From kinejapan at lists.osu.edu Thu Apr 20 11:43:08 2017 From: kinejapan at lists.osu.edu (Japanese Cinema Discussion Forum via KineJapan) Date: Thu, 20 Apr 2017 23:43:08 +0800 Subject: [KineJapan] =?utf-8?q?Animators=E2=80=99_Roundtable_Forum=3A_Chin?= =?utf-8?q?ese_Animation_and_=28Post=29Socialism=2C_April_27-28=2C_?= =?utf-8?q?HKUST?= Message-ID: Animators? Roundtable Forum: Chinese Animation and (Post)Socialism Hong Kong University of Science and Technology April 27-28, 2017 Films produced in socialist China (1949-1976) have often been regarded as political propaganda without much artistic creativity. Contrary to this stereotype, however, it was during these decades of ?suppression of literature and arts? that Chinese animation reached a zenith of artistic splendor. The state-owned Shanghai Animation Film Studio was the only animation studio that existed during the socialist era. Dynamic and creative, it produced hundreds of high quality animated films and marked a brilliant page in the history of animation not only in China but worldwide. Although the majority of these masterpieces were made by the Shanghai Animation Film Studio during the socialist years, the studio continued its productions in the post-socialist 1980s and witnessed another artistic peak, which we can argue was actually an extension of the socialist era. The Shanghai Animation Film Studio continued to keep its socialist collective mode of production, and its accomplished animators were mainly those who matured and thrived during the socialist era. This roundtable forum will discuss animated filmmaking in (post)socialist China from the insider perspectives of these animators. Their narratives revisit their gorgeous animation classics, reveal hidden histories and names behind the scenes, and bring us back to that unique era in a collective and nostalgic search for a glorious and irreproducible time that was once lost to history, but will now be recovered through their animated stories. Panel 1: April 27 (Thursday): 14:00-18:00, Room 7336, Academic Building, Lifts 13-15 Welcome Speech: James Lee, Chair Professor, Dean of School of Humanities and Social Science Panel Chair: Daisy Yan Du, Assistant Professor, Division of Humanities Mochinaga Noriko: Mochinaga Tadahito and Animated Filmmaking in Early New China Duan Xiaoxuan: Walking Our Own Path and Making Innovations in Chinese Animated Filmmaking Yan Dingxian: An Authentic Animator Lin Wenxiao: Thoughts on Animated Filmmaking Chang Guangxi: Tradition and Innovation: In Memory of Animated Filmmaking at the Shanghai Animation Film Studio Panel 2: April 28 (Friday)?9:00-12:00, Room 7336, Lifts 13-15 Panel Chair: Duan Xiaoxuan Pu Jiaxiang: National Style and Characterization in Chinese Animation Yan Shanchun: From a Layman to an Animator: My Animated Filmmaking Journey Jin Fuzai: Music I Have Composed for Animated Films Pu Yong: On the Art of Papercutting Animation Panel 3: April 28 (Friday): 14:00-18:00, Room 7336, Lifts 13-15 Panel Chair: Chang Guangxi Dai Tielang: In Love with My Animated Filmmaking Yin Xiyong: Those Who Should Not Be Forgotten in the History of Chinese Animation Yan Shuchen: Childhood Memories: Chinese Animation and the Shanghai Animation Film Studio from the Eyes of an Animator?s Son Fung Yuk Song: The Tradition of Political Propaganda in 20th Century Chinese Animation Ono Ko?sei: Chinese Animation in Japan, 1940s-1980s Night Screenings of Chinese Animation Classics Animated Shorts: 19:00-22:00, April 27, Classroom LTD Kitty Goes Fishing (1952), Little Tadpoles Look for Mama (1960), Mr Simple-Minded and Mr Unhappy (1962), The Herd Boy?s Flute (1963), The Hens' Relocation to a New Home (1979), Snow Boy (1980), Three Monks (1980), Police Chief Black Cat (1984), The Toothless Tiger (1985), Dirt King (1986), with English subtitles Animated Feature Film: 19:00-22:00, April 28, Classroom LTD Uproar in Heaven (1961-1964), with English subtitles Animators? and Speakers? Bios: Greater China: DAI Tielang (1930-): Dai was born in Singapore in 1930. He graduated from the Animation Department of the Beijing Film Academy in 1953 and joined the Shanghai Animation Film Studio in the same year. He was an animation designer for a long time before starting to work as an animated film director in 1979. His animated directorial debut was The Hens' Relocation to a New Home (Muji banjia, cel animation, 1979). His films, often featuring scientific subject matter and catering to the interest of children, were very popular among young audiences. He also worked as art designer and screenwriter for his own films. From 1984-1987, he directed a well-known TV animation series Police Chief Black Cat (Heimao jingzhang), which won the first ?Calf Award? (Tongniu jiang) in China in 1985. His film My Friend the Little Dolphin (Wode pengyou xiao haitun, cel animation, 1980) won the President?s Silver Award at the Italy International Children and Youth Film Festival. PU Jiaxiang (1932-): Pu worked as a director at the Shanghai Animation Film Studio. He was an animation designer for multiple works, including Uproar in Heaven (Danao tiangong, cel animation,1961-1964), Little Tadpoles Look for Mama (Xiao kedou zhao mama, ink-painting animation, 1960), Nezha Conquers the Dragon King (Nezha naohai, cel animation, 1979), and others. As a film director, his representative works include The Black Rooster (Hei gongji, cel animation, 1980), Little Squirrel the Barber (Xiao songshu lifashi, cel animation, 1983), The Toothless Tiger (Meiya de laohu, cel animation, 1985), and more. DUAN Xiaoxuan (1934-): Duan entered the Chinese animation industry by joining the Northeast Film Studio in 1948. She became the Deputy Head of the Animation Division of Shanghai Film Studio in 1950. After the founding of the Shanghai Animation Film Studio in 1957, she worked as the Chief Executive Engineer, animation camerawoman, and photographer. Her representative work includes around thirty animated films, such as Uproar in Heaven (Danao tiangong, 1961-1964, cel animation), Nezha Conquers the Dragon King (Nezha naohai, cel animation, 1979), Little Tadpoles Look for Mama (Xiao kedou zhao mama, ink-painting animation, 1960), The Herd Boy?s Flute (Mudi, ink-painting animation, 1963), The Deer?s Bell (Lu ling, ink-painting animation, 1982), and Feelings of Mountains and Rivers (Shanshui qing, ink-painting animation, 1988). YAN Shanchun (1934-): Yan is a first-class director of animated films. He graduated from the Lu Xun Academy of Fine Arts in 1958 and joined the Shanghai Animation Film Studio later that same year. Over his long career, he has worked as animator, animation designer, art designer, film director, and others. He participated in the production of Uproar in Heaven (Danao tiangong, cel animation,1961-1964), The Herd Boy?s Flute (Mudi, ink-painting animation, 1963), Nezha Conquers the Dragon King (Nezha naohai, cel animation, 1979), Golden Monkey Conquers the Demon (Jinhou xiangyao, cel animation, 1985), and many other animated feature films and shorts. He has also directed and co-directed around ten animated projects, such as Mr. Wolf?s Treat (Laolang qingke, cel animation, 1980), The Dirt King (Lata dawang qiyu ji, TV animation series, 1986-1987), Feelings of Mountains and Rivers (Shanshui qing, ink-painting animation, 1988), Storm in a Desert (Mofeng, cel animation, 1992), The Little Snail Celebrates His Birthday (Xiao Wo?niu guo shengri, 1996), and Qin Dynasty: Fantasia of Terracotta (Qin: Bingmayong huanxiangqu, 2003). He is a member and honorary director of the Shanghai Film Association. LIN Wenxiao (1935-): Lin graduated from the Beijing Film Academy in 1953 and immediately joined the Shanghai Animation Film Studio, where she worked as animation designer and director. She was key animator for Little Tadpoles Look for Mama (Xiao kedou zhao mama, ink-painting animation, 1960), Uproar in Heaven (Danao tiangong, 1961-1964, cel animation), The Herd Boy?s Flute (Mudi, ink-painting animation, 1963), Nezha Conquers the Dragon King (Nezha naohai, cel animation, 1979), and more. She worked as film director for Snow Boy (Xue haizi, cel animation, 1980), Golden Monkey Conquers the Demon (Jinhou xiangyao, cel animation, 1985), Jiazi the Boy Saves the Deer (Jiazi jiu lu, cel animation, 1985), The Deer-Girl (Lu n?, cel animation, 1993), The White Egg (Baise de dan, cel animation, 1995), and others. She has won a Golden Rooster Award, Government?s Award, and is a twelve-time winner of the Calf Award, and in addition has won several awards at various international film festivals. YAN Dingxian (1936-): Yan graduated from the Beijing Film Academy in 1953 and joined the Shanghai Animation Film Studio in the same year. There, he worked as animation designer and director, and served as a former president from 1984 to 1988. He was the key animation designer for Uproar in Heaven (Danao tiangong, cel animation, 1961-1964). He directed Monkey Steals the Ginseng Fruit (Renshen guo, cel animation, 1981), Nezha Conquers the Dragon King (Nezha naohai, cel animation, 1979), Golden Monkey Conquers the Demon (Jinhou xiangyao, cel animation, 1985), Mice Shuke and Beita (Shuke he Beita, TV animation series, 1989-1992), and many other films. He has won the Golden Rooster Award, Government?s Award, as well as the Calf Award 9 times, and has also won five awards at various international film festivals. Between 1985 and 1997, he served on multiple international film festival juries at home and abroad. FUNG Yuk Song (1940-): Fung joined the Shanghai Animation Film Studio after he graduated from the Zhejiang Fine Arts Academy in 1959. He participated in the production of around thirty animated films as designer and director, including The Hens' Relocation to a New Home (Muji banjia, cel animation, 1979), One Night at the Art Studio (Hualang yiye, cel animation, 1978), and Young Heroes (Zigu yingxiong chu shaonian, cel animation, 1995-1996). He relocated to Hong Kong in 1978 and worked as a film director at the Hong Kong Animation Company. In 1984, he began to work as a film director and production director at the Wang Film Productions in Taiwan. During his stay in Taiwan, he collaborated with King Hu and co-directed Zhang Yu Boils the Sea (Zhang Yu zhu hai, cel animation, mid-1980s). He also directed and produced around 200 TV animation series outsourced from Europe and the U.S. His work In Quest of Magic (Xue xian ji, cel animation, 1992) won the Golden Horse Award in Taiwan in 1992, and he was invited to participate in the Annecy International Animated Film Festival in 1993. Another of his works, Golden Dream (Jusheng, 1992), was invited to be shown at the International Animation Festival Hiroshima in 1993. In 1990, he was invited by the Wang Film Productions to establish the Speedy Victory Animation Company (Chisheng yishu gongsi) in Zhuhai, Guangdong province. CHANG Guangxi (1942-): Chang graduated from the Animation Department of Shanghai Film Academy in 1953 and joined the Shanghai Animation Film Studio in the same year. While there, he worked as an animator, key animator, art designer, and director. He participated in the production of more than 30 animated films, including Mr Simple-Minded and Mr Unhappy (Meitounao he Bugaoxing, cel animation, 1962) as his graduation project, Uproar in Heaven (Danao tiangong, cel animation, 1964) as an animator, Nezha Conquers the Dragon King (Nezha naohai, cel animation, 1979) as key animator, Snow Boy (Xue haizi, cel animation, 1980) as art designer, and Lotus Lantern (Baolian deng, cel animation, 1999) as film director. He served as the president of the Shanghai Animation Film Studio from 1991 to 1993, and he remains a nationwide first-class animation designer and member of ASIFA (International Animated Film Association). JIN Fuzai (1942-): Jin is a composer and supervisor of MA students at the Shanghai Conservatory of Music. He has been longtime composer of music for films and has won numerous awards. His compositions include the music for animated films such as Three Monks (Sange heshang, cel animation, 1980), Nezha Conquers the Dragon King (Nezha naohai, cel animation, 1979), Golden Monkey Conquers the Demon (Jinhou xiangyao, cel animation, 1985), Lotus Lantern (Baolian deng, cel animation, 1999), and Feelings of Mountains and Rivers (Shanshui qing, ink-painting animation, 1988); and music for live-action feature films including Bell of Purity Temple (Qingliang si de zhongsheng, 1991), Red River Valley (Honghe gu, 1997), The Old House (Fengyu guyuan, 1991), Jigong the Immortal (Jigong, TV drama, 1988), and others. His representative musique dramatique includes The Peony Pavilion (Mudan ting, 1995), Widow Yuqing (Yuqing sao, 2010), Empress Wanrong (Wanrong, 1992), and others. He has also written numerous musicals, including Sunrise (Richu, 2002), Street Angel (Malu tianshi, 2009), The Last Moment (Zuihou de shunjian, 2009), Flowers and Fire (Xianhua liehuo, 2012), Fleeting Clouds: The Splendid Library (Jinxiu Guoyunlou, 2014), Shanghai Noah?s Ark (Shanghai fangzhou, 2015), and many others. YIN Xiyong (1955-): Yin is an animation film director. He was born in Shanghai in 1955, and graduated from the Technical School of the Shanghai Animation Film Studio in 1973. Following his graduation, he immediately started to work at the Shanghai Animation Film Studio. He has participated in the production of more than 30 animated films, working as animator, animation designer, film director, production manager, and others. His representative works include Police Chief Black Cat (cinema version, cel animation, 2010), Xiban Slope (Xiban po, 2D animation, 2011), and Oolong Boy (Wulong xiaozi, 2D animation, 2013). PU Yong (1956-): Pu is the son of Pu Jiaxiang, who is also presenting at this roundtable. Pu Yong worked as a papercutting animation movement designer at the Shanghai Animation Film Studio. He now teaches in the Animation Department of the Shanghai Institute of Visual Art. YAN Shuchen (1967-): Yan is the son of Yan Shanchun, who is also presenting at the roundtable. Yan Shuchen graduated from the Shanghai University of Political Science and Law in 1990. He worked at the People's Procuratorate in Jing?an District, Shanghai from 1990 to 1993, and he has since been working in the food industry in the field of foreign trade. Japan: ONO K?sei (1939-): Ono is the Chairman of the Japan Society for Studies in Cartoons and Comics (JSSCC) and a guest professor at the Tokyo Polytechnic University. He graduated from the International Christian University of Tokyo in 1963 and became a free-lance writer and critic in 1974. He has written numerous essays and books about animation and cartoons. One of his representative works is History of Chinese Animation (Chu?goku no anime?shon, 1987). MOCHINAGA Noriko (1942-): She is the daughter of MOCHINAGA Tadahito (1919-1999). Mochinaga Tadahito (Chinese name FANG Ming) was a Japanese animator who flourished in wartime Tokyo. He lived in China for eight years, from1945 to1953, and became an important animator active in early socialist China. His representative work include The Dream to Be an Emperor (Huangdi meng, puppet animation, 1947), Capturing the Turtle in the Jar (Wengzhong zhuobie, cel animation, 1948), Thank You Kitty (Xiexie xiao huamao, cel animation, 1950), Kitty Goes Fishing (Xiaomao diaoyu, cel animation, 1952), and Who Mewed? (Miaowu shi shei jiao de, puppet animation, 1979). Chinese Websites: https://urldefense.proofpoint.com/v2/url?u=http-3A__www.huma.ust.hk_cgi-2Dbin_event_detail.php-3Fevent-5Fid-3D511&d=DwIGaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=gdP_E6izv8mpjoUwxHfRn4w5orW5Klz4bH1dVqHWjuk&s=TO62E2SHn4owMt2gopqQiJpaoMELafMo-JejKaZFeoA&e= https://urldefense.proofpoint.com/v2/url?u=http-3A__www.huma.ust.hk_cgi-2Dbin_event_detail.php-3Fevent-5Fid-3D512&d=DwIGaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=gdP_E6izv8mpjoUwxHfRn4w5orW5Klz4bH1dVqHWjuk&s=xHRE2ixhRct2U8b8XtAfvjpLMbHYhKj-hbwN6AiZm5s&e= Daisy Yan Du Assistant Professor Division of Humanities Hong Kong University of Science and Technology Email: daisyyandu at ust.hk https://urldefense.proofpoint.com/v2/url?u=http-3A__www.huma.ust.hk_cgi-2Dbin_people_people-5Findex.php-3Faction-3Dview-26type-3DF-26profile-5Fid-3D285&d=DwIGaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=gdP_E6izv8mpjoUwxHfRn4w5orW5Klz4bH1dVqHWjuk&s=hTUSTDp11pU_DwfXqMln_ioxWVQseQEzHiPvVB5thMc&e= _______________________________________________ KineJapan mailing list KineJapan at lists.osu.edu https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=DwIGaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=gdP_E6izv8mpjoUwxHfRn4w5orW5Klz4bH1dVqHWjuk&s=WVU5tT79mn1IWzAD2Q7fuH3ejzW5d_oA8glcorrOrX8&e= From kinejapan at lists.osu.edu Mon Apr 24 15:12:47 2017 From: kinejapan at lists.osu.edu (Japanese Cinema Discussion Forum via KineJapan) Date: Mon, 24 Apr 2017 19:12:47 +0000 Subject: [KineJapan] reception of samurai films in 1950s? In-Reply-To: References: Message-ID: Hello, The following article seems to cover how Japanese audience received jidai-geki during the 1920 ? 1950 era: Anderson, J. L. ?Japanese Swordfighters and American Gunfighters.? Cinema Journal, vol. 12, no. 2, 1973, pp. 1?21., www.jstor.org/stable/1225492. Hope this will give your student a start. ???????????????? Asako Yoshida 112 Elizabeth Dafoe Library University of Manitoba 21 Chancellor's Circle Winnipeg, MB R3T 2N2 Office: (204) 474-6591 Mobile: (204) 227-3587 Asako.Yoshida at Umanitoba.ca https://urldefense.proofpoint.com/v2/url?u=http-3A__praries-2Dsky.org_e-5Fportfolio&d=DwIGaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=zGzde7evtEu-cJKlT0WMJEw3gHB2NK-LfNkloOsJX-E&s=frA1oFJtq4dI7xeIQGm1Pn3qpzy-xAvpEJnDxysbZvQ&e= Asian Studies | Disability Studies | Economics | Family Social Sciences | Peace & Conflict Studies | Political Studies | Lead for Accessibility Implementation Team of the Libraries ?Technology alone is not enough.? - Steve Jobs ?Technology?s primary effect is to amplify human forces, so in education, technologies amplify whatever pedagogical capacity is already there.? ? Kentaro Toyama On 2017-04-24, 1:59 PM, "KineJapan on behalf of Japanese Cinema Discussion Forum via KineJapan" wrote: I don't know the answer -- so I hope answers are ON the list. Inquiring minds ... and all that. ;-) Good luck. Michael Kerpan Boston On Mon, Apr 24, 2017 at 2:15 PM, Japanese Cinema Discussion Forum via KineJapan wrote: > Good afternoon all, > > > I received a student question for help with finding English-language sources > on audience reception of samurai films in the 1950s in Japan (specifically > she's interested in masculinity and national anxiety). She's interested in > comparing them with American Westerns of the same time period. Despite a lot > of searching, I have had a hard time finding anything written on audience > reception of Japanese film for this period. Am I missing a body of > scholarship here that I didn't find with the keywords I tried? (I got pretty > creative but there was nothing coming up.) If there is not much of anything > in English, I'd also like to pass that on to her so she can adjust her topic > as needed. > > > Thanks in advance for any suggestions you may have for me, on- or off-list. > > > Regards, > > Molly Des Jardin > > Japanese Studies Librarian > > University of Pennsylvania > > mollydes at upenn.edu > > > _______________________________________________ > KineJapan mailing list > KineJapan at lists.osu.edu > https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=DwIGaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=zGzde7evtEu-cJKlT0WMJEw3gHB2NK-LfNkloOsJX-E&s=DRbpMgxKL-UMZ5TctivZON6bsbo44oQ6v3iuzkTgrI0&e= > _______________________________________________ KineJapan mailing list KineJapan at lists.osu.edu https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=DwIGaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=zGzde7evtEu-cJKlT0WMJEw3gHB2NK-LfNkloOsJX-E&s=DRbpMgxKL-UMZ5TctivZON6bsbo44oQ6v3iuzkTgrI0&e= _______________________________________________ KineJapan mailing list KineJapan at lists.osu.edu https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=DwIGaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=zGzde7evtEu-cJKlT0WMJEw3gHB2NK-LfNkloOsJX-E&s=DRbpMgxKL-UMZ5TctivZON6bsbo44oQ6v3iuzkTgrI0&e= From kinejapan at lists.osu.edu Mon Apr 17 08:53:43 2017 From: kinejapan at lists.osu.edu (Japanese Cinema Discussion Forum via KineJapan) Date: Mon, 17 Apr 2017 13:53:43 +0100 (BST) Subject: [KineJapan] London screening of Project FUKUSHIMA! _Thursday evening In-Reply-To: References: Message-ID: Dear All, Let you know about the screening of activist and experimental documentarist Hikaru Fujii award wining feature Project FUKUSHIMA! It takes place this Thursday evening alongside an exhibition by OrnAmenT at Whiteconduitprojects gallery in Angel/Islington. Wonderful to catch up with some of you for a glass of sake outdoors before the film start Flyer attached, With best wishes, Merce | merce rodrigo garc?a lecturer oxford books| AA architect| phd candidate london consortium, birkbeck college| aa 27b belfast rd. ground12 london N16 6UN e me.sa at uclmail.net t 44 07544619780 -------------- next part -------------- A non-text attachment was scrubbed... Name: Project FUKUSHIMA!.pdf Type: application/pdf Size: 286797 bytes Desc: not available URL: -------------- next part -------------- _______________________________________________ KineJapan mailing list KineJapan at lists.osu.edu https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=DwICAg&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=VO04eFAeE54km4KrHwwjYPnr3Gqxk4FfozISPuCewhc&s=RuKkcV8OYq6lPuVgek0wKOfT_sKmNPMjdwjmtihxXuY&e= From kinejapan at lists.osu.edu Thu Apr 6 08:47:10 2017 From: kinejapan at lists.osu.edu (Japanese Cinema Discussion Forum via KineJapan) Date: Thu, 6 Apr 2017 21:47:10 +0900 Subject: [KineJapan] The jidai-geki of Narutaki-gumi in Bologna Message-ID: This year Il Cinema Ritrovato will dedicate a retrospective to the Narutaki-gumi (Toho) and their jidai-geki of the 1930s: Humanity and Paper Balloons (1937), The Abe Clan (1938) and Fallen Blossoms (1938) more here: https://urldefense.proofpoint.com/v2/url?u=https-3A__festival.ilcinemaritrovato.it_en_cr2017primeanticipazioni_&d=DwIFJg&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=iaxBAPjOtnZ6eAhvMrKtdJBFmzvLkAHV7VPqEOa5zL8&s=4YPY-VwOXdpRA9P_W-jSpcTDS3A5BtVQoAyQgBSXcxw&e= Regards Matteo Boscarol ????? ???? ??????????? - Documentary in Japan and Asia https://urldefense.proofpoint.com/v2/url?u=http-3A__storiadocgiappone.wordpress.com&d=DwIFJg&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=iaxBAPjOtnZ6eAhvMrKtdJBFmzvLkAHV7VPqEOa5zL8&s=z4C7wCedLbC1kFXpYDFQn79cPRNZ9ThXtudK5DQVx7I&e= - Sonatine2010 https://urldefense.proofpoint.com/v2/url?u=http-3A__www.sonatine2010.blogspot.jp&d=DwIFJg&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=iaxBAPjOtnZ6eAhvMrKtdJBFmzvLkAHV7VPqEOa5zL8&s=E2MZVibl7mjoi7NISou9nUwTacvj3FE5zwH89IgCw0c&e= -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- _______________________________________________ KineJapan mailing list KineJapan at lists.osu.edu https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=DwICAg&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=iaxBAPjOtnZ6eAhvMrKtdJBFmzvLkAHV7VPqEOa5zL8&s=_EKq7x7w5_400KZsa_5mR87Gt-36JS4dBmwmva0Vbzc&e= From kinejapan at lists.osu.edu Thu Apr 13 02:51:35 2017 From: kinejapan at lists.osu.edu (Japanese Cinema Discussion Forum via KineJapan) Date: Thu, 13 Apr 2017 15:51:35 +0900 Subject: [KineJapan] Matsumoto Toshio has passed away Message-ID: Dear All, Sad news, Japanese media is reporting that Matsumoto Toshio has passed away: https://urldefense.proofpoint.com/v2/url?u=http-3A__www.asahi.com_sp_articles_ASK4F3CYCK4FUCFI001.html&d=DwICJg&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=XQHXMAUNmr1rlyKLtmHExAqh6NLwt9Qi0CZE45F-iNM&s=RLH2ctWJ3JcgIw3B1g7P-BXUIV4XbGMJHHkenEOln3k&e= Matteo Boscarol ????? ???? ??????????? - Documentary in Japan and Asia https://urldefense.proofpoint.com/v2/url?u=http-3A__storiadocgiappone.wordpress.com&d=DwICJg&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=XQHXMAUNmr1rlyKLtmHExAqh6NLwt9Qi0CZE45F-iNM&s=khnA_sIVdwWZ48CD8EOIILqs0OY9oErrLQo-AJ5e3T4&e= - Sonatine2010 https://urldefense.proofpoint.com/v2/url?u=http-3A__www.sonatine2010.blogspot.jp&d=DwICJg&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=XQHXMAUNmr1rlyKLtmHExAqh6NLwt9Qi0CZE45F-iNM&s=vPa1O80a-leU481NMBbC-AJKqjNlBbYGEEjHFRxkXpA&e= -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- _______________________________________________ KineJapan mailing list KineJapan at lists.osu.edu https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=DwICAg&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=XQHXMAUNmr1rlyKLtmHExAqh6NLwt9Qi0CZE45F-iNM&s=2AE1ZVwuneDjaUbbkkqaevbYSqVYV9E9bJNbSwAvbHg&e= From kinejapan at lists.osu.edu Thu Apr 13 09:09:26 2017 From: kinejapan at lists.osu.edu (Japanese Cinema Discussion Forum via KineJapan) Date: Thu, 13 Apr 2017 09:09:26 -0400 Subject: [KineJapan] Matsumoto Toshio has passed away In-Reply-To: References: Message-ID: That is sad news, though I had heard he was not in good health. Matsumoto-san is of course well known for his work as a feature film director, with Funeral Parade of Roses being his most famous work, but he started out in documentary, and was later a leader in experimental film and video. He was also a leading theorist, central to the conceptual development of the Japanese New Wave (Markus and I thus recommended Cinema Journal translate his work). On a personal level, he was also a great help in my career. I first got to know him through the Yamagata Film Festival, where I had the privilege of interviewing him for Documentary Box. Later, when Matsumoto-san was president of the Japan Society of Image Arts and Sciences, he appointed me to the board of directors, hoping to add new blood to the Society. In the last few years, as I worked on my book on Japanese film theory, he kindly consented to long interviews even as his health was in decline. Both as a scholar and as a film fan I am deeply indebted to his work. ??????????????????????????? Here is my DocBox interview: https://urldefense.proofpoint.com/v2/url?u=http-3A__www.yidff.jp_docbox_9_box9-2D2-2De.html&d=DwIFJg&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=13dW5-kCadWFk2XIdvGqiSvDwWSCBI-xJpS8ceEWog4&s=VBtIiwmIuGhvdGVkuSYYASTOHaHlkyLeFHNXwPLbbhM&e= Here is Michael Raine's translation of Matsumoto-san's "Theory of Avant-Garde Documentary" https://urldefense.proofpoint.com/v2/url?u=https-3A__muse.jhu.edu_article_486104&d=DwIFJg&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=13dW5-kCadWFk2XIdvGqiSvDwWSCBI-xJpS8ceEWog4&s=Ej5VX-b-4dR0nBlK7ar7zaKnjp1iVomv4nxCmcWA6ic&e= Aaron Gerow Professor Film and Media Studies Program/East Asian Languages and Literatures Director of Graduate Studies, EALL Acting Chair, Council on East Asian Studies Yale University 320 York Street, Room 311 PO Box 208324 New Haven, CT 06520-8324 USA Phone: 1-203-432-7082 Fax: 1-203-432-6729 e-mail: aaron.gerow at yale.edu website: www.aarongerow.com -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- _______________________________________________ KineJapan mailing list KineJapan at lists.osu.edu https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=DwICAg&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=13dW5-kCadWFk2XIdvGqiSvDwWSCBI-xJpS8ceEWog4&s=NxQ1gRPs8JlgM2O7cpEER3MlzblWtuEhPPBz-0_AwSw&e= From kinejapan at lists.osu.edu Mon Apr 3 15:01:02 2017 From: kinejapan at lists.osu.edu (Japanese Cinema Discussion Forum via KineJapan) Date: Mon, 3 Apr 2017 19:01:02 +0000 Subject: [KineJapan] Hollywood and Holy Wood: Silent Cinema Connection Between Los Angeles and Japan In-Reply-To: References: , Message-ID: Thank you for your kind words, Michael. Responding to your inquiry, no, I am afraid I don't. When I was conducting research on "Harry" Mimura Akira, I did not encounter any archival materials, except that Mimura published a number of essays in such film journals as Eiga Gijutsu, Shin Eiga, and so on. I am also curious if there are any other materials. Best, Daisuke ________________________________________ From: KineJapan [kinejapan-bounces at lists.osu.edu] on behalf of Japanese Cinema Discussion Forum via KineJapan [kinejapan at lists.osu.edu] Sent: Thursday, March 30, 2017 8:18 PM To: Japanese Cinema Discussion Forum Subject: Re: [KineJapan] Hollywood and Holy Wood: Silent Cinema Connection Between Los Angeles and Japan Wish I could be there! This looks like a great series. Congratulations to Daisuke on putting it together. Completely agree about the strong and complex connections between Japan and Hollywood in the late silent / early sound period (and beyond). Daisuke, do you know if there are any archives or other available material from the 5050 club? The only references I've seen are in Kudo Miyoko's book on Harry Mimura. I wonder if they held any discussion or information sessions, or published anything on their work. I'm particularly interested in sound ideas, techniques, and technology. Michael Michael Raine, Film Studies Western University, Canada On Thu, Mar 30, 2017 at 3:28 PM, Japanese Cinema Discussion Forum via KineJapan > wrote: Dear all, If you are in SoCal in April, please come join us for "Hollywood and Holy Wood: Silent Cinema Connection Between Los Angeles and Japan." https://urldefense.proofpoint.com/v2/url?u=https-3A__www.cinema.ucla.edu_events_2017_silent-2Dcinema-2Dconnection-2Dlos-2Dangeles-2Djapan&d=DwICAg&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=P5fZzBv3gMHcGUmJrM71qzj1XAeLf-u1yO1l2ktaio8&s=4su2DfvdYNds8TQcenGcFlXcrgvcHRhVpaYeH6IwSFI&e= Best, Daisuke Daisuke Miyao Professor Hajime Mori Chair in Japanese Language and Literature Director of the Japanese Studies Program Department of Literature University of California, San Diego New Book: Transnational Cinematography Studies, edited by Lindsay Coleman, Daisuke Miyao, Roberto Schaefer (Rowman $ Littlefield, 2017): https://urldefense.proofpoint.com/v2/url?u=http-3A__covers.nbnbooks.com_ISBN_9781498524278_Transnational-2DCinematography-2DStudies&d=DwICAg&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=P5fZzBv3gMHcGUmJrM71qzj1XAeLf-u1yO1l2ktaio8&s=P4RxJ_VpQlUY3QaSpkoBBezuovcb9ZXptlpfHg5U-dQ&e= _______________________________________________ KineJapan mailing list KineJapan at lists.osu.edu https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=DwICAg&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=P5fZzBv3gMHcGUmJrM71qzj1XAeLf-u1yO1l2ktaio8&s=E1ZDVL8_tfk7nvHQajVYhA805auRdyLJqHjHE8yxlg8&e= _______________________________________________ KineJapan mailing list KineJapan at lists.osu.edu https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=DwICAg&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=P5fZzBv3gMHcGUmJrM71qzj1XAeLf-u1yO1l2ktaio8&s=E1ZDVL8_tfk7nvHQajVYhA805auRdyLJqHjHE8yxlg8&e= From kinejapan at lists.osu.edu Thu Apr 27 09:14:39 2017 From: kinejapan at lists.osu.edu (Japanese Cinema Discussion Forum via KineJapan) Date: Thu, 27 Apr 2017 16:14:39 +0300 Subject: [KineJapan] Tatara Samurai sneak screening at FCCJ Message-ID: Dear KineJapaners, The Foreign Correspondents' Club in Yurakucho will be screening the award-winning new film by Yoshinari Nishikori, a Shimane-set jidaigeki about the fabled blacksmiths of Tatara, followed by a Q&A session with the director and star Naoki Kobayashi. Since FCCJ is a private club, you must reserve your seats through Screenings Curator Karen Severns: karenseverns at gmail.com. Be sure to reserve at least two days before the screening, as seats are limited. *FCCJ SNEAK PREVIEW SCREENING* MONDAY, MAY 15 at 6:45 pm *TATARA SAMURAI* Japan, 2016 120 minutes Japanese with English subtitles Followed by a Q&A session with director Yoshinari Nishikori and star Naoki Kobayashi Nestled in the mountains of ancient Izumo is a village renowned for its ?tatara-buki? steelmaking process. Using a secret method to forge the purest steel known to man, the blacksmiths of Tatara have become legendary. Their fame attracts warriors from across the land during the 16th-century Warring States period, lured by the promise of indomitable katana swords; but it also attracts the unwanted attentions of rival clans, and of merchants bent on procuring steel for the latest weaponry: guns. Gorgeously shot on 35 mm film ? the better to capture Shimane?s magnificent scenery, the Sengoku-era village built for the production by Izumo Shrine craftsmen, and the excitement of sword fights choreographed by famed stuntman Yoshio Iizuka ? *TATARA SAMURAI* has the look and epic sweep of the sumptuous cinematic feasts once served up by the major studios. *For more *(in Japanese): https://urldefense.proofpoint.com/v2/url?u=https-3A__tatara-2Dsamurai.jp_movie_&d=DwIFaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=cmOK1qF4Db03Qmcpji_8Xofi7pFCG12L36qJsMPECSo&s=MwyXE6YlKl_64T7nw12c7o0ejk-_7oYYWzc_9VJLVRw&e= *In English: *https://urldefense.proofpoint.com/v2/url?u=https-3A__goo.gl_q98YK8&d=DwIFaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=cmOK1qF4Db03Qmcpji_8Xofi7pFCG12L36qJsMPECSo&s=kXCuSKttyheoHu2AC7__BPnM_GaRSs9BdP_vTJBncfE&e= -- Eija Niskanen +358-50-355 3189 -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- _______________________________________________ KineJapan mailing list KineJapan at lists.osu.edu https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=DwICAg&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=cmOK1qF4Db03Qmcpji_8Xofi7pFCG12L36qJsMPECSo&s=Mdl3LN5e-X_6epOjORS3nkcsP1goaa2VImrZWyyPrk8&e= From kinejapan at lists.osu.edu Tue Apr 18 10:23:33 2017 From: kinejapan at lists.osu.edu (Japanese Cinema Discussion Forum via KineJapan) Date: Tue, 18 Apr 2017 14:23:33 +0000 (UTC) Subject: [KineJapan] From page to screen to page again References: <1689909583.3932973.1492525413307.ref@mail.yahoo.com> Message-ID: Dear KineJapaners,Please may I mention a forthcoming talk in London on film scripts by Lauri Kitsnik, next Monday 24th at the Japan Society's regular venue, The Swedenborg Society.From page to screen to page again: writing and reading Japanese film scripts ? Lauri Kitsnik - Japan Society of the UK Lauri's research into film scripts and their publishing practices looks very interesting and I wish I could be there.Roger | | | | | | | | | | | >From page to screen to page again: writing and reading Japanese film script... In this lecture Dr Lauri Kitsnik will be talking about the place of screenwriters and scenarios in the Japanese ... | | | | -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- _______________________________________________ KineJapan mailing list KineJapan at lists.osu.edu https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=DwICAg&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=bS_l21UJpbQDtax2gTJMGpFDOFq-xIphVmtLYMSM5iE&s=mGjuca8OdkaS9WktuCWrX-PiQfppnQ0LoD1RZzjVMoc&e= From kinejapan at lists.osu.edu Tue Apr 18 10:12:36 2017 From: kinejapan at lists.osu.edu (Japanese Cinema Discussion Forum via KineJapan) Date: Tue, 18 Apr 2017 14:12:36 +0000 (UTC) Subject: [KineJapan] 'Le Moulin' and 'A Doctor's Sword' References: <1708034743.3877880.1492524756927.ref@mail.yahoo.com> Message-ID: Dear KineJapaners,May I give you the link to short reviewsof two films, each bearing on Japan?s relation to an island before 1945.https://urldefense.proofpoint.com/v2/url?u=http-3A__www.japansociety.org.uk_42651_review-2Dle-2Dmoulin_http-3A__www.japansociety.org.uk_42657_a-2Ddoctors-2Dsword-2Ddirected-2Dby-2Dgary-2Dlennon_Iinterviewed&d=DwIFaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=mkpqOP_rqMv_UFYRgkoBBJYATI2Dj7Hrl5TiReNIm3E&s=hW7aHpnGbK1DU-db0xVkvX2HcasQYJvpNPakdgfw5Aw&e= the director of Le Moulin, HUANG Ya-li, and have thetranscript, should anyone want to see it.Rogermacyroger at yahoo.co.uk -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- _______________________________________________ KineJapan mailing list KineJapan at lists.osu.edu https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=DwICAg&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=mkpqOP_rqMv_UFYRgkoBBJYATI2Dj7Hrl5TiReNIm3E&s=LUOhucL4a_0SMTvSK5AOTxIIyWiWb1VNTuLQuKENuOY&e= From kinejapan at lists.osu.edu Tue Apr 18 20:43:25 2017 From: kinejapan at lists.osu.edu (Japanese Cinema Discussion Forum via KineJapan) Date: Tue, 18 Apr 2017 17:43:25 -0700 Subject: [KineJapan] 'Le Moulin' and 'A Doctor's Sword' In-Reply-To: References: <1708034743.3877880.1492524756927.ref@mail.yahoo.com> Message-ID: Hi Roger, I've been interested in seeing and reading about Le Moulin. I'd really appreciate if you could share with me the script of your interview with Director Huang Ya-li. Do you know where I can get a copy of the film? Thanks Yiman Wang On 4/18/17, 7:12 AM, Japanese Cinema Discussion Forum via KineJapan wrote: > Dear KineJapaners, > May I give you the link to short reviews of two films, each bearing on > Japan's relation to an island before 1945. > https://urldefense.proofpoint.com/v2/url?u=http-3A__www.japansociety.org.uk_42651_review-2Dle-2Dmoulin_&d=DwICAw&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=dhNIstvUF2b441QQZ2JincZuLKSxBzCHv2Qu1clqXMg&s=Xku-SBNTr8iPs0cOxILG2hwYryGZnY_iueralAEFqAM&e= > https://urldefense.proofpoint.com/v2/url?u=http-3A__www.japansociety.org.uk_42657_a-2Ddoctors-2Dsword-2Ddirected-2Dby-2Dgary-2Dlennon_&d=DwICAw&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=dhNIstvUF2b441QQZ2JincZuLKSxBzCHv2Qu1clqXMg&s=UZnqgxYCl_VSK5PsAp9D6PDREQvB9dU1sD6dnQJu-as&e= > I interviewed the director of /Le Moulin/, HUANG Ya-li, and have the > transcript, should anyone want to see it. > Roger > macyroger at yahoo.co.uk > > > _______________________________________________ > KineJapan mailing list > KineJapan at lists.osu.edu > https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=DwICAw&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=dhNIstvUF2b441QQZ2JincZuLKSxBzCHv2Qu1clqXMg&s=3jB1glWCh1LnHm2aayGmF1-dYH8WRGV_Y0IpSUl3Mjc&e= -- Yiman Wang PhD Associate Professor Film& Digital Media University of California, Santa Cruz 1156 High St. Santa Cruz, CA 95064 USA Tel: 1-831-459-1357 -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- _______________________________________________ KineJapan mailing list KineJapan at lists.osu.edu https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=DwICAg&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=dhNIstvUF2b441QQZ2JincZuLKSxBzCHv2Qu1clqXMg&s=3jB1glWCh1LnHm2aayGmF1-dYH8WRGV_Y0IpSUl3Mjc&e= From kinejapan at lists.osu.edu Thu Apr 20 23:21:43 2017 From: kinejapan at lists.osu.edu (Japanese Cinema Discussion Forum via KineJapan) Date: Fri, 21 Apr 2017 12:21:43 +0900 Subject: [KineJapan] 'Le Moulin' and 'A Doctor's Sword' In-Reply-To: References: <1708034743.3877880.1492524756927.ref@mail.yahoo.com> Message-ID: I don't know If this can help you, but the movie was available on Festivalscope (at least about a year ago) Regards Matteo Boscarol ????? ???? ??????????? - Documentary in Japan and Asia https://urldefense.proofpoint.com/v2/url?u=http-3A__storiadocgiappone.wordpress.com&d=DwIFJg&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=wMiCaMidwVsR7SJ63X-LDOidwt4GFW1G7dZzNrQH1Qc&s=jZnVGnISUvByk-f3V2SaTW_Huv6CO0TUaDkoPJypaT4&e= > On Apr 19, 2017, at 9:43, Japanese Cinema Discussion Forum via KineJapan wrote: > > Hi Roger, > > I've been interested in seeing and reading about Le Moulin. I'd really appreciate if you could share with me the script of your interview with Director Huang Ya-li. Do you know where I can get a copy of the film? > > Thanks > > Yiman Wang > > >> On 4/18/17, 7:12 AM, Japanese Cinema Discussion Forum via KineJapan wrote: >> Dear KineJapaners, >> May I give you the link to short reviews of two films, each bearing on Japan?s relation to an island before 1945. >> https://urldefense.proofpoint.com/v2/url?u=http-3A__www.japansociety.org.uk_42651_review-2Dle-2Dmoulin_&d=DwIFJg&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=wMiCaMidwVsR7SJ63X-LDOidwt4GFW1G7dZzNrQH1Qc&s=bHdAtt2sexcs_uP2Wmh5-o_tL8F0oHsZMiPNMi7ghIs&e= >> https://urldefense.proofpoint.com/v2/url?u=http-3A__www.japansociety.org.uk_42657_a-2Ddoctors-2Dsword-2Ddirected-2Dby-2Dgary-2Dlennon_&d=DwIFJg&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=wMiCaMidwVsR7SJ63X-LDOidwt4GFW1G7dZzNrQH1Qc&s=jVTPiKqMnhvYSIMS__O1p5537Rjr68-muA9XdrCc3ZU&e= >> I interviewed the director of Le Moulin, HUANG Ya-li, and have the transcript, should anyone want to see it. >> Roger >> macyroger at yahoo.co.uk >> >> >> _______________________________________________ >> KineJapan mailing list >> KineJapan at lists.osu.edu >> https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=DwIFJg&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=wMiCaMidwVsR7SJ63X-LDOidwt4GFW1G7dZzNrQH1Qc&s=DMhAPFejKwjk0af3t9QdaneuIwWoE3xpgOL86h5QxwM&e= > > > -- > Yiman Wang PhD > Associate Professor > Film & Digital Media > University of California, Santa Cruz > 1156 High St. > Santa Cruz, CA 95064 > USA > Tel: 1-831-459-1357 > _______________________________________________ > KineJapan mailing list > KineJapan at lists.osu.edu > https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=DwIFJg&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=wMiCaMidwVsR7SJ63X-LDOidwt4GFW1G7dZzNrQH1Qc&s=DMhAPFejKwjk0af3t9QdaneuIwWoE3xpgOL86h5QxwM&e= -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- _______________________________________________ KineJapan mailing list KineJapan at lists.osu.edu https://urldefense.proofpoint.com/v2/url?u=https-3A__lists.osu.edu_mailman_listinfo_kinejapan&d=DwICAg&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=wMiCaMidwVsR7SJ63X-LDOidwt4GFW1G7dZzNrQH1Qc&s=DMhAPFejKwjk0af3t9QdaneuIwWoE3xpgOL86h5QxwM&e= From kinejapan at lists.osu.edu Mon Apr 10 18:21:11 2017 From: kinejapan at lists.osu.edu (Japanese Cinema Discussion Forum via KineJapan) Date: Mon, 10 Apr 2017 15:21:11 -0700 Subject: [KineJapan] Francesco Casetti's Visit to UCSB Message-ID: Dear KineJapaners, If you happen to be in the Santa Barbara/LA area this week, please join us for the first Film and Media Studies Colloquium of Spring Quarter at UCSB, and please help us spread the word about this very exciting lecture by Francesco Casetti, who is one of the best known theorists in the field of film and media studies. Best, Naoki Naoki Yamamoto Assistant Professor Department of Film and Media Studies University of California, Santa Barbara yamamoto at filmandmedia.ucsb.edu ----------------------------------------------------------------------------- Talk Title: Mediascapes: A Decalogue Speaker: Francesco Casetti (Yale University, Thomas E. Donnelly Professor of Humanities and Film and Media Studies) Time & Place: Wednesday, April 12, 2017, 4:00 pm, McCune Conference Room, HSSB 6020, UCSB When understood as components of physical and social landscape, media display a distinct and decisive set of qualities. First, more than tools for recording, storing, and transmitting information, they appear as resources for negotiating with reality and with others within a particular situation. Second, more than individual devices performing specific functions, they appear as infrastructures that underpin the space and ?innervate? it, as Walter Benjamin would have said. Third, more than entities that are part of a territory, they become the territory?the playground, or even the battleground, where the mediation is made possible. The notion of mediascape, that I borrow from Arjun Appadurai and I redefine as the specialized environment that promotes or facilitates mediation between individuals and with reality, can provide a useful conceptual framework for such an amalgamation of physical and social landscape and technical devices. The lecture will present some theoretical questions tied to an environmental consideration of media and will discuss some potential case-studies, including the movie theatre, the highway, the city, but also the waste dump where obsolete technologies are discharged. Francesco Casetti is the Thomas E. Donnelly Professor of Humanities and Film and Media Studies at Yale. He had previously taught in Italy as a full professor at the Catholic University of Milan, at the University of Trieste, and served asPresident of the Italian Scholarly Society of Film and Media Studies. He also taught as a visiting professor at Paris 3 La Sorbonne Nouvelle and the University of Iowa. In 2000, he was awarded the ?Chair of Italian Culture? from UC Berkley for his distinguished contribution to the field. Casetti is the author of numerous books including Inside the Gaze: The Film and Its Spectator (Indiana UP, 1998), Theories of Cinema, 1945-1995 (Texas UP, 1999), and Eye of the Century: Film, Experience, Modernity (Columbia UP, 2008). His latest monograph, The Lumi?re Galaxy: 7 Key Words for the Cinema to Come (Columbia UP, 2015), received the prestigious Limina Prize for the Best International Film Studies Book. -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... 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