Iconics 10

Jasper Sharp jasper_sharp at hotmail.com
Wed Apr 7 05:27:31 EDT 2010


Roger, I know there's a couple of back issues of Iconics in the British Film Institute library, in the stacks not on the shelves.

Jasper

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Date: Wed, 7 Apr 2010 10:15:22 +0100
From: macyroger at yahoo.co.uk
To: KineJapan at lists.acs.ohio-state.edu
Subject: Re: Iconics 10










Thanks for pointing this out, Aaron.
 
Since I got conflicted results from library searches, I 
thought I'd try after the holiday, but I'm still puzzled.  'Worldcat' is 
telling me there are no holdings outside North America.  ?None in 
Asia?  And I know that's wrong for Europe since COPAC shows the British 
Library's holding of the three issues, 2004-8.
Can anyone show me where I'm going wrong and point to any 
back holdings in western Europe ?
I don't suppose that the enrolment fee would provide us 
with back issues ?
 
Roger

  ----- Original Message ----- 
  From: 
  Aaron 
  Gerow 
  To: KineJapan at lists.acs.ohio-state.edu 
  
  Sent: Saturday, April 03, 2010 9:00 
  AM
  Subject: Iconics 10
  

  
  Here's an announcement about the 
  newly published of Iconics, the international journal of the JASIAS. It 
  features several articles by KineJapan members, including Jonathan's 
  provocative piece on the neglect of psychoanalysis in Japan film studies, 
  Naoki's groundbreaking work on why Bluebird films were so important in 
  Japanese film history, and Ryan's deft analysis of the peculiar connections 
  between Oshima and Hasumi on sex and cinema.
  

  The Japan Society of Image Arts and 
  Sciences has just published the 10th issue of Iconics: International Studies 
  of the Modern Image (ISSN 1345-4447), featuring articles by major scholars in 
  English and French on cinema and other modern image media. The table of 
  contents is as follows:
  

  Pragmatism and the Interpretation 
  of Films
  - Martin Lefebvre
  

  La Fin du Grand Sommeil de 
  l'Introuvable Dame du Lac
  - Marc Cerisuelo
  

  Liquid Cinema and the Watery 
  Substance of Vision
  - A. L. Rees
  

  Kinodrama and Kineorama: Modernity 
  and the Montage of Stage and Screen
  - Okubo Ryo
  

  The "Eternal Virgin" Reconsidered: 
  Hara Setsuko in Contexts
  - Kanno Yuka
  

  Strange Bedfellows: Hasumi 
  Shigehiko and Oshima Nagisa on Sex, 
  Censorship and Cinema
  - Ryan M. Cook
  

  Where Did the Bluebird of Happiness 
  Fly?: Bluebird Photoplays and the 
  Reception of American Films in 
  1910s Japan
  - Yamamoto Naoki
  

  Kneeling on Broken Glass: 
  Psychoanalysis and Japan Film Studies
  - Jonathan M. Hall
  

  Iconics is published once every 2 
  years as the international journal of the JASIAS and introduces articles in 
  English, French and German. The Society also publishes the journal Eizogaku 
  twice a year in Japanese. Iconics features refereed submissions from JASIAS 
  members and invited articles by major world scholars, as well one translated 
  article that was selected by the editorial board as the best piece published 
  in the previous two years in Eizogaku (Okubo Ryo's article is that piece in 
  Volume 10).
  

  For a list of the contents of 
  previous issues of Iconics, please consult the JASIAS website:
  

  http://www.art.nihon-u.ac.jp/jasias/iconics-ie.html
  

  Inquiries about acquiring single 
  issues of Iconics or starting a subscription, or about joining the JASIAS 
  (Japan's largest film and modern image media studies society), can be 
  addressed to the JASIAS office: jasias at nihon-u.ac.jp
  
   		 	   		  
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