Fwd: CFP: Popular Film Criticism in Media Culture
Aaron Gerow
aaron.gerow at yale.edu
Wed Jun 3 18:20:10 EDT 2009
Since this relates to our discussion on new media and film criticism,
I thought I'd forward this.
Begin forwarded message:
>
> From: "Will Scheibel" <willscheibel at gmail.com>
>
> Society for Cinema & Media Studies Conference, March 17-21, 2010
> The Westin Bonaventure Hotel & Suites, Los Angeles, CA
>
> Deadline for submissions to this panel: August 9, 2009 11:59 PM CST
>
> Submissions sought for a panel that considers the relationship
> between film
> reviewing and media culture. Papers addressing film criticism in
> ways that
> relate to the overall conference theme (SCMS at 50: Archiving the
> Future/Mobilizing the Past) are particularly welcome.
>
> Cinema scholars such as Robert Kapsis, Barbara Klinger, and Charles
> Maland
> have examined the role of reviews in discursively constructing popular
> genres and directorial reputations during the Classical Hollywood
> era. Over
> the past three years, however, more than 55 professional film
> critics have
> lost their jobs, a statistic reported by Sean P. Means of The Salt
> Lake
> Tribune, who attributes this plight to buyouts, layoffs, reassignment,
> retirement, or the death of their print publications. Meanwhile,
> online
> criticism continues to flourish, as evidenced by review aggregators
> such as
> Rotten Tomatoes, movie websites such as IMDB, and blogs dedicated
> to film
> analysis and evaluation. This panel aims to investigate not only
> the status
> of the film critic in the contemporary mediascape, but also the
> impact of
> print and Internet film reviewing on global cinema culture.
>
> Potential topics may include, but are not limited to the following:
>
> - Film reviews as historical evidence
> - The future of film criticism
> - Reviewing, academia, and cinephilia
> - Popular opinion, moviegoing, and the DVD market
> - Film criticism and film advertising
> - The cultural presence of the public intellectual
> - Canonicity, connoisseurship, and taste politics
> - Print media vs. new media
> - Coverage of international/independent films and film festivals
> - Genre definitions (e.g. David Edelstein’s coinage of “torture
> porn”)
> - The cult of the director
>
> Send 300 word abstract and full academic CV (as separate e-mail
> attachments)
> to: Will Scheibel (willscheibel at gmail.com). Submitters will be
> notified as
> to the status of their proposal by August 15. Please visit the SCMS
> website
> for more details about the 2010 conference: http://www.cmstudies.org/
>
> Will Scheibel
> Indiana University
> Department of Communication & Culture
> 800 East Third Street
> Bloomington, IN 47404
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