[EAS]Thinking outside the Text
pjk
pjk at design.eng.yale.edu
Thu Apr 24 03:13:26 EDT 2003
Mail*Link¨ SMTP Thinking outside the Text
Good reminders that the world inside a text book can be a dull place.
--PJK
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"Use Edward deBono's PMI method to point out flaws without rejecting
creative ideas. Discuss Positive aspects, Minuses, and Interesting
features that can be adapted to other designs. Fear of failure can be
a major block to creative thinking, so let students know it's OK if
initial designs fail. Encourage them to look for multiple solution
paths and multiple answers."
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Folks:
The posting below provides provides some good suggestions on how to
help your students think creatively as soon as they come to your
institution. It is by By Phillip Wankat and Frank Oreovicz from the
March, 2003 issues of ASEE Prism, Volume 12, Number 7.
<http://www.asee.org/prism/>. Copyright © 2003 ASEE, all rights
reserved. Reprinted with permission.
Rick Reis
reis at stanford.edu
UP NEXT: Be a Stress Buster
Tomorrow's Teaching and Learning
------------------------------ 636 words
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THINKING OUTSIDE THE TEXTBOOK
By Phillip Wankat and Frank Oreovicz
Creative thinking needs to be part of the every student's education.
Good teachers know that textbook knowledge only goes so far toward
solving real-world problems. Students will need fresh ideas and
original thinking to tackle challenges. And it's our responsibility
as educators to help them develop these skills. So if-as Albert
Einstein said-imagination is more important than knowledge, why do we
wait until the open-ended problems of the senior capstone design
course to encourage creativity in our students? We should start
helping students to think creatively when they come to us as
wide-eyed freshmen. Here are some ways we've found to nudge the
creative process along:
Break out of the one-and-only answer rut. The more ideas students
have, the more likely they are to have good ones. So, when students
solve classroom or homework problems, encourage them to generate a
large number of creative or novel solutions, evaluate them
critically, and discard the bad ones.
Use creative thinking techniques and games. Brainstorming is an
excellent way to get students thinking in more creative ways. Be sure
everyone contributes when you use this technique, and don't criticize
no matter how outlandish the idea. Write everything down, so the
ideas can build on one another. And ask questions that get at subtle
points. For example, TV weather forecasters sometimes say it has to
warm up to snow. Is this true? Why? Have students discuss the
question in small groups or ponder it overnight.
Asking how nature does something, asking "what if" questions,
fantasizing about magical solutions, and looking for the worst-case
scenario are ways to trigger creative thinking. Use games and
puzzles, particularly mathematical puzzles, so that students have fun
while they learn.
Be careful not to punish creativity. A creative solution probably
won't be as polished as a standard, regurgitated one. It is also
unlikely to follow the same steps that a standard solution would. So
use different criteria to score these creative answers because using
the same grading templates might punish a student's creative problem
solving with a lower grade.
Use Edward deBono's PMI method to point out flaws without rejecting
creative ideas. Discuss Positive aspects, Minuses, and Interesting
features that can be adapted to other designs. Fear of failure can be
a major block to creative thinking, so let students know it's OK if
initial designs fail. Encourage them to look for multiple solution
paths and multiple answers.
Introduce creativity with projects and research. A creative project
that can be adapted to any course is Rich Felder's "generic quiz"
(Chem. Engr. Educ., Fall 1985, p. 176). We use this project at Purdue
by asking students in their first chemical engineering course to
develop a novel homework problem. This two-week group project is
worth 10 to 15 percent of the course grade. A group that uses real
data and develops a unique problem with a correct solution can earn
an A. If the problem is similar to problems in the book but the data
is from other sources, the highest possible grade is a B. Problems
similar to those in the textbook using data from the text merits a
maximum grade of C. Students do the project at the end of the
semester to bring together the different elements in the course.
After a semester of solving problems, they find developing a unique
problem to be a fun challenge but are usually surprised at how
difficult it is. To control freeloading, students evaluate what
percentage of the project grade teammates deserve. Assigned instead
of a final exam, this project generates more enthusiasm and is an
opportunity to practice team and communication skills.
Creative students won't come from boring classes and tedious
assignments. We can make problems more than mere exercises and show
them that the best solutions are seldom found on dusty library
shelves.
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Phillip Wankat is head of interdisciplinary engineering and the
Clifton L. Lovell Distinguished Professor of chemical engineering at
Purdue University. Frank Oreovicz is an education communications
specialist at Purdue's chemical engineering school. They can be
reached by e-mail at <mailto:purdue at asee.org>purdue at asee.org.
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