[KineJapan] Kawase Watch
Markus Nornes
nornes at umich.edu
Fri Jul 16 13:35:58 EDT 2021
There is a making-of doc on Kawase's Olympic film being broadcast tomorrow
on BS1 for those in Japan. The photos caught my eye: she's shown shooting
with a modest consumer camcorder. A bit different than the standard photo
for Ichikawa's earlier film.
https://www4.nhk.or.jp/P2852/x/2021-07-17/11/3909/2578983/
Markus
[image: image.jpeg][image: Screen Shot 2021-07-16 at 11.35.06 AM.png]
かんさい熱視線「河瀬直美 東京五輪を“撮る”」
7月17日(土) 午後11時20分
東京オリンピック公式記録映画の監督を務める河瀬直美さん。コロナ禍に揺れる大会をどう切り取り、後世に残す映画を作り上げるのか。河瀬さんの映画制作の日々を追う。
間近に迫る東京オリンピック。公式記録映画を託された河瀬直美監督はみずからもカメラを手に、練習を重ねるアスリートや大会に向け準備を続けるスタッフ、新型コロナと向き合う医療従事者から大会に反対する人へのインタビューまで、大会を巡り揺れる社会を多面的に記録し続けてきた。コロナ禍での大会をどう切り取り、後世に伝える映画を作り上げようとしているのか。ときに苦悩しながら記録映画作りに向き合う河瀬さんを追う。
---
*Markus Nornes*
*Professor of Asian Cinema*
*Interim Chair, Dept. of Asian Languages and Culture*
Department of Film, Television and Media, Department of Asian Languages and
Cultures, Penny Stamps School of Art & Design
*Homepage: http://www-personal.umich.edu/~nornes/
<http://www-personal.umich.edu/~nornes/>*
*Department of Film, Television and Media*
*6348 North Quad*
*105 S. State Street**Ann Arbor, MI 48109-1285*
On Mon, Jun 7, 2021 at 7:43 PM Jeremy Harley via KineJapan <
kinejapan at mailman.yale.edu> wrote:
> Apologies for bringing up the "Unity in Diversity" slogan again, but
> seeing the cosmetic changes at the top after Mori went down, it feels to me
> as if in making their choice of Kawase, they just Googled "female
> documentary film director" and went with the top hit.
>
> At the very least the photos of her Tosca production
> <https://mainichi.jp/articles/20171105/ddm/013/070/008000c>look bizarrely
> and excessively (Japanese shrin-ishness + Mt. Fuji + rising sun)
> nationalistic, which would seem to make her perfectly suited for the
> Olympic project (using jingoism as lever to advance neo-liberal aims),
> unless this work is some kind of aberration.
>
>
> Jeremy Harley
> Mabashi Movie Festival
>
>
>
> On Mon, Jun 7, 2021 at 12:38 PM Anne McKnight via KineJapan <
> kinejapan at mailman.yale.edu> wrote:
>
>> I started following Kawase's Twitter (https://twitter.com/KawaseNAOMI) a
>> couple weeks ago, anticipating she would make some sort of pronouncement.
>> But it’s been just a string of fan tweets, her fans weighing in on her
>> strength of purpose, coolness. Her role as emissary of culture is quite
>> strong, and she tweets from places around the country, and regarding the
>> Nara film fest. It struck me as a bit off for her to say:
>>
>> 今年も熱い夏がやってくる! 待ってるよ!
>> It’s going to be another “hot” summer (meaning, I suppose, energetic and
>> awesome)! Unless you are a marathoner in the dead of Tokyo summer, in which
>> case it is going to be a REALLy hot summer.
>>
>> In lieu of tweeting her own position in, say, a thread, she has instead
>> retweeted defenses about how it is important to divorce the Olympics from
>> politics, the need to leave a “true record” of the events (ちゃんと記録に残して下さること),
>> and the universalism of the event in Banpaku-like catch copy (日本が招致した人類の祭典ならば、最後まで開催に尽力する事が当たり前だと思う.).
>>
>>
>> Given the precedent of Ichikawa Kon’s profligate and committee-enraging *Tokyo
>> Olympiad*, I am disappointed that it seems to have conceded to the
>> status of PR film. “Everydayness” will have such a different status,
>> even if athletes are at the center of the stories…
>>
>> Anne
>>
>> On Jun 6, 2021, at 8:13 PM, Frederick Veith via KineJapan <
>> kinejapan at mailman.yale.edu> wrote:
>>
>> Kawase ventriloquizing for athletes, who are specifically and
>> contractually enjoined from political expression, in a manner which
>> magically aligns with the interests of her patrons is…
>>
>> I’m going to go back to biting my tongue on all of this.
>>
>> On Mon, Jun 7, 2021 at 12:00 PM Bryan Hartzheim via KineJapan <
>> kinejapan at mailman.yale.edu> wrote:
>>
>>>
>>> In Kawase's defense, she's spent a lot of time with these athletes and I
>>> get the sense she wants to advocate for them. Focusing on their struggles
>>> and achievements was probably a relatively "safe" approach to making a doc
>>> about the Olympics, but the politics of that decision are now magnified
>>> with the public opposing them in the midst of the ongoing pandemic. She's
>>> essentially aligned herself with ministers who say they're proceeding with
>>> the games because "they believe in the power of sports."
>>>
>>> Bryan
>>>
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