[KineJapan] Bowing before Eastwood

Thu Mar 8 22:07:33 EST 2018

It makes no sense to compare Eastwood to directors from an entirely
different era like Hitchcock, Ozu, or Ford. He's the American Yamada Yoji.

On Fri, Mar 9, 2018 at 11:30 AM, Japanese Cinema Discussion Forum via
KineJapan <kinejapan at lists.osu.edu> wrote:

> Guess you might want to read my anthology on Eastwood coming out this
> fall: 'Tough Aint Enough...'
>    And tell his Japanese admirers to translate the book!   😁
>
>
> David Desser
> Sent from my Verizon, Samsung Galaxy smartphone
>
>
> -------- Original message --------
> From: Japanese Cinema Discussion Forum via KineJapan <
> kinejapan at lists.osu.edu>
> Date: 3/8/18 6:21 PM (GMT-08:00)
> To: 'Japanese Cinema Discussion Forum' <kinejapan at lists.osu.edu>
> Subject: Re: [KineJapan] Bowing before Eastwood
>
> One would think the French would have a word for auteurism . . .
>
>
>
> *From:* KineJapan [mailto:kinejapan-bounces at lists.osu.edu] *On Behalf Of *Japanese
> Cinema Discussion Forum via KineJapan
> *Sent:* Thursday, March 8, 2018 8:18 PM
> *To:* Japanese Cinema Discussion Forum <kinejapan at lists.osu.edu>
> *Subject:* Re: [KineJapan] Bowing before Eastwood
>
>
>
> Wow, yeah.
>
> I've had the American Sniper fight too. Good read, this article.
>
>
>
> I want to concede that being from the same country can leave one blind to
> an artist's beauty, but it's so true that no one will ever say what they
> think is so *good* about his movies. And it’s not like they’re all terrible
> enough to knock down one by one. They just don’t feel very meticulously
> considered or crafted. It has led to many very frustrating nights of
> drinking with othewise great friends (possibly on this list?) - cinefils
> and movie lovers. The first time it started happening, around 2008, I went
> and watched every movie he’d made for the previous ten years. And they just
> don’t even begin to warrant comparisons to other American masters—say John
> Ford, whose name has come up in these conversations. (nor, per the article,
> Hitchcok and Ozu)
>
>
>
> I do have a modest response to (Japanese) people I’ve met who were
> apparently moved by Gran Torino as some kind of redemption for US wars in
> Asia, which is to ask them to imagine the same movie made by and starring
> Takeshi as a racist cold-hearted war veteran, with the audience laughing
> along with him cursing up a storm of racial slurs for the first half, until
> he warms to some delicious food and underage kids whom only he can save,
> through literal sacrifice in a shower of cherry blossoms. Set in Okubo or
> someplace. Call the film Yamazakura or Yaezakura or something.
>
> This comparision doesn’t work for Eastwood fans who don’t like Gran Torino
> though.
>
>
>
> Apparently it’s a scourge in France too:
>
> Clint Fucking Eastwood
> <http://www.capricci.fr/clint-fucking-eastwood-80.html>
>
> "Eastwood a le droit à un étrange traitement de faveur qui s’explique, me
> semble-t-il, par le fait qu’on a cru, et continue à croire, au fétiche. Il
> y a une façon d’héroïsation du cinéaste qui fonctionne à plein chez les
> spectateurs, comme s’ils étaient contents d’avoir encore un objet à
> vénérer. Je pousserais volontiers un pas plus loin en précisant que le
> fétiche que vénèrent les spectateurs français ce n’est pas seulement
> l’homme Eastwood mais l’homme qui se prend pour la vieille Amérique, pour
> l’Amérique idéale."
>
>
>
>
>
> Jeremy Harley
>
> Mabashi Movie Festival
>
>
>
> On Thu, Mar 8, 2018 at 7:15 PM, Japanese Cinema Discussion Forum via
> KineJapan <kinejapan at lists.osu.edu> wrote:
>
> Is Hasumi really that influential at Kinema Junpo?
>
>
>
> On Thu, Mar 8, 2018 at 6:11 PM Japanese Cinema Discussion Forum via
> KineJapan <kinejapan at lists.osu.edu> wrote:
>
>  Nice Hadfield article on the critical fawning for Clint Eastwood on
> Japan. I once had a conversation with Funahashi-san about American Sniper
> that devolved into an argument where neither of us could understand the
> other or care to budge. Since then I studiously avoid the subject. I can’t
> say Hadfield has cracked the Clint Code—-unless I is, indeed, Hasumi’s
> fault—- but it’s an entertaining read.
>
>
>
> Markus
>
>
>
> https://www.japantimes.co.jp/culture/2018/03/07/films/
> clint-eastwoods-japan-critics-always-make-day/--
>
> ---
>
> *[image: Image removed by sender.]*
>
> *Markus Nornes*
>
> *Professor of Asian Cinema*
>
> Department of Screen Arts and Cultures, Department of Asian Languages and
> Cultures, Penny Stamps School of Art & Design
>
>
>
> *Department of Screen Arts and Cultures*
>
> *6348 North Quad*
>
> *105 S. State Street*
>
> *Ann Arbor, MI 48109-1285*
>
>
>
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