From jtj53213 at gmail.com  Fri Nov  1 08:25:07 2019
From: jtj53213 at gmail.com (John Junkerman)
Date: Fri, 1 Nov 2019 21:25:07 +0900
Subject: [KineJapan] More problems for Shusenjo
In-Reply-To: <1097185188.4339927.1572506919778@mail.yahoo.com>
References: <CANoSnpBrHa4ejfNW_f75ZRnbLsjUZk=gso5x9H-Pg+fZ0Y268w@mail.gmail.com>
 <CAD3BKu_zxbenArJhq_h+pFS7UiO+2WQb=YxpEEaEuTs=ZaqH_A@mail.gmail.com>
 <CANoSnpAW+nvS8OOXeRL-neA7XD0_xA5CBGBH6fi8cDXEZMJc_g@mail.gmail.com>
 <CAD3BKu9rT4sfYvSKrpdjkXvREput8W9cE85byRV8y7BagzjmLw@mail.gmail.com>
 <CAD3BKu9cU7JkOZ4+uRjjwpZykry7M-Y6dL5Sor69+5cxC8cDxQ@mail.gmail.com>
 <7EAEA4F3-7AB0-425E-8B2A-318CD8B627E1@uky.edu>
 <CAD3BKu9YYo_sWqbLiQzV-bFTsgwr7Lun4__wQOD=cuDy2qEaVw@mail.gmail.com>
 <CANoSnpAiwQMnO3bYH5jYx_YFJ2G_jLEr3pd6pupJG529Rd2FFQ@mail.gmail.com>
 <CANoSnpCUmCMwJrch9jnZau-ECidvnfWqz3AyciBqbDvqELQWVw@mail.gmail.com>
 <CANoSnpAwW14fFzvDf8zi5wuoXhQ1hWMFjswj6TgvTSW63UmNdA@mail.gmail.com>
 <CANoSnpBrVAAFWJREXTXSU235_Vv6ZJ65PQeb0tJS3zY+E1AgmQ@mail.gmail.com>
 <1498128152.4259559.1572484282705@mail.yahoo.com>
 <CAD3BKu-icwBz_X9Kg8Cj371wA+GnhF_hj2dCsxmV1a9HG-AU=A@mail.gmail.com>
 <1097185188.4339927.1572506919778@mail.yahoo.com>
Message-ID: <CAH-ugOVEr7p3FD5340MrH08vd_uY8B4Dixkm2MooHESS0d+TMw@mail.gmail.com>

There's word going around that the film festival is actually going to
screen the film after all. So far there's only this note on the festival
homepage:

11?1? ???

????????????????????????????????????????

Meanwhile, the Japan Institute of the Moving Image (Nihon Eiga Daigaku,
which is also in Kawasaki) is hosting a screening of the film and symposium
with Miki on the 4th (free, but all seats spoken for).





On Thu, Oct 31, 2019 at 4:29 PM Roger Macy via KineJapan <
kinejapan at mailman.yale.edu> wrote:

> According to en.wikipedia, Sakurai "denies the Nanking Massacre and sexual
> slavery". I meant the person who admitted to having denied them, but
> recanted and acknowledged the evidence.
> Please excuse my posting again. (Btw, There seems to be some snag, if I
> click 'reply' to the email, below, it only goes to Jeremy.)
>
> Roger
>
>
> On Thursday, 31 October 2019, 11:19:12 GMT+9, Jeremy Harley <
> jeremyharley at gmail.com> wrote:
>
>
> I believe you are referring to the photo of Sakurai Yoshiko?
>
> Jeremy
>
>
> On Thu, Oct 31, 2019 at 10:16 AM Roger Macy via KineJapan <
> kinejapan at mailman.yale.edu> wrote:
>
> Thanks, as ever, for the briefings on Shusenjo, not least because it gave
> me the heads-up that I could watch the film with english subtitles at the
> 2100 screenings at Image Forum.
>
> My little take on comes near the end where more than one of the
> neo-imperialists (or whatever you like to call them) come out with a
> precept that I might paraphrase as ?not doubting is doing well?. That?s
> one-up on the motto of the town I found myself living in where, to enter
> the town hall, you had to pass under the motto, ?Do Well and Doubt Not?.
> Since the neo-imperialists also claimed that not doubting was uniquely
> Japanese, I thought I?d mention that. Back, I think in the 90s, I even
> submitted a question to BBC ?Brains Trust? that the motto of Tunbridge
> Wells was fundamentally immoral. Three panellists brought their own fear of
> personal hesitation to the table and only Ben Okri saw where an absence of
> doubt can lead.
>
> There were a lot of names and backgrounds to take in for one sitting. If
> anyone could tell me the name and anything about the english-speaking woman
> of Japanese descent who reflects, I?d be obliged.
> https://www.shusenjo.com/ click on ?Gallery?. She?s top row on the far
> right, the one who faced her doubts, not the LDP member to her left who
> can?t.
>
> Roger
>
>
> On Wednesday, 30 October 2019, 12:09:45 GMT+9, Markus Nornes via KineJapan
> <kinejapan at mailman.yale.edu> wrote:
>
>
> I dropped Miki a line about previous showings. There have been threats,
> but so far the film has been screened in over 50 Japanese cities without
> incident.
>
> Markus
> --
> ---
>
> *Markus Nornes*
> *Professor of Asian Cinema*
> Department of Film, Television and Media, Department of Asian Languages
> and Cultures, Penny Stamps School of Art & Design
>
> *Department of Film, Television and Media*
> *6348 North Quad*
> *105 S. State Street*
> *Ann Arbor, MI 48109-1285*
>
> _______________________________________________
> KineJapan mailing list
> KineJapan at mailman.yale.edu
> https://mailman.yale.edu/mailman/listinfo/kinejapan
> _______________________________________________
> KineJapan mailing list
> KineJapan at mailman.yale.edu
> https://mailman.yale.edu/mailman/listinfo/kinejapan
>
> _______________________________________________
> KineJapan mailing list
> KineJapan at mailman.yale.edu
> https://mailman.yale.edu/mailman/listinfo/kinejapan
>


-- 
John Junkerman
jtj53213 at gmail.com
2-18-6 Ehara-cho, Nakano
Tokyo 165-0023
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From gangamati at gmail.com  Fri Nov  1 08:57:08 2019
From: gangamati at gmail.com (Rob Schwartz)
Date: Fri, 1 Nov 2019 21:57:08 +0900
Subject: [KineJapan] More problems for Shusenjo
In-Reply-To: <CAH-ugOVEr7p3FD5340MrH08vd_uY8B4Dixkm2MooHESS0d+TMw@mail.gmail.com>
References: <CANoSnpBrHa4ejfNW_f75ZRnbLsjUZk=gso5x9H-Pg+fZ0Y268w@mail.gmail.com>
 <CAD3BKu_zxbenArJhq_h+pFS7UiO+2WQb=YxpEEaEuTs=ZaqH_A@mail.gmail.com>
 <CANoSnpAW+nvS8OOXeRL-neA7XD0_xA5CBGBH6fi8cDXEZMJc_g@mail.gmail.com>
 <CAD3BKu9rT4sfYvSKrpdjkXvREput8W9cE85byRV8y7BagzjmLw@mail.gmail.com>
 <CAD3BKu9cU7JkOZ4+uRjjwpZykry7M-Y6dL5Sor69+5cxC8cDxQ@mail.gmail.com>
 <7EAEA4F3-7AB0-425E-8B2A-318CD8B627E1@uky.edu>
 <CAD3BKu9YYo_sWqbLiQzV-bFTsgwr7Lun4__wQOD=cuDy2qEaVw@mail.gmail.com>
 <CANoSnpAiwQMnO3bYH5jYx_YFJ2G_jLEr3pd6pupJG529Rd2FFQ@mail.gmail.com>
 <CANoSnpCUmCMwJrch9jnZau-ECidvnfWqz3AyciBqbDvqELQWVw@mail.gmail.com>
 <CANoSnpAwW14fFzvDf8zi5wuoXhQ1hWMFjswj6TgvTSW63UmNdA@mail.gmail.com>
 <CANoSnpBrVAAFWJREXTXSU235_Vv6ZJ65PQeb0tJS3zY+E1AgmQ@mail.gmail.com>
 <1498128152.4259559.1572484282705@mail.yahoo.com>
 <CAD3BKu-icwBz_X9Kg8Cj371wA+GnhF_hj2dCsxmV1a9HG-AU=A@mail.gmail.com>
 <1097185188.4339927.1572506919778@mail.yahoo.com>
 <CAH-ugOVEr7p3FD5340MrH08vd_uY8B4Dixkm2MooHESS0d+TMw@mail.gmail.com>
Message-ID: <CAJhpGwCTwWtLbEo02hmgc5SA0g+UnFFi6Z5u1XaCw=OX92aifA@mail.gmail.com>

Nihon Eiga Daigaku (formerly Nihon Eiga Gakko) is also in
Shinyurigaoka....I wonder how close it is to the film festival...
Rob Schwartz
*+81-90-6541-8895*
Wechat/Whatsapp/KakaoTalk/Line/Viber:
gangamati


On Fri, Nov 1, 2019 at 9:25 PM John Junkerman via KineJapan <
kinejapan at mailman.yale.edu> wrote:

> There's word going around that the film festival is actually going to
> screen the film after all. So far there's only this note on the festival
> homepage:
>
> 11?1? ???
>
> ????????????????????????????????????????
>
> Meanwhile, the Japan Institute of the Moving Image (Nihon Eiga Daigaku,
> which is also in Kawasaki) is hosting a screening of the film and symposium
> with Miki on the 4th (free, but all seats spoken for).
>
>
>
>
>
> On Thu, Oct 31, 2019 at 4:29 PM Roger Macy via KineJapan <
> kinejapan at mailman.yale.edu> wrote:
>
>> According to en.wikipedia, Sakurai "denies the Nanking Massacre and
>> sexual slavery". I meant the person who admitted to having denied them, but
>> recanted and acknowledged the evidence.
>> Please excuse my posting again. (Btw, There seems to be some snag, if I
>> click 'reply' to the email, below, it only goes to Jeremy.)
>>
>> Roger
>>
>>
>> On Thursday, 31 October 2019, 11:19:12 GMT+9, Jeremy Harley <
>> jeremyharley at gmail.com> wrote:
>>
>>
>> I believe you are referring to the photo of Sakurai Yoshiko?
>>
>> Jeremy
>>
>>
>> On Thu, Oct 31, 2019 at 10:16 AM Roger Macy via KineJapan <
>> kinejapan at mailman.yale.edu> wrote:
>>
>> Thanks, as ever, for the briefings on Shusenjo, not least because it gave
>> me the heads-up that I could watch the film with english subtitles at the
>> 2100 screenings at Image Forum.
>>
>> My little take on comes near the end where more than one of the
>> neo-imperialists (or whatever you like to call them) come out with a
>> precept that I might paraphrase as ?not doubting is doing well?. That?s
>> one-up on the motto of the town I found myself living in where, to enter
>> the town hall, you had to pass under the motto, ?Do Well and Doubt Not?.
>> Since the neo-imperialists also claimed that not doubting was uniquely
>> Japanese, I thought I?d mention that. Back, I think in the 90s, I even
>> submitted a question to BBC ?Brains Trust? that the motto of Tunbridge
>> Wells was fundamentally immoral. Three panellists brought their own fear of
>> personal hesitation to the table and only Ben Okri saw where an absence of
>> doubt can lead.
>>
>> There were a lot of names and backgrounds to take in for one sitting. If
>> anyone could tell me the name and anything about the english-speaking woman
>> of Japanese descent who reflects, I?d be obliged.
>> https://www.shusenjo.com/ click on ?Gallery?. She?s top row on the far
>> right, the one who faced her doubts, not the LDP member to her left who
>> can?t.
>>
>> Roger
>>
>>
>> On Wednesday, 30 October 2019, 12:09:45 GMT+9, Markus Nornes via
>> KineJapan <kinejapan at mailman.yale.edu> wrote:
>>
>>
>> I dropped Miki a line about previous showings. There have been threats,
>> but so far the film has been screened in over 50 Japanese cities without
>> incident.
>>
>> Markus
>> --
>> ---
>>
>> *Markus Nornes*
>> *Professor of Asian Cinema*
>> Department of Film, Television and Media, Department of Asian Languages
>> and Cultures, Penny Stamps School of Art & Design
>>
>> *Department of Film, Television and Media*
>> *6348 North Quad*
>> *105 S. State Street*
>> *Ann Arbor, MI 48109-1285*
>>
>> _______________________________________________
>> KineJapan mailing list
>> KineJapan at mailman.yale.edu
>> https://mailman.yale.edu/mailman/listinfo/kinejapan
>> _______________________________________________
>> KineJapan mailing list
>> KineJapan at mailman.yale.edu
>> https://mailman.yale.edu/mailman/listinfo/kinejapan
>>
>> _______________________________________________
>> KineJapan mailing list
>> KineJapan at mailman.yale.edu
>> https://mailman.yale.edu/mailman/listinfo/kinejapan
>>
>
>
> --
> John Junkerman
> jtj53213 at gmail.com
> 2-18-6 Ehara-cho, Nakano
> Tokyo 165-0023
> _______________________________________________
> KineJapan mailing list
> KineJapan at mailman.yale.edu
> https://mailman.yale.edu/mailman/listinfo/kinejapan
>
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From macyroger at yahoo.co.uk  Sun Nov  3 17:47:34 2019
From: macyroger at yahoo.co.uk (Roger Macy)
Date: Sun, 3 Nov 2019 22:47:34 +0000 (UTC)
Subject: [KineJapan] More problems for Shusenjo
In-Reply-To: <CAJhpGwCTwWtLbEo02hmgc5SA0g+UnFFi6Z5u1XaCw=OX92aifA@mail.gmail.com>
References: <CANoSnpBrHa4ejfNW_f75ZRnbLsjUZk=gso5x9H-Pg+fZ0Y268w@mail.gmail.com>
 <CAD3BKu_zxbenArJhq_h+pFS7UiO+2WQb=YxpEEaEuTs=ZaqH_A@mail.gmail.com>
 <CANoSnpAW+nvS8OOXeRL-neA7XD0_xA5CBGBH6fi8cDXEZMJc_g@mail.gmail.com>
 <CAD3BKu9rT4sfYvSKrpdjkXvREput8W9cE85byRV8y7BagzjmLw@mail.gmail.com>
 <CAD3BKu9cU7JkOZ4+uRjjwpZykry7M-Y6dL5Sor69+5cxC8cDxQ@mail.gmail.com>
 <7EAEA4F3-7AB0-425E-8B2A-318CD8B627E1@uky.edu>
 <CAD3BKu9YYo_sWqbLiQzV-bFTsgwr7Lun4__wQOD=cuDy2qEaVw@mail.gmail.com>
 <CANoSnpAiwQMnO3bYH5jYx_YFJ2G_jLEr3pd6pupJG529Rd2FFQ@mail.gmail.com>
 <CANoSnpCUmCMwJrch9jnZau-ECidvnfWqz3AyciBqbDvqELQWVw@mail.gmail.com>
 <CANoSnpAwW14fFzvDf8zi5wuoXhQ1hWMFjswj6TgvTSW63UmNdA@mail.gmail.com>
 <CANoSnpBrVAAFWJREXTXSU235_Vv6ZJ65PQeb0tJS3zY+E1AgmQ@mail.gmail.com>
 <1498128152.4259559.1572484282705@mail.yahoo.com>
 <CAD3BKu-icwBz_X9Kg8Cj371wA+GnhF_hj2dCsxmV1a9HG-AU=A@mail.gmail.com>
 <1097185188.4339927.1572506919778@mail.yahoo.com>
 <CAH-ugOVEr7p3FD5340MrH08vd_uY8B4Dixkm2MooHESS0d+TMw@mail.gmail.com>
 <CAJhpGwCTw
 WtLbEo02hmgc5SA0g+UnFFi6Z5u1XaCw=OX92aifA@mail.gmail.com>
Message-ID: <1747800295.1414603.1572821254137@mail.yahoo.com>

 Shusenjo has been reinstated, various media report. Asahi Shinbun says some other films too and leads with a picture of Shiraishi Kazuo and Inoue Junichi announcing their protest.It was also #2 on BBC Asia which is some achievement for Kawasaki City.Roger
    On Friday, 1 November 2019, 21:57:52 GMT+9, Rob Schwartz via KineJapan <kinejapan at mailman.yale.edu> wrote:  
 
 Nihon Eiga Daigaku (formerly Nihon Eiga Gakko) is also in Shinyurigaoka....I wonder how close it is to the film festival...
Rob Schwartz
+81-90-6541-8895
Wechat/Whatsapp/KakaoTalk/Line/Viber: 
gangamati


On Fri, Nov 1, 2019 at 9:25 PM John Junkerman via KineJapan <kinejapan at mailman.yale.edu> wrote:

There's word going around that the film festival is actually going to screen the film after all. So far there's only this note on the festival homepage:
11?1? ???

????????????????????????????????????????

Meanwhile, the Japan Institute of the Moving Image (Nihon Eiga Daigaku, which is also in Kawasaki) is hosting a screening of the film and symposium with Miki on the 4th (free, but all seats spoken for).




On Thu, Oct 31, 2019 at 4:29 PM Roger Macy via KineJapan <kinejapan at mailman.yale.edu> wrote:

 Accordingto en.wikipedia, Sakurai "denies the Nanking Massacre and sexualslavery". I meant the person who admitted to having denied them, butrecanted and acknowledged the evidence. 
Please excuse my posting again. (Btw, There seems to be some snag, if I click 'reply' to the email, below, it only goes to Jeremy.)

Roger

?
On Thursday, 31 October 2019, 11:19:12 GMT+9, Jeremy Harley <jeremyharley at gmail.com> wrote:  
 
 I believe you are referring to the photo of Sakurai Yoshiko?
Jeremy

On Thu, Oct 31, 2019 at 10:16 AM Roger Macy via KineJapan <kinejapan at mailman.yale.edu> wrote:

 
Thanks, as ever, for the briefings on Shusenjo, not leastbecause it gave me the heads-up that I could watch the film with english subtitlesat the 2100 screenings at Image Forum.

My little take on comes near the end where more than one ofthe neo-imperialists (or whatever you like to call them) come out with aprecept that I might paraphrase as ?not doubting is doing well?. That?s one-upon the motto of the town I found myself living in where, to enter the townhall, you had to pass under the motto, ?Do Well and Doubt Not?. Since the neo-imperialistsalso claimed that not doubting was uniquely Japanese, I thought I?d mentionthat. Back, I think in the 90s, I even submitted a question to BBC ?BrainsTrust? that the motto of Tunbridge Wells was fundamentally immoral. Threepanellists brought their own fear of personal hesitation to the table and onlyBen Okri saw where an absence of doubt can lead.

There were a lot of names and backgrounds to take in for onesitting. If anyone could tell me the name and anything about theenglish-speaking woman of Japanese descent who reflects, I?d be obliged. https://www.shusenjo.com/click on ?Gallery?. She?s top row on the far right, the one who faced herdoubts, not the LDP member to her left who can?t.

Roger


    On Wednesday, 30 October 2019, 12:09:45 GMT+9, Markus Nornes via KineJapan <kinejapan at mailman.yale.edu> wrote:  
 
 I dropped Miki a line about previous showings. There have been threats, but so far the film has been screened in over 50 Japanese cities without incident.?
Markus-- 
---?
Markus NornesProfessor of Asian CinemaDepartment of Film, Television and Media, Department of Asian Languages and Cultures, Penny Stamps?School of Art & Design
Department of Film, Television and Media6348 North Quad105 S. State StreetAnn Arbor, MI 48109-1285
_______________________________________________
KineJapan mailing list
KineJapan at mailman.yale.edu
https://mailman.yale.edu/mailman/listinfo/kinejapan
  _______________________________________________
KineJapan mailing list
KineJapan at mailman.yale.edu
https://mailman.yale.edu/mailman/listinfo/kinejapan

  _______________________________________________
KineJapan mailing list
KineJapan at mailman.yale.edu
https://mailman.yale.edu/mailman/listinfo/kinejapan



-- 
John Junkermanjtj53213 at gmail.com2-18-6 Ehara-cho, NakanoTokyo 165-0023_______________________________________________
KineJapan mailing list
KineJapan at mailman.yale.edu
https://mailman.yale.edu/mailman/listinfo/kinejapan

_______________________________________________
KineJapan mailing list
KineJapan at mailman.yale.edu
https://mailman.yale.edu/mailman/listinfo/kinejapan
  
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From nornes at umich.edu  Sat Nov  2 14:52:16 2019
From: nornes at umich.edu (Markus Nornes)
Date: Sat, 2 Nov 2019 14:52:16 -0400
Subject: [KineJapan] Kinema Club XIX A2
Message-ID: <CANoSnpDe441mPr=oRi3kCCaMKEfCDk+ZfATOwT=1gfVr0eVAtA@mail.gmail.com>

Wishing you were here...

Markus

PS: we hope to tell you more later.


-- 
---

*Markus Nornes*
*Professor of Asian Cinema*
Department of Film, Television and Media, Department of Asian Languages and
Cultures, Penny Stamps School of Art & Design

*Department of Film, Television and Media*
*6348 North Quad*
*105 S. State Street*
*Ann Arbor, MI 48109-1285*
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From mraine3 at uwo.ca  Sun Nov  3 11:23:49 2019
From: mraine3 at uwo.ca (Michael Raine)
Date: Sun, 3 Nov 2019 16:23:49 +0000
Subject: [KineJapan] Sound of exoticism conference
Message-ID: <CAH_CNbdn=OCrBWWSVWZLoejznGf0txX0KHXducdf1Gks=nx8jA@mail.gmail.com>

Please see the attached programme for a conference coming up in Paris. It's on the "sound of exoticism" in global cinema and there's a couple of papers (in English) on Japanese film.

Michael

Michael Raine, Associate Professor in English and Writing Studies
Western University, Canada
co-editor, Journal of Japanese and Korean Cinema
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From jasper_sharp at hotmail.com  Mon Nov  4 05:46:21 2019
From: jasper_sharp at hotmail.com (Jasper Sharp)
Date: Mon, 4 Nov 2019 10:46:21 +0000
Subject: [KineJapan] Cinema Is a Cat
In-Reply-To: <CAJ5N4HLaWHxT1e2NBK9vktWBcA=FyrdpqRQaKoZxA2azRPTK8g@mail.gmail.com>
References: <BYAPR04MB3829E5C5BCAF1BC059CDD133B6820@BYAPR04MB3829.namprd04.prod.outlook.com>
 <D9BA7B08.345B3%stevehir@hawaii.edu>
 <BYAPR04MB3829BC4650E91766C55CBC66B6610@BYAPR04MB3829.namprd04.prod.outlook.com>
 <BYAPR04MB382976168489B7953D773C1FB6610@BYAPR04MB3829.namprd04.prod.outlook.com>,
 <CAJ5N4HLaWHxT1e2NBK9vktWBcA=FyrdpqRQaKoZxA2azRPTK8g@mail.gmail.com>
Message-ID: <CWXP123MB261383F70353E58CE3A22084F77F0@CWXP123MB2613.GBRP123.PROD.OUTLOOK.COM>

Yes, that piece of nominative determinism had struck me too.


The Creeping Garden<http://www.creepinggarden.com/> - A Real-Life Science-Fiction Story about Slime Moulds and the People Who Work With them, directed by Tim Grabham and Jasper Sharp.
Available now on Dual-Format Blu-ray/DVD from Arrow Films<https://arrowfilms.com/product-detail/the-creeping-garden-dual-format/FCD1435>.
The book, The Creeping Garden: Irrational Encounters with Plasmodial Slime Moulds is out now from Alchimia Publishing<http://www.alchimiapublishing.com/creeping-garden/>.
"A surprising investigation of perception, thought and life itself", Nicolas Rapold, The New York Times<http://www.nytimes.com/2015/09/30/movies/review-the-creeping-garden-on-the-wonders-of-the-slime-mold.html>.
"An out-of-left-field nerdy delight", John DeFore, Hollywood Reporter<https://www.hollywoodreporter.com/review/creeping-garden-fantasia-review-724416>.
"Strange, eccentric, diverting", Peter Bradshaw, The Guardian<https://www.theguardian.com/film/2017/mar/09/creeping-garden-review-slime-mould-film>.

________________________________
From: KineJapan <kinejapan-bounces at mailman.yale.edu> on behalf of Margaret Fitzgerald via KineJapan <kinejapan at mailman.yale.edu>
Sent: 30 October 2019 17:27
To: Japanese Cinema Discussion Forum <kinejapan at mailman.yale.edu>
Cc: Margaret Fitzgerald <mmf9 at case.edu>
Subject: Re: [KineJapan] Cinema Is a Cat

??????
???????????????
???

Margaret 'Peggy' Fitzgerald
Lecturer, Japanese Language
Guilford House 202
Office: 216-368-5081

margaret.fitzgerald at case.edu<mailto:margaret.fitzgerald at case.edu>

Modern Languages & Literatures
Case Western Reserve University
Cleveland, OH 44106-7118





On Tue, Oct 29, 2019 at 6:03 PM Miyao, Daisuke via KineJapan <kinejapan at mailman.yale.edu<mailto:kinejapan at mailman.yale.edu>> wrote:
Dear KineJapan members,

This is a shameless self-promotion on the National Cat Day. My new book, Cinema Is a Cat: A Cat Lover's Introduction to Film Studies, is now available from the University of Hawai'i Press. Thank you, Aaron and Hiroshi, for your generous blurbs!

This book is not specifically about Japanese cinema, but there are several chapters in which I discuss Japanese films, including Neko to Shozo to futari no onna; Neko zamurai; and Janguru taitei Leo. I published a Japanese book (shinsho) with a very similar title in 2011, but this book is not a translated version of it. New chapters and new intro were added, and other chapters were significantly re-written for different target audiences. This book has more illustrations, too! I hope you enjoy, especially those of you cat lovers!

Thank you,
Daisuke

PS I have attached a 20% off order form.

Daisuke Miyao
Professor and the Hajime Mori Chair in Japanese Language and Literature
Director of the Japanese Studies Program
Director of Doctoral Studies, Department of Literature
University of California, San Diego
_______________________________________________
KineJapan mailing list
KineJapan at mailman.yale.edu<mailto:KineJapan at mailman.yale.edu>
https://mailman.yale.edu/mailman/listinfo/kinejapan<https://eur03.safelinks.protection.outlook.com/?url=https%3A%2F%2Fmailman.yale.edu%2Fmailman%2Flistinfo%2Fkinejapan&data=02%7C01%7C%7C996e086b694441782ea408d760b13db7%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C637084186674435091&sdata=kmZEBY6e8GbOuG5OgOu15QBKQP%2B91U3mU4TaFgmvnWk%3D&reserved=0>
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From jeremyharley at gmail.com  Mon Nov  4 19:56:41 2019
From: jeremyharley at gmail.com (Jeremy Harley)
Date: Tue, 5 Nov 2019 09:56:41 +0900
Subject: [KineJapan] More problems for Shusenjo
In-Reply-To: <1747800295.1414603.1572821254137@mail.yahoo.com>
References: <CANoSnpBrHa4ejfNW_f75ZRnbLsjUZk=gso5x9H-Pg+fZ0Y268w@mail.gmail.com>
 <CAD3BKu_zxbenArJhq_h+pFS7UiO+2WQb=YxpEEaEuTs=ZaqH_A@mail.gmail.com>
 <CANoSnpAW+nvS8OOXeRL-neA7XD0_xA5CBGBH6fi8cDXEZMJc_g@mail.gmail.com>
 <CAD3BKu9rT4sfYvSKrpdjkXvREput8W9cE85byRV8y7BagzjmLw@mail.gmail.com>
 <CAD3BKu9cU7JkOZ4+uRjjwpZykry7M-Y6dL5Sor69+5cxC8cDxQ@mail.gmail.com>
 <7EAEA4F3-7AB0-425E-8B2A-318CD8B627E1@uky.edu>
 <CAD3BKu9YYo_sWqbLiQzV-bFTsgwr7Lun4__wQOD=cuDy2qEaVw@mail.gmail.com>
 <CANoSnpAiwQMnO3bYH5jYx_YFJ2G_jLEr3pd6pupJG529Rd2FFQ@mail.gmail.com>
 <CANoSnpCUmCMwJrch9jnZau-ECidvnfWqz3AyciBqbDvqELQWVw@mail.gmail.com>
 <CANoSnpAwW14fFzvDf8zi5wuoXhQ1hWMFjswj6TgvTSW63UmNdA@mail.gmail.com>
 <CANoSnpBrVAAFWJREXTXSU235_Vv6ZJ65PQeb0tJS3zY+E1AgmQ@mail.gmail.com>
 <1498128152.4259559.1572484282705@mail.yahoo.com>
 <CAD3BKu-icwBz_X9Kg8Cj371wA+GnhF_hj2dCsxmV1a9HG-AU=A@mail.gmail.com>
 <1097185188.4339927.1572506919778@mail.yahoo.com>
 <CAH-ugOVEr7p3FD5340MrH08vd_uY8B4Dixkm2MooHESS0d+TMw@mail.gmail.com>
 <CAJhpGwCTwWtLbEo02hmgc5SA0g+UnFFi6Z5u1XaCw=OX92aifA@mail.gmail.com>
 <1747800295.1414603.1572821254137@mail.yahoo.com>
Message-ID: <CAD3BKu9F-s3tYM867N6Q4XMLXzLjgb0BB0U6A6DLq0NgTwQELQ@mail.gmail.com>

That is truly wonderful news!!!


On Mon, Nov 4, 2019 at 7:47 AM Roger Macy via KineJapan <
kinejapan at mailman.yale.edu> wrote:

> Shusenjo has been reinstated, various media report. Asahi Shinbun says
> some other films too and leads with a picture of Shiraishi Kazuo and Inoue
> Junichi announcing their protest.
> It was also #2 on BBC Asia which is some achievement for Kawasaki City.
> Roger
>
> On Friday, 1 November 2019, 21:57:52 GMT+9, Rob Schwartz via KineJapan <
> kinejapan at mailman.yale.edu> wrote:
>
>
> Nihon Eiga Daigaku (formerly Nihon Eiga Gakko) is also in
> Shinyurigaoka....I wonder how close it is to the film festival...
> Rob Schwartz
> *+81-90-6541-8895*
> Wechat/Whatsapp/KakaoTalk/Line/Viber:
> gangamati
>
>
> On Fri, Nov 1, 2019 at 9:25 PM John Junkerman via KineJapan <
> kinejapan at mailman.yale.edu> wrote:
>
> There's word going around that the film festival is actually going to
> screen the film after all. So far there's only this note on the festival
> homepage:
>
> 11?1? ???
>
> ????????????????????????????????????????
>
> Meanwhile, the Japan Institute of the Moving Image (Nihon Eiga Daigaku,
> which is also in Kawasaki) is hosting a screening of the film and symposium
> with Miki on the 4th (free, but all seats spoken for).
>
>
>
>
>
> On Thu, Oct 31, 2019 at 4:29 PM Roger Macy via KineJapan <
> kinejapan at mailman.yale.edu> wrote:
>
> According to en.wikipedia, Sakurai "denies the Nanking Massacre and sexual
> slavery". I meant the person who admitted to having denied them, but
> recanted and acknowledged the evidence.
> Please excuse my posting again. (Btw, There seems to be some snag, if I
> click 'reply' to the email, below, it only goes to Jeremy.)
>
> Roger
>
>
> On Thursday, 31 October 2019, 11:19:12 GMT+9, Jeremy Harley <
> jeremyharley at gmail.com> wrote:
>
>
> I believe you are referring to the photo of Sakurai Yoshiko?
>
> Jeremy
>
>
> On Thu, Oct 31, 2019 at 10:16 AM Roger Macy via KineJapan <
> kinejapan at mailman.yale.edu> wrote:
>
> Thanks, as ever, for the briefings on Shusenjo, not least because it gave
> me the heads-up that I could watch the film with english subtitles at the
> 2100 screenings at Image Forum.
>
> My little take on comes near the end where more than one of the
> neo-imperialists (or whatever you like to call them) come out with a
> precept that I might paraphrase as ?not doubting is doing well?. That?s
> one-up on the motto of the town I found myself living in where, to enter
> the town hall, you had to pass under the motto, ?Do Well and Doubt Not?.
> Since the neo-imperialists also claimed that not doubting was uniquely
> Japanese, I thought I?d mention that. Back, I think in the 90s, I even
> submitted a question to BBC ?Brains Trust? that the motto of Tunbridge
> Wells was fundamentally immoral. Three panellists brought their own fear of
> personal hesitation to the table and only Ben Okri saw where an absence of
> doubt can lead.
>
> There were a lot of names and backgrounds to take in for one sitting. If
> anyone could tell me the name and anything about the english-speaking woman
> of Japanese descent who reflects, I?d be obliged.
> https://www.shusenjo.com/ click on ?Gallery?. She?s top row on the far
> right, the one who faced her doubts, not the LDP member to her left who
> can?t.
>
> Roger
>
>
> On Wednesday, 30 October 2019, 12:09:45 GMT+9, Markus Nornes via KineJapan
> <kinejapan at mailman.yale.edu> wrote:
>
>
> I dropped Miki a line about previous showings. There have been threats,
> but so far the film has been screened in over 50 Japanese cities without
> incident.
>
> Markus
> --
> ---
>
> *Markus Nornes*
> *Professor of Asian Cinema*
> Department of Film, Television and Media, Department of Asian Languages
> and Cultures, Penny Stamps School of Art & Design
>
> *Department of Film, Television and Media*
> *6348 North Quad*
> *105 S. State Street*
> *Ann Arbor, MI 48109-1285*
>
> _______________________________________________
> KineJapan mailing list
> KineJapan at mailman.yale.edu
> https://mailman.yale.edu/mailman/listinfo/kinejapan
> _______________________________________________
> KineJapan mailing list
> KineJapan at mailman.yale.edu
> https://mailman.yale.edu/mailman/listinfo/kinejapan
>
> _______________________________________________
> KineJapan mailing list
> KineJapan at mailman.yale.edu
> https://mailman.yale.edu/mailman/listinfo/kinejapan
>
>
>
> --
> John Junkerman
> jtj53213 at gmail.com
> 2-18-6 Ehara-cho, Nakano
> Tokyo 165-0023
> _______________________________________________
> KineJapan mailing list
> KineJapan at mailman.yale.edu
> https://mailman.yale.edu/mailman/listinfo/kinejapan
>
> _______________________________________________
> KineJapan mailing list
> KineJapan at mailman.yale.edu
> https://mailman.yale.edu/mailman/listinfo/kinejapan
> _______________________________________________
> KineJapan mailing list
> KineJapan at mailman.yale.edu
> https://mailman.yale.edu/mailman/listinfo/kinejapan
>
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From yknkym at umich.edu  Mon Nov  4 20:16:29 2019
From: yknkym at umich.edu (Yuki Nakayama)
Date: Mon, 4 Nov 2019 20:16:29 -0500
Subject: [KineJapan] Grad Students of Kinema Club now on Facebook
Message-ID: <CAHh3pVXOx4=c3ZySTu6J4Gf3hEBYjOyANvEGYNVDSJnG9qb5PA@mail.gmail.com>

Dear Kinema Club members,

At the recent Kinema Club XIX, some of the grad student participants had a
discussion about thinking of ways to stay in touch and the possibility for
grad students to collectively plan things (be it social gatherings or our
own KC conference). So we created a group on facebook as "Grad Students of
Kinema Club." Please tell grad students to join the group. if you have
difficulty finding the group please message me directly.

We understand that not everyone is on facebook so there will be a
conversation about whether we want to stay on fb or if there are other /
better options out there. if you have suggestions, we greatly appreciate
it.

for now the group is private, to ensure the safety of grad students members
and we hope the group will be a space for collective thinking and action.


Best,
Yuki

-- 
Yuki Nakayama
Ph.D. Candidate
University of Michigan
Film, Television, and Media
yknkym at umich.edu
She/Her/Hers
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From nornes at umich.edu  Mon Nov  4 21:21:23 2019
From: nornes at umich.edu (Markus Nornes)
Date: Mon, 4 Nov 2019 21:21:23 -0500
Subject: [KineJapan] More problems for Shusenjo
In-Reply-To: <CAD3BKu9F-s3tYM867N6Q4XMLXzLjgb0BB0U6A6DLq0NgTwQELQ@mail.gmail.com>
References: <CANoSnpBrHa4ejfNW_f75ZRnbLsjUZk=gso5x9H-Pg+fZ0Y268w@mail.gmail.com>
 <CAD3BKu_zxbenArJhq_h+pFS7UiO+2WQb=YxpEEaEuTs=ZaqH_A@mail.gmail.com>
 <CANoSnpAW+nvS8OOXeRL-neA7XD0_xA5CBGBH6fi8cDXEZMJc_g@mail.gmail.com>
 <CAD3BKu9rT4sfYvSKrpdjkXvREput8W9cE85byRV8y7BagzjmLw@mail.gmail.com>
 <CAD3BKu9cU7JkOZ4+uRjjwpZykry7M-Y6dL5Sor69+5cxC8cDxQ@mail.gmail.com>
 <7EAEA4F3-7AB0-425E-8B2A-318CD8B627E1@uky.edu>
 <CAD3BKu9YYo_sWqbLiQzV-bFTsgwr7Lun4__wQOD=cuDy2qEaVw@mail.gmail.com>
 <CANoSnpAiwQMnO3bYH5jYx_YFJ2G_jLEr3pd6pupJG529Rd2FFQ@mail.gmail.com>
 <CANoSnpCUmCMwJrch9jnZau-ECidvnfWqz3AyciBqbDvqELQWVw@mail.gmail.com>
 <CANoSnpAwW14fFzvDf8zi5wuoXhQ1hWMFjswj6TgvTSW63UmNdA@mail.gmail.com>
 <CANoSnpBrVAAFWJREXTXSU235_Vv6ZJ65PQeb0tJS3zY+E1AgmQ@mail.gmail.com>
 <1498128152.4259559.1572484282705@mail.yahoo.com>
 <CAD3BKu-icwBz_X9Kg8Cj371wA+GnhF_hj2dCsxmV1a9HG-AU=A@mail.gmail.com>
 <1097185188.4339927.1572506919778@mail.yahoo.com>
 <CAH-ugOVEr7p3FD5340MrH08vd_uY8B4Dixkm2MooHESS0d+TMw@mail.gmail.com>
 <CAJhpGwCTwWtLbEo02hmgc5SA0g+UnFFi6Z5u1XaCw=OX92aifA@mail.gmail.com>
 <1747800295.1414603.1572821254137@mail.yahoo.com>
 <CAD3BKu9F-s3tYM867N6Q4XMLXzLjgb0BB0U6A6DLq0NgTwQELQ@mail.gmail.com>
Message-ID: <CANoSnpDwraxA5D8y9r0jS3CxraymY0ssxocdtejjPFnLW3VKTA@mail.gmail.com>

The staff searched bags at the door. But it sounds like there were no
problems outside of complaints by phone.

M

[image: IMG_2793.JPG]

---

*Markus Nornes*
*Professor of Asian Cinema*
Department of Film, Television and Media, Department of Asian Languages and
Cultures, Penny Stamps School of Art & Design

*Department of Film, Television and Media*
*6348 North Quad*
*105 S. State Street*
*Ann Arbor, MI 48109-1285*



On Mon, Nov 4, 2019 at 7:57 PM Jeremy Harley via KineJapan <
kinejapan at mailman.yale.edu> wrote:

> That is truly wonderful news!!!
>
>
> On Mon, Nov 4, 2019 at 7:47 AM Roger Macy via KineJapan <
> kinejapan at mailman.yale.edu> wrote:
>
>> Shusenjo has been reinstated, various media report. Asahi Shinbun says
>> some other films too and leads with a picture of Shiraishi Kazuo and Inoue
>> Junichi announcing their protest.
>> It was also #2 on BBC Asia which is some achievement for Kawasaki City.
>> Roger
>>
>> On Friday, 1 November 2019, 21:57:52 GMT+9, Rob Schwartz via KineJapan <
>> kinejapan at mailman.yale.edu> wrote:
>>
>>
>> Nihon Eiga Daigaku (formerly Nihon Eiga Gakko) is also in
>> Shinyurigaoka....I wonder how close it is to the film festival...
>> Rob Schwartz
>> *+81-90-6541-8895*
>> Wechat/Whatsapp/KakaoTalk/Line/Viber:
>> gangamati
>>
>>
>> On Fri, Nov 1, 2019 at 9:25 PM John Junkerman via KineJapan <
>> kinejapan at mailman.yale.edu> wrote:
>>
>> There's word going around that the film festival is actually going to
>> screen the film after all. So far there's only this note on the festival
>> homepage:
>>
>> 11?1? ???
>>
>> ????????????????????????????????????????
>>
>> Meanwhile, the Japan Institute of the Moving Image (Nihon Eiga Daigaku,
>> which is also in Kawasaki) is hosting a screening of the film and symposium
>> with Miki on the 4th (free, but all seats spoken for).
>>
>>
>>
>>
>>
>> On Thu, Oct 31, 2019 at 4:29 PM Roger Macy via KineJapan <
>> kinejapan at mailman.yale.edu> wrote:
>>
>> According to en.wikipedia, Sakurai "denies the Nanking Massacre and
>> sexual slavery". I meant the person who admitted to having denied them, but
>> recanted and acknowledged the evidence.
>> Please excuse my posting again. (Btw, There seems to be some snag, if I
>> click 'reply' to the email, below, it only goes to Jeremy.)
>>
>> Roger
>>
>>
>> On Thursday, 31 October 2019, 11:19:12 GMT+9, Jeremy Harley <
>> jeremyharley at gmail.com> wrote:
>>
>>
>> I believe you are referring to the photo of Sakurai Yoshiko?
>>
>> Jeremy
>>
>>
>> On Thu, Oct 31, 2019 at 10:16 AM Roger Macy via KineJapan <
>> kinejapan at mailman.yale.edu> wrote:
>>
>> Thanks, as ever, for the briefings on Shusenjo, not least because it gave
>> me the heads-up that I could watch the film with english subtitles at the
>> 2100 screenings at Image Forum.
>>
>> My little take on comes near the end where more than one of the
>> neo-imperialists (or whatever you like to call them) come out with a
>> precept that I might paraphrase as ?not doubting is doing well?. That?s
>> one-up on the motto of the town I found myself living in where, to enter
>> the town hall, you had to pass under the motto, ?Do Well and Doubt Not?.
>> Since the neo-imperialists also claimed that not doubting was uniquely
>> Japanese, I thought I?d mention that. Back, I think in the 90s, I even
>> submitted a question to BBC ?Brains Trust? that the motto of Tunbridge
>> Wells was fundamentally immoral. Three panellists brought their own fear of
>> personal hesitation to the table and only Ben Okri saw where an absence of
>> doubt can lead.
>>
>> There were a lot of names and backgrounds to take in for one sitting. If
>> anyone could tell me the name and anything about the english-speaking woman
>> of Japanese descent who reflects, I?d be obliged.
>> https://www.shusenjo.com/ click on ?Gallery?. She?s top row on the far
>> right, the one who faced her doubts, not the LDP member to her left who
>> can?t.
>>
>> Roger
>>
>>
>> On Wednesday, 30 October 2019, 12:09:45 GMT+9, Markus Nornes via
>> KineJapan <kinejapan at mailman.yale.edu> wrote:
>>
>>
>> I dropped Miki a line about previous showings. There have been threats,
>> but so far the film has been screened in over 50 Japanese cities without
>> incident.
>>
>> Markus
>> --
>> ---
>>
>> *Markus Nornes*
>> *Professor of Asian Cinema*
>> Department of Film, Television and Media, Department of Asian Languages
>> and Cultures, Penny Stamps School of Art & Design
>>
>> *Department of Film, Television and Media*
>> *6348 North Quad*
>> *105 S. State Street*
>> *Ann Arbor, MI 48109-1285*
>>
>> _______________________________________________
>> KineJapan mailing list
>> KineJapan at mailman.yale.edu
>> https://mailman.yale.edu/mailman/listinfo/kinejapan
>> _______________________________________________
>> KineJapan mailing list
>> KineJapan at mailman.yale.edu
>> https://mailman.yale.edu/mailman/listinfo/kinejapan
>>
>> _______________________________________________
>> KineJapan mailing list
>> KineJapan at mailman.yale.edu
>> https://mailman.yale.edu/mailman/listinfo/kinejapan
>>
>>
>>
>> --
>> John Junkerman
>> jtj53213 at gmail.com
>> 2-18-6 Ehara-cho, Nakano
>> Tokyo 165-0023
>> _______________________________________________
>> KineJapan mailing list
>> KineJapan at mailman.yale.edu
>> https://mailman.yale.edu/mailman/listinfo/kinejapan
>>
>> _______________________________________________
>> KineJapan mailing list
>> KineJapan at mailman.yale.edu
>> https://mailman.yale.edu/mailman/listinfo/kinejapan
>> _______________________________________________
>> KineJapan mailing list
>> KineJapan at mailman.yale.edu
>> https://mailman.yale.edu/mailman/listinfo/kinejapan
>>
> _______________________________________________
> KineJapan mailing list
> KineJapan at mailman.yale.edu
> https://mailman.yale.edu/mailman/listinfo/kinejapan
>
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From macyroger at yahoo.co.uk  Tue Nov  5 04:28:04 2019
From: macyroger at yahoo.co.uk (Roger Macy)
Date: Tue, 5 Nov 2019 09:28:04 +0000 (UTC)
Subject: [KineJapan] TIFF awards
References: <1556342649.267661.1572946084234.ref@mail.yahoo.com>
Message-ID: <1556342649.267661.1572946084234@mail.yahoo.com>

Markus, I think you pondered, a while back, why Mori Tatsuya and Hara Kazuo enterred for TIFF rather than Yamagata.Besides timing, another answer might be ?1,000,000, which Mori has just picked up. http://www.tiff-jp.net/pr/wp-content/uploads/2019/11/20191105_release.pdf


I feel the award has not a little to do with sympathy for Mochizuki Isoko and her causes.

Roger

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From nornes at umich.edu  Tue Nov  5 07:45:01 2019
From: nornes at umich.edu (Markus Nornes)
Date: Tue, 5 Nov 2019 07:45:01 -0500
Subject: [KineJapan] TIFF awards
In-Reply-To: <1556342649.267661.1572946084234@mail.yahoo.com>
References: <1556342649.267661.1572946084234.ref@mail.yahoo.com>
 <1556342649.267661.1572946084234@mail.yahoo.com>
Message-ID: <CANoSnpCd8cv7XT-AdirG=qLLfa6pyaT6Ausjuc3QPhzGKGNwTQ@mail.gmail.com>

What a great thing for Mori!  And he barely thinks of himself as a
filmmaker (he?s being both modest and wrong there). This must be driving
Hara crazy, considering he was deeply disappointed at the dearth of awards
for Sennin Disaster. But he really needs to get his running times under
control.

By the way, check out the bragging rights numbers at the bottom. They
apparently had nearly 300,000 people at various events like the red carpet
etc. but only 65,000 tickets to the films. ?

Markus

On Tue, Nov 5, 2019 at 4:31 AM Roger Macy via KineJapan <
kinejapan at mailman.yale.edu> wrote:

> Markus, I think you pondered, a while back, why Mori Tatsuya and Hara
> Kazuo enterred for TIFF rather than Yamagata.
> Besides timing, another answer might be ?1,000,000, which Mori has just
> picked up.
> http://www.tiff-jp.net/pr/wp-content/uploads/2019/11/20191105_release.pdf
>
>
> I feel the award has not a little to do with sympathy for Mochizuki Isoko
> and her causes.
>
> Roger
>
> _______________________________________________
> KineJapan mailing list
> KineJapan at mailman.yale.edu
> https://mailman.yale.edu/mailman/listinfo/kinejapan
>
-- 
---

*Markus Nornes*
*Professor of Asian Cinema*
Department of Film, Television and Media, Department of Asian Languages and
Cultures, Penny Stamps School of Art & Design

*Department of Film, Television and Media*
*6348 North Quad*
*105 S. State Street*
*Ann Arbor, MI 48109-1285*
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From macyroger at yahoo.co.uk  Tue Nov  5 22:22:36 2019
From: macyroger at yahoo.co.uk (Roger Macy)
Date: Wed, 6 Nov 2019 03:22:36 +0000 (UTC)
Subject: [KineJapan] TIFF awards
In-Reply-To: <CANoSnpCd8cv7XT-AdirG=qLLfa6pyaT6Ausjuc3QPhzGKGNwTQ@mail.gmail.com>
References: <1556342649.267661.1572946084234.ref@mail.yahoo.com>
 <1556342649.267661.1572946084234@mail.yahoo.com>
 <CANoSnpCd8cv7XT-AdirG=qLLfa6pyaT6Ausjuc3QPhzGKGNwTQ@mail.gmail.com>
Message-ID: <502837367.1032023.1573010556958@mail.yahoo.com>

 
Hmm.

I do feel conflicted. Mori has a laudable strength in calling outgroup-think, particularly when it involves persecution of the other.? But I do feel uneasy about Mori?s employmentof Nazi-era analogies.

At Oxford in 2015, Mori gavea long lecture about his ?A?. In it, he gave a just-so history of the holocaustand said that the treatment of Aum followers in contemporary Japanwas a manifestation of a similar tribal othering. At the end of ?i?, hewarns, with a filmic quote, that the treatment of people like Mochizuki, andthose she seeks to protect, could escalate to the ?puration sauvage inFrance in 1944.

On the one hand, I do feel that holocaust and Nazi history gets too shortshrift in much of Asia and it still needs to be broughtinto popular awareness. On the other hand; I fear that many people?s take-awayfrom such potted comparisons from far away could just lead to other otherings,and that analogies closer to an audience?s experience would obtain greateraccuracy.

To cut away two further limbs, I have also seen more coded comparisons toholocaust history completely fail to get home, and seen ones closer to home totallymisfire. So I don?t have any answer or certainty.

There?s a screening and Q&A of ?i? at FCCJ on the 12th(when I?ll still be away).

http://www.fccj.or.jp/events-calendar/calendar/icalrepeat.detail/2019/11/12/5385/-/sneak-preview-screening-i-documentary-of-the-journalist-i-shimbun-kisha-document.html

Roger

    On Tuesday, 5 November 2019, 21:45:21 GMT+9, Markus Nornes via KineJapan <kinejapan at mailman.yale.edu> wrote:  
 
 What a great thing for Mori!? And he barely thinks of himself as a filmmaker (he?s being both modest and wrong there). This must be driving Hara crazy, considering he was deeply disappointed at the dearth of awards for Sennin Disaster. But he really needs to get his running times under control.?
By the way, check out the bragging rights numbers at the bottom. They apparently had nearly 300,000 people at various events like the red carpet etc. but only 65,000 tickets to the films. ??
Markus?
On Tue, Nov 5, 2019 at 4:31 AM Roger Macy via KineJapan <kinejapan at mailman.yale.edu> wrote:

Markus, I think you pondered, a while back, why Mori Tatsuya and Hara Kazuo enterred for TIFF rather than Yamagata.Besides timing, another answer might be ?1,000,000, which Mori has just picked up. http://www.tiff-jp.net/pr/wp-content/uploads/2019/11/20191105_release.pdf


I feel the award has not a little to do with sympathy for Mochizuki Isoko and her causes.

Roger

_______________________________________________
KineJapan mailing list
KineJapan at mailman.yale.edu
https://mailman.yale.edu/mailman/listinfo/kinejapan

-- 
---?
Markus NornesProfessor of Asian CinemaDepartment of Film, Television and Media, Department of Asian Languages and Cultures, Penny Stamps?School of Art & Design
Department of Film, Television and Media6348 North Quad105 S. State StreetAnn Arbor, MI 48109-1285
_______________________________________________
KineJapan mailing list
KineJapan at mailman.yale.edu
https://mailman.yale.edu/mailman/listinfo/kinejapan
  
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From aaron.gerow at yale.edu  Wed Nov  6 09:33:41 2019
From: aaron.gerow at yale.edu (Gerow Aaron)
Date: Wed, 6 Nov 2019 09:33:41 -0500
Subject: [KineJapan] More problems for Shusenjo
In-Reply-To: <CANoSnpDwraxA5D8y9r0jS3CxraymY0ssxocdtejjPFnLW3VKTA@mail.gmail.com>
References: <CANoSnpBrHa4ejfNW_f75ZRnbLsjUZk=gso5x9H-Pg+fZ0Y268w@mail.gmail.com>
 <CAD3BKu_zxbenArJhq_h+pFS7UiO+2WQb=YxpEEaEuTs=ZaqH_A@mail.gmail.com>
 <CANoSnpAW+nvS8OOXeRL-neA7XD0_xA5CBGBH6fi8cDXEZMJc_g@mail.gmail.com>
 <CAD3BKu9rT4sfYvSKrpdjkXvREput8W9cE85byRV8y7BagzjmLw@mail.gmail.com>
 <CAD3BKu9cU7JkOZ4+uRjjwpZykry7M-Y6dL5Sor69+5cxC8cDxQ@mail.gmail.com>
 <7EAEA4F3-7AB0-425E-8B2A-318CD8B627E1@uky.edu>
 <CAD3BKu9YYo_sWqbLiQzV-bFTsgwr7Lun4__wQOD=cuDy2qEaVw@mail.gmail.com>
 <CANoSnpAiwQMnO3bYH5jYx_YFJ2G_jLEr3pd6pupJG529Rd2FFQ@mail.gmail.com>
 <CANoSnpCUmCMwJrch9jnZau-ECidvnfWqz3AyciBqbDvqELQWVw@mail.gmail.com>
 <CANoSnpAwW14fFzvDf8zi5wuoXhQ1hWMFjswj6TgvTSW63UmNdA@mail.gmail.com>
 <CANoSnpBrVAAFWJREXTXSU235_Vv6ZJ65PQeb0tJS3zY+E1AgmQ@mail.gmail.com>
 <1498128152.4259559.1572484282705@mail.yahoo.com>
 <CAD3BKu-icwBz_X9Kg8Cj371wA+GnhF_hj2dCsxmV1a9HG-AU=A@mail.gmail.com>
 <1097185188.4339927.1572506919778@mail.yahoo.com>
 <CAH-ugOVEr7p3FD5340MrH08vd_uY8B4Dixkm2MooHESS0d+TMw@mail.gmail.com>
 <CAJhpGwCTwWtLbEo02hmgc5SA0g+UnFFi6Z5u1XaCw=OX92aifA@mail.gmail.com>
 <1747800295.1414603.1572821254137@mail.yahoo.com>
 <CAD3BKu9F-s3tYM867N6Q4XMLXzLjgb0BB0U6A6DLq0NgTwQELQ@mail.gmail.com>
 <CANoSnpDwraxA5D8y9r0jS3CxraymY0ssxocdtejjPFnLW3VKTA@mail.gmail.com>
Message-ID: <0F66402C-AE5B-4F84-934B-EAEC8AC0F1F3@yale.edu>

The director/screenwriter Junichi Inoue discusses in an interview the threats to Japanese cinema posed by recent government actions against Shusenjo and other art works. 

https://wezz-y.com/archives/70303

From macyroger at yahoo.co.uk  Wed Nov  6 11:18:26 2019
From: macyroger at yahoo.co.uk (Roger Macy)
Date: Wed, 6 Nov 2019 16:18:26 +0000 (UTC)
Subject: [KineJapan] More problems for Shusenjo
In-Reply-To: <0F66402C-AE5B-4F84-934B-EAEC8AC0F1F3@yale.edu>
References: <CANoSnpBrHa4ejfNW_f75ZRnbLsjUZk=gso5x9H-Pg+fZ0Y268w@mail.gmail.com>
 <CAD3BKu_zxbenArJhq_h+pFS7UiO+2WQb=YxpEEaEuTs=ZaqH_A@mail.gmail.com>
 <CANoSnpAW+nvS8OOXeRL-neA7XD0_xA5CBGBH6fi8cDXEZMJc_g@mail.gmail.com>
 <CAD3BKu9rT4sfYvSKrpdjkXvREput8W9cE85byRV8y7BagzjmLw@mail.gmail.com>
 <CAD3BKu9cU7JkOZ4+uRjjwpZykry7M-Y6dL5Sor69+5cxC8cDxQ@mail.gmail.com>
 <7EAEA4F3-7AB0-425E-8B2A-318CD8B627E1@uky.edu>
 <CAD3BKu9YYo_sWqbLiQzV-bFTsgwr7Lun4__wQOD=cuDy2qEaVw@mail.gmail.com>
 <CANoSnpAiwQMnO3bYH5jYx_YFJ2G_jLEr3pd6pupJG529Rd2FFQ@mail.gmail.com>
 <CANoSnpCUmCMwJrch9jnZau-ECidvnfWqz3AyciBqbDvqELQWVw@mail.gmail.com>
 <CANoSnpAwW14fFzvDf8zi5wuoXhQ1hWMFjswj6TgvTSW63UmNdA@mail.gmail.com>
 <CANoSnpBrVAAFWJREXTXSU235_Vv6ZJ65PQeb0tJS3zY+E1AgmQ@mail.gmail.com>
 <1498128152.4259559.1572484282705@mail.yahoo.com>
 <CAD3BKu-icwBz_X9Kg8Cj371wA+GnhF_hj2dCsxmV1a9HG-AU=A@mail.gmail.com>
 <1097185188.4339927.1572506919778@mail.yahoo.com>
 <CAH-ugOVEr7p3FD5340MrH08vd_uY8B4Dixkm2MooHESS0d+TMw@mail.gmail.com>
 <CAJhpGwCTw
 WtLbEo02hmgc5SA0g+UnFFi6Z5u1XaCw=OX92aifA@mail.gmail.com>
 <1747800295.1414603.1572821254137@mail.yahoo.com>
 <CAD3BKu9F-s3tYM867N6Q4XMLXzLjgb0BB0U6A6DLq0NgTwQELQ@mail.gmail.com>
 <CANoSnpDwraxA5D8y9r0jS3CxraymY0ssxocdtejjPFnLW3VKTA@mail.gmail.com>
 <0F66402C-AE5B-4F84-934B-EAEC8AC0F1F3@yale.edu>
Message-ID: <1661859520.1613608.1573057106637@mail.yahoo.com>

 I've just had notice of a screening of Shusenjo tomorrow in London at UCL then elsewhere in the UK.https://www.eventbrite.co.uk/e/shusenjo-film-screening-with-a-qa-with-the-director-miki-dezaki-tickets-77508852063Roger



    On Wednesday, 6 November 2019, 23:33:51 GMT+9, Gerow Aaron via KineJapan <kinejapan at mailman.yale.edu> wrote:  
 
 The director/screenwriter Junichi Inoue discusses in an interview the threats to Japanese cinema posed by recent government actions against Shusenjo and other art works. 

https://wezz-y.com/archives/70303
_______________________________________________
KineJapan mailing list
KineJapan at mailman.yale.edu
https://mailman.yale.edu/mailman/listinfo/kinejapan
  
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From bhartzheim at gmail.com  Thu Nov  7 00:53:43 2019
From: bhartzheim at gmail.com (Bryan Hartzheim)
Date: Thu, 7 Nov 2019 14:53:43 +0900
Subject: [KineJapan] Symposium - Theorizing Anime: Invention of Concepts and
 Conditions of Their Possibility
Message-ID: <CA+7WHZY2X2Nfgx7kb0-c6YbCzV7dW-q1_r6gWheHsCPygSTmgg@mail.gmail.com>

We posted the CFP here about three months ago, so apologies for the delay;
lots of last minute changes. Mitsuhiro Yoshimoto and I are hosting a
symposium at Waseda University campus next weekend, November 16-17, titled
Theorizing Anime. Some really excellent people are giving talks on various
aspects related to Japanese animation, including keynotes by Mark Wolf and
Marc Steinberg, and a special talk on animation direction by Takashi
Otsuka, the director of One Piece: Stampede.

I know this is last minute for many of you, but if you are in Tokyo or know
someone who is, feel free to attend or spread the word. Anyone is welcome
to attend, and no pre-registration or attendance fee is required. Details
can be found on the website for the symposium:

http://wasedanime.com


Mitsuhiro Yoshimoto and Bryan Hikari Hartzheim

Waseda University, Graduate School of International Culture and
Communication Studies
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From jeremyharley at gmail.com  Thu Nov  7 01:21:02 2019
From: jeremyharley at gmail.com (Jeremy Harley)
Date: Thu, 7 Nov 2019 15:21:02 +0900
Subject: [KineJapan] Action on Sunday against urban redevelopment in Koenji
Message-ID: <CAD3BKu-_-Myb_OBSS0y7WtPM-s+M6J08V3vaVFM+J+wL26WURQ@mail.gmail.com>

Dear All at Kinejapan,
Following on the issue of space for film in Japan....

Koenji, home of our Mabashi festival and of the theater Koenji-za--itself
home to the Tokyo Documentary Film Festival--has been eyed for decades for
major re-development.
Residents seemed to defeat the efforts once, but the plan has been revived.
It is explained in the attached two comics by Matsumoto Hajime of Shiroto
no Ran (Amateur Riot/Revolt), whose recycle shop is in Koenji.

If you are able, please come to a "parade" on Sunday Nov 10 that opposes
this re-development.
Meet at Koenji Chuo Park at 1:30 pm. "Parade" starts at 2:30, proceeding to
Asagaya.
>From 6 pm to 10 pm, there will be an event at Loft(ten) in Koenji.

This describes
<https://throwoutyourbooks.wordpress.com/2018/09/25/residents-activists-protest-proposed-koenji-gentrification/>the
situation in English, a year ago.
In Japanese, main information is here <https://twitter.com/SAVEKOENJI>, and
more  here <https://ameblo.jp/tsukiji14/entry-12404718623.html>, here
<https://maga9.jp/190911-2/>, and here
<https://matsumoto-hajime.com/blog/2019/09/01/???????????????????/>.
There is one article from the above also translated into Korean, here
<https://ameblo.jp/tsukiji14/entry-12409345541.html?frm=theme>.

Please come if you can, and pass this information along to all your friends
in Tokyo!!! (If you friends don't read Japanese, the park is here
<https://experience-suginami.tokyo/2017/11/koenji-chuo-park/>.)

Jeremy Harley
Mabashi Wonderland Movie Festival



[image: img345.jpg]
[image: img_0979-768x342.jpg]
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From aaron.gerow at yale.edu  Fri Nov  8 11:52:24 2019
From: aaron.gerow at yale.edu (Gerow Aaron)
Date: Fri, 8 Nov 2019 11:52:24 -0500
Subject: [KineJapan] More problems for Shusenjo
In-Reply-To: <1661859520.1613608.1573057106637@mail.yahoo.com>
References: <CANoSnpBrHa4ejfNW_f75ZRnbLsjUZk=gso5x9H-Pg+fZ0Y268w@mail.gmail.com>
 <CAD3BKu_zxbenArJhq_h+pFS7UiO+2WQb=YxpEEaEuTs=ZaqH_A@mail.gmail.com>
 <CANoSnpAW+nvS8OOXeRL-neA7XD0_xA5CBGBH6fi8cDXEZMJc_g@mail.gmail.com>
 <CAD3BKu9rT4sfYvSKrpdjkXvREput8W9cE85byRV8y7BagzjmLw@mail.gmail.com>
 <CAD3BKu9cU7JkOZ4+uRjjwpZykry7M-Y6dL5Sor69+5cxC8cDxQ@mail.gmail.com>
 <7EAEA4F3-7AB0-425E-8B2A-318CD8B627E1@uky.edu>
 <CAD3BKu9YYo_sWqbLiQzV-bFTsgwr7Lun4__wQOD=cuDy2qEaVw@mail.gmail.com>
 <CANoSnpAiwQMnO3bYH5jYx_YFJ2G_jLEr3pd6pupJG529Rd2FFQ@mail.gmail.com>
 <CANoSnpCUmCMwJrch9jnZau-ECidvnfWqz3AyciBqbDvqELQWVw@mail.gmail.com>
 <CANoSnpAwW14fFzvDf8zi5wuoXhQ1hWMFjswj6TgvTSW63UmNdA@mail.gmail.com>
 <CANoSnpBrVAAFWJREXTXSU235_Vv6ZJ65PQeb0tJS3zY+E1AgmQ@mail.gmail.com>
 <1498128152.4259559.1572484282705@mail.yahoo.com>
 <CAD3BKu-icwBz_X9Kg8Cj371wA+GnhF_hj2dCsxmV1a9HG-AU=A@mail.gmail.com>
 <1097185188.4339927.1572506919778@mail.yahoo.com>
 <CAH-ugOVEr7p3FD5340MrH08vd_uY8B4Dixkm2MooHESS0d+TMw@mail.gmail.com>
 <CAJhpGwCTw WtLbEo02hmgc5SA0g+UnFFi6Z5u1XaCw=OX92aifA@mail.gmail.com>
 <1747800295.1414603.1572821254137@mail.yahoo.com>
 <CAD3BKu9F-s3tYM867N6Q4XMLXzLjgb0BB0U6A6DLq0NgTwQELQ@mail.gmail.com>
 <CANoSnpDwraxA5D8y9r0jS3CxraymY0ssxocdtejjPFnLW3VKTA@mail.gmail.com>
 <0F66402C-AE5B-4F84-934B-EAEC8AC0F1F3@yale.edu>
 <1661859520.1613608.1573057106637@mail.yahoo.com>
Message-ID: <2E156DDB-9B41-42E9-AD17-406EF4281C37@yale.edu>

The rightwing battle against Shusenjo is escalating. Not only is one rightwinger asking for criminal charges to be filed (for copyright infingement), but the rightwingers who appeared in the film are trying to take advantage of Sophia University's research guidelines. According to the article, the eight participants originally signed a "research cooperation agreement" provided by Sophia, which was the process the director Dezaki followed since the film was made when he was still a student at Sophia. Now they plan to file a form withdrawing from that cooperation agreement. The article says that in such cases, by its own rules Sophia is obliged to destroy the results of such research cooperation. The rightwinger Fujioka Nobukatsu says in the article: "By Sophia's own regulations, Shusenjo has lost its basis for existence and become something that should not exist in this world.? 

https://www.excite.co.jp/news/article/TokyoSports_1610712 <https://www.excite.co.jp/news/article/TokyoSports_1610712>


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From nornes at umich.edu  Fri Nov  8 12:14:19 2019
From: nornes at umich.edu (Markus Nornes)
Date: Fri, 8 Nov 2019 12:14:19 -0500
Subject: [KineJapan] More problems for Shusenjo
In-Reply-To: <2E156DDB-9B41-42E9-AD17-406EF4281C37@yale.edu>
References: <CANoSnpBrHa4ejfNW_f75ZRnbLsjUZk=gso5x9H-Pg+fZ0Y268w@mail.gmail.com>
 <CAD3BKu_zxbenArJhq_h+pFS7UiO+2WQb=YxpEEaEuTs=ZaqH_A@mail.gmail.com>
 <CANoSnpAW+nvS8OOXeRL-neA7XD0_xA5CBGBH6fi8cDXEZMJc_g@mail.gmail.com>
 <CAD3BKu9rT4sfYvSKrpdjkXvREput8W9cE85byRV8y7BagzjmLw@mail.gmail.com>
 <CAD3BKu9cU7JkOZ4+uRjjwpZykry7M-Y6dL5Sor69+5cxC8cDxQ@mail.gmail.com>
 <7EAEA4F3-7AB0-425E-8B2A-318CD8B627E1@uky.edu>
 <CAD3BKu9YYo_sWqbLiQzV-bFTsgwr7Lun4__wQOD=cuDy2qEaVw@mail.gmail.com>
 <CANoSnpAiwQMnO3bYH5jYx_YFJ2G_jLEr3pd6pupJG529Rd2FFQ@mail.gmail.com>
 <CANoSnpCUmCMwJrch9jnZau-ECidvnfWqz3AyciBqbDvqELQWVw@mail.gmail.com>
 <CANoSnpAwW14fFzvDf8zi5wuoXhQ1hWMFjswj6TgvTSW63UmNdA@mail.gmail.com>
 <CANoSnpBrVAAFWJREXTXSU235_Vv6ZJ65PQeb0tJS3zY+E1AgmQ@mail.gmail.com>
 <1498128152.4259559.1572484282705@mail.yahoo.com>
 <CAD3BKu-icwBz_X9Kg8Cj371wA+GnhF_hj2dCsxmV1a9HG-AU=A@mail.gmail.com>
 <1097185188.4339927.1572506919778@mail.yahoo.com>
 <CAH-ugOVEr7p3FD5340MrH08vd_uY8B4Dixkm2MooHESS0d+TMw@mail.gmail.com>
 <1747800295.1414603.1572821254137@mail.yahoo.com>
 <CAD3BKu9F-s3tYM867N6Q4XMLXzLjgb0BB0U6A6DLq0NgTwQELQ@mail.gmail.com>
 <CANoSnpDwraxA5D8y9r0jS3CxraymY0ssxocdtejjPFnLW3VKTA@mail.gmail.com>
 <0F66402C-AE5B-4F84-934B-EAEC8AC0F1F3@yale.edu>
 <1661859520.1613608.1573057106637@mail.yahoo.com>
 <2E156DDB-9B41-42E9-AD17-406EF4281C37@yale.edu>
Message-ID: <CANoSnpB1M_vW247U5-rn8Fb5OGcGxtg9u+pZRQ6KgekZwcfyow@mail.gmail.com>

It is deadly ironic that this is perhaps the first documentary to really
allow them to lay out their case. Being new to documentary, Dezaki largely
followed the convention of tv documentary balance so he did a fairly
careful job of describing the positions of both sides. They say he
presented his project as balanced and ?middle of the road,? and I don?t
doubt it.

TV journalism?s ideology of balance also informs the uyoku?s conception of
nonfiction (and their own YouTube shows often follow tv wide show formats),
so their real problem is that Dezaki shifts gears halfway though, analyzes
the right wing arguments, finds them wanting. That is what annoys them.
Personally, I was happy to have the chance to hear them explain themselves.

M




On Fri, Nov 8, 2019 at 11:52 AM Gerow Aaron via KineJapan <
kinejapan at mailman.yale.edu> wrote:

> The rightwing battle against Shusenjo is escalating. Not only is one
> rightwinger asking for criminal charges to be filed (for copyright
> infingement), but the rightwingers who appeared in the film are trying to
> take advantage of Sophia University's research guidelines. According to the
> article, the eight participants originally signed a "research cooperation
> agreement" provided by Sophia, which was the process the director Dezaki
> followed since the film was made when he was still a student at Sophia. Now
> they plan to file a form withdrawing from that cooperation agreement. The
> article says that in such cases, by its own rules Sophia is obliged to
> destroy the results of such research cooperation. The rightwinger Fujioka
> Nobukatsu says in the article: "By Sophia's own regulations, Shusenjo has
> lost its basis for existence and become something that should not exist in
> this world.?
>
> https://www.excite.co.jp/news/article/TokyoSports_1610712
>
>
> _______________________________________________
> KineJapan mailing list
> KineJapan at mailman.yale.edu
> https://mailman.yale.edu/mailman/listinfo/kinejapan
>
-- 
---

*Markus Nornes*
*Professor of Asian Cinema*
Department of Film, Television and Media, Department of Asian Languages and
Cultures, Penny Stamps School of Art & Design

*Department of Film, Television and Media*
*6348 North Quad*
*105 S. State Street*
*Ann Arbor, MI 48109-1285*
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From baird at umass.edu  Fri Nov  8 12:24:01 2019
From: baird at umass.edu (Bruce Baird)
Date: Fri, 8 Nov 2019 12:24:01 -0500
Subject: [KineJapan] More problems for Shusenjo
In-Reply-To: <CANoSnpB1M_vW247U5-rn8Fb5OGcGxtg9u+pZRQ6KgekZwcfyow@mail.gmail.com>
References: <CANoSnpBrHa4ejfNW_f75ZRnbLsjUZk=gso5x9H-Pg+fZ0Y268w@mail.gmail.com>
 <CAD3BKu_zxbenArJhq_h+pFS7UiO+2WQb=YxpEEaEuTs=ZaqH_A@mail.gmail.com>
 <CANoSnpAW+nvS8OOXeRL-neA7XD0_xA5CBGBH6fi8cDXEZMJc_g@mail.gmail.com>
 <CAD3BKu9rT4sfYvSKrpdjkXvREput8W9cE85byRV8y7BagzjmLw@mail.gmail.com>
 <CAD3BKu9cU7JkOZ4+uRjjwpZykry7M-Y6dL5Sor69+5cxC8cDxQ@mail.gmail.com>
 <7EAEA4F3-7AB0-425E-8B2A-318CD8B627E1@uky.edu>
 <CAD3BKu9YYo_sWqbLiQzV-bFTsgwr7Lun4__wQOD=cuDy2qEaVw@mail.gmail.com>
 <CANoSnpAiwQMnO3bYH5jYx_YFJ2G_jLEr3pd6pupJG529Rd2FFQ@mail.gmail.com>
 <CANoSnpCUmCMwJrch9jnZau-ECidvnfWqz3AyciBqbDvqELQWVw@mail.gmail.com>
 <CANoSnpAwW14fFzvDf8zi5wuoXhQ1hWMFjswj6TgvTSW63UmNdA@mail.gmail.com>
 <CANoSnpBrVAAFWJREXTXSU235_Vv6ZJ65PQeb0tJS3zY+E1AgmQ@mail.gmail.com>
 <1498128152.4259559.1572484282705@mail.yahoo.com>
 <CAD3BKu-icwBz_X9Kg8Cj371wA+GnhF_hj2dCsxmV1a9HG-AU=A@mail.gmail.com>
 <1097185188.4339927.1572506919778@mail.yahoo.com>
 <CAH-ugOVEr7p3FD5340MrH08vd_uY8B4Dixkm2MooHESS0d+TMw@mail.gmail.com>
 <1747800295.1414603.1572821254137@mail.yahoo.com>
 <CAD3BKu9F-s3tYM867N6Q4XMLXzLjgb0BB0U6A6DLq0NgTwQELQ@mail.gmail.com>
 <CANoSnpDwraxA5D8y9r0jS3CxraymY0ssxocdtejjPFnLW3VKTA@mail.gmail.com>
 <0F66402C-AE5B-4F84-934B-EAEC8AC0F1F3@yale.edu>
 <1661859520.1613608.1573057106637@mail.yahoo.com>
 <2E156DDB-9B41-42E9-AD17-406EF4281C37@yale.edu>
 <CANoSnpB1M_vW247U5-rn8Fb5OGcGxtg9u+pZRQ6KgekZwcfyow@mail.gmail.com>
Message-ID: <BF783CE8-2956-45D9-ADC5-25556F174FA4@umass.edu>

This does raise thorny issues about IRB approval the extent to which the subjects of research should be allowed to dictate the content of that research. Because if Sophia?s IRB approval process is anything at all like the one at my university, it is probably true that Sophia?s own IRB approval process allows people to opt out of being part of a study at any time. Although I would be interested to know if the IRB process says anything about the right to opt out _after_ publication.

Bruce

> On Nov 8, 2019, at 12:14 PM, Markus Nornes via KineJapan <kinejapan at mailman.yale.edu> wrote:
> 
> It is deadly ironic that this is perhaps the first documentary to really allow them to lay out their case. Being new to documentary, Dezaki largely followed the convention of tv documentary balance so he did a fairly careful job of describing the positions of both sides. They say he presented his project as balanced and ?middle of the road,? and I don?t doubt it.  
> 
> TV journalism?s ideology of balance also informs the uyoku?s conception of nonfiction (and their own YouTube shows often follow tv wide show formats), so their real problem is that Dezaki shifts gears halfway though, analyzes the right wing arguments, finds them wanting. That is what annoys them. Personally, I was happy to have the chance to hear them explain themselves. 
> 
> M
> 
> 
> 
> 
> On Fri, Nov 8, 2019 at 11:52 AM Gerow Aaron via KineJapan <kinejapan at mailman.yale.edu <mailto:kinejapan at mailman.yale.edu>> wrote:
> The rightwing battle against Shusenjo is escalating. Not only is one rightwinger asking for criminal charges to be filed (for copyright infingement), but the rightwingers who appeared in the film are trying to take advantage of Sophia University's research guidelines. According to the article, the eight participants originally signed a "research cooperation agreement" provided by Sophia, which was the process the director Dezaki followed since the film was made when he was still a student at Sophia. Now they plan to file a form withdrawing from that cooperation agreement. The article says that in such cases, by its own rules Sophia is obliged to destroy the results of such research cooperation. The rightwinger Fujioka Nobukatsu says in the article: "By Sophia's own regulations, Shusenjo has lost its basis for existence and become something that should not exist in this world.? 
> 
> https://www.excite.co.jp/news/article/TokyoSports_1610712 <https://www.excite.co.jp/news/article/TokyoSports_1610712>
> 
> 
> _______________________________________________
> KineJapan mailing list
> KineJapan at mailman.yale.edu <mailto:KineJapan at mailman.yale.edu>
> https://mailman.yale.edu/mailman/listinfo/kinejapan <https://mailman.yale.edu/mailman/listinfo/kinejapan>
> -- 
> --- 
> 
> Markus Nornes
> Professor of Asian Cinema
> Department of Film, Television and Media, Department of Asian Languages and Cultures, Penny Stamps School of Art & Design
> 
> Department of Film, Television and Media
> 6348 North Quad
> 105 S. State Street
> Ann Arbor, MI 48109-1285
> 
> _______________________________________________
> KineJapan mailing list
> KineJapan at mailman.yale.edu
> https://mailman.yale.edu/mailman/listinfo/kinejapan

Bruce Baird
Associate Professor
East Asian Languages and Cultures
University of Massachusetts Amherst
But?, Japanese Theater, Intellectual History

439 Herter Hall
161 Presidents Drive
University of Massachusetts Amherst
Amherst, MA 01003-9312
Phone: 413-577-2117
Fax: 413-545-3178
baird at umass.edu

Recently Released: The Routledge Companion to Butoh Performance

https://www.routledge.com/The-Routledge-Companion-to-Butoh-Performance/Baird-Candelario/p/book/9781138691094

Now out in paperback and e-book: Hijikata Tatsumi and Butoh:

http://www.palgrave.com/us/book/9780230120402

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From jtj53213 at gmail.com  Fri Nov  8 13:28:35 2019
From: jtj53213 at gmail.com (John Junkerman)
Date: Sat, 9 Nov 2019 03:28:35 +0900
Subject: [KineJapan] More problems for Shusenjo
In-Reply-To: <BF783CE8-2956-45D9-ADC5-25556F174FA4@umass.edu>
References: <CANoSnpBrHa4ejfNW_f75ZRnbLsjUZk=gso5x9H-Pg+fZ0Y268w@mail.gmail.com>
 <CAD3BKu_zxbenArJhq_h+pFS7UiO+2WQb=YxpEEaEuTs=ZaqH_A@mail.gmail.com>
 <CANoSnpAW+nvS8OOXeRL-neA7XD0_xA5CBGBH6fi8cDXEZMJc_g@mail.gmail.com>
 <CAD3BKu9rT4sfYvSKrpdjkXvREput8W9cE85byRV8y7BagzjmLw@mail.gmail.com>
 <CAD3BKu9cU7JkOZ4+uRjjwpZykry7M-Y6dL5Sor69+5cxC8cDxQ@mail.gmail.com>
 <7EAEA4F3-7AB0-425E-8B2A-318CD8B627E1@uky.edu>
 <CAD3BKu9YYo_sWqbLiQzV-bFTsgwr7Lun4__wQOD=cuDy2qEaVw@mail.gmail.com>
 <CANoSnpAiwQMnO3bYH5jYx_YFJ2G_jLEr3pd6pupJG529Rd2FFQ@mail.gmail.com>
 <CANoSnpCUmCMwJrch9jnZau-ECidvnfWqz3AyciBqbDvqELQWVw@mail.gmail.com>
 <CANoSnpAwW14fFzvDf8zi5wuoXhQ1hWMFjswj6TgvTSW63UmNdA@mail.gmail.com>
 <CANoSnpBrVAAFWJREXTXSU235_Vv6ZJ65PQeb0tJS3zY+E1AgmQ@mail.gmail.com>
 <1498128152.4259559.1572484282705@mail.yahoo.com>
 <CAD3BKu-icwBz_X9Kg8Cj371wA+GnhF_hj2dCsxmV1a9HG-AU=A@mail.gmail.com>
 <1097185188.4339927.1572506919778@mail.yahoo.com>
 <CAH-ugOVEr7p3FD5340MrH08vd_uY8B4Dixkm2MooHESS0d+TMw@mail.gmail.com>
 <1747800295.1414603.1572821254137@mail.yahoo.com>
 <CAD3BKu9F-s3tYM867N6Q4XMLXzLjgb0BB0U6A6DLq0NgTwQELQ@mail.gmail.com>
 <CANoSnpDwraxA5D8y9r0jS3CxraymY0ssxocdtejjPFnLW3VKTA@mail.gmail.com>
 <0F66402C-AE5B-4F84-934B-EAEC8AC0F1F3@yale.edu>
 <1661859520.1613608.1573057106637@mail.yahoo.com>
 <2E156DDB-9B41-42E9-AD17-406EF4281C37@yale.edu>
 <CANoSnpB1M_vW247U5-rn8Fb5OGcGxtg9u+pZRQ6KgekZwcfyow@mail.gmail.com>
 <BF783CE8-2956-45D9-ADC5-25556F174FA4@umass.edu>
Message-ID: <CAH-ugOWd-CG0Q9q360dFgbp9JSA03KyYUHy9rpTxY=deUzDxZQ@mail.gmail.com>

"Lost its basis for existence." What a truly horrifying expression. When I
heard that, I asked the distributors. Their position is that Sophia's
policy is meant to protect privacy, and that it's a stretch to apply the
withdrawal right to this case.

I second Marcus's opinion that it's good to air the denialist position. In
Shusenjo, they basically crucify themselves, which is probably the real
reason they're going after the film. But the right feels they are generally
not given the chance to state their case, so they should be happy they had
the opportunity.

If you have a chance to see the film, you'll see that Dezaki comes from the
YouTube realm (rather than TV documentary). He did a previous YouTube post
on discrimination in Japan that got serious flaming, and he says this
sparked his interest in exploring this territory.

BTW, Dezaki says the film has had 75,000 admissions in Japan screenings
(and a wide release in Korea). The more it gets attacked, the more it will
be seen.

On Sat, Nov 9, 2019 at 2:24 AM Bruce Baird via KineJapan <
kinejapan at mailman.yale.edu> wrote:

> This does raise thorny issues about IRB approval the extent to which the
> subjects of research should be allowed to dictate the content of that
> research. Because if Sophia?s IRB approval process is anything at all like
> the one at my university, it is probably true that Sophia?s own IRB
> approval process allows people to opt out of being part of a study at any
> time. Although I would be interested to know if the IRB process says
> anything about the right to opt out _after_ publication.
>
> Bruce
>
> On Nov 8, 2019, at 12:14 PM, Markus Nornes via KineJapan <
> kinejapan at mailman.yale.edu> wrote:
>
> It is deadly ironic that this is perhaps the first documentary to really
> allow them to lay out their case. Being new to documentary, Dezaki largely
> followed the convention of tv documentary balance so he did a fairly
> careful job of describing the positions of both sides. They say he
> presented his project as balanced and ?middle of the road,? and I don?t
> doubt it.
>
> TV journalism?s ideology of balance also informs the uyoku?s conception of
> nonfiction (and their own YouTube shows often follow tv wide show formats),
> so their real problem is that Dezaki shifts gears halfway though, analyzes
> the right wing arguments, finds them wanting. That is what annoys them.
> Personally, I was happy to have the chance to hear them explain themselves.
>
> M
>
>
>
>
> On Fri, Nov 8, 2019 at 11:52 AM Gerow Aaron via KineJapan <
> kinejapan at mailman.yale.edu> wrote:
>
>> The rightwing battle against Shusenjo is escalating. Not only is one
>> rightwinger asking for criminal charges to be filed (for copyright
>> infingement), but the rightwingers who appeared in the film are trying to
>> take advantage of Sophia University's research guidelines. According to the
>> article, the eight participants originally signed a "research cooperation
>> agreement" provided by Sophia, which was the process the director Dezaki
>> followed since the film was made when he was still a student at Sophia. Now
>> they plan to file a form withdrawing from that cooperation agreement. The
>> article says that in such cases, by its own rules Sophia is obliged to
>> destroy the results of such research cooperation. The rightwinger Fujioka
>> Nobukatsu says in the article: "By Sophia's own regulations, Shusenjo has
>> lost its basis for existence and become something that should not exist in
>> this world.?
>>
>> https://www.excite.co.jp/news/article/TokyoSports_1610712
>>
>>
>> _______________________________________________
>> KineJapan mailing list
>> KineJapan at mailman.yale.edu
>> https://mailman.yale.edu/mailman/listinfo/kinejapan
>>
> --
> ---
>
> *Markus Nornes*
> *Professor of Asian Cinema*
> Department of Film, Television and Media, Department of Asian Languages
> and Cultures, Penny Stamps School of Art & Design
>
> *Department of Film, Television and Media*
> *6348 North Quad*
> *105 S. State Street*
> *Ann Arbor, MI 48109-1285*
>
> _______________________________________________
> KineJapan mailing list
> KineJapan at mailman.yale.edu
> https://mailman.yale.edu/mailman/listinfo/kinejapan
>
>
> Bruce Baird
> Associate Professor
> East Asian Languages and Cultures
> University of Massachusetts Amherst
> But?, Japanese Theater, Intellectual History
>
> 439 Herter Hall
> 161 Presidents Drive
> University of Massachusetts Amherst
> Amherst, MA 01003-9312
> Phone: 413-577-2117
> Fax: 413-545-3178
> baird at umass.edu
>
> Recently Released: *The Routledge Companion to Butoh Performance*
>
>
> https://www.routledge.com/The-Routledge-Companion-to-Butoh-Performance/Baird-Candelario/p/book/9781138691094
>
> Now out in paperback and e-book: *Hijikata Tatsumi and Butoh*:
>
> http://www.palgrave.com/us/book/9780230120402
>
> _______________________________________________
> KineJapan mailing list
> KineJapan at mailman.yale.edu
> https://mailman.yale.edu/mailman/listinfo/kinejapan
>


-- 
John Junkerman
jtj53213 at gmail.com
2-18-6 Ehara-cho, Nakano
Tokyo 165-0023
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From nornes at umich.edu  Fri Nov  8 14:23:36 2019
From: nornes at umich.edu (Markus Nornes)
Date: Fri, 8 Nov 2019 14:23:36 -0500
Subject: [KineJapan] More problems for Shusenjo
In-Reply-To: <CAH-ugOWd-CG0Q9q360dFgbp9JSA03KyYUHy9rpTxY=deUzDxZQ@mail.gmail.com>
References: <CANoSnpBrHa4ejfNW_f75ZRnbLsjUZk=gso5x9H-Pg+fZ0Y268w@mail.gmail.com>
 <CAD3BKu_zxbenArJhq_h+pFS7UiO+2WQb=YxpEEaEuTs=ZaqH_A@mail.gmail.com>
 <CANoSnpAW+nvS8OOXeRL-neA7XD0_xA5CBGBH6fi8cDXEZMJc_g@mail.gmail.com>
 <CAD3BKu9rT4sfYvSKrpdjkXvREput8W9cE85byRV8y7BagzjmLw@mail.gmail.com>
 <CAD3BKu9cU7JkOZ4+uRjjwpZykry7M-Y6dL5Sor69+5cxC8cDxQ@mail.gmail.com>
 <7EAEA4F3-7AB0-425E-8B2A-318CD8B627E1@uky.edu>
 <CAD3BKu9YYo_sWqbLiQzV-bFTsgwr7Lun4__wQOD=cuDy2qEaVw@mail.gmail.com>
 <CANoSnpAiwQMnO3bYH5jYx_YFJ2G_jLEr3pd6pupJG529Rd2FFQ@mail.gmail.com>
 <CANoSnpCUmCMwJrch9jnZau-ECidvnfWqz3AyciBqbDvqELQWVw@mail.gmail.com>
 <CANoSnpAwW14fFzvDf8zi5wuoXhQ1hWMFjswj6TgvTSW63UmNdA@mail.gmail.com>
 <CANoSnpBrVAAFWJREXTXSU235_Vv6ZJ65PQeb0tJS3zY+E1AgmQ@mail.gmail.com>
 <1498128152.4259559.1572484282705@mail.yahoo.com>
 <CAD3BKu-icwBz_X9Kg8Cj371wA+GnhF_hj2dCsxmV1a9HG-AU=A@mail.gmail.com>
 <1097185188.4339927.1572506919778@mail.yahoo.com>
 <CAH-ugOVEr7p3FD5340MrH08vd_uY8B4Dixkm2MooHESS0d+TMw@mail.gmail.com>
 <1747800295.1414603.1572821254137@mail.yahoo.com>
 <CAD3BKu9F-s3tYM867N6Q4XMLXzLjgb0BB0U6A6DLq0NgTwQELQ@mail.gmail.com>
 <CANoSnpDwraxA5D8y9r0jS3CxraymY0ssxocdtejjPFnLW3VKTA@mail.gmail.com>
 <0F66402C-AE5B-4F84-934B-EAEC8AC0F1F3@yale.edu>
 <1661859520.1613608.1573057106637@mail.yahoo.com>
 <2E156DDB-9B41-42E9-AD17-406EF4281C37@yale.edu>
 <CANoSnpB1M_vW247U5-rn8Fb5OGcGxtg9u+pZRQ6KgekZwcfyow@mail.gmail.com>
 <BF783CE8-2956-45D9-ADC5-25556F174FA4@umass.edu>
 <CAH-ugOWd-CG0Q9q360dFgbp9JSA03KyYUHy9rpTxY=deUzDxZQ@mail.gmail.com>
Message-ID: <CANoSnpBWkiAFBjFpq=B-agqe7xC4q-3qZjig-rdxcnAboxqP4g@mail.gmail.com>

It has a Youtube aesthetic, but it is mixed with TV doc?s commitment to
balancing and polarizing points of view...modified at the end with a
critical stance. This quirkiness helps explain why we aren?t seeing it play
the international film festival circuit.

M

On Fri, Nov 8, 2019 at 1:28 PM John Junkerman via KineJapan <
kinejapan at mailman.yale.edu> wrote:

> "Lost its basis for existence." What a truly horrifying expression. When I
> heard that, I asked the distributors. Their position is that Sophia's
> policy is meant to protect privacy, and that it's a stretch to apply the
> withdrawal right to this case.
>
> I second Marcus's opinion that it's good to air the denialist position. In
> Shusenjo, they basically crucify themselves, which is probably the real
> reason they're going after the film. But the right feels they are generally
> not given the chance to state their case, so they should be happy they had
> the opportunity.
>
> If you have a chance to see the film, you'll see that Dezaki comes from
> the YouTube realm (rather than TV documentary). He did a previous YouTube
> post on discrimination in Japan that got serious flaming, and he says this
> sparked his interest in exploring this territory.
>
> BTW, Dezaki says the film has had 75,000 admissions in Japan screenings
> (and a wide release in Korea). The more it gets attacked, the more it will
> be seen.
>
> On Sat, Nov 9, 2019 at 2:24 AM Bruce Baird via KineJapan <
> kinejapan at mailman.yale.edu> wrote:
>
>> This does raise thorny issues about IRB approval the extent to which the
>> subjects of research should be allowed to dictate the content of that
>> research. Because if Sophia?s IRB approval process is anything at all like
>> the one at my university, it is probably true that Sophia?s own IRB
>> approval process allows people to opt out of being part of a study at any
>> time. Although I would be interested to know if the IRB process says
>> anything about the right to opt out _after_ publication.
>>
>> Bruce
>>
>> On Nov 8, 2019, at 12:14 PM, Markus Nornes via KineJapan <
>> kinejapan at mailman.yale.edu> wrote:
>>
>> It is deadly ironic that this is perhaps the first documentary to really
>> allow them to lay out their case. Being new to documentary, Dezaki largely
>> followed the convention of tv documentary balance so he did a fairly
>> careful job of describing the positions of both sides. They say he
>> presented his project as balanced and ?middle of the road,? and I don?t
>> doubt it.
>>
>> TV journalism?s ideology of balance also informs the uyoku?s conception
>> of nonfiction (and their own YouTube shows often follow tv wide show
>> formats), so their real problem is that Dezaki shifts gears halfway though,
>> analyzes the right wing arguments, finds them wanting. That is what annoys
>> them. Personally, I was happy to have the chance to hear them explain
>> themselves.
>>
>> M
>>
>>
>>
>>
>> On Fri, Nov 8, 2019 at 11:52 AM Gerow Aaron via KineJapan <
>> kinejapan at mailman.yale.edu> wrote:
>>
>>> The rightwing battle against Shusenjo is escalating. Not only is one
>>> rightwinger asking for criminal charges to be filed (for copyright
>>> infingement), but the rightwingers who appeared in the film are trying to
>>> take advantage of Sophia University's research guidelines. According to the
>>> article, the eight participants originally signed a "research cooperation
>>> agreement" provided by Sophia, which was the process the director Dezaki
>>> followed since the film was made when he was still a student at Sophia. Now
>>> they plan to file a form withdrawing from that cooperation agreement. The
>>> article says that in such cases, by its own rules Sophia is obliged to
>>> destroy the results of such research cooperation. The rightwinger Fujioka
>>> Nobukatsu says in the article: "By Sophia's own regulations, Shusenjo has
>>> lost its basis for existence and become something that should not exist in
>>> this world.?
>>>
>>> https://www.excite.co.jp/news/article/TokyoSports_1610712
>>>
>>>
>>> _______________________________________________
>>> KineJapan mailing list
>>> KineJapan at mailman.yale.edu
>>> https://mailman.yale.edu/mailman/listinfo/kinejapan
>>>
>> --
>> ---
>>
>> *Markus Nornes*
>> *Professor of Asian Cinema*
>> Department of Film, Television and Media, Department of Asian Languages
>> and Cultures, Penny Stamps School of Art & Design
>>
>> *Department of Film, Television and Media*
>> *6348 North Quad*
>> *105 S. State Street
>> <https://www.google.com/maps/search/105+S.+State+Street+Ann+Arbor,+MI+48109?entry=gmail&source=g>*
>> *Ann Arbor, MI 48109
>> <https://www.google.com/maps/search/105+S.+State+Street+Ann+Arbor,+MI+48109?entry=gmail&source=g>-1285*
>>
>> _______________________________________________
>> KineJapan mailing list
>> KineJapan at mailman.yale.edu
>> https://mailman.yale.edu/mailman/listinfo/kinejapan
>>
>>
>> Bruce Baird
>> Associate Professor
>> East Asian Languages and Cultures
>> University of Massachusetts Amherst
>> But?, Japanese Theater, Intellectual History
>>
>> 439 Herter Hall
>> 161 Presidents Drive
>> <https://www.google.com/maps/search/161+Presidents+Drive?entry=gmail&source=g>
>> University of Massachusetts Amherst
>> Amherst, MA 01003-9312
>> Phone: 413-577-2117
>> Fax: 413-545-3178
>> baird at umass.edu
>>
>> Recently Released: *The Routledge Companion to Butoh Performance*
>>
>>
>> https://www.routledge.com/The-Routledge-Companion-to-Butoh-Performance/Baird-Candelario/p/book/9781138691094
>>
>> Now out in paperback and e-book: *Hijikata Tatsumi and Butoh*:
>>
>> http://www.palgrave.com/us/book/9780230120402
>>
>> _______________________________________________
>> KineJapan mailing list
>> KineJapan at mailman.yale.edu
>> https://mailman.yale.edu/mailman/listinfo/kinejapan
>>
>
>
> --
> John Junkerman
> jtj53213 at gmail.com
> 2-18-6 Ehara-cho, Nakano
> Tokyo 165-0023
> _______________________________________________
> KineJapan mailing list
> KineJapan at mailman.yale.edu
> https://mailman.yale.edu/mailman/listinfo/kinejapan
>
-- 
---

*Markus Nornes*
*Professor of Asian Cinema*
Department of Film, Television and Media, Department of Asian Languages and
Cultures, Penny Stamps School of Art & Design

*Department of Film, Television and Media*
*6348 North Quad*
*105 S. State Street*
*Ann Arbor, MI 48109-1285*
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From earljac at gmail.com  Sat Nov  9 18:11:31 2019
From: earljac at gmail.com (Earl Jackson)
Date: Sun, 10 Nov 2019 07:11:31 +0800
Subject: [KineJapan] Nang #7 at the Five Flavours Film Festival
Message-ID: <CABhbz8NNsH2m+WwNKV1J4iD8xLn_AK3XavDojh7WxeMYAsQ9UQ@mail.gmail.com>

Dear everyone,
The Five Flavours Film Festival will hold its 13th edition from 13.November
to 20. November 2019 in Warsaw. This is the only Asian Film Festival in the
region and very energetic, inventive, and expansive.
And this year it will host the launching of Nang # 7, "The Scent of Boys",
which I had the honor of co-editing with Victor Fan. The link gives details
of the venue and format for the event, in which Victor and I will
participate. I am not at liberty to give details about the content and
features, but Japan is well represented in the issue.
My apologies for the self-promotion.
https://www.piecsmakow.pl/aktualnosc.do?id=409
Earl Jackson
Chair Professor
Foreign Languages and Literatures
Asia University
Professor Emeritus
National Chiao Tung University
Associate Professor Emeritus
University of California, Santa Cruz
Co-Director
Trans-Asia Screen Cultures Institute
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From eija.niskanen at gmail.com  Sun Nov 10 02:37:31 2019
From: eija.niskanen at gmail.com (Eija Niskanen)
Date: Sun, 10 Nov 2019 16:37:31 +0900
Subject: [KineJapan] FCCJ Nov-Dec sneak previews
Message-ID: <CA+FavwOEjJ6g5JARuxd5=Hj7-hDnT1C8ucTpX0at8OG542L=og@mail.gmail.com>

*Dear KineJapaners,*


*The Foreign Correspondents' Club in Marunouchi is screening three films
over the next month, with directors present for the Q&As. If you missed
Mori Tatsuya?s award-winning ?i: Documentary of the Journalist? at TIFF,
this is your chance to catch it with English subs.*


*Since FCCJ is a private club, you must reserve your seats through
Screenings Curator Karen Severns: karenseverns at gmail.com
<karenseverns at gmail.com>.  *


*Be sure to reserve at least two days before the screening, as seats are
limited.*


*Tuesday, November 12, 2019 18:45 - 21:30*

*Sneak Preview Screening: "i: Documentary of the Journalist (i -Shimbun
Kisha Document- )?*

*http://www.fccj.or.jp/events-calendar/film-screenings/icalrepeat.detail/2019/11/12/5385/-/sneak-preview-screening-i-documentary-of-the-journalist-i-shimbun-kisha-document.html*
<http://www.fccj.or.jp/events-calendar/film-screenings/icalrepeat.detail/2019/11/12/5385/-/sneak-preview-screening-i-documentary-of-the-journalist-i-shimbun-kisha-document.html>

*Wednesday, November 20, 2019 18:45 - 21:30*

*Sneak Preview Screening: "The 47 Ronin in Debt (Kessan! Chushingura)?*

*http://www.fccj.or.jp/events-calendar/film-screenings/icalrepeat.detail/2019/11/20/5389/-/sneak-preview-screening-the-47-ronin-in-debt-kessan-chushingura.html*
<http://www.fccj.or.jp/events-calendar/film-screenings/icalrepeat.detail/2019/11/20/5389/-/sneak-preview-screening-the-47-ronin-in-debt-kessan-chushingura.html>


*Monday, December 02, 2019 18:45 - 21:30*

*Sneak Preview Screening: "Talking the Pictures (Katsuben!)?*

*http://www.fccj.or.jp/events-calendar/film-screenings/icalrepeat.detail/2019/12/02/5410/-/sneak-preview-screening-talking-the-pictures-katsuben.html*
<http://www.fccj.or.jp/events-calendar/film-screenings/icalrepeat.detail/2019/12/02/5410/-/sneak-preview-screening-talking-the-pictures-katsuben.html>

-- 
Eija Niskanen
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From aaron.gerow at yale.edu  Sun Nov 10 11:00:27 2019
From: aaron.gerow at yale.edu (Gerow Aaron)
Date: Sun, 10 Nov 2019 11:00:27 -0500
Subject: [KineJapan] Cultural Typhoon 2020 CFP
Message-ID: <E491BFD8-477E-4A6C-A211-8518978DB923@yale.edu>

Please circulate among those who may be interested.

Cultural Typhoon 2020: Call for Papers

A Port of ?Cranes? in the 21st Century: Mobilities, Exchanges and Histories

Cultural Typhoon 2020 (CT2020) will be held in Nagasaki on June 27 ? 28, 2020. It offers a great opportunity to discuss mobilities and exchanges of people, information, and knowledge in the age of globalization.

The Port of Nagasaki has been historically called ?Crane Port? because the shape of the port looks like a crane with spread wings.

Nagasaki, with its Crane Port, has historically been a point of transit, hosting departures and arrivals between Japan and East Asia, including Mainland China, Hong Kong, Taiwan, the Korean Peninsula; Southeast Asia; and Europe, particularly Portugal and The Netherlands.

Nagasaki?s various foods, lifestyles, festivals, architecture, and urban landscape evidence cultural exchange through this transit of people, goods, and ideas. While no cranes can be found living in Nagasaki, it is indeed a ?city of cranes??that is, a city of mobility, which is aptly embodied in the migratory bird?where people, goods, culture, and knowledge move across national borders.

To think about the history of Nagasaki is also to (re)consider the history of mobilities of human beings and our transnational cultural exchange, and narratives of industrialization and modernization. Cultural exchange with China and Korea over the centuries; the propagation and suppression of the Christian faith; the import of modern Western scientific knowledge as well as philosophy and literature; the development of modern shipbuilding as part of military and naval modernization; the coal mining industry?s industrialization and the ferrying of resources;, the immigration and, at times, exploitation of workers at sites close to the Nagasaki Port like Gunkanjima; and the devastation brought by war in the form of the atomic bomb dropped on Nagasaki at the end of the WWII?such phenomena have left a unique impression on the culture of Nagasaki.

CT2020 is will be held at University of Nagasaki?s Siebold Campus. The name of the campus comes from the German physician and botanist who founded a private school, Narutaki Juku, where he taught Western science, medicine in particular, during the Edo Period (1603 ? 1868).

The Association for Cultural Typhoon (ACT, Japan) is calling for proposals for panels and individual papers for the 2020 annual conference to be held at Siebold Campus, University of Nagasaki, Nagasaki, from June 27?28, 2020.

The deadline for application: 31st December, 2019, Japan time 23:00.

See the details here:

http://cultural-typhoon.com <https://l.facebook.com/l.php?u=http%3A%2F%2Fcultural-typhoon.com%2F%3Ffbclid%3DIwAR2pvlD9ZvPRRlj3CueomCmSu0z9EFDz5Q6uE3iPIgWYOqLmEkeMMBRdDxk&h=AT2lY_4krmWFcnuMH6OzArabL6suDRy9fDaW4i2V1V98Bxuj55UI5ou6q_YMTZ2mjxylFilwls5bb0dspJ0he4u4hPGnR_thLbrLepn1w13jCg2aG5qG-sKogIaFGW1m5cMFtOnCp--6wSkjrgqhBiIrnES6KmYwPw>/

What is Cultural Typhoon?
http://cultural-typhoon.com/act/en/whats-cultural-typhoon/ <https://l.facebook.com/l.php?u=http%3A%2F%2Fcultural-typhoon.com%2Fact%2Fen%2Fwhats-cultural-typhoon%2F%3Ffbclid%3DIwAR2dCDWTtDcMZnMeccGv3BgdIdWkKqcUiYLJSzBa3N5ifRSLOe3u7N9Q8AA&h=AT1uOzzZpdOcIwBSvCMm4UDQUugl5NPf2JvqMQN3CCpF5Dyb9uQS0s_LG5qgCg6YaYB8KuaToKCKQHtA2fH_qYzVnF9NQWtWs3X9HrSYpvXCz1jdb5VKjU4gxATcTYPqZXBUVTmhH2NFmS9TyjLPWtMsFBzOtXnXzQ>

Aaron Gerow
KineJapan owner

Professor
Film and Media Studies Program/East Asian Languages and Literatures
Yale University

KineJapan: https://mailman.yale.edu/mailman/listinfo/kinejapan
Kinema Club: http://kinemaclub.org/ <http://kinemaclub.org/>






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From aaron.gerow at yale.edu  Sun Nov 10 11:12:08 2019
From: aaron.gerow at yale.edu (Gerow Aaron)
Date: Sun, 10 Nov 2019 11:12:08 -0500
Subject: [KineJapan] =?utf-8?q?Call_for_Papers_=E2=80=93_Identity_Politic?=
 =?utf-8?q?s_in_East_Asian_Popular_Culture=2C_Kyushu_University=2C_Fukuoka?=
 =?utf-8?q?=2C_July_20-21=2C_2020?=
Message-ID: <F75DD016-8B60-47BF-82C0-F6B1E952FD5A@yale.edu>

Call for Papers ? Identity Politics in East Asian Popular Culture, Kyushu University, Fukuoka, July 20-21, 2020

http://www.vcinemashow.com/call-for-papers-identity-politics-in-east-asian-popular-culture-kyushu-university-fukuoka-july-20-21-2020/


Aaron Gerow
KineJapan owner

Professor
Film and Media Studies Program/East Asian Languages and Literatures
Yale University

KineJapan: https://mailman.yale.edu/mailman/listinfo/kinejapan
Kinema Club: http://kinemaclub.org/ <http://kinemaclub.org/>






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From jennifer.coates at sheffield.ac.uk  Mon Nov 11 06:34:10 2019
From: jennifer.coates at sheffield.ac.uk (Jennifer Coates)
Date: Mon, 11 Nov 2019 11:34:10 +0000
Subject: [KineJapan] Seminar on 'Cinema at the Museum' at the University of
 Sheffield 19 Nov 2019
Message-ID: <CAEqzcbUMSnYcbp+hvvgQt7Nr7B2k-nNb2EjY8muN2Dv7kRXeqQ@mail.gmail.com>

Dear KineJapan members,

The University of Sheffield will be hosting a public seminar titled
'Imagining East Asia: Cinema at the Museum' on the 19th November 2019, with
talks by Dr Yutaka Kubo and Professor Yingjin Zhang. Please find more
information below, and at the following link:
https://www.eventbrite.co.uk/e/imagining-east-asia-cinema-at-the-museum-tickets-78150441073
.

We're refreshing our seminar series to add more film content, so if you're
planning a trip to the UK and would like to give a seminar, please do get
in touch.

With best wishes,

Jennifer

-- 
Dr Jennifer Coates
Senior Lecturer in Japanese Studies, University of Sheffield
Director of Taught Postgraduate
Postgraduate Admissions Tutor

Imagining East Asia: Cinema at the MuseumDr Yutaka Kubo and Professor
Yingjin ZhangImagining East Asia: Cinema at the Museum

Synopsis: This double seminar will showcase new research on cinema
exhibition in museum spaces. Focusing on gender and nostalgia, Professor
Yingjin Zhang (University of California San Diego) and Dr Yutaka Kubo
(Waseda Tsubouchi Theatre Museum) take a multi-directional approach to the
study of cinema, working across media and genres to consider the role of
exhibiting film and cinema-related materials in East Asia.

The Forgotten Presence of Homoeroticism and the HIV Stigma in the Film
Archive
Through an analysis of the collection of barazoku film (pink films aimed
for gay men) related materials at the Tsubouchi Memorial Theatre Museum,
this paper examines the cinematic and political significance of how
Kobayashi Satoru?s 1993 *A White Rose in Santa Monica *represents the
Japanese society?s stigma towards people living with HIV in the late 1980s
and early 1990s. First I will consider the characteristics of barazoku
films since 1982, the role of the audience in the production process, and
the importance of somewhat explicit gay sex. By closely looking at
Kobayashi?s production notes for *A White Rose in Santa Monica*, this paper
reveals how this film may have been Kobayashi?s attempt to reflect the
reality of gay men in Japan in the process of pursuing freedom and
luridness of barazoku films. Lastly, I not only compare and contrast
barazoku films with the characteristics of new queer cinema of the early
1990s but also evaluate the political possibility and limit of Kobayashi
films.

This double seminar will showcase new research on cinema exhibition in
museum spaces. Focusing on gender and nostalgia, Professor Yingjin Zhang
(University of California Sa Diego) and Dr Yutaka Kubo (Waseda Tsubouchi
Theatre Museum) take a multi-directional approach to the study of cinema,
working across media and genres to consider the role of exhibiting film and
cinema-related materials in East Asia.

Professor Kubo Biography: Yutaka Kubo is Assistant Professor of Film
Studies at the Tsubouchi Memorial Theatre Museum, Waseda University, Japan.
His research interests include Japanese film history and auteur study of
Kinoshita Keisuke in particular, queer film theory and criticism, youth and
aging in cinema, gender representations in post-3/11 mourning cinema, and
archival practices of home movies. His current projects include theorizing
the meaning of female premature deaths in coming-of-age films and the
consideration of the role of gay pink films in remapping images of HIV/AIDS
in Japanese visual culture.

Ways of Seeing China in Isaac Julien?s
*Ten Thousand Waves.*This paper examines ways of seeing China in Isaac
Julian?s 9-screen film installation *Ten Thousand Waves* (2010), which
represents a migratory aesthetics based on evocative translocality,
interactive crossmediality, and mobile spectatorship. As Julien
reconstructs the legend of compassionate Mazu (played by Maggie Cheung) and
memories of old and new Shanghai (both embodied by Zhao Tao) in different
modes (e.g., elegiac, idyllic, phantasmagoric, nostalgic, and
post-nostalgic), his screen images and sounds enter a constant circulation
and form an intriguing multi-directional dialogue across a variety of media
and genres?cinema, art photography, police rescue footage, calligraphy,
painting, poetry, and star performance. In addition to demonstrating the
importance of new concepts and new techniques at work in the
cross-fertilization of cinema and other visual media in the new millennium,
this paper complicates Julien?s political poetics by highlighting his
overlooked reception by ethnic Chinese spectators and by reckoning with the
specter of Orientalism that refuses to go away despite his renowned
repudiation of stereotypes and clich?s and his critical engagement with
cosmopolitanism and globalization

Professor Zhang Biography: Yingjin Zhang is Distinguished Professor and
Chair of the Department of Literature at University of California, San
Diego. His English books include *The City in Modern Chinese Literature and
Film*(1996), *Encyclopedia of Chinese Film* (1998), *China in a Polycentric
World*(1998), *Cinema and Urban Culture in Shanghai* (1999), *Screening
China*(2002), *Chinese National Cinema* (2004), *From Underground to
Independent* (2006), *Cinema, Space, and Polylocality in a Globalizing
China* (2010), *Chinese Film Stars* (2010), *A Companion to Chinese Cinema*
(2012), *Liangyou, Kaleidoscopic Modernity and the Shanghai Global
Metropolis *(2013), *New Chinese-Language Documentaries *(2015), *A
Companion to Modern Chinese Literature* (2016), and *Filming the Everyday*
(2017).
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From yamamoto at filmandmedia.ucsb.edu  Mon Nov 11 16:14:25 2019
From: yamamoto at filmandmedia.ucsb.edu (Naoki Yamamoto)
Date: Mon, 11 Nov 2019 13:14:25 -0800
Subject: [KineJapan] Talk Event on Nov. 15 @ NADiff, Ebisu
Message-ID: <70F9FDC3-ECFB-4F15-B519-D594FF073481@filmandmedia.ucsb.edu>

Dear KineJapaners,

A talk event on my recent anthology?????????????1950?????????????????will be held on Saturday, Nov. 15, 7 pm, at NADiff in Ebisu, Tokyo.  The speaker will be Toba Koji of Waseda University (co-editor of the book) and the playwright Takayama Akira. Takayama-san has also launched the project called ?J-Art Call Center,? which aimed to stimulate direct conversations over the phone between contemporary Japanese artists and opponents of the Aichi Triennale.

For more on the event: http://www.nadiff.com/?p=15748 <http://www.nadiff.com/?p=15748>
For more on Takayama-san: https://bijutsutecho.com/magazine/interview/20779 <https://bijutsutecho.com/magazine/interview/20779>

Best,
Naoki

Naoki Yamamoto
Assistant Professor
Film and Media Studies
University of California, Santa Barbara
yamamoto at filmandmedia.ucsb.edu

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From eija at helsinkicineaasia.fi  Tue Nov 12 01:30:46 2019
From: eija at helsinkicineaasia.fi (Eija Niskanen)
Date: Tue, 12 Nov 2019 15:30:46 +0900
Subject: [KineJapan] Talk Event on Nov. 15 @ NADiff, Ebisu
In-Reply-To: <70F9FDC3-ECFB-4F15-B519-D594FF073481@filmandmedia.ucsb.edu>
References: <70F9FDC3-ECFB-4F15-B519-D594FF073481@filmandmedia.ucsb.edu>
Message-ID: <CA+FavwPuQ2r3pwD9QPEP8yF0mJBOXt-KTOL_+NRBsX_6YzRUwA@mail.gmail.com>

Sounds interesting! But is it maybe Friday, 11/15?

Best,

Eija

ti 12. marrask. 2019 klo 6.14 Naoki Yamamoto via KineJapan (
kinejapan at mailman.yale.edu) kirjoitti:

> Dear KineJapaners,
>
> A talk event on my recent anthology?????????????1950?????????????????will
> be held on *Saturday, Nov. 15, 7 pm, at NADiff in Ebisu, Tokyo*.  The
> speaker will be Toba Koji of Waseda University (co-editor of the book) and
> the playwright Takayama Akira. Takayama-san has also launched the project
> called ?J-Art Call Center,? which aimed to stimulate direct conversations
> over the phone between contemporary Japanese artists and opponents of the
> Aichi Triennale.
>
> For more on the event: http://www.nadiff.com/?p=15748
> For more on Takayama-san:
> https://bijutsutecho.com/magazine/interview/20779
>
> Best,
> Naoki
>
> Naoki Yamamoto
> Assistant Professor
> Film and Media Studies
> University of California, Santa Barbara
> yamamoto at filmandmedia.ucsb.edu
>
> _______________________________________________
> KineJapan mailing list
> KineJapan at mailman.yale.edu
> https://mailman.yale.edu/mailman/listinfo/kinejapan
>


-- 
Eija Niskanen
+358-50-355 3189
+81-80-3558-1645
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From yamamoto at filmandmedia.ucsb.edu  Tue Nov 12 15:32:31 2019
From: yamamoto at filmandmedia.ucsb.edu (Naoki Yamamoto)
Date: Tue, 12 Nov 2019 12:32:31 -0800
Subject: [KineJapan] Talk Event on Nov. 15 @ NADiff, Ebisu
In-Reply-To: <CA+FavwPuQ2r3pwD9QPEP8yF0mJBOXt-KTOL_+NRBsX_6YzRUwA@mail.gmail.com>
References: <70F9FDC3-ECFB-4F15-B519-D594FF073481@filmandmedia.ucsb.edu>
 <CA+FavwPuQ2r3pwD9QPEP8yF0mJBOXt-KTOL_+NRBsX_6YzRUwA@mail.gmail.com>
Message-ID: <6711B7B6-89A0-423E-8B64-13FAF778E297@filmandmedia.ucsb.edu>

Yes, it?s on Friday. Thanks, Eija!!

Naoki


> On Nov 11, 2019, at 10:30 PM, Eija Niskanen <eija at helsinkicineaasia.fi> wrote:
> 
> Sounds interesting! But is it maybe Friday, 11/15?
> 
> Best,
> 
> Eija
> 
> ti 12. marrask. 2019 klo 6.14 Naoki Yamamoto via KineJapan (kinejapan at mailman.yale.edu <mailto:kinejapan at mailman.yale.edu>) kirjoitti:
> Dear KineJapaners,
> 
> A talk event on my recent anthology?????????????1950?????????????????will be held on Saturday, Nov. 15, 7 pm, at NADiff in Ebisu, Tokyo.  The speaker will be Toba Koji of Waseda University (co-editor of the book) and the playwright Takayama Akira. Takayama-san has also launched the project called ?J-Art Call Center,? which aimed to stimulate direct conversations over the phone between contemporary Japanese artists and opponents of the Aichi Triennale.
> 
> For more on the event: http://www.nadiff.com/?p=15748 <http://www.nadiff.com/?p=15748>
> For more on Takayama-san: https://bijutsutecho.com/magazine/interview/20779 <https://bijutsutecho.com/magazine/interview/20779>
> 
> Best,
> Naoki
> 
> Naoki Yamamoto
> Assistant Professor
> Film and Media Studies
> University of California, Santa Barbara
> yamamoto at filmandmedia.ucsb.edu <mailto:yamamoto at filmandmedia.ucsb.edu>
> _______________________________________________
> KineJapan mailing list
> KineJapan at mailman.yale.edu <mailto:KineJapan at mailman.yale.edu>
> https://mailman.yale.edu/mailman/listinfo/kinejapan <https://mailman.yale.edu/mailman/listinfo/kinejapan>
> 
> 
> -- 
> Eija Niskanen
> +358-50-355 3189
> +81-80-3558-1645

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From nornes at umich.edu  Tue Nov 12 23:31:19 2019
From: nornes at umich.edu (Markus Nornes)
Date: Tue, 12 Nov 2019 23:31:19 -0500
Subject: [KineJapan] Yama screenings
Message-ID: <CANoSnpAM0X0tdrvp-aNqcoMi0i5oqEyvT1u2v0D2NXpFvW+-jg@mail.gmail.com>

Here is a decent article about Yama, the documentary on Sanya day laborers
which got its two directors assassinated. Incredibly, the film continues to
be shown independently by the original screening movement that formed upon
completion. I remember seeing it at one of their screenings in the early
90s. It was in some NPO space in Shitamachi, and virtually all the audience
members were day laborers. Incredible that they are still at it.

Markus
-- 
---

*Markus Nornes*
*Professor of Asian Cinema*
Department of Film, Television and Media, Department of Asian Languages and
Cultures, Penny Stamps School of Art & Design

*Department of Film, Television and Media*
*6348 North Quad*
*105 S. State Street*
*Ann Arbor, MI 48109-1285*
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From nornes at umich.edu  Wed Nov 13 09:16:21 2019
From: nornes at umich.edu (Markus Nornes)
Date: Wed, 13 Nov 2019 09:16:21 -0500
Subject: [KineJapan] Yama screenings
In-Reply-To: <CANoSnpAM0X0tdrvp-aNqcoMi0i5oqEyvT1u2v0D2NXpFvW+-jg@mail.gmail.com>
References: <CANoSnpAM0X0tdrvp-aNqcoMi0i5oqEyvT1u2v0D2NXpFvW+-jg@mail.gmail.com>
Message-ID: <CANoSnpD=YtNZJRs-RhSon9JuOr-sFBosdMBuL35wghFBW9fAgQ@mail.gmail.com>

Oops: forgot the link:
https://hyperallergic.com/526738/yama-attack-to-attack/
M
---

*Markus Nornes*
*Professor of Asian Cinema*
Department of Film, Television and Media, Department of Asian Languages and
Cultures, Penny Stamps School of Art & Design

*Department of Film, Television and Media*
*6348 North Quad*
*105 S. State Street*
*Ann Arbor, MI 48109-1285*



On Tue, Nov 12, 2019 at 11:31 PM Markus Nornes <nornes at umich.edu> wrote:

> Here is a decent article about Yama, the documentary on Sanya day laborers
> which got its two directors assassinated. Incredibly, the film continues to
> be shown independently by the original screening movement that formed upon
> completion. I remember seeing it at one of their screenings in the early
> 90s. It was in some NPO space in Shitamachi, and virtually all the audience
> members were day laborers. Incredible that they are still at it.
>
> Markus
> --
> ---
>
> *Markus Nornes*
> *Professor of Asian Cinema*
> Department of Film, Television and Media, Department of Asian Languages
> and Cultures, Penny Stamps School of Art & Design
>
> *Department of Film, Television and Media*
> *6348 North Quad*
> *105 S. State Street*
> *Ann Arbor, MI 48109-1285*
>
>
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From macyroger at yahoo.co.uk  Wed Nov 13 21:22:20 2019
From: macyroger at yahoo.co.uk (Roger Macy)
Date: Thu, 14 Nov 2019 02:22:20 +0000 (UTC)
Subject: [KineJapan] Fw: Pressemitteilung / Press Release: Berlinale
 Documentary Film Award 2020
In-Reply-To: <chk62131C244EC7153E7@kbbws1909165>
References: <chk62131C244EC7153E7@kbbws1909165>
Message-ID: <1903808716.1341.1573698140518@mail.yahoo.com>

 I hope some Japanese - or even Japanese-American - filmmakers pitch for this  ? 40,000 ...Roger

   ----- Forwarded message ----- From: press at berlinale.de <press at berlinale.de>To: "press at berlinale.de" <press at berlinale.de>Sent: Wednesday, 13 November 2019, 21:06:21 GMT+9Subject: Pressemitteilung / Press Release: Berlinale Documentary Film Award 2020
  










Pressemitteilung/ Press Release



?(forEnglish version see below) ?
 
BerlinaleDokumentarfilmpreis 2020: rbb wird Preisstifter und rbb media Co-Partner derBerlinale
 

DerBerlinale Dokumentarfilmpreis wird ab 2020 mit einem Preisgeld von ? 40.000dotiert, das vom rbb gestiftet wird. Dank der Unterst?tzung durch den RundfunkBerlin-Brandenburg wird somit auch in Zukunft ein Preis f?r den bestenDokumentarfilm bei der Berlinale vergeben. Ab 2020 wird rbb media sich beimFestival als Co-Partner engagieren. Die Partnerschaft wurde f?r f?nf Jahregeschlossen. 
 
?

Insgesamtwerden rund 18 aktuelle Dokumentarbeitr?ge aus den SektionenWettbewerb, Encounters, Panorama, Forum,Generation, Berlinale Special und Perspektive DeutschesKino f?r den Berlinale Dokumentarfilmpreis nominiert. Eine dreik?pfige Juryentscheidet ?ber die Vergabe, das Preisgeld von ? 40.000 teilen sichRegisseur*in und Produzent*in des Preistr?gerfilms. Die Auszeichnung wird imRahmen der offiziellen Preisverleihung am 29. Februar 2020 im Berlinale Palastvergeben.

?

Seit langemengagieren sich die Internationalen Filmfestspiele Berlin f?r den Dokumentarfilmund dokumentarische Formen. Das zeigt sich sowohl im Programm der verschiedenenSektionen, Initiativen und Sonderreihen als auch im European FilmMarket (EFM). 2019 wurden rund 100 Dokumentarfilme unddokumentarische Formen beim Festival gezeigt. Der Berlinale Dokumentarfilmpreiswurde 2017 ins Leben gerufen.
?
?Wir freuen uns sehr, dass wir unserEngagement f?r den Dokumentarfilm bei der Berlinale mit dem BerlinaleDokumentarfilmpreis gemeinsam mit unserem Medienpartner rbb fortsetzen k?nnen.Das Engagement der rbb Tochter rbb media als Co-Partner des Festivals rundet denwertvollen Einsatz des Hauptstadtsenders f?r die Berlinale ab?, so dieGesch?ftsf?hrerin der Berlinale Mariette Rissenbeek.

?

?Unserelangj?hrige Beziehung mit der Berlinale zeichnet sich besonders durch dieinhaltliche N?he unseres Senders zu den Themen des Festivals aus. Wir freuen unsdaher au?erordentlich, die Berlinale mit rbb media als Co-Partner zuunterst?tzen und mit dem rbb als Preisstifter des BerlinaleDokumentarfilmpreises auch eine ganz besondere Filmform aktiv zu f?rdern?, soPatricia Schlesinger, Intendantin des Rundfunk Berlin-Brandenburg.

?



?

Presseabteilung
13. November2019

?

?

Pressekontakt:press at berlinale.de



Aufunserer Website finden Sie hier?allebisherigen?Pressemitteilungen: https://www.berlinale.de/de/presse/pressemitteilungen/alle/Alle.html

Folgen Sieuns auf Twitter:








|  
 ?
 
Wenn Sie die Pressemitteilungen nicht mehr erhalten m?chten oder sich Ihre E-Mail-Adresse ge?ndert hat, senden Sie bitte eine E-Mail an pressmailing at berlinale.de. 
 
?
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?
 
EnglishVersion:




Berlinale Documentary FilmAward 2020: rbb is the New Award Sponsor and rbb media is a BerlinaleCo-Partner
 
?
 
As of 2020, the BerlinaleDocumentary Film Award will be endowed with ? 40,000 in prize money sponsored bypublic broadcaster Rundfunk Berlin-Brandenburg (rbb). Thanks to the support fromrbb, the award for the best documentary film will also be presented at theBerlinale in the future. Starting in 2020, rbb media will be involved with thefestival as a co-partner. The partnership is agreed for fiveyears.
 
?
 
In total, approximately 18 currentdocumentaries from the sections Competition, Encounters,Panorama, Forum, Generation, BerlinaleSpecial and Perspektive Deutsches Kino will be nominated for theBerlinale Documentary Film Award. A three-person jury will choose the winner andthe ? 40,000 in prize money will be shared by the director and the producer ofthe winning film. The award will be presented during the official AwardsCeremony at the Berlinale Palast on February 29,2020.
 
?
 
The Berlin International Film Festival has longbeen committed to documentary film and documentary forms, as evidenced both bythe programmes of many festival sections, initiatives, and special series, aswell as in the European Film Market (EFM). In 2019,approximately 100 documentary films and documentary forms were shown at thefestival. The Berlinale Documentary Film Award launched in2017.
 
?
 
?We?re very pleased that we canmaintain our dedication to documentary film at the Berlinale by presenting theDocumentary Film Award together with our media partner rbb. The involvement ofrbb subsidiary, rbb media, as a co-partner of the festival and its?valuable commitment to the Berlinale isthe perfect complement,? commented Mariette Rissenbeek, Executive Director ofthe Berlinale.
 
?
 
?Our long-time relationship withthe Berlinale is characterised by the broadcaster?s closeness to the themes ofthe festival. This is why we are especially pleased to support the Berlinalewith rbb media as festival co-partner, and to actively encourage a very specialkind of film with rbb as the Berlinale Documentary Award sponsor,? commentedPatricia Schlesinger, Director of Rundfunk Berlin-Brandenburg(rbb).
 
?
 

 
 ?

PressOffice
 
November 13,2019

 ?

?

Presscontact:press at berlinale.de

?

Onour website you can find all previous?press releases: https://www.berlinale.de/en/presse/pressemitteilungen/alle/Alle.html

Follow us onTwitter:







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If you don?t want to receive these press releases in the future or if your email address has changed, please send an email to pressmailing at berlinale.de.
 
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From jasper_sharp at hotmail.com  Thu Nov 14 05:44:28 2019
From: jasper_sharp at hotmail.com (Jasper Sharp)
Date: Thu, 14 Nov 2019 10:44:28 +0000
Subject: [KineJapan] Tetsuaki Matsue
Message-ID: <CWXP123MB2613D3818208C6A3B31B5A9BF7710@CWXP123MB2613.GBRP123.PROD.OUTLOOK.COM>

Dear all,
I don't suppose anyone would have a current contact for Tetsuaki Matsue?
If so, could they please contact me directly off list, as I seem to have lost touch.
best
Jasper



The Creeping Garden<http://www.creepinggarden.com/> - A Real-Life Science-Fiction Story about Slime Moulds and the People Who Work With them, directed by Tim Grabham and Jasper Sharp.
Available now on Dual-Format Blu-ray/DVD from Arrow Films<https://arrowfilms.com/product-detail/the-creeping-garden-dual-format/FCD1435>.
The book, The Creeping Garden: Irrational Encounters with Plasmodial Slime Moulds is out now from Alchimia Publishing<http://www.alchimiapublishing.com/creeping-garden/>.
"A surprising investigation of perception, thought and life itself", Nicolas Rapold, The New York Times<http://www.nytimes.com/2015/09/30/movies/review-the-creeping-garden-on-the-wonders-of-the-slime-mold.html>.
"An out-of-left-field nerdy delight", John DeFore, Hollywood Reporter<https://www.hollywoodreporter.com/review/creeping-garden-fantasia-review-724416>.
"Strange, eccentric, diverting", Peter Bradshaw, The Guardian<https://www.theguardian.com/film/2017/mar/09/creeping-garden-review-slime-mould-film>.

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From aaron.gerow at yale.edu  Sat Nov 16 23:44:19 2019
From: aaron.gerow at yale.edu (Gerow Aaron)
Date: Sat, 16 Nov 2019 23:44:19 -0500
Subject: [KineJapan] Kawasaki City Museum
In-Reply-To: <021401d5865e$9ecd7350$dc6859f0$@org>
References: <F9196FA8-86C6-45ED-8396-0D7EEBEC7D5F@gmail.com>
 <021401d5865e$9ecd7350$dc6859f0$@org>
Message-ID: <7A70827D-6D3E-42BE-BE52-93E2A769A40A@yale.edu>

I did a write up on my blog on how to make a donation to support the restoration of the collection of the Kawasaki City Museum, which was damaged by flooding during Typhoon Hagibis. I've already donated by credit card, but it is a bit more complicated than it should be, so I try to guide you through it.

http://www.aarongerow.com/news/supporting-the-kawasaki.html <http://www.aarongerow.com/news/supporting-the-kawasaki.html>
Aaron Gerow
Professor
Film and Media Studies Program/East Asian Languages and Literatures
Chair, East Asian Languages and Literatures
Yale University
143 Elm Street, Room 210
PO Box 208324
New Haven, CT 06520-8324
USA
Phone: 1-203-432-7082
Fax: 1-203-432-6729
e-mail: aaron.gerow at yale.edu <mailto:aaron.gerow at yale.edu>
website: www.aarongerow.com


















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From nornes at umich.edu  Sun Nov 17 23:34:23 2019
From: nornes at umich.edu (Markus Nornes)
Date: Sun, 17 Nov 2019 21:34:23 -0700
Subject: [KineJapan] Are you interested in bringing benshi Ichiro to your
 school?
Message-ID: <CANoSnpAEc50AjP=8SuOh9cNrhmyJByOFLTtGwBgLPUh+zU9c3A@mail.gmail.com>

Michigan is bringing Kataoka Ichiro to Ann Arbor for a 2/13 screening. He
could do another screening before that. Is anyone interested? I'll put you
in touch with him. We would get him to the states; you'd just have to fly
him from Detroit.

Contact me directly, not by KineJapan, if you are interested. (
nornes at umich.edu)

Cheers,

Markus


---

*Markus Nornes*
*Professor of Asian Cinema*
Department of Film, Television and Media, Department of Asian Languages and
Cultures, Penny Stamps School of Art & Design

*Department of Film, Television and Media*
*6348 North Quad*
*105 S. State Street*
*Ann Arbor, MI 48109-1285*
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From aaron.gerow at yale.edu  Mon Nov 18 10:39:30 2019
From: aaron.gerow at yale.edu (Aaron Gerow)
Date: Mon, 18 Nov 2019 10:39:30 -0500
Subject: [KineJapan] =?utf-8?q?Fwd=3A_Waseda_Silent_Film_Symposium_?=
 =?utf-8?b?44OH44K444K/44Or5pmC5Luj44Gu44K144Kk44Os44Oz44OI5pig55S777ya?=
 =?utf-8?b?5pig55S744CO44Kr44OE44OZ44Oz77yB44CP44KS5LqL5L6L44Gr?=
References: <858f6d57-2704-d4a4-e5f9-da008d382366@jasias.jp>
Message-ID: <76178BED-B706-4C70-87DF-F559A9833591@yale.edu>

Waseda will host a symposium on November 23 on silent cinema in the digital age.

> ?????????????????????????????????????????
> 
> ???2019?11?23??????14:00?16:30??? 13:30?
> ???????? ??????
> ????????????
> http://www.waseda.jp/prj-kyodo-enpaku/activity/2019_1123.html
> 
> ??????
> ?????????????????????????????????????????????????????????????????????????????????????????CG?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????1????????????????? ???????????1910???????????????????????????????????2???????????????????????????????????????2019?12????????????????????????????????????????????????????????????????????
> 
> ???????
> ?1??????????????????
> ????1910?????????????
> ?????????? ?????1916??45???????????
> ???????????????????????????????????
> ??????????????????????
> 
> ?2???????????????????????????
> ????????????????????
> ?????????????????????
> 
> ?????????????????????????
> ?????31?? ??? ???????????????????????????????????????????????????
> ?????????????????kyodo-enpaku at list.waseda.jp


From macyroger at yahoo.co.uk  Wed Nov 20 07:35:21 2019
From: macyroger at yahoo.co.uk (Roger Macy)
Date: Wed, 20 Nov 2019 12:35:21 +0000 (UTC)
Subject: [KineJapan] =?utf-8?b?6aKo6Zuy5Z+O5Y+yLCAxOTI4IENhc3RsZSBvZiB0?=
 =?utf-8?q?he_Wind_and_Clouds?=
References: <700352404.5014801.1574253321836.ref@mail.yahoo.com>
Message-ID: <700352404.5014801.1574253321836@mail.yahoo.com>


I?ve just noticed that the Belgian Cin?matheque/Cinematek areshowing this week a restored print of ????, 1928 - F?un j?shi / F??un-j? shi. 

http://cinematek.be/?node=17&event_id=400495602

When I saw it on the flatbed in 2015, unrestored, it was a fine, tinted,subtitled print ? in much better condition than most Japanese films that survivefrom that time. Perhaps the restoration was to go back to the unsubtitledmaster. The dual language subtitles I saw were credited to Hiroko Govaers. Thatwould have been roughly in the 70s. Until then, I would argue that part of thecause for its being unshown in the west at the time was its lack oftranslation (and the coming of the talkies).

There would be an argument for using a benshi on this film ? not all ofthe story is clear purely from the pure film, or its intertitles, particularlyat the end.

And I don?t agree with 22 f.p.s. I felt that the movement would lookright at about 14 f.p.s., but perhaps contemporary audiences would find thatslow, depending on the accompaniment and presentation, of which there is no mention, here.

Roger

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From eija.niskanen at gmail.com  Thu Nov 21 04:25:11 2019
From: eija.niskanen at gmail.com (Eija Niskanen)
Date: Thu, 21 Nov 2019 18:25:11 +0900
Subject: [KineJapan] Manga/anime/game museum symposium at Meiji University
Message-ID: <CA+FavwNFYRLV1T_7MRucbj8bs9bZA2-JxuBFL5ME8x6ARqrwJg@mail.gmail.com>

Sat 11/23 at Meiji University Tsurugadai campus (Ochanomizu) at Global
Front Bldg, takes place a continuation to a previous symposium, where the
topic of a museum and questions of archiving of manga, anime, and games is
discussed. Time: 13-18, doors open 12:40.
Registration: planning at mics.meiji.ac.jp
03-3296-4403

Eija Niskanen
helsinkicineaasia.fi
+358-50-355 3189
+81-90-1736-8167
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From aaron.gerow at yale.edu  Tue Nov 26 12:29:17 2019
From: aaron.gerow at yale.edu (Gerow Aaron)
Date: Tue, 26 Nov 2019 12:29:17 -0500
Subject: [KineJapan] Fwd: CFP Working Groups: Asian Women Filmmakers on
 Global Screens: Networks, Circuits,
 and Community Connections (27-28 March 2020)
References: <5130983811332689.WA.cnvicera.hkugmail.com@listserv.ua.edu>
Message-ID: <9592AEA2-31FC-4A9A-B567-C86DED32F82F@yale.edu>


> 
> [EXTENDED DEADLINE 31 DEC 2019]
> 
> CFP Working Groups: Asian Women Filmmakers on Global Screens: Networks, Circuits, and Community Connections (27-28 March 2020)
> Center for the Study of Globalization and Cultures,
> Faculty of Arts, University of Hong Kong
> 
> Women filmmakers are severely underrepresented in general film distribution (theatrical and auxiliary), film festivals and awards: a phenomenon that adversely affects the visibility of female filmmakers from Asia. However, there has been little concrete investigation into the mechanisms that underpin the status quo. Through engaging international specialists on women in film, this conference seeks to dissect the system, pinpoint the weak spots and identify a possible remedial course of action toward improving the situation of women filmmakers.  The goal of our conversation will not only be to increase knowledge on these matters but to make practical recommendations to the film industry, film festivals, and other institutions.
> 
> This conference brings together academics and practitioners to create the opportunity for engagement between communities within the Asian region and beyond. Our objective with this conference is to bring together female academics and practitioners (many of whom have academic credentials as well) for a discussion that focuses on the pitfalls in women?s careers in cinema, aims to identify specific problem areas, and produces concrete remedial recommendations that will then be disseminated to the wider international community.
> 
> This follows our successful local summit devoted to women in Hong Kong film higher education (November 2018) and a follow-up on HeForShe male allies (May 2019).  In addition, it supplements information on our website/database devoted to Hong Kong women filmmakers active since 1997(https://hkwomenfilmmakers.wordpress.com/) as well as our directory (https://sites.google.com/view/hkwfhighered/home) on men and women involved in promoting gender equality in film education in Hong Kong.
> 
> Professor Dina Iordanova, University of St. Andrews, Scotland, and Professor Soyoung Kim, Korea National University of the Arts will deliver keynote speeches. In addition, Meaghan Morris, Professor of Gender and Cultural Studies at the University of Sydney will be our special guest.
> 
> If you are a film professional and would like to participate in working groups at the conference, please send us your name, affiliation, a brief bio, and contact information by December 31, 2019, to be included in the program. We are, unfortunately, unable to provide travel and accommodation; however, there is no registration fee and some meals/refreshments will be provided for registered participants.
> 
> All correspondence should be sent to Gina Marchetti and Christine Vicera at viceracn at hku.hk with ?Asian Women Filmmakers 2020 (Working Groups)? in the subject line. We will send out notifications of acceptance by January 15, 2020, and open registration after that date.
> 
> ----
> Online resources for film/TV studies may be found at ScreenSite
> http://www.ScreenSite.org


From aaron.gerow at yale.edu  Tue Nov 26 13:08:30 2019
From: aaron.gerow at yale.edu (Gerow Aaron)
Date: Tue, 26 Nov 2019 13:08:30 -0500
Subject: [KineJapan] Fwd: Waseda workshop on Roman Poruno
References: <f2df9208-a622-ac43-3243-f75b833ffaa0@jasias.jp>
Message-ID: <2A56E8E2-3950-4940-B857-53707F699DF2@yale.edu>


> ???????????????????????????????
> ?????????????????????????????????????????????????????????
> 
> ??????????????????????????????????????
> 
> ????
> 2019?12?14????13:30-15:30
> 
> ????
> ????????????32??325??????70??
> ?????https://www.waseda.jp/top/access/toyama-campus
> 
> ????????????
> ?????????????????18????????????????
> 
> ??????
> ?2021????50???????????????????????????????????????????????????????????????????????????????????????
> ?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????
> ??????????????????????????????????????????????????????????????????????
> 
> ?????
> ?????????????????
> ????????????????????????
> ????????????????????
> ??????????????????????
> 
> ????????
> ???????????????????????????????nrp.presssheet at gmail.com?
> 
>