JAPANESE CINEMA: TEXTS AND CONTEXTS

Phillips, Alastair Alastair.Phillips
Mon Jan 14 16:03:28 EST 2008


Dear list members,

Thanks to Marcus for the previous mention of 'Japanese Cinema: Texts and Contexts' (Routledge: London and New York). For those interested, here is a more detailed breakdown of the book's contents.

Best wishes,

Alastair

1. The Salary Man's Panic Time: Ozu Yasujiro's I Was Born, But
 (1932)
ALASTAIR PHILLIPS

2. All For Money: Mizoguchi Kenji's Osaka Elegy (1936)
MORI TOSHIE

3. Turning Serious: Yamanaka Sadao's Humanity and Paper Balloons (1937)
FREDA FREIBERG

4. Country Retreat: Shimizu Hiroshi?s Ornamental Hairpin (1941)
ALEXANDER JACOBY

5. The Riddle of the Vase: Ozu Yasujiro's Late Spring (1949)
ABE MARK NORNES

6. History Through Cinema: Mizoguchi Kenji's Life of O-Haru (1952)
JOAN MELLEN

7. The Menace from the South Seas: Honda Ishiro's Godzilla (1954)
YOMOTA INUHIKO

8. Seven Samurai and Six Women: Kurosawa Akira's Seven Samurai (1954)
D. P. MARTINEZ

9. Women's Stories in Post-War Japan: Naruse Mikio's Late Chrysanthemums (1954) 
CATHERINE RUSSELL

10. A Cinematic Creation: Ichikawa Kon's Conflagration (1958)
KEIKO I. MCDONALD

11. Modernization without Modernity: Masumura Yasuzo's Giants and Toys (1958)
MICHAEL RAINE

12. Questions of the New: Oshima Nagisa's Cruel Story of Youth (1960)
MITSUHIRO YOSHIMOTO

13. Ethnicizing the Body and Film: Teshigahara Hiroshi's Woman in the Dunes (1964)
MITSUYO WADA-MARCIANO

14. Dark Visions of Japanese Film Noir: Suzuki Seijun's Branded to Kill (1967)
DAISUKE MIYAO

15. Eroticism in Two Dimensions: Shinoda Masahiro's Double Suicide (1969)
CAROLE CAVANAUGH

16. Transgression and the Politics of Porn: Oshima Nagisa's In the Realm of the Senses (1976)
ISOLDE STANDISH

17. Unsettled Visions: Imamura Shohei's Vengeance is Mine (1979)
ALASTAIR PHILLIPS

18. Playing with Postmodernism: Morita Yoshimitsu's Family Game (1983)
AARON GEROW

19. Transgression and Retribution: Yanagimachi Mitsuo's Fire Festival (1985)
DONALD RICHIE

20. Community and Connection: Itami Juzo?s Tampopo (1985)
LINDA EHRLICH

21. The Imagination of the Transcendent: Kore-eda Hirokazu's Maborosi (1995)
DAVID DESSER

22. Therapy for Him and Her: Kitano Takeshi's Hana-Bi (1997)
DARRELL WILLIAM DAVIS

23. The Original and the Copy: Nakata Hideo's Ring (1998)
JULIAN STRINGER

24. The Global Markets for Anime: Miyazaki Hayao's Spirited Away (2001)
RAYNA DENISON


Dr. Alastair Phillips
Associate Professor
Department of Film and Television Studies
University of Warwick
Coventry
CV4 7AL
UK

T: 02476 522434
E: Alastair.Phillips at warwick.ac.uk
W: http://www2.warwick.ac.uk/fac/arts/film/staff/phillips/



-----Original Message-----
From: owner-KineJapan at lists.acs.ohio-state.edu on behalf of Mark Nornes
Sent: Mon 1/14/2008 12:17 PM
To: KineJapan at lists.acs.ohio-state.edu
Subject: Four Books
 
Aaron's mention of the new Yoshida anthology reminded me that there  
are four new books worth mentioning by fellow travelers on KineJapan.  
I don't believe anyone has mentioned these, yet.

Fukujiki Hideaki published Zoshoku Suru Perusona through Nagoya UP.  
It's a thick, wonderfully researched study on early stardom in  
Japanese cinema. It sits nicely next to Daisuke Miyao's book from last  
year on Hayakawa. (You can read this in English by ordering his  
dissertation from 2005.)
http://www.bk1.jp/product/02932473

Mitsuhiro Yoshimoto published Ime-ji no Teikoku/Eiga no Owari through  
Ibunsha in Japan. He discusses the state of contemporary American  
cinema, with close analyses of Matrix, Saving Private Ryan, the recent  
Eastwood films, and others.
http://www.ibunsha.co.jp/

Alastair Phillips and Julian Stringer's Japanese Cinema: Texts and  
Contexts finally came out. It has 24 close textual analyses of  
Japanese films from all eras, and most of the writers are on this  
list. It looks like a fantastic book.
http://routledgemedia.com/books/Japanese-Cinema-isbn9780415328487

And, finally, my Cinema Babel: Translating Global Cinema is out from  
Minnesota UP. Like Mitsuhiro's book, it's not really a book about  
Japanese cinema. Rather, it's my attempt to write about Japanese  
cinema in a global space, placing Kurosawa next to everything from  
multilingual Transylvanian silent films to Czech dubbings of  
mainstream Hollywod flicks. Examples from the entire history of  
Japanese cinema are sprinkled throughout.
http://www.upress.umn.edu/Books/N/nornes_cinema.html

Markus

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