[KineJapan] Colloquium "From Japan to Brazil and Vice-versa: Historical and Aesthetic Perspectives of a Diasporic Cinema” (June 24 & 25 Juin, Lyon/online)

[Lucie Rydzek]

Dear KineJapan fellows, 

Please find below the program of the International Young Researchers Colloquium " From Japan to Brazil and Vice-versa: Historical and Aesthetic Perspectives of a Diasporic Cinema”, to be held in ENS Lyon and online on June 24 and 25, 2025. 


If you are considering attending the Colloquium online, kindly note that you need to register by June 22 using this form: [ https://docs.google.com/forms/d/e/1FAIpQLScw6-86P1-crM0OVSrko1s7RLENFsr9fSy_PEieqQGbOtZJsg/viewform?usp=dialog | https://docs.google.com/forms/d/e/1FAIpQLScw6-86P1-crM0OVSrko1s7RLENFsr9fSy_PEieqQGbOtZJsg/viewform?usp=dialog ] . 


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Programme / Program 

JOURNÉE 1 : Mardi 24 juin 2025 / DAY 1 : Tuesday, June 24th, 2025 
Salle / Room : D8 006 – ENS de Lyon, Site Buisson 

13:00 – 13:30 Café d’accueil / Coffee and Tea 

13:30 – 13:45 Mots d’ouverture / Welcome (Romane CARRIÈRE, Emmanuel DAYRE, Lucie RYDZEK) 

13:45 – 14:30 Conférence d’ouverture / Opening Conference : Helena PRADO (University of Strasbourg), “Des identités nippo-brésiliennes performatives” 
Médiatrice / Chair : Lucie RYDZEK 

Pause / Break 

14:45 – 16:15 Panel 1 : “Perspectives historiques” / “Historical Perspectives” 
Médiatrice / Chair : Romane CARRIÈRE 

Alexandre NAKAHARA (University of São Paulo – online), “From the Brazilian Utopia to the Japanese Dream: Brazil, immigration and national identity in Japanese Films” 

Tomyo COSTA ITO (University of São Paulo), “The Visit of the Flying Fish in 1950: Cinema and the Narrative of the Japanese Immigrant in Brazil” 

Hugo KATSUO (University Federal Fluminense – online), “Brazilian Cinema and the Japanese Diaspora: Reclaiming Borders as Spaces of Belonging” 




Pause / Break 

16:30 – 17:30 Panel 2 : “Approches comparées” / “Comparative Approaches” 
Médiateur / Chair : Emmanuel DAYRE 

Kevin J. MCKIERNAN (University of Minnesota Twin Cities – online), “Tricontinental Queer, or How I Killed my Mother so I Didn’t Commit Double Suicide with my Lesbian Lover” 

Plinio Jr RIBEIRO (GEAA), “Émanations artistiques nippo-brésiliennes à partir du dialogue entre les films Saudade et Où est le soleil ” 




Buffet réservé aux intervenant.e.s 

20:00 – 23:00 Séance de projection-débat à l’Aquarium Ciné-Café / Screening and debate session at the Aquarium Ciné-Café (10 rue Dumont 69004 Lyon) 

Amarela (2024, Andre Hayato SAITO, 15’) 
Bem-vindos de Novo (2021, Marcos YOSHI, 105’) 

Débat avec le réalisateur Marcos Yoshi, animé par Romane CARRIÈRE et Emmanuel DAYRE / Debate with director Marcos Yoshi, animated by Romane CARRIÈRE and Emmanuel DAYRE 




JOURNÉE 2 : Mercredi 25 juin 2025 / DAY 2 : Wednesday, June 25th, 2025 
Salle / Room : D1 102 – ENS de Lyon, Site Descartes 

9:30 – 10:00 Café d’accueil / Coffee and Tea 

10:00 – 11:30 Panel 3 : “Mémoires individuelles et intergénérationnelles” / “Individual and Intergenerational Memories” 
Médiatrice / Chair : Pauline CHERRIER 

Marcos YOSHI (Centro Brasileiro de Análise e Planejamento), “Filming Ghosts: Fabulation and Phantasmagoria in Toshi Came Back from Japan ” 

Regiane ISHII (University of São Paulo), “ Sansei and Yonsei in Brazilian Cinema: Contemporary Debates in Batchan’s House” 

Tristan CHIFFOLEAU (ENS Lyon – online), “Mémoires Okinawaïennes en terres brésiliennes : l’imaginaire cinématographique du cercle.” 




Déjeuner / Lunch 

13:30 – 15:00 Panel 4 : “Cinéastes femmes” / “Women filmmakers” 
Médiatrice / Chair : Raphaëlle YOKOTA 




Marina KODATO (University of Tsukuba – online), “Self-representation and Identity in the Documentaries of Brazilian Female Nikkei Directors” 

Juliana KIYOMURA MORENO & Atilio AVANCINI (University of São Paulo – online), “ Gaijin et Tizuka Yamazaki : de la sensibilité de la vie à la survie du travailleu.r.se” 

Hanna ESPERANÇA (University of São Paulo – online), ““I am Me Plus my Circumstances”: Analyzing Olga Futemma’s Work through an Autobiographical Lens” 




Pause / Break 

15:15 – 16:35 Conférences de clôture / Closing Session 
Médiatrice / Chair : Lucie RYDZEK 




Élise DOMENACH (ENS Louis Lumière), “Tomita Katsuya et Fujiwara Toshifumi : documentaristes de l’après-Fukushima, en quête d’une communauté nippo-brésilienne. A propos de Furusato de Tomita et de Liberdade Elegy de Fujiwara” 

Lúcia RAMOS MONTEIRO (University Federal Fluminense), “Tizuka Yamasaki et le cinéma brésilien dans les années 1980 et 1990” 




16:35 – 16:50 Mots conclusifs / Closing Remarks (Romane CARRIÈRE, Emmanuel DAYRE, Lucie RYDZEK) 

Goûter conclusif / Closing reception 

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Organizing Committee: Romane Carrière, Emmanuel Dayre, Lucie Rydzek 


Scientific Committee: Pauline Cherrier, Alberto Da Silva, Kevin J. McKiernan, Regiane Ishii, Élise Domenach & Lúcia Monteiro 

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Detailed Program (with abstracts and bios) : [ https://drive.google.com/file/d/19MisdylRp4IHmYMZqKzfwY7k_UcNfU84/view?usp=sharing | https://drive.google.com/file/d/19MisdylRp4IHmYMZqKzfwY7k_UcNfU84/view?usp=sharing  ] 








Hoping to see you there, 

Best regards, 




Romane Carrière, Emmanuel Dayre and Lucie Rydzek 


		





Lucie RYDZEK 
Doctorante en cinéma 

Laboratoire CREAT (Centre de Recherche sur les Expertises, les Arts et les Transitions) 
Associée à l'IAO (Institut d'Asie Orientale) 

Chargée de cours - UFR ALL Metz 

Elue suppléante au conseil du CREAT 	









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