[KineJapan] Tamura Masaki, RIP

[Japanese Cinema Discussion Forum via KineJapan]

Ah, yes, I would add Yamasaki-san to that list. He actually started out in
Nichidai's Eiken, so his first film was Bowl with Adachi Masao and company.
Last night I found out what his latest film is: a documentary on Hand
Susumu, which he has been shooting for three years.

Hani, who is going strong at a few months away from 90 years of age,
appeared at a screening of Nanami last night—organized by Roland, Alex Z,
and Hirasawa Go.

Markus

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*Markus Nornes*
*Professor of Asian Cinema*
Department of Screen Arts and Cultures, Department of Asian Languages and
Cultures, Penny Stamps School of Art & Design

*Department of Screen Arts and Cultures*
*6348 North Quad*
*105 S. State Street*
*Ann Arbor, MI 48109-1285*


On Wed, May 30, 2018 at 11:18 AM, Japanese Cinema Discussion Forum via
KineJapan <kinejapan at lists.osu.edu> wrote:

> If you are simply talking about range—putting aside the question of
> quality or talent for later—there are actually a number of DPs who work in
> multiple media and genres. One active one that first comes to mind is
> Yamasaki Yutaka, who started in documentary in the 1960s, shot a lot for
> TV, but is probably most known for shooting most of Koreeda’s films. Like
> Tamura-san, he has also shot films by recent directors such as Kawase
> Naomi, Shiota Akihito, Nishikawa Miwa, etc. And he still shoots
> documentary, having shot Mori Tatsuya’s FAKE, or Funabashi’s Nuclear Nation
> films, for instance. And, like Tamura-san, he’s also directed a film. He’s
> actually only a year younger than Tamura-san, but he’s still very active.
>
> Aaron Gerow
> Professor
> Film and Media Studies Program/East Asian Languages and Literatures
> Yale University
> 320 York Street, Room 311
> PO Box 208324
> New Haven, CT 06520-8324
> USA
> Phone: 1-203-432-7082
> Fax: 1-203-432-6729
> e-mail: aaron.gerow at yale.edu
> website: www.aarongerow.com
>
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