[KineJapan] Kinema Club at Nippon Connection this week

[Eleanor Zhang]

Dear Alex,

Thank you for your email. I’d be really interested! Would you let me know
the venue?

Thank you and best wishes,
Eleanor

On Wed, 28 May 2025 at 10:11, Zahlten, Alexander via KineJapan <
kinejapan at mailman.yale.edu> wrote:

> Hello Everyone,
>
>
>
> If you are in the Frankfurt area, consider dropping by the Kinema Club
> Conference this week (Friday / Saturday / Sunday) at the 25th edition of
> the Nippon Connection Film Festival. The program is listed below. For
> information on the venue, simply send a brief inquiry to:
>
> kc.at.nc.2025 at gmail.com
>
>
>
> We hope to see you there!
>
> All best,
>
>
>
> Alex
>
>
>
> *CONFERENCE OVERVIEW*
>
>
>
> Friday, May 30th
>
> 9:30 – 10:30: Panel A1
>
> 10:40 – 12:00: Panel A2
>
> 12:10 – 13:10: Discussion Session: Possible Futures
>
>
>
> Saturday, May 31st
>
> 9:30 – 10:10: Panel B1
>
> 10:20 – 11:40: Panel B2
>
> 11:50 – 12:50: Discussion Session: The Graduate Student Perspective
>
>
>
> Sunday, June 1st
>
> 14:00 - 15:30: Roundtable Discussion (Mousonturm Studio 1)
>
> Discussants: Hannah Airriess (University of Indiana Bloomington),
>
> Kenta Kato (Meiji University) , Takuya Tsunoda (Columbia University)PANEL
> SCHEDULES
>
>
>
> *PANELS:*
>
>
>
> *PANEL A1: Landscapes of Cinema*
>
> *Fūkei Cinema Expanded* - Shayne Bowden (University of Sydney)
>
> *Fūkei-ron as Theory or History?* - Markus Nornes (University of Michigan)
>
> *“Cinema Iris” as a Model for Local Film Culture and Film Production in*
>
> *Japan* - Roland Domenig (Meiji Gakuin University)
>
>
>
> *PANEL A2: Across Media Channels*
>
> *Derrida’s Before the Law and Oshima’s Death by Hanging: the Question of* *Hallways
> in The Trial* - Vivien Jiaqian Zhu (Stanford University)
>
> *Male-oriented Media and Gender Stratification on Film as Part of the* *Media
> Mix* - Wei Lin Tan (Harvard University)
>
> *Voice as Nostalgia - Sound Media Representation in the Post-Silent* *Cinema
> Era* - Eun Jeong Choi (New York University)
>
> *From the Amateur’s Palm: Obayashi’s Early Cinema and Film Writings* -
> Alexander Platt (Kyoto University)
>
>
>
> *PANEL B1: Mechanical Visions*
>
> *On Technology* - Takuya Tsunoda (Columbia University)
>
> *From Camera’s Eye to Image Networks: Rethinking Art Cinema in Japan* -
> Ziru Chen (Oxford University)
>
> *(Re-)Animating the Ruins: The Destructive Imagination in the Works of* *Ito
> Takashi* - Hal Young (University of St. Andrews)
>
>
>
> *PANEL B2: Re-evaluating existing categories*
>
> *Historiography of Benshi: An Introduction* - Sonia Cutuli (University of
> Geneva)
>
> *Feudalism, Or Was It? Kinoshita Keisuke in a Transnational Context* -
> Kevin McKiernan (University of Minnesota)
>
> *Ōizumi Akira and the Radical Potential of Program Pictures* - Kenta Kato
> (Meiji University)
>
> *On Salaryman Films* - Hannah Airriess (Indiana University Bloomington)
>
>
> _______________________________________________
> KineJapan mailing list
> KineJapan at mailman.yale.edu
> https://mailman.yale.edu/mailman/listinfo/kinejapan
>
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