[KineJapan] The Japanese House

[Japanese Cinema Discussion Forum via KineJapan]

Thanks for all your responses. I certainlyagree about Koreeda’s films.  I stillthink it would have been a good opportunity to show some films of Gosho.  Some other films with memorable houses for meare Naruse’s ‘The Whole Family Works’, 1939,and his ‘Sound of the Mountains’, 1954., Mizoguchi’s ‘Lady of Musashino’, 1951, Shibuya Minoru’s ‘The Shrikes’, 1961, Suzuki Seijun’s Zigeunerweisen, 1980, Terayama Shūji’s ‘Grass Labyrinth’, Wakamatsu Kōji’s ‘United Red Army, 2007Matsumoto Toshio’s ‘Pandemonium’, 1970,andFujiwara Toshi’s ‘Fence’, 2008       The last of which is a documentary, agenre not otherwise so far nominated.Roger

      From: Japanese Cinema Discussion Forum via KineJapan <kinejapan at lists.osu.edu>
 To: Japanese Cinema Discussion Forum <kinejapan at lists.osu.edu> 
 Sent: Wednesday, 1 March 2017, 13:47
 Subject: Re: [KineJapan] The Japanese House
   
Dear Roger,

Maybe to obvious: "House" from Nobuhiko Obayashi.
"The reason" a.k.a. "The Motive" ,「理由」from the same filmmaker. Based on a Miyuki Miyabe novel, the film is set in a skyscraper and in contrast to it in a ryokan as well, both in the Arakawa-ku neighbourhood. I am not sure though, if there is an English version.

And since Hirokazu Koreeda was mentioned: "Nobody Knows".

Cheers, Jorg.



On 2017/03/01 19:14, Japanese Cinema Discussion Forum via KineJapan wrote:
> Dear Roger,
>
> On the contemporary side, '2LDK' and 'Umimachi Diary' (Our Little Sister) come to mind.
>
> --Lindsay Nelson
>
> On Wed, Mar 1, 2017 at 5:11 PM, Japanese Cinema Discussion Forum via KineJapan <kinejapan at lists.osu.edu <mailto:kinejapan at lists.osu.edu>> wrote:
>
>    Dear KineJapaners,
>    If you could mount a film season on the ‘Japanese house’, what would you include?
>    It would be hard to avoid Ozu and Gosho.  I’d be interested in your answers, but the Barbican in London have just announced such a season - which starts with ‘Woman of the Dunes’, plus three Ozu’s and three animes.  It does also include Isshi Sōgo’s ‘Crazy Family’, 1984.
>    Despite being given the heads-up, the benshi presentation of ‘I Was Born, but …’ clashes with Bologna, where a Japanese strand is already slated.
>    https://urldefense.proofpoint.com/v2/url?u=http-3A__www.barbican.org.uk_artgallery_series.asp-3FID-3D1735&d=DwIFaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=YmMsjs2dJCF6NNTboUpiAhwDTTIpxNWhrQKyGnhZ2Qs&s=5PR21xSmYisBwYN9LqE7NmdI0_qxf6aQN3jPFJCBWIc&e=  <https://urldefense.proofpoint.com/v2/url?u=http-3A__www.barbican.org.uk_artgallery_series.asp-3FID-3D1735&d=DwIFaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=YmMsjs2dJCF6NNTboUpiAhwDTTIpxNWhrQKyGnhZ2Qs&s=5PR21xSmYisBwYN9LqE7NmdI0_qxf6aQN3jPFJCBWIc&e= >
>    Roger
>
>
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