Japanese traditional theatre
Prof. Zvika Serper
serper at post.tau.ac.il
Thu Oct 28 16:33:03 EDT 2010
Hi,
See my essays:
"Kurosawa's Dreams: A Cinematic Reflection of a Traditional Japanese Context."
Cinema Journal. Vol. 40, No. 4, Summer 2001, pp. 81-103.
"The Bloodied Sacred Pine Tree: A Dialectical Depiction of Death in Kurosawa's The Throne
of Blood and Ran." Journal of Film and Video. Vol. 52, No. 2, Summer 2000, pp. 13-27.
"Blood Visibility/Invisibility in Kurosawa's Ran." Literature/Film Quarterly. Vol. 28, No. 2, Summer 2000, pp.149-154.
"Lady Kaede in Kurosawa's Ran: Verbal and Visual Characterization through Animal
Traditions." Japan Forum. Vol. 13, No. 2, Autumn 2001, pp. 145-158.
"Shindo Kaneto's Films Kuroneko and Onibaba: Traditional and Innovative
Manifestations of Demonic Embodiments," Japan Forum Vol. 17, No. 2, July 2005, pp. 231-256.
Best regards,
Zvika Serper
Tel Aviv University
----- Original Message -----
From: =%ISO-8859-1?Q?Frances_Raquel_Narv=E1ez?=
To: KineJapan at lists.acs.ohio-state.edu
Sent: Thursday, October 28, 2010 3:18 PM
Subject: Japanese traditional theatre
Hello KineJapaners,
I was wondering if you might be able to suggest Japanese films that have a traditional Japanese theatre (kabuki, bunraku, noh) influence to them. I've already got Dolls (by Kitano) and Double Suicide (by Shinoda) on my list, any other suggestions would be most appreciated.
All the best,
Frances N.
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