Geisha films (E+J)

Wei Ting Jen intewig at gmail.com
Wed Mar 8 10:39:05 EST 2006


Good point. But that may well be a flaw of the book, rather than the
movie. That may have been why it was so painful to read - no richly
textured moments of silence, the dramatic action too extravagant, the
plot too grandiose and sweeping. That's not to say of course that
Japanese stories lack drama, rather the drama lies in what you don't
sense or see on first reading.

And is it just me? But I find the variation of English accents
extremely jarring on my ears - something I've noticed from Crouching
Tiger Hidden Dragon (which featured a panoply of Chinese accents -
mainland, Malaysian, Hong Kong-ese - which to me is one big reason why
so many Chinese people I know didn't like the movie). I may just be
more sensitive to this, but it sounds extremely odd to hear on the
same sound stage Malaysian, Japanese, and Chinese accented English....

Wei Ting


On 3/9/06, Alexander Jacoby <a_p_jacoby at yahoo.co.uk> wrote:
>
> Memoirs of a Geisha - I saw it the other week too. It's OK, but suffers from
> one of the prevalent vices of modern commercial filmmaking - so much
> jittering camera movement and rapid cutting that one isn't given time to
> appreciate the art direction or acting. Also, it failed my number one test
> for Western representations of Japanese characters - too many characters who
> talk explicitly and openly about their feelings. This has been an annoying
> trait of Western stories about Japan forever.
>
> ALEX
>
>
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