From eija.niskanen at gmail.com Fri Dec 2 11:24:01 2022 From: eija.niskanen at gmail.com (Eija Niskanen) Date: Fri, 2 Dec 2022 18:24:01 +0200 Subject: [KineJapan] Tampopo distributor Message-ID: Hi! Would anyone know the distributor for Juzo Itami's Tampopo? Is there any in Europe? Looking for a theatrical film copy. Eija Niskanen +358-50-355 3189 -------------- next part -------------- An HTML attachment was scrubbed... URL: From marty at martygrossfilms.com Fri Dec 2 11:27:59 2022 From: marty at martygrossfilms.com (Marty Gross) Date: Fri, 2 Dec 2022 16:27:59 +0000 Subject: [KineJapan] Tampopo distributor In-Reply-To: References: Message-ID: <850A8B3C-2B8E-4C82-87F7-39DD4ADA0587@martygrossfilms.com> Criterion/Janus Films has all rights to all the films of Itami Juzo for Europe, America and the English speaking world. Contact Brian Belovarc: belovarac at janusfilms.com Marty Gross On Dec 2, 2022, at 11:24 AM, Eija Niskanen via KineJapan > wrote: Hi! Would anyone know the distributor for Juzo Itami's Tampopo? Is there any in Europe? Looking for a theatrical film copy. Eija Niskanen +358-50-355 3189 _______________________________________________ KineJapan mailing list KineJapan at mailman.yale.edu https://mailman.yale.edu/mailman/listinfo/kinejapan -------------- next part -------------- An HTML attachment was scrubbed... URL: From reionder at gmail.com Sat Dec 3 13:14:13 2022 From: reionder at gmail.com (Henrique Quadros) Date: Sat, 3 Dec 2022 15:14:13 -0300 Subject: [KineJapan] Gamera and Kaijuu Eiga in the Heisei period Message-ID: Hello everyone, My friend recently released a video essay/documentary on the production history and narratives of the Gamera movies released during the Heisei period of Japan. In case anyone is interested in watching, it was uploaded on his youtube channel, and although it's in Portuguese, the subtitles can be translated into English through the caption settings. He spent months researching the behind-the-scenes of these films in order to deliver an in-depth presentation of the context of Japanese cinema, in this specific case Tokusatsu, and what made these films so special. I know there's an appreciation for Kaijuu films among members of KineJapan so I thought it might be interesting to post it here. Anyways, here's the link: https://www.youtube.com/watch?v=gA52xQbAeuM Yours, Henrique Quadros -------------- next part -------------- An HTML attachment was scrubbed... URL: From alalmas at gmail.com Sat Dec 3 14:45:15 2022 From: alalmas at gmail.com (Almir Almas) Date: Sat, 3 Dec 2022 16:45:15 -0300 Subject: [KineJapan] Gamera and Kaijuu Eiga in the Heisei period In-Reply-To: References: Message-ID: Hi, Henrique, If you want, we can meet here in Brazil and talk about Tokusatsu and your friend's video. And also about Japanese Cinema. *-- * *Almir Almas* *Professor Associado* *Departamento de Cinema, R?dio e Televis?o* *Escola de Comunica??es e Artes* *Universidade de S?o Paulo* alalmas at usp.br 55-11-30914020 55-11-99293-1613 On Sat, Dec 3, 2022 at 3:14 PM Henrique Quadros via KineJapan < kinejapan at mailman.yale.edu> wrote: > Hello everyone, > > My friend recently released a video essay/documentary on the production > history and narratives of the Gamera movies released during the Heisei > period of Japan. In case anyone is interested in watching, it was uploaded > on his youtube channel, and although it's in Portuguese, the subtitles can > be translated into English through the caption settings. He spent months > researching the behind-the-scenes of these films in order to deliver an > in-depth presentation of the context of Japanese cinema, in this specific > case Tokusatsu, and what made these films so special. I know there's an > appreciation for Kaijuu films among members of KineJapan so I thought it > might be interesting to post it here. Anyways, here's the link: > > https://www.youtube.com/watch?v=gA52xQbAeuM > > Yours, > Henrique Quadros > _______________________________________________ > KineJapan mailing list > KineJapan at mailman.yale.edu > https://mailman.yale.edu/mailman/listinfo/kinejapan > -------------- next part -------------- An HTML attachment was scrubbed... URL: From mathieucapel at gmail.com Thu Dec 8 22:00:00 2022 From: mathieucapel at gmail.com (Mathieu Capel) Date: Fri, 9 Dec 2022 12:00:00 +0900 Subject: [KineJapan] =?utf-8?q?Yoshida_Kij=C3=BB?= Message-ID: Dear Kinejapaners, Everybody on the list might have heard the news by now, but just in case, I am very sad to say that Yoshida Kij? passed away yesterday. He was 89. Many papers are to be found on the press, but here is a link towards the Asahi Journal : https://www.asahi.com/articles/ASQD900P0L70UCLV00R.html Hopefully more papers will pay tribute to him and talk more in depth about his legacy in the days to come. Best regards, Mathieu Capel Tokyo -------------- next part -------------- An HTML attachment was scrubbed... URL: From workshopgroup at aol.com Fri Dec 9 00:17:45 2022 From: workshopgroup at aol.com (Aaron Cohen) Date: Fri, 9 Dec 2022 05:17:45 +0000 (UTC) Subject: [KineJapan] First Japanese cameraman working for a US studio References: <853403773.368462.1670563065537.ref@mail.yahoo.com> Message-ID: <853403773.368462.1670563065537@mail.yahoo.com> This turned up when cleaning old files:?My handwritten memo: "Miura was an unknown cameraman selected by a Sojin club of sorts to receive $1,000 from Sojin to go to Hollywood. See Tokyo Asahi Shimbun 4/11 1928." This accompanied a Xerox copy of a clipping I dated 5/1 ? from Tokyo Engei Shimbun with the headline ??????????????????????????and saying that the cameraman?Mitsuo Miura?for Yutaka Abe's "Modan Seisho" (Modern Bible) starring Tokihiko Okada, that was still in production has been sent for by Paramount for the Japanese scenes for "Madame Butterfly" that was in production, starring Gary Cooper and Sylvia Sydney. On the 30th of last month the party left for local filming at Kyoto, the Seto Inland Sea and Okayama. The group included someone from Paramount.... It was Cary Grant, of course, not Mr. Cooper! Aaron M. Cohen? -------------- next part -------------- An HTML attachment was scrubbed... URL: From alexanderjacoby at brookes.ac.uk Fri Dec 9 04:19:46 2022 From: alexanderjacoby at brookes.ac.uk (Alexander Jacoby) Date: Fri, 9 Dec 2022 09:19:46 +0000 Subject: [KineJapan] =?utf-8?q?Yoshida_Kij=C3=BB?= In-Reply-To: References: Message-ID: That's very sad news. Rea Amit and I met him and interviewed him for Midnight Eye, in 2009 I think. He was very courteous and welcoming. He booked a private room in the dining area of a posh hotel in Akasaka for the occasion and treated us to coffee while we talked. May he rest in peace. ALEX On Fri, 9 Dec 2022 at 03:00, Mathieu Capel via KineJapan < kinejapan at mailman.yale.edu> wrote: > Dear Kinejapaners, > > Everybody on the list might have heard the news by now, but just in > case, I am very sad to say that Yoshida Kij? passed away yesterday. He was > 89. > Many papers are to be found on the press, but here is a link towards the > Asahi Journal : > https://www.asahi.com/articles/ASQD900P0L70UCLV00R.html > Hopefully more papers will pay tribute to him and talk more in depth about > his legacy in the days to come. > Best regards, > > Mathieu Capel > Tokyo > > > _______________________________________________ > KineJapan mailing list > KineJapan at mailman.yale.edu > https://mailman.yale.edu/mailman/listinfo/kinejapan > -------------- next part -------------- An HTML attachment was scrubbed... URL: From jmthfrsa at gmail.com Sat Dec 10 05:50:39 2022 From: jmthfrsa at gmail.com (jacline MORICEAU) Date: Sat, 10 Dec 2022 11:50:39 +0100 Subject: [KineJapan] =?utf-8?q?Yoshida_Kij=C3=BB?= In-Reply-To: References: Message-ID: Triste nouvelle. Je connaissais votre attachement ? Yoshida et votre travail pour le faire mieux conna?tre. Amiti?s Jacline M. Le ven. 9 d?c. 2022 ? 10:20, Alexander Jacoby via KineJapan < kinejapan at mailman.yale.edu> a ?crit : > That's very sad news. Rea Amit and I met him and interviewed him for > Midnight Eye, in 2009 I think. He was very courteous and welcoming. He > booked a private room in the dining area of a posh hotel in Akasaka for the > occasion and treated us to coffee while we talked. > > May he rest in peace. > > > ALEX > > > > > > On Fri, 9 Dec 2022 at 03:00, Mathieu Capel via KineJapan < > kinejapan at mailman.yale.edu> wrote: > >> Dear Kinejapaners, >> >> Everybody on the list might have heard the news by now, but just in >> case, I am very sad to say that Yoshida Kij? passed away yesterday. He was >> 89. >> Many papers are to be found on the press, but here is a link towards the >> Asahi Journal : >> https://www.asahi.com/articles/ASQD900P0L70UCLV00R.html >> Hopefully more papers will pay tribute to him and talk more in >> depth about his legacy in the days to come. >> Best regards, >> >> Mathieu Capel >> Tokyo >> >> >> _______________________________________________ >> KineJapan mailing list >> KineJapan at mailman.yale.edu >> https://mailman.yale.edu/mailman/listinfo/kinejapan >> > _______________________________________________ > KineJapan mailing list > KineJapan at mailman.yale.edu > https://mailman.yale.edu/mailman/listinfo/kinejapan > -------------- next part -------------- An HTML attachment was scrubbed... URL: From jjesty at proton.me Sat Dec 10 09:18:34 2022 From: jjesty at proton.me (jjesty) Date: Sat, 10 Dec 2022 14:18:34 +0000 Subject: [KineJapan] Kojin Karatani wins $1 million Berggruen Prize Message-ID: Hello everyone, I saw this piece of news and thought others might be interested. Kojin Karatani wins $1 million Berggruen Prize https://artdaily.cc/news/152474/Kojin-Karatani-wins--1-million-Berggruen-Prize NEW YORK, NY.- Over his long paradigm-busting career, philosopher Kojin Karatani has recast Immanuel Kant and Karl Marx for a new generation. He has offered a trenchant critique of the limits of global capitalism. And he has engaged with other leading thinkers like Jacques Derrida, becoming one of the most important literary critics and philosophers in his native Japan. Now, Karatani has been named the recipient of the 2022 Berggruen Prize, a $1 million award given annually to a thinker whose ideas have ?provided wisdom and self-understanding in a rapidly changing world,? according to the Berggruen Institute, the Los Angeles-based foundation that funds the prize. ... All best wishes, Justin Jesty washington.academia.edu/JustinJesty -------------- next part -------------- An HTML attachment was scrubbed... URL: From odoriko21 at gmail.com Mon Dec 12 10:01:42 2022 From: odoriko21 at gmail.com (Linda Ehrlich) Date: Mon, 12 Dec 2022 10:01:42 -0500 Subject: [KineJapan] =?utf-8?q?Yoshida_Kij=C3=BB?= In-Reply-To: References: Message-ID: <1F201985-8670-41D1-8747-2C81D247CD2D@gmail.com> His writing about Ozu has been very important to me. It?s sad to hear of his passing. Yoshida?s was a life full of innovative thought. Sent from my iPhone > On Dec 8, 2022, at 10:00 PM, Mathieu Capel via KineJapan wrote: > > ? > Dear Kinejapaners, > > Everybody on the list might have heard the news by now, but just in case, I am very sad to say that Yoshida Kij? passed away yesterday. He was 89. > Many papers are to be found on the press, but here is a link towards the Asahi Journal : > https://www.asahi.com/articles/ASQD900P0L70UCLV00R.html > Hopefully more papers will pay tribute to him and talk more in depth about his legacy in the days to come. > Best regards, > > Mathieu Capel > Tokyo > > > _______________________________________________ > KineJapan mailing list > KineJapan at mailman.yale.edu > https://mailman.yale.edu/mailman/listinfo/kinejapan -------------- next part -------------- An HTML attachment was scrubbed... URL: From timiles2003 at yahoo.com Sat Dec 17 16:19:06 2022 From: timiles2003 at yahoo.com (Tim Iles) Date: Sat, 17 Dec 2022 21:19:06 +0000 (UTC) Subject: [KineJapan] New Content on the ejcjs References: <1492739705.744433.1671311946757.ref@mail.yahoo.com> Message-ID: <1492739705.744433.1671311946757@mail.yahoo.com> We are pleased to announce that Volume 22, Issue 3 of the electronic journal of contemporary japanese studies is now available online, at: https://www.japanesestudies.org.uk/ejcjs/vol22/iss3/index.html The Table of Contents is: Peer-reviewed articles Anya Benson, Lonely Just Like You: The Logic of Distance in Japanese Diversity Guidebooks Sebastian Brooke, Constructing National Identity: Japanese Narratives and Triadic Discourse Motoko Tanaka, Apocalyptic Imagination in Godzilla Resurgence Discussion Papers Peter Wynn-Kirby, Excavating Robot Waste As ever, many thanks to our readers, contributors, and global team of volunteers. Best wishes to all for the coming New Year, Timothy Iles General Editor, the ejcjs From nornes at umich.edu Mon Dec 19 23:27:32 2022 From: nornes at umich.edu (Markus Nornes) Date: Mon, 19 Dec 2022 21:27:32 -0700 Subject: [KineJapan] JFF+ Message-ID: This year?s selection of online from from the Japan Foundation?s JFF+ is up. I love what they?ve done this year, which is feature some of the most prominent mini-theaters in Japan. Their choice of theaters is really smart. Yatabe-san interviews both filmmakers and programmers. There are pages devoted to the theaters and their programmers, who have selected the films for streaming. There?s a mix of fiction and documentary. https://jff.jpf.go.jp/watch/independent-cinema/ If anyone sees a film they particularly like, let?s hear about it! Markus -- --- *Markus Nornes* *Professor of Asian Cinema* Department of Film, Television and Media, Department of Asian Languages and Cultures, Penny Stamps School of Art & Design *Homepage: http://www-personal.umich.edu/~nornes/ * *Department of Film, Television and Media* *6348 North Quad* *105 S. State Street**Ann Arbor, MI 48109-1285* -------------- next part -------------- An HTML attachment was scrubbed... URL: From workshopgroup at aol.com Thu Dec 22 11:49:36 2022 From: workshopgroup at aol.com (Aaron Cohen) Date: Thu, 22 Dec 2022 16:49:36 +0000 (UTC) Subject: [KineJapan] Japan's Stage & Screen magazine back numbers References: <1705501931.1193807.1671727776166.ref@mail.yahoo.com> Message-ID: <1705501931.1193807.1671727776166@mail.yahoo.com> Wintry greetings from the Hudson Valley!I have back numbers of pre-WW2?Stage & Screen magazine from Japan that are no longer needed and I am happy to pass them on to someone else.These are large format pictorial publications and are priced at $100 for 10 issues including domestic American postage. Issue dates:8:2 (2/31)?6:2 (2/29)?12:2 (2/35)?7:6 (6/30)?7:10 (10/30)?7:11 (11/30)?6:8 (6/29)?13:4 (4/36) ?:??10/29?7/3 (3/26) Aaron M. Cohen New Paltz, NYPhone 845.256.0493 or 845.663.8654 (cell)Publications: https://independent.academia.edu/AaronCohen14/Papers -------------- next part -------------- An HTML attachment was scrubbed... URL: From matteo.boscarol at gmail.com Thu Dec 22 19:49:51 2022 From: matteo.boscarol at gmail.com (matteoB) Date: Fri, 23 Dec 2022 09:49:51 +0900 Subject: [KineJapan] JFF+ In-Reply-To: References: Message-ID: I found the conversation with Ueno Michinari (manager of Takada Seikaikan, a very nice place by the way, I visited the cinema on a heavy snow day years ago) fascinating: https://jff.jpf.go.jp/read/interview/takadasekaikan/ It tells a lot about the present and a possible future for mini-theaters in rural areas: "I don?t really feel like I?m running a mini-theater. The mini-theater is a culture that was created in a certain time period. Really, it?s urban culture, isn?t it? If you think of it like that, Takada Sekaikan is probably closer to a community cinema" Matteo Il giorno mar 20 dic 2022 alle ore 13:27 Markus Nornes via KineJapan < kinejapan at mailman.yale.edu> ha scritto: > This year?s selection of online from from the Japan Foundation?s JFF+ is > up. I love what they?ve done this year, which is feature some of the most > prominent mini-theaters in Japan. Their choice of theaters is really smart. > > Yatabe-san interviews both filmmakers and programmers. There are pages > devoted to the theaters and their programmers, who have selected the films > for streaming. There?s a mix of fiction and documentary. > > https://jff.jpf.go.jp/watch/independent-cinema/ > > If anyone sees a film they particularly like, let?s hear about it! > > Markus > -- > --- > > *Markus Nornes* > *Professor of Asian Cinema* > > Department of Film, Television and Media, Department of Asian Languages > and Cultures, Penny Stamps School of Art & Design > > > > > *Homepage: http://www-personal.umich.edu/~nornes/ > * > *Department of Film, Television and Media* > *6348 North Quad* > *105 S. State Street**Ann Arbor, MI 48109-1285* > > > _______________________________________________ > KineJapan mailing list > KineJapan at mailman.yale.edu > https://mailman.yale.edu/mailman/listinfo/kinejapan > -------------- next part -------------- An HTML attachment was scrubbed... URL: From azahlten at fas.harvard.edu Thu Dec 22 20:06:58 2022 From: azahlten at fas.harvard.edu (Zahlten, Alexander) Date: Fri, 23 Dec 2022 01:06:58 +0000 Subject: [KineJapan] Nagoya Symposium: Screens and Energy In-Reply-To: References: Message-ID: Dear All, For those that are interested please feel free to attend (online or in-person) a symposium on Screens and Energy on January 7 & 8 at Nagoya University (organized by Fujiki Hideaki, Chang Cheng-chieh, and myself). I think we have an amazing group together, and the discussions should be really interesting. A description and the basic program is listed below, but you can also download a pdf of the full program at: https://nuss.nagoya-u.ac.jp/s/fnMgirLyyCdgBq9 We hope to see you there! Alex Screens and Energy Symposium Date: January 7 (Sat.) and 8 (Sun.), 2023 Venue: Conference Hall, Integrated Research Bldg. for Humanities & Social Sciences, Nagoya University https://en.nagoya-u.ac.jp/map/index.html (Campus Map: B4-4) Online access: https://us02web.zoom.us/j/81740738589?pwd=cTRuUG1ha2RHUkllcjkrTzdmNHVsQT09 Meeting ID: 817 4073 8589 Pass Code: 562790 (No preregistration required) Full program: https://nuss.nagoya-u.ac.jp/s/fnMgirLyyCdgBq9 Organized by Cheng-chieh Chang, Hideaki Fujiki, and Alexander Zahlten Sponsored by the Harvard-Yenching Institute This two-day symposium Screens and Energy aims to explore the complex relations between screens and the energy systems they are part of. In recent years energy infrastructures have become understood as a pressing problem. An increasing number of scholars in humanities have recognized that this is not just a matter of engineering and governmental policy, but a matter of complex relations between culture, society, and ecology, ranging from human and nonhuman bodies to infrastructures and the earth. However, in the field of cinema and media studies, the relationship of media technologies to the energy systems of production, distribution, and consumption especially in East Asia is still largely under- examined. While eco-critical approaches have made inroads in East Asian film studies, they mostly focus on critical stances formulated within films on a narrative or stylistic level. Against this background the workshop is meant to create a space to discuss the important and timely issue of how to link up questions of media technologies, energy, and representation from a multitude of perspectives. Intended to kickstart a discussion, we hope the event will initiate new questions in media studies and other fields of the humanities. Saturday, January 7 9:30 - 10:00 Opening Remarks ? Hideaki Fujiki & Alexander Zahlten 10:00 - 12:00 Panel 1 ? Moderator: Jennifer Coates (Sheffield University) Kazuto Kondo (Otsuma Women?s University) "Fighting Movie Theaters": Film Exhibition under World War II Takuya Tsunoda (Columbia University) Pattern-seeing and Film Technique: Energy and Industrial Cinema Cheng-chieh Chang (Soochow University) Scenes from a Coal Mine: Energy, Nation, Disaster 13:30 - 16:00 Panel 2 ? Moderator: Ran Ma (Nagoya University) Stephanie Deboer (Indiana University Bloomington) LED as Entry Point: Toward an Elemental Approach to Urban Screens and Surfaces Marc Steinberg (Concordia University) Platform Energetics: Automobilities, Screens, and Energy Systems Han Sang Kim (Ajou University) Overseas Outsourcing of Crime Show Locations and Unsustainable Virtual Tourism Winnie Yee (University of Hong Kong) Between Ruination and Creation: Mobility, Energy, and the Making of Affective Migrant Workers in Post-socialist China Sunday, January 8 9:30 - 12:00 Panel 3 - Moderator: Shota Ogawa (Nagoya University) Thomas Lamarre (Chicago University) Nuclear Ecology and the Energetics of Infrastructure Yuriko Furuhata (McGill University) Cold Chains of Ice and Data Kiu-wai Chu (Nanyang Technical University) Energy Justice in Chinese Screen Media Tomoko Shimizu (Tokyo University of the Arts) Ecology in the Age of the Wretched of the Screen 14:00 - 16:30 Closing Discussion ???????? Alexander Zahlten Professor of East Asian Languages and Civilizations Harvard University (He / him / his) -------------- next part -------------- An HTML attachment was scrubbed... URL: From workshopgroup at aol.com Mon Dec 26 15:12:08 2022 From: workshopgroup at aol.com (Aaron Cohen) Date: Mon, 26 Dec 2022 20:12:08 +0000 (UTC) Subject: [KineJapan] Sessue Hayakawa References: <1492710756.2419901.1672085528819.ref@mail.yahoo.com> Message-ID: <1492710756.2419901.1672085528819@mail.yahoo.com> >From time to time I may post items that turn up when purging old files. Here are references from the 1912 edition of Dramatic Index. Perhaps they will encourage someone to look into Hayakawa's stage career.CriticismColliers 49 Ap 13 24 (1/2)Munsey 47? 28 4-5 MayDescr.Life 59 588-9 Mr 21Nat'l M 36 404-5 JlNovelizationGreen Book 7 105-40 AprilPlotAm Lit 52 567-73 MayRed Book 19b3 7 4,65,7 JlProd. at Fulton ThNY Drama 67? ?Mr 137 1/8Theatre 15:XI? April (il)RevBookman 35:248-9 MayGreen Book 7 1189-91 JlScene fromGreen Book 7 11889-91 JlNY Drama 67 Mar 20, 4 May? ? 8Theatre? 15 194 JuOther(? p w271) Aaron Cohen -------------- next part -------------- An HTML attachment was scrubbed... URL: From workshopgroup at aol.com Tue Dec 27 21:19:44 2022 From: workshopgroup at aol.com (Aaron Cohen) Date: Wed, 28 Dec 2022 02:19:44 +0000 (UTC) Subject: [KineJapan] Austraiian Cinema References: <1128429328.2111829.1672193984292.ref@mail.yahoo.com> Message-ID: <1128429328.2111829.1672193984292@mail.yahoo.com> Cleaning house led to surfacing of Graham Shirley's "Austrlian Cinema / The First Eighty Years, rev. ed., paper; can send to anyone for $15 incl US domestic postage, That's about the price at Amazon'. Aaron M. Cohen? -------------- next part -------------- An HTML attachment was scrubbed... URL: From azahlten at fas.harvard.edu Wed Dec 28 20:05:36 2022 From: azahlten at fas.harvard.edu (Zahlten, Alexander) Date: Thu, 29 Dec 2022 01:05:36 +0000 Subject: [KineJapan] Japanese Experimental Film Event In-Reply-To: References: Message-ID: Dear All, For those interested in experimental cinema from Japan and / or issues of archiving, and in discovering a new platform for accessing amazing works, please do consider attending the launch event for Collaborative Cataloging Japan (CCJ)?s new library streaming service beta. The online launch event on January 12 will feature screenings and a discussion between artist Ko Nakajima, curator Barbara London (MoMA), archivist Fusako Matsu and myself, moderated by organizer and CCJ founder Ann Adachi-Tasch. You can find information on the event here: https://www.collabjapan.org/events/2023/nakajima-launch-event This is also a great opportunity for university libraries to make films otherwise completely inaccessible available ? so do pass this on to your librarians as well. I wish you a peaceful transition to the new year- all best and take care, AZ ???????? Alexander Zahlten Professor of East Asian Languages and Civilizations Harvard University (He / him / his) -------------- next part -------------- An HTML attachment was scrubbed... URL: From aaron.gerow at yale.edu Fri Dec 30 08:46:48 2022 From: aaron.gerow at yale.edu (Gerow Aaron) Date: Fri, 30 Dec 2022 08:46:48 -0500 Subject: [KineJapan] Ezawa Moeko Message-ID: Sad to hear that Ezawa Moeko passed away on the 26th at the age of 87. She debuted in Nikkatsu Roman Poruno, but quickly established herself as an essential character actor in film and TV. I showed Sai Yoichi's All Under the Moon this term, a wonderful film that is crucially supported by Ezawa's performance as the hero's mother. ??. https://www.sanspo.com/article/20221230-3L7FSBV3UJLQHMI3WGVG2V3G3Q/ Aaron Gerow Alfred W. Griswold Professor of East Asian Languages and Literatures and Film and Media Studies Chair, East Asian Languages and Literatures Yale University 320 York Street, Room 108 PO Box 208201 New Haven, CT 06520-8201 USA Phone: 1-203-432-7082 Fax: 1-203-432-6729 e-mail: aaron.gerow at yale.edu website: www.aarongerow.com -------------- next part -------------- An HTML attachment was scrubbed... URL: