[NHCOLL-L:2781] On-Line Exhibit Fundamentals Course
Gretchen Anderson
gretcha at smm.org
Fri Jul 29 15:32:52 EDT 2005
My colleague and research associate, Helen Alten of Northern States
Conservation Center ( http://www.collectioncare.org/) asked me to forward
this on to NHCOLL.
Northern States Conservation Center announces a new on-line training course
in exhibit fundamentals.
>>MS106: Exhibit Fundamentals: Ideas to Installation
>>Instructor: Lin Nelson-Mayson
>>Dates: October 3 - 28, 2005
>>Location: Over the Internet
>>
>>Nearly every museum develops exhibits, but how can we improve
>>communication with our visitors while presenting our objects to their
>>best advantage? This course explores museum exhibits from initial idea to
>>final installation in a variety of museum settings. Topics covered
>>include exhibit theory, the role of the museum's mission, creating a time
>>line, intellectual and physical accessibility, writing the exhibit script
>>and other interpretive texts, the role of design elements (sequencing,
>>color, graphics, lighting, audio-visual), basic installation techniques
>>(including placement guides and hanging framed artwork), object safety
>>and security (including mount-making), visitor safety, and types of
>>exhibit evaluations. Each student will develop an exhibit plan based on
>>their museum's own exhibit goals.
>>
>>The course will last for four weeks. The course format is self-paced
>>through 6 sections. The instructor will be available at predetermined
>>intervals throughout the course. This course will include on-line
>>literature, slide lectures, and student-teacher/group-teacher dialog. The
>>course is limited to 20 participants.
>>
>>If you are interested in the course, please sign up at
>>www.museumclasses.org and pay for the course at
>>http://www.collectioncare.org/tas/tas.html. If you have trouble
>>completing an on-line order, please contact Helen Alten at
>>helen at collectioncare.org or Eric Swanson at eric at collectioncare.org
>>
>>
>>Course Outline
>>1. Introduction: Exhibition Theory and the Museums Mission
>>1. Introduction What is an Exhibition?
>>2. Mission and Exhibitions
>>3. What makes a good exhibition?
>>4. Types of exhibitions
>>5. Finding ideas for exhibitions
>>
>>2. Intellectual and Physical Accessibility & Exhibition Evaluations
>>1. Intellectual Accessibility
>>2. Physical Accessibility
>>3. Types of Evaluations
>>
>>3. Creating a Timeline and Writing Texts
>>1. Developing and exhibition concept
>>2. “Team” exhibition development
>>3. Developing an exhibition timeline
>>4. Budgeting for an exhibition
>>5. Writing labels
>>
>>4. The Role of Design Elements and Basic Installation Techniques
>>1. Light
>>2. Color
>>3. Sequencing and Floor Plan
>>4. Graphics
>>5. Audio-visual
>>6. Fabrication
>>7. Specific Installation Techniques
>>
>>5. Object and Visitor Safety
>>1. Mount making and handling
>>2. Potential hazards to exhibited objects
>>3. Object security
>>4. Visitor safety and security
>>5. Exhibition maintenance
>>
>>6. Conclusion
>> Museum Exhibition Standards of Excellence
>> Current Issues in Museum Exhibitions
>> Complete Exhibit Plan
>>
>>Lin Nelson-Mayson, with over 25 years of museum experience at small and
>>large institutions, recently joined us as a museumclasses.org instructor
>>after being the Director of ExhibitsUSA, a nonprofit exhibition touring
>>organization that annually tours over 30 art and humanities exhibitions
>>across the country. For five years she was a coordinator or judge (two
>>years) for the American Association of Museums’ Excellence in Exhibitions
>>Competition. She currently serves on the Exhibition Committee for the
>>National Sculpture Society. Ms Nelson-Mayson has extensive experience
>>with the planning, preparation, research and installation of exhibitions
>>and the decision-making processes each museum must go through to ensure
>>that the exhibition aids in the fulfillment of the museum’s mission. Ms
>>Nelson-Mayson’s experience includes teaching museum studies and museology
>>courses. Her particular interest is the needs of small museums.
>>
>>Her credentials include the following;
>>Ÿ An MFA from The Ohio State University in sculpture and critical
>>writing
>>Ÿ A BFA from Miami University in Oxford, Ohio in painting.
>>Ÿ Work as a curator for the Ross County Historic Society
>>(Chillicothe, OH), the Art Museum of South Texas (Corpus Christi), the
>>Columbia Museum of Art (SC), and the Minnesota Museum of American Art
>>(St. Paul).
>>Ÿ An active member of the American Association of Museums, the
>>Association of Midwest Museums, and past chair of the Minnesota
>>Association of Museums.
>>
>
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