Japan and Cult

[Mark Nornes]

I guess this depends on how you define cult cinema? I mean, from a certain perspective film scholars are nothing but fans!  

So what's your def?

m







_________________________________
A. M. Nornes
Chair
Department of Screen Arts and Cultures
University of Michigan
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On Feb 15, 2010, at 5:03 PM, Nathen Clerici wrote:

> Hello all,
> 
> My name is Nathen Clerici, and this is my first post.  I am really enjoying all the threads on this list.  
> 
> I am starting a research project that will examine how Japanese film travels and the channels by which it comes to be seen outside Japan.  I want to frame the problem by looking at how different forms of distribution and exhibition (e.g. art house cinema, university courses, Internet fan sites, etc.) affect how a particular movie is received.  Within this framework, I am interested in the idea of cult.  It seems that Japanese cinema is often classified as cult cinema, but I am not sure that it could be received any other way.  Even if we consider a particular Japanese film to be highbrow art, it is most likely still confined to a small-but-adoring audience of cinephiles-- or Japanophiles.  Perhaps J-Horror is an exception?
> 
> I am curious, KineJapaners, do you think Japanese films seen outside Japan are cult cinema?  
> 
> I realize the cultural context changes, but I also think that the modes of viewing (e.g. web-based, fan subs, art house) exert a strong influence.  In addition, this is most likely not a question just for Japanese film, but for all film that crosses national/linguistic borders.
> 
> Thanks,
> 
> Nathen Clerici
> University of British Columbia
> PhD Program
> Asian Studies

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