2016 20:25:29 -0400
Subject: [KineJapan] ROMAN PORNO REBOOT PROJECT
Message-ID: <73BEE78D-CD26-45BC-8BD3-9DA77A4D0993@yale.edu>

To commemorate 45 years since the start of Nikkatsu Roman Porno, Nikkatsu is asking 5 well-known directors--Shiota Akihiko, Shiraishi Kazuya, Sono Shion, Nakata Hideo, and Yukisada Isao--to make new Roman Porno films under the same conditions: there must be a sex scene at least once every 10 minutes, the film should be 70-80 minutes long, filming should last a week, and all will have the same budget.

https://urldefense.proofpoint.com/v2/url?u=http-3A__www.cinematoday.jp_page_N0081148&d=CwIFAg&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=Dy2LTs6DhWQj3AWWZF9IJovKJUhkZH4lDCx0D9kcO0A&s=RqbSu1sh7CZbD4Q5IzmDwsVzMZyrI66fwXK0jhqhVao&e= 


Aaron Gerow
Professor
Film and Media Studies Program/East Asian Languages and Literatures
Director of Graduate Studies, EALL
Yale University
320 York Street, Room 311
PO Box 208324
New Haven, CT 06520-8324
USA
Phone: 1-203-432-7082
Fax: 1-203-432-6729
e-mail: aaron.gerow at yale.edu <mailto:aaron.gerow at yale.edu>
website: www.aarongerow.com












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From aaron.gerow at yale.edu  Fri Mar 18 16:54:41 2016
From: aaron.gerow at yale.edu (Gerow Aaron)
Date: Fri, 18 Mar 2016 16:54:41 -0400
Subject: [KineJapan] National Film Center -- April films?
In-Reply-To: <CALt6FyperUVcWZM2i0BedjKySiy7PdE0XdspUrAKjG69xCY5-Q@mail.gmail.com>
References: <CALt6FyperUVcWZM2i0BedjKySiy7PdE0XdspUrAKjG69xCY5-Q@mail.gmail.com>
Message-ID: <AD174A49-28FA-48CD-83CE-0CBFAAEA992C@yale.edu>

Michael,

There will be a Kinoshita retro starting up on April 5:

https://urldefense.proofpoint.com/v2/url?u=http-3A__www.momat.go.jp_fc_exhibition_kinoshita-2D2016-2D4_-23section1-2D3&d=CwIFaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=d2i_cbLXJR3musM-lj7ltpKahZfTOjyvu1HhCSrkFcM&s=OTLc7Wo8SgF6RVm8EAkyxoonKVPwN9OzBgZW3_tPczg&e=  <https://urldefense.proofpoint.com/v2/url?u=http-3A__www.momat.go.jp_fc_exhibition_kinoshita-2D2016-2D4_-23section1-2D3&d=CwIFaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=d2i_cbLXJR3musM-lj7ltpKahZfTOjyvu1HhCSrkFcM&s=OTLc7Wo8SgF6RVm8EAkyxoonKVPwN9OzBgZW3_tPczg&e= >

So there be plenty to choose from at the NFC. 

Aaron

> 2016/03/18 ??3:30?Michael Kerpan <mekerpan2 at gmail.com> ?????
> 
> My wife and I will be in Tokyo during the first 2 weeks of April (more
> or less) -- and I was hoping something interesting might be showing at
> the National Film Center. However, checking the website, I found
> nothing listed at all for April. Does this mean nothing is showing?
> 
> Any other cinematic events I should l know about?
> 
> Thanks
> 
> Michael
> _______________________________________________
> KineJapan mailing list
> KineJapan at lists.osu.edu
> https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=AwICAg&c=-dg2m7zWuuDZ0MUcV7Sdqw&r=7gQmEevSyZWUjCyQgUt53fGOPiSutFMjzDxJFpDYMzg&m=VBJ5hxiav5IImOBGwWguPqA5KshBxIu2JofU43V6Zrc&s=6WbVgEwNEPRhaaz9B9iKokAVYIXKl7dZiAvZ32YwdBM&e= 

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From domenig at ltr.meijigakuin.ac.jp  Fri Mar 11 20:34:29 2016
From: domenig at ltr.meijigakuin.ac.jp (Roland DOMENIG)
Date: Sat, 12 Mar 2016 01:34:29 +0000
Subject: [KineJapan] English-subbed screenings of Adachi Masao's Danjiki
 geinin (Artist of Fasting)
Message-ID: <HK2PR01MB04498C70971B2A5FA55A8680B8B60@HK2PR01MB0449.apcprd01.prod.exchangelabs.com>

Dear list,


I'm in Osaka right now for the Osaka Asian Film Festival where the other day Adachi Masao's new film Danjiki geinin (Artist of Fasting) had been screened with the director and producer in attendance.

In Tokyo the film was released two weeks ago at the EUROSPACE theatre which from today (12.) until next Friday (18.) will show the English-subbed version of the film.


https://urldefense.proofpoint.com/v2/url?u=http-3A__tokyofilmgoer.com_2016_02_artist-2Dof-2Dfasting_&d=CwIBJg&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=zJ9CThk3FscsPm54G_YohP9C9oOX1Ai21PvMvUA6Cfw&s=9uaJj9qXioYUY0wkt19arYQ8H0V8efMnBX3Fy-iupO0&e= 

https://urldefense.proofpoint.com/v2/url?u=http-3A__www.eurospace.co.jp_works_detail.php-3Fw-5Fid-3D000064&d=CwIBJg&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=zJ9CThk3FscsPm54G_YohP9C9oOX1Ai21PvMvUA6Cfw&s=eGGr1qai3QqJxAtZfORSx5QGjxVuYcT38Z1wwxhi-TY&e= 


Roland Domenig

Meiji Gakuin University
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From sissu at basicray.org  Tue Mar  1 03:13:18 2016
From: sissu at basicray.org (sissu tarka)
Date: Tue, 01 Mar 2016 08:13:18 +0000
Subject: [KineJapan] vitality in picture
Message-ID: <20160301081318.13256d8rqeihtpgk@webmail.servus.at>

dear all,

With regard to my research on animation and its relation to notions of  
vitality ? lively images, quasi-autonomous life forms, as it were - I  
am trying to identify or locate an Asian philosopher / theorist, past  
or present, who explores the 'livelyhood' of Chinese images post  
Canguilhem, and of course different to a Western understanding of an  
imge or rather picture.
John Rajchman had spoken about the immersive nature of a Chinese  
image, so the viwer has to enliven hte image/picture by entering it,  
inhabiting it.

Any ideas? Suggestions?

It would be extremely helpful for my research.


many thanks,
Verina



Dr Verina Gfader
Research Fellow in Cultural Theory  University of Huddersfield
Lecturer in Fine Art/Critical Studies  Goldsmiths University of London

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From eija.niskanen at gmail.com  Tue Mar  1 06:24:40 2016
From: eija.niskanen at gmail.com (Eija Niskanen)
Date: Tue, 1 Mar 2016 13:24:40 +0200
Subject: [KineJapan] Momotaro war propaganda animations, distributor
Message-ID: <202FD750-5D0A-42D4-A594-B770EAB387EC@gmail.com>

Hi!
Animatricks animation festival in Helsinki would be interested in the 2 wartime Momotaro films. I know the 2 places where they exist as film copies are NFC and Planet in Osaka. But am I right that they were made into DVD or Bluray? Who has distribution rights for those?
Best,
Eija
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From aaron.gerow at yale.edu  Tue Mar  1 10:06:03 2016
From: aaron.gerow at yale.edu (Gerow Aaron)
Date: Tue, 1 Mar 2016 10:06:03 -0500
Subject: [KineJapan] Momotaro war propaganda animations, distributor
In-Reply-To: <202FD750-5D0A-42D4-A594-B770EAB387EC@gmail.com>
References: <202FD750-5D0A-42D4-A594-B770EAB387EC@gmail.com>
Message-ID: <449FE211-7C1D-49A8-A6CF-79D43174EF08@yale.edu>

Dear Eija,

The first Momotaro was of course put out on DVD with English subtitles by my wife?s company, Zakka Films. She used the print from Planet. I believe she has rented it out for screenings, so you can try to contact her:

info at zakkafilms.com <mailto:info at zakkafilms.com>

Best,

Aaron

> 2016/03/01 ??6:24?Eija Niskanen <eija.niskanen at gmail.com> ?????
> 
> Hi!
> Animatricks animation festival in Helsinki would be interested in the 2 wartime Momotaro films. I know the 2 places where they exist as film copies are NFC and Planet in Osaka. But am I right that they were made into DVD or Bluray? Who has distribution rights for those?
> Best,
> Eija
> _______________________________________________
> KineJapan mailing list
> KineJapan at lists.osu.edu
> https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=AwICAg&c=-dg2m7zWuuDZ0MUcV7Sdqw&r=7gQmEevSyZWUjCyQgUt53fGOPiSutFMjzDxJFpDYMzg&m=j8t0J7zqy4vBJsHKiPdxVAmmNSD_hPGkCbvW_pplZg4&s=ZitLVGjYVSLSTv4eNZsVwTai7suXiuMzbMko0W4IVpE&e= 



Aaron Gerow
Professor
Film and Media Studies Program/East Asian Languages and Literatures
Director of Graduate Studies, EALL
Yale University
320 York Street, Room 311
PO Box 208324
New Haven, CT 06520-8324
USA
Phone: 1-203-432-7082
Fax: 1-203-432-6729
e-mail: aaron.gerow at yale.edu <mailto:aaron.gerow at yale.edu>
website: www.aarongerow.com












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From gsjohnson at otsuma.ac.jp  Thu Mar  3 09:59:45 2016
From: gsjohnson at otsuma.ac.jp (gsjohnson at otsuma.ac.jp)
Date: Thu, 03 Mar 2016 23:59:45 +0900
Subject: [KineJapan] Momotaro war propaganda animations,	 distributor
In-Reply-To: <449FE211-7C1D-49A8-A6CF-79D43174EF08@yale.edu>
References: <202FD750-5D0A-42D4-A594-B770EAB387EC@gmail.com>
	<449FE211-7C1D-49A8-A6CF-79D43174EF08@yale.edu>
Message-ID: <20160303145945.000055B3.0697@otsuma.ac.jp>

I am a happy customer of the Zakka DVD. I have seen the other Momotaro 
film on youtube, which might not work for such use, and I don't know if 
it is still there or copyright issues thereof.

Greg Johnson

----- Original Message -----

Dear Eija,

The first Momotaro was of course put out on DVD with English subtitles 
by my wife?s company, Zakka Films. She used the print from Planet. I 
believe she has rented it out for screenings, so you can try to contact 
her:

info at zakkafilms.com

Best,

Aaron

2016/03/01 ??6:24?Eija Niskanen <eija.niskanen at gmail.com> ?????

Hi!
Animatricks animation festival in Helsinki would be interested in the 2 
wartime Momotaro films. I know the 2 places where they exist as film 
copies are NFC and Planet in Osaka. But am I right that they were made 
into DVD or Bluray? Who has distribution rights for those?
Best,
Eija
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Aaron Gerow
Professor
Film and Media Studies Program/East Asian Languages and Literatures
Director of Graduate Studies, EALL
Yale University
320 York Street, Room 311
PO Box 208324
New Haven, CT 06520-8324 
USA
Phone: 1-203-432-7082
Fax: 1-203-432-6729
e-mail:  aaron.gerow at yale.edu
website: www.aarongerow.com












 
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