From matteo.boscarol at gmail.com  Tue Feb  2 17:54:24 2021
From: matteo.boscarol at gmail.com (Asian Docs)
Date: Wed, 3 Feb 2021 07:54:24 +0900
Subject: [KineJapan] Japanese Expanded Cinema and Intermedia: Critical Texts
 of the 1960s
Message-ID: <CAO3jzpy8nDbhNWi+OhcQvn2vP3LeN+povU-wRAZM-1AHb94z6Q@mail.gmail.com>

Dear all,

Apologies if this has already been posted,

Japanese Expanded Cinema and Intermedia: Critical Texts of the 1960s (Edited
by Ann Adachi-Tasch, Go Hirasawa, Julian Ross) is now available here:

https://www.collabjapan.org/ccj-shop/33se9yt6ubls7gbb83c5tgqivow3pq

regards

Matteo Boscarol
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From aaron.gerow at yale.edu  Thu Feb  4 12:31:39 2021
From: aaron.gerow at yale.edu (Gerow Aaron)
Date: Thu, 4 Feb 2021 12:31:39 -0500
Subject: [KineJapan] Kinema Junpo Best Ten 2020
Message-ID: <F3D2AA0C-5B47-43FB-B504-B412A92A62AB@yale.edu>

The Kinema Junpo Best Ten was announced, with Kurosawa Kiyoshi's Wife of a Spy selected as best picture. Obayashi Nobuhiko was (posthumously) given the award for best director, and Kurosawa, Hamaguchi Ryusuke, and Nohara Tadashi shared the prize for best screenplay. Mizuhara Asami won best actress and Moriyama Mirai won best actor. Best documentary (bunka eiga) went to Naze kimi wa soridaijin ni narenai no ka, directed by Oshima Arata (son of Oshima Nagisa).

https://www.cinematoday.jp/news/N0121206


Aaron Gerow
Professor
Film and Media Studies Program/East Asian Languages and Literatures
Chair, East Asian Languages and Literatures
Yale University
143 Elm Street, Room 210
PO Box 208324
New Haven, CT 06520-8324
USA
Phone: 1-203-432-7082
Fax: 1-203-432-6729
e-mail: aaron.gerow at yale.edu <mailto:aaron.gerow at yale.edu>
website: www.aarongerow.com


















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From eija.niskanen at gmail.com  Tue Feb  9 15:22:13 2021
From: eija.niskanen at gmail.com (Eija Niskanen)
Date: Tue, 9 Feb 2021 22:22:13 +0200
Subject: [KineJapan] petition for the continuation of Hiroshima
 international animation festival
Message-ID: <CA+FavwOEV+c8PZPcyLWAWZThN_88oL+iZyVfvuAd3B+mez4Zcw@mail.gmail.com>

Dear all,

Hiroshima city is ending its support for the animation festival, and
planning a commercial event to replace it. Hiroshima sure has its problems,
but ending it and replacing it with another tourist attraction is not the
way to do it. Please sign.

https://www.change.org/p/mayor-of-hiroshima-keep-the-hiroshima-international-animation-festival-going?recruiter=8274716&utm_source=share_petition&utm_medium=facebook&utm_campaign=psf_combo_share_initial&utm_term=petition_dashboard&recruited_by_id=b6b96850-e621-012f-6392-4040f855b16c&utm_content=fht-26458336-en-us%3A0

Eija Niskanen
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From kmezur at sbcglobal.net  Tue Feb  9 16:55:59 2021
From: kmezur at sbcglobal.net (Katherine Mezur)
Date: Tue, 9 Feb 2021 21:55:59 +0000 (UTC)
Subject: [KineJapan] petition for the continuation of Hiroshima
 international animation festival
In-Reply-To: <CA+FavwOEV+c8PZPcyLWAWZThN_88oL+iZyVfvuAd3B+mez4Zcw@mail.gmail.com>
References: <CA+FavwOEV+c8PZPcyLWAWZThN_88oL+iZyVfvuAd3B+mez4Zcw@mail.gmail.com>
Message-ID: <654939020.3125771.1612907759334@mail.yahoo.com>

Done!

Katherine Mezur, PhDLecturerDepartment of Comparative LiteratureUniversity of California, Berkeley
|  
|  | Co-editor with Emily Wilcox of?Corporeal Politics: Dancing East Asia?(University of Michigan Press, 2020) |  |  | 
 |


 |  | 
 |


 

    On Tuesday, February 9, 2021, 12:45:51 PM PST, Eija Niskanen via KineJapan <kinejapan at mailman.yale.edu> wrote:  
 
 Dear all,
Hiroshima city is ending its support for the animation festival, and planning a commercial?event to replace it. Hiroshima sure has its problems, but ending it and replacing it with another tourist attraction is not the way to do it. Please sign.
https://www.change.org/p/mayor-of-hiroshima-keep-the-hiroshima-international-animation-festival-going?recruiter=8274716&utm_source=share_petition&utm_medium=facebook&utm_campaign=psf_combo_share_initial&utm_term=petition_dashboard&recruited_by_id=b6b96850-e621-012f-6392-4040f855b16c&utm_content=fht-26458336-en-us%3A0

Eija Niskanen

_______________________________________________
KineJapan mailing list
KineJapan at mailman.yale.edu
https://mailman.yale.edu/mailman/listinfo/kinejapan
  
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From dlewis24 at wustl.edu  Wed Feb 10 10:07:54 2021
From: dlewis24 at wustl.edu (Diane Lewis)
Date: Wed, 10 Feb 2021 09:07:54 -0600
Subject: [KineJapan] Job posting: Assistant Professor of Chinese-Language
 Media Cultures
Message-ID: <CAHHDWd7TQoqNX_HX=HGbqOvVgOpEbvin0OntGFtG+s+NC2vBPw@mail.gmail.com>

Dear KineJapaners,

WashU is conducting a search for an Assistant Professor specializing in
Chinese-language media. Review of applications begins March 10.

Questions about the search should be directed to Letty Chen (contact info
below), but I'm happy to answer questions about WashU, St. Louis, and Film
and Media Studies. Please email me off list -- thanks!

Best,
Diane


*WASHINGTON UNIVERSITY IN ST. LOUIS, Department of East Asian Languages and
Cultures and Program in Film and Media Studies ? Assistant Professor. *The
Department of East Asian Languages and Cultures and Program in Film and
Media Studies at Washington University in St. Louis invite applications for
a tenure-track joint appointment (75% EALC, 25% FMS) in Chinese-language
media cultures within the context of globalized communication. The position
will be at the rank of Assistant Professor, home based in the Department of
East Asian Languages and Cultures, and will begin in the fall semester of
2021.

Strong candidates will have a firm grounding in humanities-based media
studies with expertise in two key areas: 1) research relating to media and
Chinese identity (as experienced in China, Taiwan, Hong Kong, and in
Chinese communities around the globe), with a desired emphasis on digital
communications media (e.g. social media platforms) or film; and 2) digital
humanities or cultural analytics approaches that dramatically enhance
research horizons related to cultural identity and diversity through
sophisticated data analysis and visualization, multimodal scholarly
projects, or related practices.

The successful candidate will possess the interdisciplinary expertise
needed to provide training in Chinese-language media cultures and systems,
information literacy, and the global history, theory, and/or production of
digital media. Potential areas of emphasis include, for instance, civic
media and communication, activist media, and authoritarian media policy.

A Ph.D. in the field of East Asian studies and/or film and media studies,
or a closely related field, is required at the time of appointment. For
full consideration, candidates must have the preparation to teach
introductory or survey courses on the history, theory, and analysis of
digital media, and/or digital media production/analytics. The candidate
should have native or near native fluency in both Chinese and English and
research-appropriate abilities in Chinese language.  Duties will include
teaching assigned courses at the graduate and undergraduate level, normally
two per semester. Of the four courses to be offered during the academic
year, one will be assigned by the Program in Film and Media Studies. The
successful candidate will be expected to maintain an active research and
publishing program. Duties will further include student advising and
appropriate departmental and university service activities.

Application materials should include curriculum vitae, research statement,
teaching statement, a writing sample of no more than 35 pages, two course
syllabi (one at the graduate level and the other at the undergraduate
level), three letters of recommendation, and teaching evaluations. These
materials and three letters of reference should be uploaded to Interfolio [
https://apply.interfolio.com/83720].  Questions about the position may be
addressed to Lingchei Letty Chen, search committee chair, at
ealc at wustl.edu.Applications
received before March 10 will receive full consideration. Consideration
after that date will be at the discretion of the search committee.



Diversity and Inclusion are core values at Washington University, and the
strong candidate will demonstrate the ability to create inclusive
classrooms and environments in which a diverse array of students can learn
and thrive.

*An Equal Opportunity Affirmative Action Employer: *Washington University
in St. Louis is committed to the principles and practices of equal
employment opportunity and especially encourages applications by those
underrepresented in their academic fields. It is the University?s policy to
recruit, hire, train, and promote persons in all job titles without regard
to race, color, age, religion, sex, sexual orientation, gender identity or
expression, national origin, protected veteran status, disability, or
genetic information.

*Clery Statement: *Each year Washington University publishes a Safety and
Security brochure that details what to do and whom to contact in an
emergency. This report also publishes the federally required annual
security and fire safety reports, containing campus crime and fire
statistics as well as key university policies and procedures. You may
access the Safety and Security brochure at
https://police.wustl.edu/clery-reports-logs/.




-- 
Diane Wei Lewis
Assistant Professor, Film & Media Studies
Washington University in St. Louis
Campus Box 1174, Seigle Hall 416
One Brookings Drive
St. Louis, MO 63130-4899
dlewis24 at wustl.edu
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From KWatanabe at japansociety.org  Wed Feb 10 10:58:39 2021
From: KWatanabe at japansociety.org (Watanabe, Kazu)
Date: Wed, 10 Feb 2021 15:58:39 +0000
Subject: [KineJapan] 21st Century Japanese Films Streaming in US
Message-ID: <59676638-D769-45C0-A932-287503AF8D15@contoso.com>

Dear KineJapan colleagues:

I wanted to pass along notice of an online film series currently running at Japan Society in NYC through February 25 titled 21st Century Japan: Films from 2001-2020: https://film.japansociety.org/page/21-st-century-japan-films-from-2001-2020/

Consisting of 30 feature films and shorts, the lineup offers a really varied selection of Japanese narrative fiction films from the past 20 years including works by well-known directors like Hirokazu Kore-eda and Naomi Kawase as well as those of less internationally-known filmmakers such as Shuichi Okita and Satoko Yokohama. In addition to the main body of 20 films (one per year), there is a 3-film retrospective of Kiyoshi Kurosawa?s harder-to-see films from this millennium that is accompanied by an hour-long conversation with the director introduced by Kent Jones. There is also a 6-film selection of films by up-and-coming Japanese filmmakers that are available to stream for free. Lastly, there are a few free talks on offer, including Q&As and reflections on the past 20 years of Japanese cinema from participating filmmakers and film critic Mark Schilling.

This series is sponsored and co-presented by the Agency for Cultural Affairs, Government of Japan, as part of a new initiative called the ACA Cinema Project. With their support, we could license many Japanese films that would have otherwise been fiscally impossible to secure, so in this way it is something of a special opportunity. Many of these titles are currently unavailable to stream anywhere else within the US or otherwise unavailable with English subtitles.

For KineJapan community members, I prepared a promo code that will give you 10% off all rentals and can be used multiple times:

  *   KINEJAPAN10

I hope you can spread the word about this series to your friends, colleagues and students. Please feel free to reach out to me with any questions or requests.

Best,
Kazu
_____
Kazu Watanabe
Deputy Director, Film
Japan Society | 333 E. 47th St. | New York, NY 10017
(p) 212-715-1265 (e) kwatanabe at japansociety.org<mailto:kwatanabe at japansociety.org>
www.japansociety.org/film<http://www.japansociety.org/film>



From mekerpan2 at gmail.com  Wed Feb 10 13:56:50 2021
From: mekerpan2 at gmail.com (Michael Kerpan)
Date: Wed, 10 Feb 2021 13:56:50 -0500
Subject: [KineJapan] 21st Century Japanese Films Streaming in US
In-Reply-To: <59676638-D769-45C0-A932-287503AF8D15@contoso.com>
References: <59676638-D769-45C0-A932-287503AF8D15@contoso.com>
Message-ID: <CALt6Fyroz4zRhTUPgwKjNOHBsoKUqv0tpJTDznAGtM3bHvxsYg@mail.gmail.com>

Is the pass still available -- or can one only pay for these separately
now. (Can't find any option for the pass).

Michael Kerpan
Boston

On Wed, Feb 10, 2021 at 10:58 AM Watanabe, Kazu via KineJapan <
kinejapan at mailman.yale.edu> wrote:

> Dear KineJapan colleagues:
>
> I wanted to pass along notice of an online film series currently running
> at Japan Society in NYC through February 25 titled 21st Century Japan:
> Films from 2001-2020:
> https://film.japansociety.org/page/21-st-century-japan-films-from-2001-2020/
>
> Consisting of 30 feature films and shorts, the lineup offers a really
> varied selection of Japanese narrative fiction films from the past 20 years
> including works by well-known directors like Hirokazu Kore-eda and Naomi
> Kawase as well as those of less internationally-known filmmakers such as
> Shuichi Okita and Satoko Yokohama. In addition to the main body of 20 films
> (one per year), there is a 3-film retrospective of Kiyoshi Kurosawa?s
> harder-to-see films from this millennium that is accompanied by an
> hour-long conversation with the director introduced by Kent Jones. There is
> also a 6-film selection of films by up-and-coming Japanese filmmakers that
> are available to stream for free. Lastly, there are a few free talks on
> offer, including Q&As and reflections on the past 20 years of Japanese
> cinema from participating filmmakers and film critic Mark Schilling.
>
> This series is sponsored and co-presented by the Agency for Cultural
> Affairs, Government of Japan, as part of a new initiative called the ACA
> Cinema Project. With their support, we could license many Japanese films
> that would have otherwise been fiscally impossible to secure, so in this
> way it is something of a special opportunity. Many of these titles are
> currently unavailable to stream anywhere else within the US or otherwise
> unavailable with English subtitles.
>
> For KineJapan community members, I prepared a promo code that will give
> you 10% off all rentals and can be used multiple times:
>
>   *   KINEJAPAN10
>
> I hope you can spread the word about this series to your friends,
> colleagues and students. Please feel free to reach out to me with any
> questions or requests.
>
> Best,
> Kazu
> _____
> Kazu Watanabe
> Deputy Director, Film
> Japan Society | 333 E. 47th St. | New York, NY 10017
> (p) 212-715-1265 (e) kwatanabe at japansociety.org<mailto:
> kwatanabe at japansociety.org>
> www.japansociety.org/film<http://www.japansociety.org/film>
>
>
> _______________________________________________
> KineJapan mailing list
> KineJapan at mailman.yale.edu
> https://mailman.yale.edu/mailman/listinfo/kinejapan
>
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From wct1 at columbia.edu  Wed Feb 10 16:21:36 2021
From: wct1 at columbia.edu (William C. Thompson)
Date: Wed, 10 Feb 2021 16:21:36 -0500
Subject: [KineJapan] 21st Century Japanese Films Streaming in US
In-Reply-To: <CALt6Fyroz4zRhTUPgwKjNOHBsoKUqv0tpJTDznAGtM3bHvxsYg@mail.gmail.com>
References: <59676638-D769-45C0-A932-287503AF8D15@contoso.com>
 <CALt6Fyroz4zRhTUPgwKjNOHBsoKUqv0tpJTDznAGtM3bHvxsYg@mail.gmail.com>
Message-ID: <CAOXQ2fT7OVaLy5BEjocT7rAAuQrJDr7peJsJnRtkk3F1sd3rJA@mail.gmail.com>

Michael and All,

The Japan Society series passes were only available until the beginning of
the series.  As you can see, this is a diverse, solid series of 21st
century offerings. In addition to what Kazu wrote, note that a significant
number of films helmed by women directors are included. The Japan Society
is also screening Naomi Kawase's *True Mothers*, Japan's nominee for Best
Foreign Film Oscar*,* as part of its Virtual Screenings thru Feb. 25th:

https://www.japansociety.org/event/true-mothers


Start with the Japan Society series.  But here are a couple of additional
screening opportunities for those of us in the US:

MoMA (Museum of Modern Art in New York) is screening a program of short
1960's experimental works via a program entitled "Japanese Expanded Cinema:
An Online Finale", which runs from Feb/ 11th thru the 25th.  This is a free
program, but admission is restricted to MoMA members only:

https://www.moma.org/calendar/film/5286

JICC, the Japan Information and Cultural Center of the Japanese Embassy in
Washington, has presented films online over the past several months as
well, many tending to be more commercial.  With Valentine's Day
forthcoming, this weekend it is presenting  *Little Nights, Little Dreams*,
a pleasant romcom.  Pre-registration is necessary.

https://www.us.emb-japan.go.jp/jicc/events/little-nights-little-love.html

There must be a number of other online viewing opportunities available for
us.  Maybe others can post forthcoming screenings as well.

Bill Thompson
wct1 at columbia.edu




On Wed, Feb 10, 2021 at 1:57 PM Michael Kerpan via KineJapan <
kinejapan at mailman.yale.edu> wrote:

> Is the pass still available -- or can one only pay for these separately
> now. (Can't find any option for the pass).
>
> Michael Kerpan
> Boston
>
> On Wed, Feb 10, 2021 at 10:58 AM Watanabe, Kazu via KineJapan <
> kinejapan at mailman.yale.edu> wrote:
>
>> Dear KineJapan colleagues:
>>
>> I wanted to pass along notice of an online film series currently running
>> at Japan Society in NYC through February 25 titled 21st Century Japan:
>> Films from 2001-2020:
>> https://film.japansociety.org/page/21-st-century-japan-films-from-2001-2020/
>>
>> Consisting of 30 feature films and shorts, the lineup offers a really
>> varied selection of Japanese narrative fiction films from the past 20 years
>> including works by well-known directors like Hirokazu Kore-eda and Naomi
>> Kawase as well as those of less internationally-known filmmakers such as
>> Shuichi Okita and Satoko Yokohama. In addition to the main body of 20 films
>> (one per year), there is a 3-film retrospective of Kiyoshi Kurosawa?s
>> harder-to-see films from this millennium that is accompanied by an
>> hour-long conversation with the director introduced by Kent Jones. There is
>> also a 6-film selection of films by up-and-coming Japanese filmmakers that
>> are available to stream for free. Lastly, there are a few free talks on
>> offer, including Q&As and reflections on the past 20 years of Japanese
>> cinema from participating filmmakers and film critic Mark Schilling.
>>
>> This series is sponsored and co-presented by the Agency for Cultural
>> Affairs, Government of Japan, as part of a new initiative called the ACA
>> Cinema Project. With their support, we could license many Japanese films
>> that would have otherwise been fiscally impossible to secure, so in this
>> way it is something of a special opportunity. Many of these titles are
>> currently unavailable to stream anywhere else within the US or otherwise
>> unavailable with English subtitles.
>>
>> For KineJapan community members, I prepared a promo code that will give
>> you 10% off all rentals and can be used multiple times:
>>
>>   *   KINEJAPAN10
>>
>> I hope you can spread the word about this series to your friends,
>> colleagues and students. Please feel free to reach out to me with any
>> questions or requests.
>>
>> Best,
>> Kazu
>> _____
>> Kazu Watanabe
>> Deputy Director, Film
>> Japan Society | 333 E. 47th St. | New York, NY 10017
>> (p) 212-715-1265 (e) kwatanabe at japansociety.org<mailto:
>> kwatanabe at japansociety.org>
>> www.japansociety.org/film<http://www.japansociety.org/film>
>>
>>
>> _______________________________________________
>> KineJapan mailing list
>> KineJapan at mailman.yale.edu
>> https://mailman.yale.edu/mailman/listinfo/kinejapan
>>
> _______________________________________________
> KineJapan mailing list
> KineJapan at mailman.yale.edu
> https://mailman.yale.edu/mailman/listinfo/kinejapan
>
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From azahlten at fas.harvard.edu  Thu Feb 11 09:04:19 2021
From: azahlten at fas.harvard.edu (Zahlten, Alexander)
Date: Thu, 11 Feb 2021 14:04:19 +0000
Subject: [KineJapan] Online Benshi Performance
Message-ID: <ED4022E5-1485-4AB7-8E42-711F766E6730@fas.harvard.edu>

Hi Everyone,

Hopefully everyone is ok as the challenges continue. I just wanted to point out one of the good things that have come out of the zoom world we are now all caught up in.

Last week Ichiro Kataoka gave an absolutely fantastic benshi performance for my class via zoom. I was a bit worried about how it would turn out, considering the limits the medium imposes. But the tech worked fine, and Kataoka-san was amazing, and the students were completely taken by it. It brought a much-needed sense of liveness and ?being there? to the virtual classroom.

I just wanted to point out that others can do this as well- the good thing is that Kataoka-san can come to anyone?s campus / institution very easily in these circumstances. Hopefully we can invite him in person again soon, but I really recommend taking advantage of this opportunity (it?s also cheaper than inviting him in person, of course).

If you?re interested in getting in touch with him to explore the possibility you can write to him at: ichirobenshi at gmail.com<mailto:ichirobenshi at gmail.com>

Best wishes, take care-
Alex


????????
Alexander Zahlten
Professor of East Asian Languages and Civilizations
Harvard University
Director of Graduate Studies, Regional Studies East Asia
(He / him / his)

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From nornes at umich.edu  Thu Feb 11 11:04:19 2021
From: nornes at umich.edu (Markus Nornes)
Date: Thu, 11 Feb 2021 09:04:19 -0700
Subject: [KineJapan] UM Roundtable on Open Access Publishing in Asian Studies
Message-ID: <CANoSnpALeXcAOQZ72gV0HyJmXr3HK09WUbkMm-BzWuoJoUKsww@mail.gmail.com>

I'm sitting on one of the roundtables here with some of my current and
former colleagues. I have always been impressed how UM has been
forward-leaning on fair use and open access. Thanks to some big grants, we
now have over a hundred Asian studies titles online?with more to come
(including my forthcoming book).
I think this will be an interesting event. Come and check it out!

Markus
+++++++++++++++++++++++++++++++++
International Institute Roundtable: ?Open Access Publishing in Asian
Studies?
February 26, 1 - 5 pm Eastern Time US, Free Zoom Event (Registration
Required)
Jointly sponsored by the U-M International Institute and University of
Michigan Press
Open Access publishing means that ebooks can be read by anybody in the
world with access to an internet connection. Because open access titles are
openly-licensed and downloadable as well as free-to-read online, they are
now also available for integration into digital scholarship projects. As
book publishing moves increasingly digital, an International Institute
collaboration with the U-M Press and with the Asia Library offers new
opportunities for imaginative publishing that transcends disciplinary
boundaries, reaches readers outside as well as inside the academy, and
extends the understanding of Asian culture, history, and society around the
world.
Over the last 50 years, the centers now housed in the University of
Michigan International Institute have published over 300 ground-breaking
books about East, South, and Southeast Asia. In 2018, these centers
collaborated with University of Michigan Press and the U-M Asia Library to
successfully apply for a Humanities Open Book program grant from the
National Endowment for the Humanities and the Andrew W. Mellon Foundation,
aimed at making important backlist books broadly available again. This
funding has allowed a complete record of the centers? publications to be
compiled and for 100 selected titles to be brought back into print and made
digitally-available open access. These are now all freely available on
major online platforms including JSTOR, Project MUSE, OAPEN, and as part of
the University of Michigan Press Ebook Collection.
This event highlights the impact of the Michigan Asian Studies Open Access
Books Collection so far, and asks ?where do we go from here?? While it is
focused on the Michigan publications as a case study, the panel aims to
explore more broadly the opportunities for Open Access publishing in Asian
studies more generally.
Thank you to the directors of the participating centers (CJS, CSAS, CSEAS,
LRCCS, NCKS) and Asia Library: The Center for Japanese Studies: Reginald
Jackson; The Lieberthal-Rogel Center for Chinese Studies: Twila Tardif; The
Center for South Asian Studies: Jatin Dua; The Center for Southeast Asian
Studies: Laura Rozek; The Nam Center for Korean Studies: Nojin Kwak; The
Asia Library: Dawn Lawson.
Program for February 26, All Times US Eastern
1:00 - 1:05 pm Moderator Welcome (Charles Watkinson, Director, University
of Michigan Press)
1:05 - 1:15 pm Introductory Remarks (Mary Gallagher, Director,
International Institute)
1:15 - 1:30 pm ?The Humanities Open Book Program: Its Goals and Impact?
(Brett Bobley, Director, Office of Digital Humanities, National Endowment
for the Humanities)
1:30 - 2:00 pm The Michigan Asian Studies Open Access Books Collection:
Lessons Learned
Editorial: Christopher Dreyer, Acquiring Editor, Asian Studies, UMP
Technology/IP: Joe Muller, Digital Publishing Coordinator, Michigan
Publishing
Impact: Emma DiPasquale, Engagement Manager, Michigan Publishing
2:00 - 2:10 pm Break
2:10 - 3:00 pm Panel 1: Open Access and Digital Scholarship: Going Beyond
the Book (Moderator: Youngju Ryu, University of Michigan)
Emily Wilcox, College of William and Mary
Jonathan Zwicker, University of California, Berkeley
Karil Kucera, St. Olaf College
Markus Nornes, University of Michigan
3:00 - 3:10 pm Break
3:10 - 4:00 pm Panel 2: Extending Impact and Reach through Open Access:
Toward Equity and Inclusion? (Moderator: Dawn Lawson, University of
Michigan)
Sriram Mohan, University of Michigan (Aswin Punathambekar, University of
Virginia)
John Ciorciari, University of Michigan
Liangyu Fu, University of Michigan
Lisa Trivedi, Hamilton College
4:00 - 4:10 pm Break
4:10 - 4:30 pm ?Where do we go from here? What future opportunities can
open access approaches offer Asian studies? And what challenges may these
approaches pose??
Breakout rooms, 20 minutes each. Not recorded, but each host will prepare
to deliver a brief summary of the discussion.
Breakout room hosts:
Emma DiPasquale
Theresa Schmid
Do-Hee Morsman
Charles Watkinson
Joe Muller
4:30 - 5:00 pm Whole Group Discussion
---

*Markus Nornes*
*Professor of Asian Cinema*
Department of Film, Television and Media, Department of Asian Languages and
Cultures, Penny Stamps School of Art & Design

*Department of Film, Television and Media*
*6348 North Quad*
*105 S. State Street*
*Ann Arbor, MI 48109-1285*
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From nornes at umich.edu  Sat Feb 13 17:08:38 2021
From: nornes at umich.edu (Markus Nornes)
Date: Sat, 13 Feb 2021 15:08:38 -0700
Subject: [KineJapan] Book Launch Event:
Message-ID: <CANoSnpCrUhVV11bxpf1Oq75qYhh15JgGz7Wttk8Dzvm4ZneiVw@mail.gmail.com>

The editors and a couple writers from the new *Routledge Handbook of
Japanese Cinema* are doing a virtual book launch on April 9.  Naturally,
they are part of our KineJapan community. Looking forward to this.

It's really an impressive book, but I have one gripe that's not the fault
of the authors: it costs $250!

People, send your great books to presses that will publish at prices we can
afford. Forgive a plug for the UM Center for Japanese Publication Program.
We have strong peer review, a great list of Japanese film books (Gerow,
Lamarre, Yoshimoto, Miyao, Hirano, Yoshida, Bordwell, Richie, more!) and we
do both hardbacks and paper at $20-35. And for unusual OA books, look to
Kinema Club itself; we have a rigorous peer review process set up and are
open to any proposal out there.

End of rant!  But if you haven't read this book yet, definitely do. Check
out Joanne and Shota's table of contents! So rich!

https://www.routledge.com/Routledge-Handbook-of-Japanese-Cinema/Bernardi-Ogawa/p/book/9781138685529

Markus



<https://events.rochester.edu/event/book_launch_routledge_handbook_of_japanese_cinema?fbclid=IwAR3iR3Bj5DOj5SY-b4UKlPEHSUG8B1vA42NOFRTqSPzZuNNneJlRS0owvsw#.YChCpPxHZvI>


Book Launch: Routledge Handbook of Japanese Cinema
https://events.rochester.edu/event/book_launch_routledge_
handbook_of_japanese_cinema?fbclid=IwAR3iR3Bj5DOj5SY-
b4UKlPEHSUG8B1vA42NOFRTqSPzZuNNneJlRS0owvsw#.YChCpPxHZvI

Celebrate the publication of the book, co-edited and featuring
contributions by Joanne Bernardi, Professor of Japanese (MLC) and Film and
Media Studies, and Shota T. Ogawa (VCS ?14), Assistant Professor, Nagoya
University, Japan. A useful resource for students and scholars of Japanese
studies, film studies, and cultural studies more broadly, the volume brings
together the work of twenty-one authors with diverse backgrounds, including
three University of Rochester alumni, to illuminate the hybridity of
approaches that define the field. Divided into four parts, it recasts
traditional questions of authorship, genre, and industry in broad
conceptual frameworks such as gender, media theory, archive studies, and
neoliberalism.

Providing a timely and expansive overview of Japanese cinema today, it is
the first anthology of Japanese cinema scholarship to span the temporal
framework of 200 years, from the vibrant magic lantern culture of the
nineteenth century to the formation of the film industry in the twentieth
century, culminating in cinema?s migration to gaming, surveillance video,
and other new media platforms of the twenty-first century.

Featured presentations in this event will include short presentations by
the co-editors and three contributors:

   - Joanne Bernardi, Professor, Department of Modern Languages and Cultures
   - Shota Ogawa, Assistant Professor, Graduate School of Letters, Nagoya
   University (?14 VCS)
   - Joel Anderson, Visiting Assistant Professor, SUNY Purchase (?20 VCS)
   - Daniel Johnson, Faculty Fellow, NYU Arts & Sciences (?05 FMS)
   - Kyoko Omori, Associate Professor, Hamilton College

 Friday, April 9 at 12:00pm to 1:30pm
 Virtual Event
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From nornes at umich.edu  Sat Feb 13 22:05:47 2021
From: nornes at umich.edu (Markus Nornes)
Date: Sat, 13 Feb 2021 20:05:47 -0700
Subject: [KineJapan] Book Launch Event:
In-Reply-To: <CANoSnpCrUhVV11bxpf1Oq75qYhh15JgGz7Wttk8Dzvm4ZneiVw@mail.gmail.com>
References: <CANoSnpCrUhVV11bxpf1Oq75qYhh15JgGz7Wttk8Dzvm4ZneiVw@mail.gmail.com>
Message-ID: <CANoSnpDq89c1kpeT0CoNLq7FDkcmA2E8TDaR+LvjLyT-ktockA@mail.gmail.com>

I feel like I should mention *The Japanese Cinema Book* in this context
(ed. by Hideaki and Alastair;
https://www.bloomsbury.com/us/the-japanese-cinema-book-9781844576784/). And
this on the heels of Daisuke's *Oxford Handbook of Japanese Cinema* (
https://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780199731664.001.0001/oxfordhb-9780199731664)
and
Julian and Nikki's massive 4-volume reader, *Japanese Cinema *(
https://www.routledge.com/Japanese-Cinema/Lee-Stringer/p/book/9780415530392
).

This is all happening within the space of 6 years. The number of amazing
people writing in the field is impressive. The fact that nothing here feels
redundant is testament to the richness of the field and is pretty amazing.
We're pretty lucky. Who's going to put out the next one!?!?

Markus
---

*Markus Nornes*
*Professor of Asian Cinema*
Department of Film, Television and Media, Department of Asian Languages and
Cultures, Penny Stamps School of Art & Design

*Department of Film, Television and Media*
*6348 North Quad*
*105 S. State Street*
*Ann Arbor, MI 48109-1285*



On Sat, Feb 13, 2021 at 3:08 PM Markus Nornes <nornes at umich.edu> wrote:

> The editors and a couple writers from the new *Routledge Handbook of
> Japanese Cinema* are doing a virtual book launch on April 9.  Naturally,
> they are part of our KineJapan community. Looking forward to this.
>
> It's really an impressive book, but I have one gripe that's not the fault
> of the authors: it costs $250!
>
> People, send your great books to presses that will publish at prices we
> can afford. Forgive a plug for the UM Center for Japanese Publication
> Program. We have strong peer review, a great list of Japanese film books
> (Gerow, Lamarre, Yoshimoto, Miyao, Hirano, Yoshida, Bordwell, Richie,
> more!) and we do both hardbacks and paper at $20-35. And for unusual OA
> books, look to Kinema Club itself; we have a rigorous peer review process
> set up and are open to any proposal out there.
>
> End of rant!  But if you haven't read this book yet, definitely do. Check
> out Joanne and Shota's table of contents! So rich!
>
>
> https://www.routledge.com/Routledge-Handbook-of-Japanese-Cinema/Bernardi-Ogawa/p/book/9781138685529
>
> Markus
>
>
>
>
> <https://events.rochester.edu/event/book_launch_routledge_handbook_of_japanese_cinema?fbclid=IwAR3iR3Bj5DOj5SY-b4UKlPEHSUG8B1vA42NOFRTqSPzZuNNneJlRS0owvsw#.YChCpPxHZvI>
>
>
> Book Launch: Routledge Handbook of Japanese Cinema
> https://events.rochester.edu/event/book_launch_routledge_
> handbook_of_japanese_cinema?fbclid=IwAR3iR3Bj5DOj5SY-
> b4UKlPEHSUG8B1vA42NOFRTqSPzZuNNneJlRS0owvsw#.YChCpPxHZvI
>
> Celebrate the publication of the book, co-edited and featuring
> contributions by Joanne Bernardi, Professor of Japanese (MLC) and Film and
> Media Studies, and Shota T. Ogawa (VCS ?14), Assistant Professor, Nagoya
> University, Japan. A useful resource for students and scholars of
> Japanese studies, film studies, and cultural studies more broadly, the
> volume brings together the work of twenty-one authors with diverse
> backgrounds, including three University of Rochester alumni, to illuminate
> the hybridity of approaches that define the field. Divided into four parts,
> it recasts traditional questions of authorship, genre, and industry in
> broad conceptual frameworks such as gender, media theory, archive studies,
> and neoliberalism.
>
> Providing a timely and expansive overview of Japanese cinema today, it is
> the first anthology of Japanese cinema scholarship to span the temporal
> framework of 200 years, from the vibrant magic lantern culture of the
> nineteenth century to the formation of the film industry in the twentieth
> century, culminating in cinema?s migration to gaming, surveillance video,
> and other new media platforms of the twenty-first century.
>
> Featured presentations in this event will include short presentations by
> the co-editors and three contributors:
>
>    - Joanne Bernardi, Professor, Department of Modern Languages and
>    Cultures
>    - Shota Ogawa, Assistant Professor, Graduate School of Letters, Nagoya
>    University (?14 VCS)
>    - Joel Anderson, Visiting Assistant Professor, SUNY Purchase (?20 VCS)
>    - Daniel Johnson, Faculty Fellow, NYU Arts & Sciences (?05 FMS)
>    - Kyoko Omori, Associate Professor, Hamilton College
>
>  Friday, April 9 at 12:00pm to 1:30pm
>  Virtual Event
>
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From fujiokasako at gmail.com  Sat Feb 13 22:24:57 2021
From: fujiokasako at gmail.com (Fujioka Asako)
Date: Sun, 14 Feb 2021 12:24:57 +0900
Subject: [KineJapan] Japanese Film Matchmaking webinars
Message-ID: <6c33d16b-1cd7-15c3-cd83-2f5f07f4135f@gmail.com>

Dear Kinejapaners,*/
/*

*/Webinar Invitation: Japanese Film Matchmaking/*
-- Tips for programming Japanese films

We are pleased to invite you to our webinars as a part of */Japanese 
Film Matchmaking/*, a new initiative organized
by the Agency for Cultural Affairs, Government of Japan to promote the 
programming of Japanese films.
This year, the program focuses on *classic retrospective film programs*.

Please register in advance via our website:
https://japanesefilmmatchmaking.com/ <https://japanesefilmmatchmaking.com/>

*Webinar-1 ?Retrospective Traveling Theaters?*
Mon. 1 March 2021, 11:00am (UTC) / 8:00pm (JST)
? Guest Speakers:
Tom Vick (Curator of Film at Smithsonian Institution, Freer and Sackler 
Galleries)?
Akira Tochigi (Film archivist) ?
Moderator : Yuri Kubota

*Webinar-2 ?Classic Films Go Online?*
Tue. 2 March 2021,? 11:00am (UTC) / 8:00pm (JST)
? Guest Speakers:
Markus Duffner (Head of Locarno Pro)
Taku Kato (International Sales, Nikkatsu)
Anette Dujisin (FILMIN Portugal)?
Moderator : Asako Fujioka

* The webinars will be viewable until 20th March 2021.

*/+++++++++++++/*

*/Japanese Film Matchmaking/* arranges meetings between Japanese film 
companies and cinematheques around the world.
For more information of */the /**/retrospective program proposals/* from 
Japanese companies, please contact us:
info at japanesefilmmatchmaking

-- 
*****

FUJIOKA Asako
Documentary Dream Center
Yamagata International Documentary Film Festival
www.ddcenter.org
www.yidff.jp

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From desser at illinois.edu  Sat Feb 13 23:42:32 2021
From: desser at illinois.edu (Desser, David M)
Date: Sun, 14 Feb 2021 04:42:32 +0000
Subject: [KineJapan] Book Launch Event:
In-Reply-To: <CANoSnpDq89c1kpeT0CoNLq7FDkcmA2E8TDaR+LvjLyT-ktockA@mail.gmail.com>
References: <CANoSnpCrUhVV11bxpf1Oq75qYhh15JgGz7Wttk8Dzvm4ZneiVw@mail.gmail.com>,
 <CANoSnpDq89c1kpeT0CoNLq7FDkcmA2E8TDaR+LvjLyT-ktockA@mail.gmail.com>
Message-ID: <SJ0PR11MB4912B5FC415FA7FA5187DEC9AD899@SJ0PR11MB4912.namprd11.prod.outlook.com>

I have one that will be out in a year or so, too!  From Blackwell.  (Yes, it's years overdue...)

I also had no idea that a number of my works had been included in the large Routledge Japanese Cinema.  That can't be normal to reprint without permission?  Many of you reading this are represented in that volume.  Did you know that to be the case and were you ever consulted or asked for permission?  It's usual to ask permission even if one is not the copyright holder, which I am, I think, sometimes.  It's not that I wouldn't have agreed, but I swear I never knew that I was in that volume.

Thanks, Mark.

David
________________________________
From: KineJapan <kinejapan-bounces at mailman.yale.edu> on behalf of Markus Nornes via KineJapan <kinejapan at mailman.yale.edu>
Sent: Saturday, February 13, 2021 7:05 PM
To: Japanese Cinema Discussion Forum <kinejapan at mailman.yale.edu>
Cc: Markus Nornes <nornes at umich.edu>
Subject: Re: [KineJapan] Book Launch Event:

I feel like I should mention The Japanese Cinema Book in this context (ed. by Hideaki and Alastair; https://www.bloomsbury.com/us/the-japanese-cinema-book-9781844576784/<https://urldefense.com/v3/__https://www.bloomsbury.com/us/the-japanese-cinema-book-9781844576784/__;!!DZ3fjg!r_nkqi0fSXLb67GeHTpexUiP0OLmH2y-Zy0YNi4YV_O_XNxG4u2AzXjo_e502Dl_$>). And this on the heels of Daisuke's Oxford Handbook of Japanese Cinema (https://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780199731664.001.0001/oxfordhb-9780199731664<https://urldefense.com/v3/__https://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780199731664.001.0001/oxfordhb-9780199731664__;!!DZ3fjg!r_nkqi0fSXLb67GeHTpexUiP0OLmH2y-Zy0YNi4YV_O_XNxG4u2AzXjo_dUX8HIX$>) and Julian and Nikki's massive 4-volume reader, Japanese Cinema (https://www.routledge.com/Japanese-Cinema/Lee-Stringer/p/book/9780415530392<https://urldefense.com/v3/__https://www.routledge.com/Japanese-Cinema/Lee-Stringer/p/book/9780415530392__;!!DZ3fjg!r_nkqi0fSXLb67GeHTpexUiP0OLmH2y-Zy0YNi4YV_O_XNxG4u2AzXjo_Va_Iz86$>).

This is all happening within the space of 6 years. The number of amazing people writing in the field is impressive. The fact that nothing here feels redundant is testament to the richness of the field and is pretty amazing. We're pretty lucky. Who's going to put out the next one!?!?

Markus
---
[https://drive.google.com/a/umich.edu/uc?id=1i0izwlsrcSvQgU4nMCzTLiOhmdDMm-xZ&export=download]
Markus Nornes
Professor of Asian Cinema
Department of Film, Television and Media, Department of Asian Languages and Cultures, Penny Stamps School of Art & Design

Department of Film, Television and Media
6348 North Quad
105 S. State Street
Ann Arbor, MI 48109-1285



On Sat, Feb 13, 2021 at 3:08 PM Markus Nornes <nornes at umich.edu<mailto:nornes at umich.edu>> wrote:
The editors and a couple writers from the new Routledge Handbook of Japanese Cinema are doing a virtual book launch on April 9.  Naturally, they are part of our KineJapan community. Looking forward to this.

It's really an impressive book, but I have one gripe that's not the fault of the authors: it costs $250!

People, send your great books to presses that will publish at prices we can afford. Forgive a plug for the UM Center for Japanese Publication Program. We have strong peer review, a great list of Japanese film books (Gerow, Lamarre, Yoshimoto, Miyao, Hirano, Yoshida, Bordwell, Richie, more!) and we do both hardbacks and paper at $20-35. And for unusual OA books, look to Kinema Club itself; we have a rigorous peer review process set up and are open to any proposal out there.

End of rant!  But if you haven't read this book yet, definitely do. Check out Joanne and Shota's table of contents! So rich!

https://www.routledge.com/Routledge-Handbook-of-Japanese-Cinema/Bernardi-Ogawa/p/book/9781138685529<https://urldefense.com/v3/__https://www.routledge.com/Routledge-Handbook-of-Japanese-Cinema/Bernardi-Ogawa/p/book/9781138685529__;!!DZ3fjg!r_nkqi0fSXLb67GeHTpexUiP0OLmH2y-Zy0YNi4YV_O_XNxG4u2AzXjo_UpvcZy2$>

Markus



<https://urldefense.com/v3/__https://events.rochester.edu/event/book_launch_routledge_handbook_of_japanese_cinema?fbclid=IwAR3iR3Bj5DOj5SY-b4UKlPEHSUG8B1vA42NOFRTqSPzZuNNneJlRS0owvsw*.YChCpPxHZvI__;Iw!!DZ3fjg!r_nkqi0fSXLb67GeHTpexUiP0OLmH2y-Zy0YNi4YV_O_XNxG4u2AzXjo_dr9D2NN$>


Book Launch: Routledge Handbook of Japanese Cinema
https://events.rochester.edu/<https://urldefense.com/v3/__https://events.rochester.edu/__;!!DZ3fjg!r_nkqi0fSXLb67GeHTpexUiP0OLmH2y-Zy0YNi4YV_O_XNxG4u2AzXjo_TEwlnpf$>event/book_launch_routledge_handbook_of_japanese_cinema?fbclid=IwAR3iR3Bj5DOj5SY-b4UKlPEHSUG8B1vA42NOFRTqSPzZuNNneJlRS0owvsw#.YChCpPxHZvI

Celebrate the publication of the book, co-edited and featuring contributions by Joanne Bernardi, Professor of Japanese (MLC) and Film and Media Studies, and Shota T. Ogawa (VCS ?14), Assistant Professor, Nagoya University, Japan. A useful resource for students and scholars of Japanese studies, film studies, and cultural studies more broadly, the volume brings together the work of twenty-one authors with diverse backgrounds, including three University of Rochester alumni, to illuminate the hybridity of approaches that define the field. Divided into four parts, it recasts traditional questions of authorship, genre, and industry in broad conceptual frameworks such as gender, media theory, archive studies, and neoliberalism.

Providing a timely and expansive overview of Japanese cinema today, it is the first anthology of Japanese cinema scholarship to span the temporal framework of 200 years, from the vibrant magic lantern culture of the nineteenth century to the formation of the film industry in the twentieth century, culminating in cinema?s migration to gaming, surveillance video, and other new media platforms of the twenty-first century.

Featured presentations in this event will include short presentations by the co-editors and three contributors:

  *   Joanne Bernardi, Professor, Department of Modern Languages and Cultures
  *   Shota Ogawa, Assistant Professor, Graduate School of Letters, Nagoya University (?14 VCS)
  *   Joel Anderson, Visiting Assistant Professor, SUNY Purchase (?20 VCS)
  *   Daniel Johnson, Faculty Fellow, NYU Arts & Sciences (?05 FMS)
  *   Kyoko Omori, Associate Professor, Hamilton College

 Friday, April 9 at 12:00pm to 1:30pm

 Virtual Event
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From sogawa at nagoya-u.jp  Sat Feb 13 23:51:40 2021
From: sogawa at nagoya-u.jp (shota ogawa)
Date: Sun, 14 Feb 2021 13:51:40 +0900
Subject: [KineJapan] Book Launch Event:
In-Reply-To: <SJ0PR11MB4912B5FC415FA7FA5187DEC9AD899@SJ0PR11MB4912.namprd11.prod.outlook.com>
References: <CANoSnpCrUhVV11bxpf1Oq75qYhh15JgGz7Wttk8Dzvm4ZneiVw@mail.gmail.com>
 <CANoSnpDq89c1kpeT0CoNLq7FDkcmA2E8TDaR+LvjLyT-ktockA@mail.gmail.com>
 <SJ0PR11MB4912B5FC415FA7FA5187DEC9AD899@SJ0PR11MB4912.namprd11.prod.outlook.com>
Message-ID: <CACbKvhpmBbOQEqsUQRNFb+PKFQvAh-otzYA6mpZSGPfk2ResmA@mail.gmail.com>

 Hi everyone

Thank you Markus for introducing our book and the UR book launch event!
(and thanks also to all the RHJC authors in KineJapan)

I think the link you included was to a general events page, so let me
replace it with the URL specific to this event:
https://events.rochester.edu/event/book_launch_routledge_handbook_of_japanese_cinema#.YCikQHmRW02

Also, yes, the pricing is a big concern... There is a more affordable e-book
<https://www.kobo.com/us/en/ebook/routledge-handbook-of-japanese-cinema>
option
<https://www.kobo.com/us/en/ebook/routledge-handbook-of-japanese-cinema>,
though this doesn't change the general pricing issue in certain book
series.

Best wishes

Shota

On Sun, Feb 14, 2021 at 1:42 PM Desser, David M via KineJapan <
kinejapan at mailman.yale.edu> wrote:

> I have one that will be out in a year or so, too!  From Blackwell.  (Yes,
> it's years overdue...)
>
> I also had no idea that a number of my works had been included in the
> large Routledge *Japanese Cinema*.  That can't be normal to reprint
> without permission?  Many of you reading this are represented in that
> volume.  Did you know that to be the case and were you ever consulted or
> asked for permission?  It's usual to ask permission even if one is not the
> copyright holder, which I am, I think, sometimes.  It's not that I wouldn't
> have agreed, but I swear I never knew that I was in that volume.
>
> Thanks, Mark.
>
> David
> ------------------------------
> *From:* KineJapan <kinejapan-bounces at mailman.yale.edu> on behalf of
> Markus Nornes via KineJapan <kinejapan at mailman.yale.edu>
> *Sent:* Saturday, February 13, 2021 7:05 PM
> *To:* Japanese Cinema Discussion Forum <kinejapan at mailman.yale.edu>
> *Cc:* Markus Nornes <nornes at umich.edu>
> *Subject:* Re: [KineJapan] Book Launch Event:
>
> I feel like I should mention *The Japanese Cinema Book* in this context
> (ed. by Hideaki and Alastair;
> https://www.bloomsbury.com/us/the-japanese-cinema-book-9781844576784/
> <https://urldefense.com/v3/__https://www.bloomsbury.com/us/the-japanese-cinema-book-9781844576784/__;!!DZ3fjg!r_nkqi0fSXLb67GeHTpexUiP0OLmH2y-Zy0YNi4YV_O_XNxG4u2AzXjo_e502Dl_$>).
> And this on the heels of Daisuke's *Oxford Handbook of Japanese Cinema* (
> https://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780199731664.001.0001/oxfordhb-9780199731664
> <https://urldefense.com/v3/__https://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780199731664.001.0001/oxfordhb-9780199731664__;!!DZ3fjg!r_nkqi0fSXLb67GeHTpexUiP0OLmH2y-Zy0YNi4YV_O_XNxG4u2AzXjo_dUX8HIX$>) and
> Julian and Nikki's massive 4-volume reader, *Japanese Cinema *(
> https://www.routledge.com/Japanese-Cinema/Lee-Stringer/p/book/9780415530392
> <https://urldefense.com/v3/__https://www.routledge.com/Japanese-Cinema/Lee-Stringer/p/book/9780415530392__;!!DZ3fjg!r_nkqi0fSXLb67GeHTpexUiP0OLmH2y-Zy0YNi4YV_O_XNxG4u2AzXjo_Va_Iz86$>
> ).
>
> This is all happening within the space of 6 years. The number of amazing
> people writing in the field is impressive. The fact that nothing here feels
> redundant is testament to the richness of the field and is pretty amazing.
> We're pretty lucky. Who's going to put out the next one!?!?
>
> Markus
> ---
>
> *Markus Nornes*
> *Professor of Asian Cinema*
> Department of Film, Television and Media, Department of Asian Languages
> and Cultures, Penny Stamps School of Art & Design
>
> *Department of Film, Television and Media*
> *6348 North Quad*
> *105 S. State Street*
> *Ann Arbor, MI 48109-1285*
>
>
>
> On Sat, Feb 13, 2021 at 3:08 PM Markus Nornes <nornes at umich.edu> wrote:
>
> The editors and a couple writers from the new *Routledge Handbook of
> Japanese Cinema* are doing a virtual book launch on April 9.  Naturally,
> they are part of our KineJapan community. Looking forward to this.
>
> It's really an impressive book, but I have one gripe that's not the fault
> of the authors: it costs $250!
>
> People, send your great books to presses that will publish at prices we
> can afford. Forgive a plug for the UM Center for Japanese Publication
> Program. We have strong peer review, a great list of Japanese film books
> (Gerow, Lamarre, Yoshimoto, Miyao, Hirano, Yoshida, Bordwell, Richie,
> more!) and we do both hardbacks and paper at $20-35. And for unusual OA
> books, look to Kinema Club itself; we have a rigorous peer review process
> set up and are open to any proposal out there.
>
> End of rant!  But if you haven't read this book yet, definitely do. Check
> out Joanne and Shota's table of contents! So rich!
>
>
> https://www.routledge.com/Routledge-Handbook-of-Japanese-Cinema/Bernardi-Ogawa/p/book/9781138685529
> <https://urldefense.com/v3/__https://www.routledge.com/Routledge-Handbook-of-Japanese-Cinema/Bernardi-Ogawa/p/book/9781138685529__;!!DZ3fjg!r_nkqi0fSXLb67GeHTpexUiP0OLmH2y-Zy0YNi4YV_O_XNxG4u2AzXjo_UpvcZy2$>
>
> Markus
>
>
>
>
> <https://urldefense.com/v3/__https://events.rochester.edu/event/book_launch_routledge_handbook_of_japanese_cinema?fbclid=IwAR3iR3Bj5DOj5SY-b4UKlPEHSUG8B1vA42NOFRTqSPzZuNNneJlRS0owvsw*.YChCpPxHZvI__;Iw!!DZ3fjg!r_nkqi0fSXLb67GeHTpexUiP0OLmH2y-Zy0YNi4YV_O_XNxG4u2AzXjo_dr9D2NN$>
>
>
> Book Launch: Routledge Handbook of Japanese Cinema
> https://events.rochester.edu/
> <https://urldefense.com/v3/__https://events.rochester.edu/__;!!DZ3fjg!r_nkqi0fSXLb67GeHTpexUiP0OLmH2y-Zy0YNi4YV_O_XNxG4u2AzXjo_TEwlnpf$>
> event/book_launch_routledge_handbook_of_japanese_cinema?
> fbclid=IwAR3iR3Bj5DOj5SY-b4UKlPEHSUG8B1vA42NOFRTqSPzZuN
> NneJlRS0owvsw#.YChCpPxHZvI
>
> Celebrate the publication of the book, co-edited and featuring
> contributions by Joanne Bernardi, Professor of Japanese (MLC) and Film and
> Media Studies, and Shota T. Ogawa (VCS ?14), Assistant Professor, Nagoya
> University, Japan. A useful resource for students and scholars of
> Japanese studies, film studies, and cultural studies more broadly, the
> volume brings together the work of twenty-one authors with diverse
> backgrounds, including three University of Rochester alumni, to illuminate
> the hybridity of approaches that define the field. Divided into four parts,
> it recasts traditional questions of authorship, genre, and industry in
> broad conceptual frameworks such as gender, media theory, archive studies,
> and neoliberalism.
>
> Providing a timely and expansive overview of Japanese cinema today, it is
> the first anthology of Japanese cinema scholarship to span the temporal
> framework of 200 years, from the vibrant magic lantern culture of the
> nineteenth century to the formation of the film industry in the twentieth
> century, culminating in cinema?s migration to gaming, surveillance video,
> and other new media platforms of the twenty-first century.
>
> Featured presentations in this event will include short presentations by
> the co-editors and three contributors:
>
>    - Joanne Bernardi, Professor, Department of Modern Languages and
>    Cultures
>    - Shota Ogawa, Assistant Professor, Graduate School of Letters, Nagoya
>    University (?14 VCS)
>    - Joel Anderson, Visiting Assistant Professor, SUNY Purchase (?20 VCS)
>    - Daniel Johnson, Faculty Fellow, NYU Arts & Sciences (?05 FMS)
>    - Kyoko Omori, Associate Professor, Hamilton College
>
>  Friday, April 9 at 12:00pm to 1:30pm
>  Virtual Event
>
> _______________________________________________
> KineJapan mailing list
> KineJapan at mailman.yale.edu
> https://mailman.yale.edu/mailman/listinfo/kinejapan
>


-- 
__________________
Shota Ogawa ????
Graduate School of Letters
Nagoya University
Furo-cho, Chikusa-ku
Nagoya 464-8601
T. 052-789-2252

Pronouns: he/him/his
------------------------------------
Out now: Routledge Handbook of Japanese Cinema, edited by
<https://www.routledge.com/Routledge-Handbook-of-Japanese-Cinema-1st-Edition/Bernardi-Ogawa/p/book/9781138685529>
Joanne Bernardi and Shota T. Ogawa
<https://www.routledge.com/Routledge-Handbook-of-Japanese-Cinema-1st-Edition/Bernardi-Ogawa/p/book/9781138685529>
------------------------------------
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From joanne.bernardi at rochester.edu  Sun Feb 14 00:58:43 2021
From: joanne.bernardi at rochester.edu (Bernardi, Joanne)
Date: Sun, 14 Feb 2021 05:58:43 +0000
Subject: [KineJapan] Routledge Handbook -  Book launch event
Message-ID: <43FD8C89-A1EC-4B8D-89D5-C86DFFA7E41F@ur.rochester.edu>

Hi David,

Congratulations on your new edited volume from Blackwell, I?m excited to read it. I think you might have the Routledge Handbook of Japanese Cinema confused with something else? The contents of the Routledge handbook, which I?ll paste below, do not include any reprinted work. We do include translations of selected excerpts from two previously published essays, by the late Misono Ryoko and the scholar Nakamura Hideyuki (we worked with Prof. Nakamura directly on the translated excerpt that constitutes his chapter and of course obtained permission from Prof. Misono?s husband).

One of our objectives in putting our Routledge book together was to create a venue for work previously underrepresented in English language scholarship. We knew that your formidable Blackwell book and the equally valuable Japanese Cinema Book were already in the works and hoped for synergy, not duplication, between all three books.

Alas, neither Shota nor I knew what Taylor & Francis would charge for the book. Their Asian Studies editor approached me with the idea of a handbook on Japanese cinema, I knew their Handbook series and have used many of these books as valuable resources, and I saw an opportunity to put together, with Shota, what we hope is useful work. I am all in when it comes to open access resources, which I hope is clear from my (open access) resource, Re-Envisioning Japan<https://rej.lib.rochester.edu/>, and I have long been a big fan of the initiative at U Michigan.

Here is the link for The Routledge Handbook of Japanese Cinema page on the Taylor & Francis website:,
https://www.routledge.com/Routledge-Handbook-of-Japanese-Cinema/Bernardi-Ogawa/p/book/9781138685529


TABLE OF CONTENTS
Introduction?
Part I. Decentering Classical Cinema: Modernity, Translation, and Mobilization?
1. Suspense and Border Crossing: Ozu Yasujir??s Crime Melodrama
Ryoko Misono (translated by Kimberlee Diane Sanders and Shota T. Ogawa)
2. Beyond Mt. Fuji and the Lenin Cap: Identity Crisis in Taniguchi Senkichi?s Akasen kichi (The Red Light Military Base, 1953)
Hideyuki Nakamura (translated by Shota T. Ogawa and Bianca Briciu)
3. Home Movies of the Revolution: Proletarian Filmmaking and Counter-Mobilization in Interwar Japan
Diane Wei Lewis
4. When Marnie Was There: Female Friendship Film and the Genealogy of Queer Girls Culture
Yuka Kanno
5. Making Sense of Nakai Masakazu?s Film Theory, "Kino Satz"
Mitsuyo Wada-Marciano
6. Geysers of Another Nature: The Optical Unconscious of the Japanese Science Film
Anne McKnight
?
Part II. Questions of Industry: Critical Studies of Regulatory Frameworks, Creative Labor, and Distributive Networks?
7. Kaiju Films as Exportable Content: Reassessing the Function of the Japanese Film Export Promotion Association
Takeshi Tanikawa (translated by Caitlin Casiello and Joanne Bernardi)
8. ?Fugitives? from the Studio System: Ikebe Ry?, Sada Keiji, and the Transition from Cinema to Television in the Early 1960s
Takafusa Hatori
9. Solo Animation in Japan: Empathy for the Drawn Body
Paul Roquet
10. Media Models of "Amateur" Film and Manga
Alexander Zahlten
?
Part III. Intermedia as an Approach: Tracing Genealogies across Disciplines and Media?
11. Utsushie: Japanese Magic Lantern Performance as Pre-cinematic Projection Practice
Machiko Kusahara
12. "Inter-Mediating" Global Modernity: Benshi Film Narrators, Multisensory Performance, and Fan Culture
Kyoko Omori
13. Between Silent and Sound: The Liminal Space of the Japanese "Sound Version"
Johan Nordstr?m
14. Marionettes No Longer: Politics in the Early Puppet Animation of Kawamoto Kihachir?
Noboru Tomonari
15. Rhetorics of Autonomy and Mobility in Japanese "AAA" Games: The Metal Gear Solid and Resident Evil Series within a Global Media Context
Daniel Johnson
16. Pointing Through the Screen: Archiving, Surveillance, and Atomization in the Wake of Japan?s 2011 Triple Disasters
Joel Neville Anderson
?
Part IV. The Object Life of Film: Site-Specific Approaches to Japanese Cinema Studies?
17. A Historical Survey of Film Archiving in Japan
Kae Ishihara
18. Japanese Film History and the Challenges of IMAGICA WEST Corp.
Kanta Shibata (translated by Thomas Kabara and Isabella Bilodeau)
19. A Case Study of Japanese Film Exhibition in North America: The Japan Society, New York
Kyoko Hirano
20. Regional Film Archive in Transit: Yasui Yoshio and Kobe Planet Film Archive
Shota T. Ogawa
21. New Paths toward Preserving Japanese Cinema: The Toy Film Museum Backstory
Joanne Bernardi

Best wishes,
Joanne



Joanne Bernardi, Ph.D. (she/her)
Professor, Japanese Studies | Film and Media Studies
Head, MLC Japanese Program
Dept. of Modern Languages and Cultures
University of Rochester | PO Box 270082
Rochester NY 14627 USA
joanne.bernardi at rochester.edu
https://www.sas.rochester.edu/mlc/people/faculty/bernardi_joanne/



n Sun, Feb 14, 2021 at 1:42 PM Desser, David M via KineJapan <
kinejapan at mailman.yale.edu<mailto:kinejapan at mailman.yale.edu>> wrote:

I have one that will be out in a year or so, too!  From Blackwell.  (Yes,
it's years overdue...)

I also had no idea that a number of my works had been included in the
large Routledge *Japanese Cinema*.  That can't be normal to reprint
without permission?  Many of you reading this are represented in that
volume.  Did you know that to be the case and were you ever consulted or
asked for permission?  It's usual to ask permission even if one is not the
copyright holder, which I am, I think, sometimes.  It's not that I wouldn't
have agreed, but I swear I never knew that I was in that volume.

Thanks, Mark.

David


------------------------------


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From joanne.bernardi at rochester.edu  Sun Feb 14 01:38:05 2021
From: joanne.bernardi at rochester.edu (Bernardi, Joanne)
Date: Sun, 14 Feb 2021 06:38:05 +0000
Subject: [KineJapan] Routledge Handbook -  Book launch event (Bernardi,
 Joanne)
Message-ID: <188449F7-F854-44A1-BCB0-109A8DC64584@ur.rochester.edu>

Oops, sorry David. Now that I?ve reread around the goofy formatting in my email program I see that in your email you were referring, not to the _Routledge Handbook of Japanese Cinema_, but Routledge?s _Japanese Cinema_ (ed. Lee & Stringer). I was also surprised to realize, a few years back, that a chapter from _Writing in Light_ was included in that book.

Best, Joanne

Joanne Bernardi
University of Rochester

----------------------------------------------------------------------

Date: Sun, 14 Feb 2021 05:58:43 +0000
From: "Bernardi, Joanne" <joanne.bernardi at rochester.edu<mailto:joanne.bernardi at rochester.edu>>
To: "kinejapan at mailman.yale.edu<mailto:kinejapan at mailman.yale.edu>" <kinejapan at mailman.yale.edu<mailto:kinejapan at mailman.yale.edu>>
Subject: [KineJapan] Routledge Handbook -  Book launch event
Message-ID: <43FD8C89-A1EC-4B8D-89D5-C86DFFA7E41F at ur.rochester.edu<mailto:43FD8C89-A1EC-4B8D-89D5-C86DFFA7E41F at ur.rochester.edu>>
Content-Type: text/plain; charset="utf-8"

Hi David,

Congratulations on your new edited volume from Blackwell, I?m excited to read it. I think you might have the Routledge Handbook of Japanese Cinema confused with something else? The contents of the Routledge handbook, which I?ll paste below, do not include any reprinted work. We do include translations of selected excerpts from two previously published essays, by the late Misono Ryoko and the scholar Nakamura Hideyuki (we worked with Prof. Nakamura directly on the translated excerpt that constitutes his chapter and of course obtained permission from Prof. Misono?s husband).

One of our objectives in putting our Routledge book together was to create a venue for work previously underrepresented in English language scholarship. We knew that your formidable Blackwell book and the equally valuable Japanese Cinema Book were already in the works and hoped for synergy, not duplication, between all three books.

Alas, neither Shota nor I knew what Taylor & Francis would charge for the book. Their Asian Studies editor approached me with the idea of a handbook on Japanese cinema, I knew their Handbook series and have used many of these books as valuable resources, and I saw an opportunity to put together, with Shota, what we hope is useful work. I am all in when it comes to open access resources, which I hope is clear from my (open access) resource, Re-Envisioning Japan<https://rej.lib.rochester.edu/>, and I have long been a big fan of the initiative at U Michigan.

Here is the link for The Routledge Handbook of Japanese Cinema page on the Taylor & Francis website:,
https://urldefense.proofpoint.com/v2/url?u=https-3A__www.routledge.com_Routledge-2DHandbook-2Dof-2DJapanese-2DCinema_Bernardi-2DOgawa_p_book_9781138685529&d=DwICAg&c=kbmfwr1Yojg42sGEpaQh5ofMHBeTl9EI2eaqQZhHbOU&r=MX2bOaCWmu1NypMrWEZKn545D9E2lCigcxxvg4XUwGs&m=ZQJQ0dIfgJtNEYTm5d4xWzkdUkfZ991nJu4xwn5KXRY&s=Sn6BA47R30EktD-hJRrjswZvpgdy47O4QCpkfqWQMDE&e=



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From Alastair.Phillips at warwick.ac.uk  Mon Feb 15 07:56:39 2021
From: Alastair.Phillips at warwick.ac.uk (Phillips, Alastair)
Date: Mon, 15 Feb 2021 12:56:39 +0000
Subject: [KineJapan] AINU MOSIR
In-Reply-To: <DB6PR0102MB267983E1ED735007A330B431B0C40@DB6PR0102MB2679.eurprd01.prod.exchangelabs.com>
References: <DB6PR0102MB267983E1ED735007A330B431B0C40@DB6PR0102MB2679.eurprd01.prod.exchangelabs.com>
Message-ID: <DBAPR01MB6711534FD43A228B76F6B4BAB0889@DBAPR01MB6711.eurprd01.prod.exchangelabs.com>

A free webinar to mark the successful release of the film, Ainu Mosir, currently screening on Netflix


Tuesday 23 February

12pm-1:30pm UK time

9pm-10:30pm Japan time



Attendance free, booking essential

Online webinar, accessible remotely via Zoom





The film Ainu Mosir (released on Netflix<https://www.netflix.com/gb/title/81349040>), directed by emerging Japanese filmmaker Takeshi Fukunaga, depicts an Ainu (indigenous) boy?s life story in modern society, and shows his ambivalence to his traditional Ainu heritage. The film gives a multifaceted picture of the Ainu community and culture, as well as the generational differences within it. Fukunaga's upbringing in Hokkaido (where the indigenous Ainu people mostly live), and his experience of living as part of a minority group for sixteen years in New York, have led him to develop a unique style of film-making.



As a Japanese filmmaker, Fukunaga looks for ways to tell his stories truthfully, without preconceived notions. The result is a fictional film set in a real Ainu community in Akan, Hokkaido, starring Ainu non-actors playing themselves - including the lead actors, who have never acted in a film before. Fukunaga hopes that the film gives Ainu people a voice, and helps to create a better understanding of them.



In this talk chaired by Alastair Phillips, the film will be examined from various perspectives. Why did Fukunaga make this film now? How is the film perceived in Japan and elsewhere? What implications might it have for the Ainu community?



Speakers:

Alastair Phillips is Professor of Film Studies at the University of Warwick. He has worked for the British Film Institute (BFI) and the Edinburgh International Film Festival, is an editor of Screen, and serves on the editorial boards of the Journal of Japanese and Korean Cinema, the BFI Film Classics series, and Bloomsbury Publishing's Screen Studies platform. His research interests incorporate the fields of international film history, culture, and aesthetics with special emphasis on French and Japanese filmmaking, and his current projects include a BFI Classic on Yasujir? Ozu?s Tokyo Story (1953). Among his extensive publications is the recent volume The Japanese Cinema Book, co-edited with Hideaki Fujiki (London: British Film Institute, 2020).

Takeshi Fukunaga is a filmmaker born and raised in Hokkaido, Japan. After living in the US for 16 years, he moved his base to Tokyo in 2019. His first feature film, Out of My Hand<http://www.arraynow.com/out-of-my-hand>, premiered in the Panorama section of the Berlin International Film Festival in 2015, won the US Fiction Award, the top prize at the LA Film Festival, and the Emerging Filmmaker Award at the San Diego Asian American Film Festival. The film was nominated for the John Cassavetes Independent Spirit Award and released worldwide through Ava DuVernay?s ARRAY in 2016. Takeshi was selected for a Cannes Film Festival Cin?fondation Residence and the Sam Spiegel International Film Lab to develop his second feature film, Ainu Mosir<https://www.netflix.com/gb/title/81349040>. The film was made as a Japan/US/China co-production and won a Special Jury Mention in the International Narrative Competition at the Tribeca Film Festival, and Best Film at the 2020 Guanajuato Film Festival. It is streaming on Netflix in English-speaking countries, and showing at cinemas across Japan.

Debo Akibe, Actor: Ainu Mosir.

This event is free, but booking is essential. Please book at: https://dajf.org.uk/event/ainu-mosir-a-movie-starring-ainu-people





Professor Alastair Phillips
Department of Film and Television Studies
Millburn House
University of Warwick
Coventry
CV4 7HS
UK

T: 02476 522434
E: Alastair.Phillips at warwick.ac.uk<mailto:Alastair.Phillips at warwick.ac.uk>
W: http://www2.warwick.ac.uk/fac/arts/film/staff/phillips/<https://mywebmail.warwick.ac.uk/exchweb/bin/redir.asp?URL=http://www2.warwick.ac.uk/fac/arts/film/staff/phillips/>

________________________________

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From nornes at umich.edu  Tue Feb 16 15:48:41 2021
From: nornes at umich.edu (Markus Nornes)
Date: Tue, 16 Feb 2021 13:48:41 -0700
Subject: [KineJapan] Japanese Studies Postdoc at UM
Message-ID: <CANoSnpBUNSoDwWGnhHgnSbN5TinxQ48LDXv4b9BSoO73gM_ZOQ@mail.gmail.com>

https://us4.campaign-archive.com/?e=__test_email__&u=411f3a907e8bc74356442f97e&id=0b69e1162d

Let's see some applications from you media people!

Markus


*Teaching Postdoctoral Fellowship in Japanese Studies (Academic Year
2021?2022) *
_____________________________________________________________

*Application Deadline: March 15, 2021 at 11:59pm Eastern Time*

The Center for Japanese Studies at the University of Michigan is now
accepting applications for a Postdoctoral Fellowship in Japanese Studies
for the 2021?2022 academic year. This Postdoctoral Fellow will be expected
to teach three courses over the academic year, as well as to participate in
Center events and related activities at U-M. The applicant?s research can
cover any historical period of Japan?including contemporary Japan?and
involve any academic discipline in the humanities and social sciences. The
fellowship will cover up to a 12-month period between August 30, 2021 and
August 28, 2022, and will carry a salary of approximately $57,000 plus
benefits, pending Lecturers? Employee Organization (LEO) negotiations, as
well as $3,000 in research funds. The postdoctoral fellow will be provided
a shared office and access to libraries and resources at the University.

*Qualifications*

   - Applicants must have received their Ph.D. degree within five years of
   the postdoctoral appointment year (2016 or later).
   - The successful applicant must have their Ph.D. degree conferred by
   August 31, 2021.
   - Applicants are expected to have full command of the English language
   as University of Michigan classes, meetings and business are conducted in
   English.

*Application Instructions*

*Applications must be submitted on this website
<https://apply.interfolio.com/82263> by March 15, 2021* and will require
the following items (only PDF and MS Word formats will be accepted):

   - Letter of Application
   - CV
   - Research statement outlining experience and current project(s)
   - Teaching statement outlining courses taught in the past (with course
   evaluations) and courses proposed to be taught at Michigan
   - Writing sample (e.g. dissertation chapter, conference paper, journal
   article), not to exceed 40 pages
   - Two (2) letters of recommendation

For Inquiries, please contact the Center for Japanese Studies at
umcjs at umich.edu



---

*Markus Nornes*
*Professor of Asian Cinema*
Department of Film, Television and Media, Department of Asian Languages and
Cultures, Penny Stamps School of Art & Design

*Department of Film, Television and Media*
*6348 North Quad*
*105 S. State Street*
*Ann Arbor, MI 48109-1285*
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From earljac at gmail.com  Tue Feb 16 23:11:29 2021
From: earljac at gmail.com (Earl Jackson)
Date: Wed, 17 Feb 2021 12:11:29 +0800
Subject: [KineJapan] ReFocus: International Directors series
Message-ID: <CABhbz8N9UDeDECO-btq0si3LrD0i9vgGGZHYYpq8sB-OqOf6uA@mail.gmail.com>

Dear Everyone,
Edinburgh University Press has a series, ReFocus: International Directors.
Each volume is edited by one or two people, gathering and organizing work
from a number of scholars on a single director. So far there is no Japanese
director represented. I selfishly think it would be great if one or two
scholars on this list would consider proposing a volume on Masumura Yasuzo,
for example, among any number of other candidates.
Earl Jackson
Chair Professor
Foreign Languages and Literatures
Asia University
Professor Emeritus
National Chiao Tung University
Associate Professor Emeritus
University of California, Santa Cruz
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From aaron.gerow at yale.edu  Tue Feb 16 23:47:44 2021
From: aaron.gerow at yale.edu (Gerow Aaron)
Date: Tue, 16 Feb 2021 23:47:44 -0500
Subject: [KineJapan] ReFocus: International Directors series
In-Reply-To: <CABhbz8N9UDeDECO-btq0si3LrD0i9vgGGZHYYpq8sB-OqOf6uA@mail.gmail.com>
References: <CABhbz8N9UDeDECO-btq0si3LrD0i9vgGGZHYYpq8sB-OqOf6uA@mail.gmail.com>
Message-ID: <5FB4D0CA-2025-4777-9077-7CF6B46FFB76@yale.edu>

Thanks for mentioning that series. Actually, Aiko Masubuchi and I are working on a proposal for the series centered on Obayashi Nobuhiko. We?re hoping to develop it through a workshop, hopefully at Yale next academic year. So keep tuned for more news!

Aaron Gerow

> 2021/02/16 ??11:11?Earl Jackson via KineJapan <kinejapan at mailman.yale.edu>????:
> 
> Dear Everyone,
> Edinburgh University Press has a series, ReFocus: International Directors. Each volume is edited by one or two people, gathering and organizing work from a number of scholars on a single director. So far there is no Japanese director represented. I selfishly think it would be great if one or two scholars on this list would consider proposing a volume on Masumura Yasuzo, for example, among any number of other candidates.
> Earl Jackson
> Chair Professor
> Foreign Languages and Literatures
> Asia University
> Professor Emeritus
> National Chiao Tung University
> Associate Professor Emeritus
> University of California, Santa Cruz
> _______________________________________________
> KineJapan mailing list
> KineJapan at mailman.yale.edu
> https://mailman.yale.edu/mailman/listinfo/kinejapan

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From earljac at gmail.com  Wed Feb 17 01:13:47 2021
From: earljac at gmail.com (Earl Jackson)
Date: Wed, 17 Feb 2021 14:13:47 +0800
Subject: [KineJapan] ReFocus: International Directors series
In-Reply-To: <5FB4D0CA-2025-4777-9077-7CF6B46FFB76@yale.edu>
References: <CABhbz8N9UDeDECO-btq0si3LrD0i9vgGGZHYYpq8sB-OqOf6uA@mail.gmail.com>
 <5FB4D0CA-2025-4777-9077-7CF6B46FFB76@yale.edu>
Message-ID: <CABhbz8NVdNQpu6JqrhcgPx=qE-B6edBr+YLKz2=9n=4BT6jMew@mail.gmail.com>

Dear Aaron
Wow that sounds like a terrific project.
best
ej
Earl Jackson
Chair Professor
Foreign Languages and Literatures
Asia University
Professor Emeritus
National Chiao Tung University
Associate Professor Emeritus
University of California, Santa Cruz


On Wed, Feb 17, 2021 at 12:47 PM Gerow Aaron via KineJapan <
kinejapan at mailman.yale.edu> wrote:

> Thanks for mentioning that series. Actually, Aiko Masubuchi and I are
> working on a proposal for the series centered on Obayashi Nobuhiko. We?re
> hoping to develop it through a workshop, hopefully at Yale next academic
> year. So keep tuned for more news!
>
> Aaron Gerow
>
> 2021/02/16 ??11:11?Earl Jackson via KineJapan <kinejapan at mailman.yale.edu
> >????:
>
> Dear Everyone,
> Edinburgh University Press has a series, ReFocus: International Directors.
> Each volume is edited by one or two people, gathering and organizing work
> from a number of scholars on a single director. So far there is no Japanese
> director represented. I selfishly think it would be great if one or two
> scholars on this list would consider proposing a volume on Masumura Yasuzo,
> for example, among any number of other candidates.
> Earl Jackson
> Chair Professor
> Foreign Languages and Literatures
> Asia University
> Professor Emeritus
> National Chiao Tung University
> Associate Professor Emeritus
> University of California, Santa Cruz
> _______________________________________________
> KineJapan mailing list
> KineJapan at mailman.yale.edu
> https://mailman.yale.edu/mailman/listinfo/kinejapan
>
>
> _______________________________________________
> KineJapan mailing list
> KineJapan at mailman.yale.edu
> https://mailman.yale.edu/mailman/listinfo/kinejapan
>
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From stephensarra at hotmail.com  Wed Feb 17 01:56:20 2021
From: stephensarra at hotmail.com (stephen sarrazin)
Date: Wed, 17 Feb 2021 06:56:20 +0000
Subject: [KineJapan] Miwa Nishikawa & Under the Open Sky
Message-ID: <PH0PR08MB7033D6D60AD05150EEDE87F0CD869@PH0PR08MB7033.namprd08.prod.outlook.com>

Dear colleagues,

some remarks by Ms Yangyu Zhang and myself on Miwa Nishikawa's latest film,  Under the Open Sky.

Stephen Sarrazin


https://szbureau.com/2021/02/15/on-under-the-open-sky-interview-with-dir-miwa-nishikawa/
[https://szptphome.files.wordpress.com/2021/02/aa811fcb-e2c7-46f6-b7aa-9d651ea8bd7a.jpeg]<https://szbureau.com/2021/02/15/on-under-the-open-sky-interview-with-dir-miwa-nishikawa/>
On Under the Open Sky & Interview with Dir. Miwa Nishikawa<https://szbureau.com/2021/02/15/on-under-the-open-sky-interview-with-dir-miwa-nishikawa/>
?????????, 2020, 126min. (directed by Miwa Nishikawa)
szbureau.com

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From mwadamar at gmail.com  Wed Feb 17 03:06:14 2021
From: mwadamar at gmail.com (Mitsuyo Wada-Marciano)
Date: Wed, 17 Feb 2021 17:06:14 +0900
Subject: [KineJapan] new publication
Message-ID: <CAG5u47OjZOLoZsnoCp7+=quZ_qJR1oR51jhiNjeAa5CLHnvSUQ@mail.gmail.com>

My new book, *No Nukes*, was just published from Nagoya University Press,
in which I analyzed documentary films before/after 3.11 and contemporary
art.  I hope some of you are interested in it.  Here is the link to the
book, and you could of course find it at amazon.co.jp.



https://www.unp.or.jp/ISBN/ISBN978-4-8158-1014-6.html


all the best,


Mitsuyo Wada-Marciano, Dr.
Director of Transcultural Studies
Kyoto University
Graduate School of Letters
Yoshida-honmachi Sakyo-ku Kyoto Japan 606-8501
https://www.cats.bun.kyoto-u.ac.jp/jdts/team/academic-staff/mitsuyo-wada-marciano/
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From jimharper666 at yahoo.co.uk  Wed Feb 17 03:17:08 2021
From: jimharper666 at yahoo.co.uk (Jim Harper)
Date: Wed, 17 Feb 2021 08:17:08 +0000 (UTC)
Subject: [KineJapan] ReFocus: International Directors series
In-Reply-To: <5FB4D0CA-2025-4777-9077-7CF6B46FFB76@yale.edu>
References: <CABhbz8N9UDeDECO-btq0si3LrD0i9vgGGZHYYpq8sB-OqOf6uA@mail.gmail.com>
 <5FB4D0CA-2025-4777-9077-7CF6B46FFB76@yale.edu>
Message-ID: <1607397738.1993528.1613549828351@mail.yahoo.com>

 That sounds great, and long overdue! Here in Hiroshima they hold Obayashi in very high regard, one of their key 'home town heroes'. I'd love to see more work on Obayashi, especially often overlooked films like Ijintachi tono natsu, my personal favourite.

Jim Harper.

NOW AVAILABLE: Flowers From Hell: The Modern Japanese Horror Film, by Jim Harper (Noir Publishing). "Fascinating overview of the Japanese horror boom... Comprehensive, in-depth and slickly presented."- DVD Monthly. Available from Noir Publishing, Amazon.co.uk, Waterstones and all good bookstores.

     On Wednesday, 17 February 2021, 13:47:52 GMT+9, Gerow Aaron via KineJapan <kinejapan at mailman.yale.edu> wrote:  
 
 Thanks for mentioning that series. Actually, Aiko Masubuchi and I are working on a proposal for the series centered on Obayashi Nobuhiko. We?re hoping to develop it through a workshop, hopefully at Yale next academic year. So keep tuned for more news!
Aaron Gerow


2021/02/16 ??11:11?Earl Jackson via KineJapan <kinejapan at mailman.yale.edu>????:
Dear Everyone,Edinburgh University Press has a series, ReFocus: International Directors. Each volume is edited by one or two people, gathering and organizing work from a number of scholars on a single director. So far there is no Japanese director represented. I selfishly think it would be great if one or two scholars on this list would consider proposing a volume on Masumura Yasuzo, for example, among any number of other candidates.Earl JacksonChair ProfessorForeign Languages and LiteraturesAsia UniversityProfessor EmeritusNational Chiao Tung UniversityAssociate Professor EmeritusUniversity of California, Santa Cruz
_______________________________________________
KineJapan mailing list
KineJapan at mailman.yale.edu
https://mailman.yale.edu/mailman/listinfo/kinejapan


_______________________________________________
KineJapan mailing list
KineJapan at mailman.yale.edu
https://mailman.yale.edu/mailman/listinfo/kinejapan
  
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From nornes at umich.edu  Wed Feb 17 10:10:54 2021
From: nornes at umich.edu (Markus Nornes)
Date: Wed, 17 Feb 2021 08:10:54 -0700
Subject: [KineJapan] new publication
In-Reply-To: <CAG5u47OjZOLoZsnoCp7+=quZ_qJR1oR51jhiNjeAa5CLHnvSUQ@mail.gmail.com>
References: <CAG5u47OjZOLoZsnoCp7+=quZ_qJR1oR51jhiNjeAa5CLHnvSUQ@mail.gmail.com>
Message-ID: <CANoSnpDEu4nR2WtYgc8PfSKnuOw3709Bzbx7RuLHycYugoUtWw@mail.gmail.com>

Congratulations, Mitsuyo!! This looks fascinating!  You?re tougher than me.
I started a piece on this shortly after it happened, watched nearly 300
documentaries, and got so depressed I put it in a drawer. I look forward to
seeing your take on this, especially with the historical context up front.

I have Funahashi-san coming to UM?s CJS next week for a Q and A after
people watch Nuclear Nation. If anyone is interested in sneaking in, let me
know.

He has been back in Fukushima shooting a third film among the people of
Futaba.

I?m curious if there will be any theatrical docs coming out about 311. I?m
sure tv is gearing up for maximum saturation.

Markus


On Wed, Feb 17, 2021 at 1:06 AM Mitsuyo Wada-Marciano via KineJapan <
kinejapan at mailman.yale.edu> wrote:

> My new book, *No Nukes*, was just published from Nagoya University Press,
> in which I analyzed documentary films before/after 3.11 and contemporary
> art.  I hope some of you are interested in it.  Here is the link to the
> book, and you could of course find it at amazon.co.jp.
>
>
>
> https://www.unp.or.jp/ISBN/ISBN978-4-8158-1014-6.html
>
>
> all the best,
>
>
> Mitsuyo Wada-Marciano, Dr.
> Director of Transcultural Studies
> Kyoto University
> Graduate School of Letters
> Yoshida-honmachi Sakyo-ku Kyoto Japan 606-8501
>
> https://www.cats.bun.kyoto-u.ac.jp/jdts/team/academic-staff/mitsuyo-wada-marciano/
> _______________________________________________
> KineJapan mailing list
> KineJapan at mailman.yale.edu
> https://mailman.yale.edu/mailman/listinfo/kinejapan
>
-- 
---

*Markus Nornes*
*Professor of Asian Cinema*
Department of Film, Television and Media, Department of Asian Languages and
Cultures, Penny Stamps School of Art & Design

*Department of Film, Television and Media*
*6348 North Quad*
*105 S. State Street*
*Ann Arbor, MI 48109-1285*
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From sogawa at nagoya-u.jp  Wed Feb 17 10:19:36 2021
From: sogawa at nagoya-u.jp (shota ogawa)
Date: Thu, 18 Feb 2021 00:19:36 +0900
Subject: [KineJapan] new publication
In-Reply-To: <CANoSnpDEu4nR2WtYgc8PfSKnuOw3709Bzbx7RuLHycYugoUtWw@mail.gmail.com>
References: <CAG5u47OjZOLoZsnoCp7+=quZ_qJR1oR51jhiNjeAa5CLHnvSUQ@mail.gmail.com>
 <CANoSnpDEu4nR2WtYgc8PfSKnuOw3709Bzbx7RuLHycYugoUtWw@mail.gmail.com>
Message-ID: <CACbKvhrwjg7=f_r08s_qEp3ma_sQUDqJZNBwo1xMYiHH4+5oUQ@mail.gmail.com>

Congratulations Mitsuyo!
I have the book. Can't wait to read it with our students.

Shota

On Thu, Feb 18, 2021 at 12:11 AM Markus Nornes via KineJapan <
kinejapan at mailman.yale.edu> wrote:

> Congratulations, Mitsuyo!! This looks fascinating!  You?re tougher than
> me. I started a piece on this shortly after it happened, watched nearly 300
> documentaries, and got so depressed I put it in a drawer. I look forward to
> seeing your take on this, especially with the historical context up front.
>
> I have Funahashi-san coming to UM?s CJS next week for a Q and A after
> people watch Nuclear Nation. If anyone is interested in sneaking in, let me
> know.
>
> He has been back in Fukushima shooting a third film among the people of
> Futaba.
>
> I?m curious if there will be any theatrical docs coming out about 311. I?m
> sure tv is gearing up for maximum saturation.
>
> Markus
>
>
> On Wed, Feb 17, 2021 at 1:06 AM Mitsuyo Wada-Marciano via KineJapan <
> kinejapan at mailman.yale.edu> wrote:
>
>> My new book, *No Nukes*, was just published from Nagoya University
>> Press, in which I analyzed documentary films before/after 3.11 and
>> contemporary art.  I hope some of you are interested in it.  Here is the
>> link to the book, and you could of course find it at amazon.co.jp.
>>
>>
>>
>> https://www.unp.or.jp/ISBN/ISBN978-4-8158-1014-6.html
>>
>>
>> all the best,
>>
>>
>> Mitsuyo Wada-Marciano, Dr.
>> Director of Transcultural Studies
>> Kyoto University
>> Graduate School of Letters
>> Yoshida-honmachi Sakyo-ku Kyoto Japan 606-8501
>>
>> https://www.cats.bun.kyoto-u.ac.jp/jdts/team/academic-staff/mitsuyo-wada-marciano/
>> _______________________________________________
>> KineJapan mailing list
>> KineJapan at mailman.yale.edu
>> https://mailman.yale.edu/mailman/listinfo/kinejapan
>>
> --
> ---
>
> *Markus Nornes*
> *Professor of Asian Cinema*
> Department of Film, Television and Media, Department of Asian Languages
> and Cultures, Penny Stamps School of Art & Design
>
> *Department of Film, Television and Media*
> *6348 North Quad*
> *105 S. State Street*
> *Ann Arbor, MI 48109-1285*
>
> _______________________________________________
> KineJapan mailing list
> KineJapan at mailman.yale.edu
> https://mailman.yale.edu/mailman/listinfo/kinejapan
>


-- 
__________________
Shota Ogawa ????
Graduate School of Letters
Nagoya University
Furo-cho, Chikusa-ku
Nagoya 464-8601
T. 052-789-2252

Pronouns: he/him/his
------------------------------------
Out now: Routledge Handbook of Japanese Cinema, edited by
<https://www.routledge.com/Routledge-Handbook-of-Japanese-Cinema-1st-Edition/Bernardi-Ogawa/p/book/9781138685529>
Joanne Bernardi and Shota T. Ogawa
<https://www.routledge.com/Routledge-Handbook-of-Japanese-Cinema-1st-Edition/Bernardi-Ogawa/p/book/9781138685529>
------------------------------------
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From joanne.bernardi at rochester.edu  Wed Feb 17 14:08:46 2021
From: joanne.bernardi at rochester.edu (Bernardi, Joanne)
Date: Wed, 17 Feb 2021 19:08:46 +0000
Subject: [KineJapan] [EXT] KineJapan Digest, Vol 33, Issue 13
In-Reply-To: <mailman.823.1613574669.1766.kinejapan@mailman.yale.edu>
References: <mailman.823.1613574669.1766.kinejapan@mailman.yale.edu>
Message-ID: <2A07BD99-63ED-412C-AE70-C60748BC8BC8@ur.rochester.edu>


Congratulations Mitsuyo, this looks like a formidable book--so comprehensive! I?m looking forward to it, thanks for letting us know.

Best,
Joanne
----------------------------------------------------------------------

Message: 1
Date: Wed, 17 Feb 2021 17:06:14 +0900
From: Mitsuyo Wada-Marciano <mwadamar at gmail.com<mailto:mwadamar at gmail.com>>
To: kinejapan at mailman.yale.edu<mailto:kinejapan at mailman.yale.edu>
Subject: [KineJapan] new publication
Message-ID:
                <CAG5u47OjZOLoZsnoCp7+=quZ_qJR1oR51jhiNjeAa5CLHnvSUQ at mail.gmail.com<mailto:CAG5u47OjZOLoZsnoCp7+=quZ_qJR1oR51jhiNjeAa5CLHnvSUQ at mail.gmail.com>>
Content-Type: text/plain; charset="utf-8"

My new book, *No Nukes*, was just published from Nagoya University Press,
in which I analyzed documentary films before/after 3.11 and contemporary
art.  I hope some of you are interested in it.  Here is the link to the
book, and you could of course find it at amazon.co.jp.

https://urldefense.proofpoint.com/v2/url?u=https-3A__www.unp.or.jp_ISBN_ISBN978-2D4-2D8158-2D1014-2D6.html&d=DwICAg&c=kbmfwr1Yojg42sGEpaQh5ofMHBeTl9EI2eaqQZhHbOU&r=MX2bOaCWmu1NypMrWEZKn545D9E2lCigcxxvg4XUwGs&m=cZrSGWBmAJlds7E-oiX5yS-SOjl6PdhUUIYswoRNCwQ&s=to1VPLNyaf5usxvBtrmg2olEwMUunUgWwCUXFhJRBx4&e=

all the best,

Mitsuyo Wada-Marciano, Dr.
Director of Transcultural Studies
Kyoto University
Graduate School of Letters
Yoshida-honmachi Sakyo-ku Kyoto Japan 606-8501

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From sogawa at nagoya-u.jp  Wed Feb 17 21:20:11 2021
From: sogawa at nagoya-u.jp (shota ogawa)
Date: Thu, 18 Feb 2021 11:20:11 +0900
Subject: [KineJapan] Symposium + Film Series: Japanese Cinema from Multiple
 Perspectives
Message-ID: <CACbKvhq7yVEJJ7bFc-6QsyJUS8ubSWFeSXbF38Nj0PNKr9QrBg@mail.gmail.com>

[image: Poster JCFMP (Final).png]
**********************
Global Virtual Symposium + Film Series
*Japanese Cinema from Multiple Perspectives*

Venue: Online (free of charge, but prior registration required
https://www.filmconf.nagoya)
Language: English-Japanese Simultaneous Interpretation

We invite you to a globally decentralized virtual live symposium on
Japanese Cinema to mark the publication of *The Japanese Cinema Book
<https://www.bloomsbury.com/us/the-japanese-cinema-book-9781844576784/>* (BFI
Publishing, 2020) and *Routledge Handbook of Japanese Cinema
<https://www.routledge.com/Routledge-Handbook-of-Japanese-Cinema/Bernardi-Ogawa/p/book/9781138685529>*
(Routledge,
2020). In six thematically organized workshops featuring a total of
twenty-seven speakers from multiple continents, we provide a timely and
expansive discussion of the dynamic field of Japanese cinema today with a
view to raising productive and critical questions on the field's future.

To embrace the translocality that we understand to be at the heart of the
field, all talks will be available in English and Japanese via simultaneous
interpretation. The timetable itself is experimental, with our attempt to
make the event globally accessible in as many time zones as feasibly
possible: all six sessions will take place "live" from 5th to 7th March,
although they will be experienced in different times of the day depending
on the location. Please also take advantage of a concurrent student-curated
virtual film series that offers a nonverbal counterpoint to the talks
(available to stream from 1st to 13th March). Finally, all registered
symposium participants are cordially invited to join us for a reception.


?
*Workshop Programme*
*5th - 7th March
(https://www.filmconf.nagoya/pages/4542998/page_202101141321
<https://www.filmconf.nagoya/pages/4542998/page_202101141321>)*

*OPENING
REMARKS

                                                   *

Hideaki Fujiki, Shota T. Ogawa, Alastair Phillips, Joanne Bernardi




*I    MEDIATIZATION AND
AESTHETICS
                 *
Chair:* Woojeong Joo*



*Thomas Lamarre* (University of Chicago)

Compositing and Switching: An Intermedial History of Japanese Anime



*Johan **Nordstr?m* (Tsuru University)

Between Silent and Sound: The Liminal Space of the Japanese ?Sound Version?



*Rayna Denison* (University of East Anglia)

Manga at the Movies: Adaptation and Intertextuality



*Machiko Kusahara* (Waseda University)

*Utsushie*: Japanese Magic Lantern Performance as Pre-cinematic Projection
Practice



*Eri Kajikawa* (Nagoya University-University of Warwick)

The 1980s Japanese Idol: Celebrity, Media and Audio-visuality





*II          CULTURE AND
POLITICS

                   *

Chair: *Chikako Nagayama *



*Diane Wei Lewis *(Washington University in St. Louis)

Home Movies of the Revolution: Proletarian Filmmaking and
Counter-Mobilization in Interwar Japan



*Masato Dogase* (Nagoya University)

Japanese Student Movement Cinema: A Dialogic Approach



*Alexander Zahlten* (Harvard University)

Media Models of ?Amateur? Film and Manga



*Rachael Hutchinson* (University of Delaware)

Censorship as Education: Film Violence and Ideology



*Joel Neville Anderson* (Purchase Collage, State University of New York)

Pointing Through the Screen: Archiving, Surveillance and Atomization in the
Wake of Japan?s 2011 Triple Disasters





*III  PRESENTATION AND
REPRESENTAION
                                                               *
Chair: *Alastair Phillips*


*Jennifer Coates* (University of Sheffield)

The Yakuza Film: A Genre ?Endorsed by the People?



*Michael Crandol* (Leiden University)

The Ghosts of *Kaiki* *Eiga*



*Woojeong Joo* (Nagoya University)

Separations and Connections: The Cinematic Homes of the Showa 30s



*Kosuke Kinoshita *(Gunma Prefectural Women?s University)

Multi-viewpoint Narrative: From *Rashomon* (1950) to *Confessions* (2010)


*IV INSTITUTIONS AND
PRACTICES
        *

Chair:* Joanne Bernardi*



*Manabu Ueda* (Kobe Gakuin University)

Screening Spaces: A History of Japanese Film Exhibition


*Takeshi Tanikawa *(Waseda University)

*Kaiju *Films as Exportable Content: Reassessing the Function of the
Japanese Film Export Promotion Association



*Takafusa Hatori* (Niigata University)

?Fugitives? from the Studio System: Ikebe Ry?, Sada Keiji and the
Transition from Cinema to Television in the Early 1960s



*Chen Cong* (McGill University)

Historicizing ?Sounds Right?: *Seiy?*, Audio-visual Conformity and the
Media Environment in Japan





*V  JAPANESE CINEMA
UNBOUND
  *

Chair:* Shota T. Ogawa *



*Daisuke Miyao* (University of California, San Diego)

The Transpacific History of Japanese Cinematography



*Ran Ma *(Nagoya University)

*Eigasai* Inside Out: Japanese Cinema and Film Festival Programming


*Naoki Yamamoto* (University of California, Santa Barbara)

Soviet Montage Theory and Japanese Film Criticism



*Yoshiharu Tezuka* (Komazawa University)

A Constellation of Gazes: Europe and the Japanese Film Industry



*Christopher M. Cabrera *(Nagoya University)

The Ogasawara Islands as Contact Zone: *Between Tides* (2018) and
Citizenship




*VI MULTIPLE PERSPECTIVES

                                                             *

Chair: *Ran Ma*


*Hideaki Fujiki *(Nagoya University) and *Alastair Phillips *(University of
Warwick)
On *The Japanese Cinema Book*


*Joanne Bernardi *(University of Rochester) and *Shota T. Ogawa *(Nagoya
University)
On *Routledge Handbook of Japanese Cinema*




*CLOSING
REMARKS

                                              *

Ma Ran, Chikako Nagayama, Woojeong Joo




*****************************************************************************************
*?Reception*
https://www.filmconf-jp.nagoya/pages/4543533/page_202101141622
*****************************************************************************************


*?Film Series*
1st - 13th March
https://www.filmconf.nagoya/pages/4539069/video
<https://www.filmconf-jp.nagoya/>
*****************************************************************************************

*Organized by* the Cinema Studies Program in the Graduate School of
Humanities, Nagoya University, and Department of Film and Television
Studies, University of Warwick

*Supported by* the Center for Transregional Culture and Society, the
Graduate School of Humanities, Nagoya University

*Sponsored by* Nagoya University and MEXT


*****************************************************************************************

-- 
__________________
Shota Ogawa ????
Graduate School of Letters
Nagoya University
Furo-cho, Chikusa-ku
Nagoya 464-8601
T. 052-789-2252

Pronouns: he/him/his
------------------------------------
Out now: Routledge Handbook of Japanese Cinema, edited by
<https://www.routledge.com/Routledge-Handbook-of-Japanese-Cinema-1st-Edition/Bernardi-Ogawa/p/book/9781138685529>
Joanne Bernardi and Shota T. Ogawa
<https://www.routledge.com/Routledge-Handbook-of-Japanese-Cinema-1st-Edition/Bernardi-Ogawa/p/book/9781138685529>
------------------------------------
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From nornes at umich.edu  Wed Feb 17 22:10:21 2021
From: nornes at umich.edu (Markus Nornes)
Date: Wed, 17 Feb 2021 20:10:21 -0700
Subject: [KineJapan] Symposium + Film Series: Japanese Cinema from
 Multiple Perspectives
In-Reply-To: <CACbKvhq7yVEJJ7bFc-6QsyJUS8ubSWFeSXbF38Nj0PNKr9QrBg@mail.gmail.com>
References: <CACbKvhq7yVEJJ7bFc-6QsyJUS8ubSWFeSXbF38Nj0PNKr9QrBg@mail.gmail.com>
Message-ID: <CANoSnpCkGd9ipcVps28Dg0sYJVH51XvmZu4gWyynkme6Ov-PgQ@mail.gmail.com>

This is amazing. Thanks for doing this!??M
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From eija.niskanen at gmail.com  Sun Feb 21 12:46:41 2021
From: eija.niskanen at gmail.com (Eija Niskanen)
Date: Sun, 21 Feb 2021 19:46:41 +0200
Subject: [KineJapan] Online festival screening fees
Message-ID: <CA+FavwPt+rdxAo=Z=9y9qbo39jYz=oBvtW8kh-qQfHegAOjnKw@mail.gmail.com>

Dear all, who have experience with online festivals and film screenings,
screening Japanese films.

We at Helsinki Cine Aasia film festival are forced to move partially online
as well. We are wondering: what are your experiences of online festival
screening fees as compared what the Japanese distributors ask for
theatrical screenings?

Whart platform have you used?

Any advice is hugely appreciated!

Eija Niskanen
programming director
helsinkicineaasia.fi
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From nornes at umich.edu  Sun Feb 21 22:48:19 2021
From: nornes at umich.edu (Markus Nornes)
Date: Sun, 21 Feb 2021 20:48:19 -0700
Subject: [KineJapan] Alexander Street Blues
Message-ID: <CANoSnpA=wEz0-0quTHQ6cPHuJh+yGSZSTUDK_6JhkOz7YjHXgg@mail.gmail.com>

This Monday, CJS at UM is holding a Zoom Q and A with Funahashi Atsushi
about 311. Because of Covid, everyone is watching the film beforehand
through the library?s Alexander Street subscription.

I just opened up Nuclear Nation and am seriously bumming. The image has
been letterboxed to something close to 21:9 widescreen. And the resolution
is ridiculous. I?d be surprised if it?s 240p.

I have to say I?m not shocked. I?ve had to get my library to change the
aspect ratio of many films from AS and Kanopy. Neither cares about quality
or quality control. And obviously subscribing libraries don?t care enough
either.

As discs go the way of celluloid, this is our miserable future. Do we just
accept this?!

Markus
-- 
---

*Markus Nornes*
*Professor of Asian Cinema*
Department of Film, Television and Media, Department of Asian Languages and
Cultures, Penny Stamps School of Art & Design

*Department of Film, Television and Media*
*6348 North Quad*
*105 S. State Street*
*Ann Arbor, MI 48109-1285*
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From daisyyandu at uwalumni.com  Wed Feb 24 11:34:59 2021
From: daisyyandu at uwalumni.com (Daisy Yan Du)
Date: Thu, 25 Feb 2021 00:34:59 +0800
Subject: [KineJapan] 9am,
 March 1 (Hong Kong time): The Inaugural Conference of the
 Association for Chinese Animation Studies
Message-ID: <CADxLjQGFWn9+yTc+pEA1mBi_erRcpUx3WmJ_00bjf6=_sCSgSg@mail.gmail.com>

Dear Colleagues,

I am very sorry to bother those who are not interested. We will kick off
the online Inaugural Conference of the Association for Chinese Animation
Studies at 9am on March 1 (Monday, Hong Kong time). The conference is open
to the public for free. You are cordially invited to attend the conference.

Professor Thomas Lamarre will deliver his keynote speech on Chinese anime
at 9am on March 1 (Hong Kong time). There are quite a few panels on
Chinese/Japanese animation, cartoons, and kamishibai.

Here is the conference program:

http://acas.ust.hk/2020/11/15/conference-program-the-inaugural-conference-of-the-association-for-chinese-animation-studies-zoom-webinar-8am-march-1-may-12-2021/


Here is the registration page:

https://ust.az1.qualtrics.com/jfe/form/SV_6wY2Zkq4j3APxTn

We hope to see you soon on March 1.

Best,

Daisy

Daisy Yan Du

Associate Professor

Division of Humanities

Hong Kong University of Science and Technology

Clear Water Bay, Kowloon

Hong Kong



*Animated Encounters: Transnational Movements of Chinese Animation,
1940s-1970s
<https://www.amazon.com/Animated-Encounters-Transnational-Movements-1940s-1970s/dp/0824877640/ref=sr_1_1?dchild=1&keywords=animated+encounters+transnational+movements+of+chinese+animation&qid=1606571810&sr=8-1>
*


ReplyForward
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From matteo.boscarol at gmail.com  Sat Feb 27 03:23:05 2021
From: matteo.boscarol at gmail.com (Asian Docs)
Date: Sat, 27 Feb 2021 17:23:05 +0900
Subject: [KineJapan] =?utf-8?q?2nd_=C5=8Cshima_Nagisa_Prize_not_awarded?=
Message-ID: <CAO3jzpy=zmX2jY_XJWN3X01eUa4dkP4QBqTibMtyrGTrLd-upA@mail.gmail.com>

Dear all,

The second edition of the ?shima Nagisa Prize, an award established to
support emerging Japanese filmmakers (last year's winner was Oda Kaori)
went to...nobody. The jury thought that this year there weren't suitable
candidates.
It makes you think...

https://mainichi.jp/articles/20210226/k00/00m/040/060000c

Matteo Boscarol
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From I.Hayter at leeds.ac.uk  Sat Feb 27 11:27:19 2021
From: I.Hayter at leeds.ac.uk (Irena Hayter)
Date: Sat, 27 Feb 2021 16:27:19 +0000
Subject: [KineJapan] Sasakawa MA and PhD Studentships in Japanese Studies,
 University of Leeds
References: <A630E674-8FEA-475C-8CCB-F6C0BDD91A49@leeds.ac.uk>
Message-ID: <BD79F3A4-D2B4-470E-9245-6FFFCD4E35D0@leeds.ac.uk>

With apologies for crossposting ? please circulate widely.

Sasakawa MA and PhD Studentships in Japanese Studies

(closing date 18 March 2021)

The University of Leeds invites applications from suitably qualified candidates who wish to pursue a taught MA programme in Film Studies with a focus on Japanese cinema, a MA by research (MAR) in Japanese Studies or a PhD in Japanese Studies starting October 2021.

The Sasakawa Postgraduate Studentships are worth ?10,000 and they are tenable for one year only; it is possible, however, to reapply the following year up to a maximum of three years (for those studying for a PhD) or four years (for students pursuing MA or MAR, and then PhD).

Any aspect of Japanese studies or any discipline subject where Japan is the primary focus of the research will be considered. Prior knowledge of the Japanese language is not a condition.
For eligibility, further information and how to apply, see here<https://ahc.leeds.ac.uk/directory_record/1480/sasakawa_postgraduate_studentships_in_japanese_studies>  (for MAR and PhD in Japanese Studies) and here<https://ahc.leeds.ac.uk/languages-masters/doc/funding-scholarships-8> (for MA in Film Studies).
For Japanese Studies research and supervision expertise in the School of Languages, Cultures and Societies, please see here<https://ahc.leeds.ac.uk/stafflist?searchFilter=expertise&query=Japan&isSupervisor=true&staffTypes%5B%5D=all&staffTypes%5B%5D=academic&staffTypes%5B%5D=professional&staffTypes%5B%5D=visiting&staffTypes%5B%5D=honorary&categoryIDs%5B%5D=93>.
Informal inquiries to Dr Irena Hayter (i.hayter at leeds.ac.uk<mailto:i.hayter at leeds.ac.uk>)


Dr Irena Hayter
Associate Professor of Japanese Studies
Director of Postgraduate Research Studies

School of Languages, Cultures and Societies
University of Leeds

Tenk?: Cultures of Political Conversion in Transwar Japan <https://www.routledge.com/Tenko-Cultures-of-Political-Conversion-in-Transwar-Japan/Hayter-Sipos-Williams/p/book/9780367770365>









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From nornes at umich.edu  Sat Feb 27 14:47:18 2021
From: nornes at umich.edu (Markus Nornes)
Date: Sat, 27 Feb 2021 12:47:18 -0700
Subject: [KineJapan] 
 =?utf-8?q?2nd_=C5=8Cshima_Nagisa_Prize_not_awarded?=
In-Reply-To: <CAO3jzpy=zmX2jY_XJWN3X01eUa4dkP4QBqTibMtyrGTrLd-upA@mail.gmail.com>
References: <CAO3jzpy=zmX2jY_XJWN3X01eUa4dkP4QBqTibMtyrGTrLd-upA@mail.gmail.com>
Message-ID: <CANoSnpAgRuVH9aGJB3g8rv6ZArvkSTW7csnybkbrxAKOo6R-+Q@mail.gmail.com>

When I read your post, I immediately thought, "That's so Oshima." And then
sure enough, here's the takeaway quote from Sakamoto Ryuichi:
???????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????

Several years ago I was on the jury for Za Koenji, which just took place at
the beginning of the month. My fellow jury members included Adachi Masao,
playwright Sato Makoto, cinematographer Yamazaki Yutaka and the great doc
producer Hashimoto Yoshiko. We spent most of the jury meeting griping about
the selection before us until Adachi gruffly said, "Why do we even have to
give out awards?" And we then had an extraordinarily uncomfortable critique
session at the awards ceremony, as their custom was to have all the
directors stand on stage to receive comments from the jury?which we
dutifully did. I remember Adachi and Yamazaki being particularly tough. But
they could do it with a style and a certain reputation reaching back to the
old days of Nichidai Eiken and VAN.

Wish I had been at PIA to see that Oshima Award announcement!

Markus




---

*Markus Nornes*
*Professor of Asian Cinema*
Department of Film, Television and Media, Department of Asian Languages and
Cultures, Penny Stamps School of Art & Design

*Department of Film, Television and Media*
*6348 North Quad*
*105 S. State Street*
*Ann Arbor, MI 48109-1285*



On Sat, Feb 27, 2021 at 1:23 AM Asian Docs via KineJapan <
kinejapan at mailman.yale.edu> wrote:

> Dear all,
>
> The second edition of the ?shima Nagisa Prize, an award established to
> support emerging Japanese filmmakers (last year's winner was Oda Kaori)
> went to...nobody. The jury thought that this year there weren't suitable
> candidates.
> It makes you think...
>
> https://mainichi.jp/articles/20210226/k00/00m/040/060000c
>
> Matteo Boscarol
>
>
>
>
> _______________________________________________
> KineJapan mailing list
> KineJapan at mailman.yale.edu
> https://mailman.yale.edu/mailman/listinfo/kinejapan
>
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From christian_hermansen at hotmail.com  Sun Feb 28 08:08:23 2021
From: christian_hermansen at hotmail.com (Christian Morimoto Hermansen)
Date: Sun, 28 Feb 2021 13:08:23 +0000
Subject: [KineJapan] Obuse Short Film Festival 2021
Message-ID: <OS0P286MB0065E17117D1285958424BAA849B9@OS0P286MB0065.JPNP286.PROD.OUTLOOK.COM>


Allow me to draw your attention to the Obuse Short Film Festival 2021 taking place 27-28 March. All entries are shown online. Here is the program and information on tickets etc.:

https://osff.jp/osff2021/
[https://osff.jp/osff/wp/wp-content/uploads/2020/09/ogp.jpg]<https://osff.jp/osff2021/>
????? | ????????<https://osff.jp/osff2021/>
2021?3?27-28?????????3??????????????????????????????????????
osff.jp
Cordially,

Christian M. Hermansen
Kwansei Gakuin University
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From nornes at umich.edu  Sun Feb 28 21:12:20 2021
From: nornes at umich.edu (Markus Nornes)
Date: Sun, 28 Feb 2021 19:12:20 -0700
Subject: [KineJapan] EAA newsletter seeking manuscripts about film/tv
Message-ID: <CANoSnpBja+JCXra-H_Z4w+x4xUZYxqmTo=Ewq_xqofqDhHg6vw@mail.gmail.com>

https://www.asianstudies.org/publications/eaa/scheduled-thematic-special-sections/?utm_source=AAS+Publications&utm_campaign=e1f1b367b1-EMAIL_CAMPAIGN_2020_06_12_05_38_COPY_01&utm_medium=email&utm_term=0_18c36a6e0b-e1f1b367b1-154234253

*Fall 2021 issue:* *?Engaging Asia: Film, Documentaries, and
Television"* [Seeking
Manuscripts]

The focus of this special section will be exclusively upon Asia-related
movies, documentaries, and television series appropriate for both students
and instructors. Particular attention will be given to visual media on
Asia-related topics that appear in school and undergraduate survey-level
courses, standards, and texts. A systematic effort will also be made to
introduce visual media from lesser-known Asian cultures, both to expand
course coverage of these cultures, and to illuminate their interactions
with better known areas of Asia and with the rest of the world. *The
deadline for initial receipt of manuscripts is May 20, 2021.*

READ MORE
<https://asianstudies.us17.list-manage.com/track/click?u=7a397f47ab0e77dc6b5c2cceb&id=4516d4a229&e=b2938a7755>
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From earljac at gmail.com  Sun Feb 28 21:39:59 2021
From: earljac at gmail.com (Earl Jackson)
Date: Mon, 1 Mar 2021 10:39:59 +0800
Subject: [KineJapan] EAA newsletter seeking manuscripts about film/tv
In-Reply-To: <CANoSnpBja+JCXra-H_Z4w+x4xUZYxqmTo=Ewq_xqofqDhHg6vw@mail.gmail.com>
References: <CANoSnpBja+JCXra-H_Z4w+x4xUZYxqmTo=Ewq_xqofqDhHg6vw@mail.gmail.com>
Message-ID: <CABhbz8MmxnnDs4MEg054vPpOZv+Z7o=VP0V=iObF7U0R9s90bQ@mail.gmail.com>

I bet there is a history behind the warning to prospective authors: "We do
not publish articles where authors write about how well they teach about
Asia or about their exemplary Asia-related program."
Earl Jackson
Chair Professor
Foreign Languages and Literatures
Asia University
Professor Emeritus
National Chiao Tung University
Associate Professor Emeritus
University of California, Santa Cruz


On Mon, Mar 1, 2021 at 10:12 AM Markus Nornes via KineJapan <
kinejapan at mailman.yale.edu> wrote:

>
> https://www.asianstudies.org/publications/eaa/scheduled-thematic-special-sections/?utm_source=AAS+Publications&utm_campaign=e1f1b367b1-EMAIL_CAMPAIGN_2020_06_12_05_38_COPY_01&utm_medium=email&utm_term=0_18c36a6e0b-e1f1b367b1-154234253
>
> *Fall 2021 issue:* *?Engaging Asia: Film, Documentaries, and Television"* [Seeking
> Manuscripts]
>
> The focus of this special section will be exclusively upon Asia-related
> movies, documentaries, and television series appropriate for both students
> and instructors. Particular attention will be given to visual media on
> Asia-related topics that appear in school and undergraduate survey-level
> courses, standards, and texts. A systematic effort will also be made to
> introduce visual media from lesser-known Asian cultures, both to expand
> course coverage of these cultures, and to illuminate their interactions
> with better known areas of Asia and with the rest of the world. *The
> deadline for initial receipt of manuscripts is May 20, 2021.*
>
> READ MORE
> <https://asianstudies.us17.list-manage.com/track/click?u=7a397f47ab0e77dc6b5c2cceb&id=4516d4a229&e=b2938a7755>
>
> _______________________________________________
> KineJapan mailing list
> KineJapan at mailman.yale.edu
> https://mailman.yale.edu/mailman/listinfo/kinejapan
>
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