"aberrant L's"??

[Mirjam/Roger Fischer]

Do you have more examples or explanations about the L? I get more and more
interested about that. Thank you and Aaron as well
Best regards
Roger Fischer

P.S.: You can also mail me directly, if you think it's too far from the
domain of KineJapan. e-mail: mrfischer at access.ch


At 03:43 10.08.98 +0900, you wrote:
>
>Perhaps far from the domain of KineJapan:
>
>nonetheless:
>
>an interesting place to follow the "l" question would be in 70s and 80s
>music.  Southern All Stars as well as early Matsuda Seiko made lyrical
>points in pronouncing the "r/d/l--a" sound precisely as if it were an
>English "L".  Especially in the case of SOS's innovative understanding of
>lyrics, these vocal media would provide an interesting way to make the
>problem less one of deviance from standard romaji and more one of actual
>articulation.
>
>jonathan
>
>Jonathan M. Hall
>-Ph.D. Cand., Dep't. of Representation & Culture, Univ. of Tokyo
>-Ph.D. Cand., History of Consciousness Dep't., Univ. of California, Santa
Cruz
>4-5-29-1-218 Komaba, Meguro-ku, Tokyo 153 JAPAN
>tel: +81-3-5465-7422
>(in Japanese): $B")#1#5#3El5~ETL\9u6h6p>l#4!<#5!<#2#9!<#1!<#2#1#8(B
>
>
>
>


Miriam Fischer Roger Fischer
mrfischer at access.ch
Tel. 01 401 36 39