[SoundStudies] Announcement: Organised Sound, new issue now available

Lynda Paul lynda.paul at yale.edu
Tue Apr 16 09:56:02 EDT 2013

Dear all,

The following might be of interest to some of you.

All best,


Lynda Paul, Ph.D.
Postdoctoral Associate in the Integrated Humanities
Yale University




Lonce Wyse

‘The Open Work’: Ecologies of participation
Guy Harries

Lowercase Strategies in Public Sound Art: celebrating the transient audience
Peter Batchelor

My Content/My Space/My Music
Alexandros Kontogeorgakopoulos and Olivia Kotsifa

massMobile: towards a flexible framework for large-scale participatory
collaborations in live performances
Nathan Weitzner and Jason Freeman and Yan-Ling Chen and Stephen Garrett

Understanding Interpretation, Informing Composition: audience involvement in
aesthetic result
Andrew Hill

On Performing Electroacoustic Musics: a non-idiomatic case study for Adorno's
theory of musical reproduction
Elizabeth Hoffman

The Naturalised and the Surreal: changes in the perception of popular music
Ragnhild Brøvig-Hanssen and Anne Danielsen

Schaeffer's Values, Henry's Monsters and Orchestral Noise Reduction
Jeffrey DeThorne

Boulanger Richard and Lazzarini Victor, eds, The Audio Programming Book.
Cambridge, MA: The MIT Press, 2010. ISBN 978-0-262-01446-5
Wilson Scott, Cottle David and Collins Nick, eds, The SuperCollider Book.
Cambridge, MA: The MIT Press, 2011. ISBN 978-0-262-23269-2

Florence Feiereisen and Alexandra Merley Hill, Germany in the Loud Twentieth
Century: An Introduction. New York: Oxford University Press, 2012.
ISBN 978-0-19-975938-5
Tatjana Böhme-Mehner

More information about the SoundStudies mailing list