Kinema Club X schedule

[Aaron Gerow]

For those of you who won't be joining us (or who can just drop by on  
the spur of the moment), here is the schedule for KC X this weekend in  
Hawaii;

KINEMA CLUB X
July 30 - August 1, 2010
East West Center, Honolulu

Friday, July 30

2:00                    Open for Business at the East West Center’s  
Imin Center, please come to Pago Pago Room to register.



2:30-4:30 pm

Panel 1: Washington Room

PRECONSTITUTED PANEL: Re-imagined Communities: Undoing the  
Relationship of Gender, Sexuality, and Nationalism through Postwar  
Japanese Films

Tsukada Yukihiro (Kansai Gakuin University)

Scandal Japan: Sexual Politics in Kōji Wakamatsu’s Early Works

Nakagaki Kotaro (Daito Bunka University)

Locality and Gender/Body/Identity Switching: Ōbayashi Nobuhiko’s Two  
Versions of Exchange Students and Transitions of Shōjo Images

Suzuki CJ (Baruch College - The City University of New York (CUNY))

New Media and Neo-nationalism in Postmodern Japan



Panel 2: Pago Pago Room

Kukhee Choo (University of Tokyo)

Virtual Daikoku: The New Japan Imagined in Coil—A Circle of Children

Marie Thorsten (Doshisha University)

Cartoon Reality?: The Animated Documentary and the Art of Darkness

Melek Ortabasi (Simon Fraser University )

(Re)animating Folklore: Raccoon Dogs, Foxes and other Supernatural  
Japanese Citizens in Takahata Isao’s Heisei tanuki gassen ponpoko



5:30 pm

Reception/dinner at Manoa Valley Inn, 2001 Vancouver Drive (808)  
947-6019.




8:00 pm

Migration to official bar



Saturday, July 31

9:00 am

Breakfast



9:30-11:00 am

             Panel 3: Washington Room

A. M. Nornes (University of Michigan)

The Restless Calligraph

Miryam Sas (UC Berkeley)

Intermedia Moments in Japanese Experimental Animation



             Panel 4: Pago Pago Room

Seio Nakajima (University of Hawai‘i at Mānoa)

Mapping the Transnational Genesis of the Post-War Japanese Cinematic  
Field: Case Studies of the Productions of Madame White Snake (1956)  
and Legend of the White Snake (1958)

Paul Berry (Kansai Gaidai University)

Black Lizard Playground: Gender Performance in the Kurotokage films by  
Fukasaku, Maruyama, and Mishima (1968) and the 2007 Takarazuka Version



11:00 am

Lunch



12:45-2:15 pm

Panel 5: Washington Room

Sharon Hayashi (York University)

Film, Social Movements and Freeter Culture

Jonathan M. Hall (Pomona College)

Direct Video Action: The Distance and Brevity of Neoliberalism



Panel 6: Pago Pago Room

Kirsten Cather (University of Texas at Austin)

Stilling the Moving Bodies of a Nikkatsu Roman Porn: Kumashiro  
Tatsumi’s 1973 Yojōhan fusuma no urabari

Julian Ross (University of Leeds)

Interdisciplinary Activities of Shinjuku Bunka and Sasori-za:  
Theatrical Impact on the Early ATG Films



2:30-4:00 pm

             Panel 7: Washington Room

Aaron Gerow (Yale University)

The “Beginnings” of Theory: Nakagawa Shigeaki on Film

Naoki Yamamoto (Yale University)

Struggles over Cinematic Subjectivity: Nikkatsu Tamagawa and the  
Development of Realist Film Practice in Wartime Japan






Panel 8: Pago Pago Room

Michael Raine (University of Chicago)

Ozu vs. the Benshi: 'sound-ban' as silent cinema in 1930s Japan

Roger Macy (independent scholar)

The 1929 Moscow Japanese Cinema Exhibition in Context



5:00-Sunset:

Beach Party: See instructions



Sunset and beyond:

Migration to official bar



Sunday, August 1

9:00 am

Breakfast



9:45 am: Sarimanok Room

Film and Discussion: The State of East-Asian Co-Productions: with  
Stephanie DeBoer, Michael Raine, and Alex Zahlten

12:30-2:00 pm

             Sayonara Lunch






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