Some articles on J cinema in *Scope* no. 6 (Oct. 2006)

[Jonathan M. Hall]

>
> From: "Stringer Julian" <Julian.Stringer at nottingham.ac.uk>
>
> Dear All
>
> The new issue of *Scope: An Online Journal of Film Studies* - issue  
> 6 (NS) - has just been published at http:// 
> www.scope.nottingham.ac.uk/issue.php?issue=6. The table of contents  
> is reproduced below.
>
> All issues of *Scope* published between 1999-2004 are now available  
> in the journal's archive (http://www.nottingham.ac.uk/film/ 
> scopearchive/index.htm).
>
> best
>
> Julian
>
>
> *Scope* - Issue 6 (Oct. 2006)
>
> Articles
> Fantasy at Work: The Material and Ideological Conditions of the  
> Hong Kong and Hollywood Film Industries Sylvia J. Martin
>
> Poison in the Sirkian System: The Political Agenda of Todd Haynes's  
> Far From Heaven Niall Richardson
>
> The Science Fiction of Whiteness
> Sean Redmond
>
> Between Comedy and Kitsch: Kitano's Zatoichi and Kurosawa's  
> Traditions of "Jidaigeki" Comedies Rie Karatsu
>
>
> Book Reviews
> Style and Meaning: Studies in the Detailed Analysis of Film, By  
> John Gibbs and Douglas Pye (eds.)
> Reviewer: James Walters
>
> Sembene: Imagining Alternatives in Film and Fiction, By David Murphy
> Reviewer: Alexander Fisher
>
> How Hollywood Works, By Janet Wasko  & European Film Industries By  
> Anne J?ckel
> Reviewer: Philippe Meers
>
> Deleuze and Horror Film, By Anna Powell  & Japanese Horror Cinema  
> By Jay McRoy (ed.)
> Reviewer: Patricia Allmer
>
> The Fountainheads: Wright, Rand, the FBI and Hollywood, By Donald  
> Leslie Johnson  & The Gordon File: A Screenwriter Recalls 20 Years  
> of FBI Surveillance By Bernard Gordon & Screenwriting: The Sequence  
> Approach: The Hidden Structure of Successful Screenplays By Paul  
> Joseph Gulino
> Reviewer: David Dunn
>
> Criminal Visions: Media Representations of Crime and Justice, By  
> Paul Mason (ed.)
> Reviewer: Frances Pheasant-Kelly,
>
> Chinese National Cinema, By Yingjin Zhang
> Reviewer: Sabrina Q. Yu
>
> Film Genre: Hollywood and Beyond, By Barry Langford
> Reviewer: Elaine Lennon,
>
> Andrei Rublev, By Robert Bird
> Reviewer: Kenneth R. Morefield
>
> Doing Philosophy at the Movies, By Richard A. Gilmore
> Reviewer: Tom Paulus
>
> Powell and Pressburger: A Cinema of Magic Spaces, By Andrew Moor  &  
> Coward on Film: The Cinema of Noel Coward
> Reviewer: Philip Gillett
>
> Hollywood Utopia: Ecology in Contemporary American Cinema, By Pat  
> Brereton
> Reviewer: Harri Kilpi
>
> The Cinema of Andrzej Wajda: The Art of Irony and Defiance, By John  
> Orr and Elzbieta Ostrowska (eds.)
> Reviewer: Sheila Skaff
>
> Shooting Stars. Drugs, Hollywood and the Movies, By Harry Shapiro
> Reviewer: John Saddington
>
> Nelson Pereira dos Santos, By Darlene J. Sadlier
> Reviewer: Vicente Rodriguez Ortega
>
>
> Film Reviews
> Babas Bilar (Baba's Cars)
> Reviewer: Lars Kristensen
>
> Monster's Ball
> Reviewer: Melissa Anwiyo
>
> Atlantic
> Reviewer: Carol Donelan
>
> Mission: Impossible III
> Reviewer: Ian London
>
> Superman Returns
> Reviewer: Michael Duffy
>
> Funny Games
> Reviewer: William Smith-Bowers
>
>
> Conference Reports
> University of St. Andrews, Scotland, 15-17 June 2006
> Reporter: Pietari K??p?
>
> University of East Anglia, 23 June 2006
> Reporter: Tim Snelson
>
> The University of Nottingham Ningbo, China (UNNC), 13-15 April 2006
> Reporter: Shi Yu
>
> University of Glasgow, 30 June-2 July 2006
> Reporter: Leon Gurevitch and Alexandra Simcock
>