[KineJapan] Streaming film fest

[Eija Niskanen]

Why only two EU countries (Hungary and Germany)?

Eija



ke 16. helmik. 2022 klo 19.24 Roger Macy via KineJapan (
kinejapan at mailman.yale.edu) kirjoitti:

> Hmm, *Itomichi*, I see, was at FEFF ’21
> <https://www.fareastfilm.com/film/ito/> , whose rescheduling last year
> didn’t work for me.  Since all of these are free to watch in Italy and
> Germany, but not the U.K., it looks as if I have dipped on that, and on
> *Sumodo*, which was also there
> <https://www.fareastfilm.com/eng/film/sumodo-the-successors-of-samurai/?IDLYT=7505>.
> I agree with Michael that *Aristocrats* (at N.C. ’21) was an interesting
> and unusual look at class, which goes to show that not every glossy film
> with its talent lined up need be dross.  *Floating Castle* was pulled
> just after the tsunami but a hit later.  It has some value but not, if
> classed as “history”. *Mio’s Cookbook* is written on the wiki page of
> Kadokawa Haruki as his “last film”. Does he know something I don’t ?
> Roger
>
>
> On Wednesday, 16 February 2022, 06:58:25 GMT, matteoB via KineJapan <
> kinejapan at mailman.yale.edu> wrote:
>
>
> I second Aaron's opinion about Itomichi (the poster is so bad and
> misleading though)
>
> matteo
>
> On Wed, 16 Feb 2022, 13:46 Gerow Aaron via KineJapan, <
> kinejapan at mailman.yale.edu> wrote:
>
> For just two suggestions of films we saw in the last year or so, we liked
> Itomichi (I like Yokohama Satoko in general) and Nankyoku no ryorinin. Be
> prepared to eat ramen after the second one.
>
> Aaron
>
> 2/15/22 午後11:19、Markus Nornes via KineJapan <kinejapan at mailman.yale.edu
> >のメール:
>
>
> https://jff.jpf.go.jp/watch/jffonline2022/unitedstates/?utm_source=sponsoredpost&utm_medium=article&utm_campaign=hyperallergic
>
> Any recommendations?
>
> Markus
> --
>
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