hawaii workshop

Thomas Lamarre thomas.lamarre
Tue Apr 1 13:58:24 EST 2003


Thanks Markus.  Schedule looks great.

It was good to meet you in NY, and I hope to have a revised manuscript for
you and Bruce soon.

cheers,

Tom

> Hi,
> 
> We're about to finish up a schedule, but it will look something like
> the list below. Please don't circulate this, as it is VERY tentative.
> It is only for your use.
> 
> Best,
> 
> Markus
> 
> 
> A. M. Nornes
> Program in Film and Video Studies
> Department of Asian Languages and Cultures
> University of Michigan
> 2512 Frieze Building
> Ann Arbor, MI 48109-1285
> Phone: 734-647-2094
> FAX: 734-936-1846
> 
> 
> SCHEDULE
> (Both this schedule and the panel/participants below are in flux)
> 
> Thursday
> 7:30 Conference Dinner.
> 
> Friday
> 9 Welcome
> 9:30-11:30 Panel 1
> 11:30-12:30 Lunch
> 12:30-2:30 Panel 2
> 3:00-5:00 Panel 3
> Dinner at restaurant
> 
> Saturday
> 9:30-11:30 Panel 4
> 11:30-12:30 Lunch
> 12:30-2:30 Panel 5
> 3:00-5:00 Panel 6
> 5:15 Wrap-up by Nornes & Yoshimoto
> Beach party: sponsored by UH Center for Japanese Studies
> 
> Sunday
> 10:00 Conference Wrap-up
> 11:00 Subtitling Consortium and Demontration (Michael Raine)
> 
> Participants / Panels
> 
> Christine Marran (Princeton University), "Ozu, Trains, etc."
> Catherine Russell (Concordia University), "Naruse Mikio in the 1930s
> and the Discourse of Everyday Life."
> Kirsten Cather (University of California, Berkeley), "Oshima on Trial."
> Jonathan M. Hall (University of Chicago), "Objects and Their Agency:
> Horror, Tactility, and the Cinematic-Subject-Machine in Late-Century
> Japanese Cinema."
> 
> Anne McKnight (McGill University), "Animating the Concrete:  Sound and
> Image Relations in Animation and Documentary, 1955 to the Early
> Seventies."
> Thomas Lamarre (McGill University), "The Digital Divide: Animation,
> automation, revolution."
> Thomas Looser (McGill University), "Animate Histories."
> Livia Monnet, University of Montreal), "Haunted Topologies, or Invasion
> of the Movie Snatchers: Mimesis, Melancholia and the New Uncanny in
> Final Fantasy: The Spirits Within."
> 
> Chris Ames (University of Michigan), "Okinawa's US Occupation: Setting
> of the 'Eastern Western.'"
> Kukhee Choo (University of Texas), "The Postmodern Approach to the
> Concept of Nationality in the Japanese Film Go!"
> Luk Van Haute (Hogeschool Gent, Belgium), "Foreigners and the Language
> Problem in Japanese Movies."
> Minaguchi Kiseko (Teikyo University), "Cultural Codes Metamorphosed."
> Miriam Rohde / Thomas Schnellbacher (joint paper): "Desire through the
> Looking Glass ? Miike Takashi's Audition as a mirror cabinet of
> Japanese patriarchal images of women"
> 
> Stephanie DeBoer (University of Southern California), "Negotiating
> Histories, Revisiting Oshin: Gender, Tourism, and the Spaces of
> Television."
> Eva Tsai (National Taiwan Normal University), "The Consequences of
> Playing a Lover on TV."
> Gabriella Lukacs (Duke University), "From the Touden murder case to
> Dokushin Seikatsu: The location of televisual culture in contemporary
> Japan."
> Bruce Suttmeier (Lewis & Clark College), " ?On Viewing Violence: Image
> and Memory in early 1960s Television."
> 
> Itakura Fumiaki (XXX), "Japanese Immigrants and Japanese Cinema."
> Hirofumi Katsuno (University of Hawaii), "Consuming Japanese
> Live-Action TV in Hawaii."
> Christine Yano (University of Hawaii), "Nikkei Gazing: Telegenic
> Portraits of Japanese Americans."
> Satomi Sato (University of Iowa), "The Evolution of Anime Language from
> Tenchi muyo to Onegai Teacher."
> 
> Michael Raine (Bard College), "War at Sea from Hawaii to Malaya."
> Jeff Isaacs
> Chika Kinoshita
> Junji Yoshida (University of Oregon), "Reading Propaganda in The
> Brothers and Sisters of the Toda Family"
> 
> Roland Domenig
> Mark Anderson
> 
> A. M. Nornes
> Mitsuhiro Yoshimoto
> 
> 
> 
> 
> 





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